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Fall's Calling
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Vous avez sélectionné:
Fall's Calling
Partitions à imprimer
12 partitions trouvées
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1
Fall's Calling
Fall's Calling
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Alexandros Pirillis
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Fall's Calling
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Songburd Music
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1411452 Composed by Alexandros Pirillis. Classical,Contemporary,Renaissance. 14 pages. Songburd Music ...
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String Quartet String Quartet - Level 3 - SKU: A0.1411452 Composed by Alexandros Pirillis. Classical,Contemporary,Renaissance. 14 pages. Songburd Music #993718. Published by Songburd Music (A0.1411452). “Fall’s Calling†takes us to a time when the music of the Renaissance crosses a threshold into the modern world.  With its sobering and thoughtful foundations and captivating folk-like melody we are brought to experience the coming of fall’s season, being touched in heart with feelings of soft-spoken melancholy as the gray and colder days replace the brightness and warmth of summer.  The temper of this lovely piece calls forth many thoughts and images of a time long gone, when kings and queens ruled and knights fought to prove their valor, and when tales of dragons were told around the unsteady flames of nightly campfires.  When listening to “Fall’s Calling†one may—perhaps—picture themselves on a lone walk along a wind-swept shore with bending blades of grass, where well-worn rocks are battered by chilling waves, and when looking to the horizon one sees a shadowy castle looming and silhouetted in the background, looking forlorn and lonely in the distance as it stands tall among the colors of autumn.
$19.99 ≈
18.29€
As Darkness Falls
As Darkness Falls
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Musique Sacrée
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ElysiumSoundscapes
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As Darkness Falls
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ElysiumSoundscapes
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SheetMusicPlus
Strings Oboe/English Horn - Level 3 - SKU: A0.1318409 By ElysiumSoundscapes. By ElysiumSoundscapes. Religious,Sacred,Spiritual. Full Performance. Durati...
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Strings Oboe/English Horn - Level 3 - SKU: A0.1318409 By ElysiumSoundscapes. By ElysiumSoundscapes. Religious,Sacred,Spiritual. Full Performance. Duration 113. ElysiumSoundscapes #907066. Published by ElysiumSoundscapes (A0.1318409). As evening approaches the darkness transcends the light in an emotional and spiritual wayA spiritual calling to God's love in a beautiful moment of blessings.
$1.99 ≈
1.82€
Reflections on a Winter's Morning
Reflections on a Winter's Morning
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2 Pianos, 4 mains
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AVANCÉ
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Matthew Nunes
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Reflections on a Winter's Morn
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Matthew Nunes Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1263486 Composed by Matthew Nunes. Chamber,Christmas,Classical. Score. 32 pages. Matthew Nunes Music #85...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1263486 Composed by Matthew Nunes. Chamber,Christmas,Classical. Score. 32 pages. Matthew Nunes Music #856450. Published by Matthew Nunes Music (A0.1263486). Listen to this piece hereCommissioned by James EhmerReflections on a Winter’s Morning is a piece especially composed for James Ehmer, a composer, euphonium player, and soon to be medical student, as a personal thank you for his generous donation to my “Get Matt to Maryland†Rally via rally.org. James came to me with two wonderful poems describing idyllic winter scenes and the awe of a morning’s sun. These instantly reminded me of the first mornings I would ever wake to snow fall. The two pianos share multiple roles in recalling these moments: the persistence of an alarm clock in a drowsy morning, the first few fluttering snowflakes, a child teeming with excitement, and finally the grandeur of the sun reigning over the flurry.Orlando, May 2014- Matthew Nunes.
$9.99 ≈
9.14€
A Gift From The Bower (Revised)
A Gift From The Bower (Revised)
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Violoncelle (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Chris Becker
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A Gift From The Bower
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Beckeresque
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASC...
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Cello Solo - Level 4 - SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASCAP) #879245. Published by Beckeresque (ASCAP) (A0.1288214). When I first saw the enormous chair Rachel Gardner and Carlos Canul constructed for A Gift from the Bower, an outdoor, multi-disciplinary group exhibition conceived by renowned artists James Surls and Charmaine Locke, I had a vision of a cellist seated in a chair on the chair, performing solo in a bower deep in the woods of Splendora Gardens. I shared this image with Rachel, who didn’t think I was nuts, and over the course of several weeks, composed a piece for unaccompanied cello to be performed at the opening of the exhibit. I was honored when cellist Patrick Moore agreed to premiere the work; his formidable technique and the deep expression he brings to his playing inspired me to embrace the challenge of composing a solo for his instrument.Knowing my piece would be performed outdoors, I was inspired to evoke the rhythm of sound events one hears in woods, especially the rise and fall of wind as it moves through branches and leaves. The very opening of the piece and later, what I hear as an extended coda, were created as moments for the cellist as much as for the listener and are performed in a sort of meditative state, calling to mind the age-old question, “If a tree falls in a forest and no one is around to hear it, does it make a sound?†The repeating measures of 16th notes in the piece’s demanding middle section pay tribute to two of my heroes, Terry Riley and Philip Glass. While composing the work, Bach’s Six Suites for Violoncello Solo was another important point of reference, as was double bassist Eberhard Weber's 1973 album, The Colours of Chloë.Once finished, it made sense to name the piece A Gift from the Bower since the opportunity to compose the work was a gift, and in exchange, so is the music I have composed.A Gift from the Bower premiered on April 22, 2023, by Patrick Moore at the Locke Surls Center for Art and Nature.A revised version of this piece was completed on September 5, 2023.
$6.99 ≈
6.40€
Come, Let Us Walk this Road Together
Come, Let Us Walk this Road Together
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Come, Let Us Walk this Road To
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SheetMusicPlus
Forty-three songs from Africa are included in this valuable resource. Like Tom Colvin's first collection of African hymns, Fill Us with Your Love (1983, Code No...
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Forty-three songs from Africa are included in this valuable resource. Like Tom Colvin's first collection of African hymns, Fill Us with Your Love (1983, Code No. 431), this collection includes English language translations of songs written for the churches in Africa
Song List
: Awake There, Arise As a Mother for Her Children Beat the Drums of Welcome Behold, the Holy Lamb of God Be Merciful to Us, O God Bless The Lord, O My Soul Chiuta Is Our Sure Defense Christ Yesu Was Born (Odi, Odi) Come, Let Us Seek Our God's Protection Come, Let Us Walk This Road Together Crowds Following Yesu Everyone's Rejoicing Gift of God to Humankind Glorious Light Has Dawned God Grant That We May Be Transformed God Sends Us the Spirit God's Home Is Here God, We Pray Here in Your Sight Great Chiuta Help Us, God, to Be Peace-makers He Must Die or All Will Perish Humbly in Your Sight If It's Peace You Long For, Friends Jesu, Jesu, Fill Us With Your Love Just as a Lamb Is Led to the Slaughter Leap, Leap My Soul Let the World Unite and Sing Life of the World Night Has Fallen Our Troubles Do Abound Should We Accept that Evil Means Sing Welcome to Our Savior To Loving Yesu, Our Dearest Friend We're Glad that We Belong to You We May Choose to Walk (Free to Serve) We Remember You, Our Yesu When Our Savior Yesu Went Away Yesu Bids Us Work for Peace and Justice Yesu Born in Bethlehem Yesu Our Child at Home Lies Dying Yesu's Calling You Who Wait to See a King
$13.95 ≈
12.76€
Little Seeds
Little Seeds
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Little Seeds
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SheetMusicPlus
In Little Seeds you will find new hymns from my heart. My devotional life is given to you in my hymnwriting. During the past three years I have been writing son...
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In Little Seeds you will find new hymns from my heart. My devotional life is given to you in my hymnwriting. During the past three years I have been writing songs for the unity of the church - songs reminding us of our baptism. I have been writing biblical story hymns for lesser-known characters. I have written paperless songs that may be easily memorized. I set a Rumi poem. There are new hymns for Christian missions from everywhere to everywhere. You will find new texts and musical settings for folk songs from around the world. I hope I have treated these with the love and respect they deserve. You will find alternate arrangements of some songs that may be useful in different settings. Lim Swee Hong composed three tunes for this collection at my request. I am also pleased to include Lianne Tan's first published hymn tune in Little Seeds
Song List
: A Babe Was Born A Blood Red Rose Reminds Us Still A Garden You Once Made A God of Surprises, Beyond Expectation A Man Lay Beaten, Left for Dead A Rabbi Sat Against a Wall A Woman Stood Accused Ain't No Grave All People Need a Home As at Pentecost You Came As Children, We May learn to Love As Colors in the Sky Beside the Great Cathedrals Can You See Christ Can You See the Living Christ Chill of the Nightfall Each Seeking Faith Is Seeking Light Elijah Bowed Down on the Earth Fair Wind and the Sky Is Clear God, Help the Weary Travelers God, Help Your Church to Learn God, You Are Like a Place Remembered Guide My Canoe, Spirit Wind He Is The Way He Will Never Let Go My Hand Hope of the Earth I Saw an Angel in the Road I Will Not Always Walk This Earth In Every Changing State of Mind In the Stillness of This Hour Jesus, Live in Us Jesus Lives! Jesus, Partner, Lover, Friend Jesus, We Come to the Table Justice Like a River Lead Us to Still Waters Let Flow Our Tears in Grief for This Lilies Of The Field Look: Such Horror, Torn, then Tortured Mother, Child, and Birthing Spirit Much Brighter than a Thousand Suns My Child Is a Flower New Every Morning Is Your Grace No Obvious Angels Our God Is a Rock Our Life in the Spirit Out of Joy and Out of Need Peace Child Planter of Gardens, Sender of Rain Prayer Is the Cry of the Heart Remember the Rock that Bore You Samuel, Samuel, I Am Calling Startle Us with Joy The Earth Is Like a Burning Bush The Grass Will Green Again The Road to Capernaum The Saints of Old Cry Out There Is No Smell Like Fresh-Baked Bread This Hurt Is Not the Final Word True Union Is a Gift of God We Are People, Made by God We Are Your Children We Are Your People We Give You Thanks for Every Faith When Human Life Is Bought and Sold When I See the Rain With the People We Have You Give Rest to All Who Come to You You Set Your Seal upon Each Heart You Walk This Earth
$11.95 ≈
10.93€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.65€
Stompin' Jam - Trumpet Trombone Duet
Stompin' Jam - Trumpet Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Eddie Lewis
Jazz out wi
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Eddie Lewis
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Stompin' Jam - Trumpet Trombon
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Tiger Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World. Score and parts...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World. Score and parts. 4 pages. Tiger Music #6624793. Published by Tiger Music (A0.750372). Stompin’ Jam Trumpet and Trombone Duet MTR 0255 4143 By Eddie Lewis Jazz out with your trumpet or trombone friend playing this cool sounding duet. We’re calling it a jam because both players get to play a solo over the repeated accompaniment line. First the trombone player jams, then the trumpet. Here is the first of what I hope to be many, many duets made possible by my Just Friends video series. In this series I am inviting one of my musician friends over to make music, do an interview and maybe follow it all up with a Q and A session. I wrote this duet for one of those videos and we had a good time recording it. I enjoy writing music for the people I work with. Does trumpet and trombone seem like an odd duet to write? Well, you may not believe this, but sometimes trumpet players have trombone player friends. :-) Thus, the purpose of the duet. Trumpet Pro Skill Level The highest note in the trumpet part is B natural. The rhythms are also just a little complicated. That’s why we put this at the Trumpet Pro level. We recorded it the same day when I wrote it, so it’s not like I was working on this for days. But there was a little bit of awkwardness in the trumpet part. Practice Recommendations My number one suggestion for practicing this piece is to learn the rhythms first. Notice the anticipation of the third beat. This happens in almost every measure. This rhythm grew on me during my trip to South Africa in 2016 when I performed with the Afrika Mkhize big band. There were lots of songs at the jazz festival in Grahamstown that had that twelve-eight groove with the anticipated third beat. I am NOT saying that this composition is South African. I would not presume to know how to write that kind of music. What I am saying is that the music in South Africa has influenced my writing. In much the same way as playing in all those salsa bands in the 90’s did. So, recognize that the rhythms in this composition are very important and learn those first. The rest of it should fall into place after that. About the Trumpet Pro Skill Level The Trumpet Pro skill level is the fifth skill level in our system. This skill level has exercises and music up to high C. There are many other considerations in this skill level but that is the most obvious. To find more music for this specific skill level, search our other publications for the word Trumpet Pro in the title or descriptions. We publish books and compositions for students at the Trumpet Pro level that we believe you or your students will truly enjoy.
$4.99 ≈
4.57€
Coloratura and Baritone Duet in English from the 21st century opera "Menkaure"
Coloratura and Baritone Duet in English from the 21st century opera "Menkaure"
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Voix duo
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AVANCÉ
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James Nathaniel Holland
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Coloratura and Baritone Duet i
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James Nathaniel Holland
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SheetMusicPlus
Voice Duet Voice - Level 5 - SKU: A0.730218 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. 13 pages. James Nathaniel Holland #621...
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Voice Duet Voice - Level 5 - SKU: A0.730218 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. 13 pages. James Nathaniel Holland #62137. Published by James Nathaniel Holland (A0.730218). Someone Tell Me Where My Daughter Is Duet for Soprano (Coloratura range: Eb4 to F6) and Baritone (range: C#3 to F4) from the American opera (in English) MENKAURE Piano Vocal Arrangement by new classical music composer James Nathaniel Holland Opera website: http://www.lacoronadelossantos.net/menkaureopera.html Composer's website: http://www.lacoronadelossantos.net/jamesnathanielholland.html Orchestration sample on YouTube at: https://www.youtube.com/watch?v=vVKCAuSz0RQ Brief Synopsis: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman, Trista,who falls in love with his statue at the Metropolitan Museum of Art. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. In this scene and duet, Trista has suddenly gone missing. Her mother, Delphi, and her younger boyfriend, Erik, contemplate calling the police. Available with orchestra and parts.
$6.95 ≈
6.36€
Apollo 11 (Homecoming)
Apollo 11 (Homecoming)
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Chorale SATB
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INTERMÉDIAIRE
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Glyn Lehmann
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Apollo 11
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.510172 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,R & B,Rock. Octavo. 11 pages. Glyn...
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Choral Choir (SATB) - Level 3 - SKU: A0.510172 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,R & B,Rock. Octavo. 11 pages. Glyn Lehmann #3542459. Published by Glyn Lehmann (A0.510172). The final song from SPACE RACE - a song-cycle celebrating the 50th anniversary of the moon landing on 20 July 1969. Other songs are Gagarin (Beyond Blue Sky), Space Race (To Every Question) and The Children of the World (July 1969). More information at https://glynlehmann.com/Space-RaceThe Apollo 11 mission was the culmination of years of dedication and experimentation in the attempt to land a man on the moon. This song traces the tense journey back home to Earth made by the Apollo 11 astronauts as they leave the moon's surface - ultimately returning as heroes. The subdued drama of the verses climaxes with the gospel-influenced triumph of the choruses.https://youtu.be/oAUjyzccdhMApollo 11 (Homecoming)Words by Phil Cummings, Music by Glyn LehmannVerse 1Time to leave Tranquillity BaseFor the finish line the end of the raceMoon-dusted suits, deep black skiesOn a dark horizon see Earth riseA cargo of rocks, soil and dustStrapped in the module, feel the thrustChorus 1 After days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home Verse 2The module falls, the angle is rightAnd the heat shield is burning brightInterludeRadio silence into the atmosphereNo voice of calm, no voices to hear Those that wait on the groundHold their breath, don’t make a soundThen from the silence a voice is clearCalling for the world to hearControl room erupts with shouts and cheersHigh in the sky the module appearsChorus 2This is the homecoming, this the homecomingThose brave men are coming, coming homeAfter days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home CodaHome, they were homeOur homeLyrics © 2018 Phil Cummings
$2.50 ≈
2.29€
Apollo 11 (Homecoming)
Apollo 11 (Homecoming)
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Chorale 2 parties
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Glyn Lehmann
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Apollo 11
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.510158 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,Rock. Octavo. 7 pages. Glyn Lehmann ...
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Choral Choir (SA) - Level 3 - SKU: A0.510158 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,Rock. Octavo. 7 pages. Glyn Lehmann #3507411. Published by Glyn Lehmann (A0.510158). The final song from SPACE RACE - a song-cycle celebrating the 50th anniversary of the moon landing on 20 July 1969. Other songs are Gagarin (Beyond Blue Sky), Space Race (To Every Question) and The Children of the World (July 1969). More information at songlibrary.net/Space-RaceThe Apollo 11 mission was the culmination of years of dedication and experimentation in the attempt to land a man on the moon. This song traces the tense journey back home to Earth made by the Apollo 11 astronauts as they leave the moon's surface - ultimately returning as heroes. The subdued drama of the verses climaxes with the gospel-influenced triumph of the choruses.https://youtu.be/oAUjyzccdhMMore SPACE RACE song-cycle songs on SheetMusicPlus1. Gagarin https://www.sheetmusicplus.com/title/gagarin-beyond-blue-sky-digital-sheet-music/20728438?ac=12. Space Race https://www.sheetmusicplus.com/title/space-race-to-every-question-digital-sheet-music/20728434?ac=13. The Children of the World https://www.sheetmusicplus.com/title/the-children-of-the-world-july-1969-digital-sheet-music/2072843.......4. Apollo 11 (Homecoming) https://www.sheetmusicplus.com/title/apollo-11-homecoming-digital-sheet-music/20728440?ac=1Apollo 11 (Homecoming)Words by Phil Cummings, Music by Glyn LehmannVerse 1Time to leave Tranquillity BaseFor the finish line the end of the raceMoon-dusted suits, deep black skiesOn a dark horizon see Earth riseA cargo of rocks, soil and dustStrapped in the module, feel the thrustChorus 1 After days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home Verse 2The module falls, the angle is rightAnd the heat shield is burning brightInterludeRadio silence into the atmosphereNo voice of calm, no voices to hear Those that wait on the groundHold their breath, don’t make a soundThen from the silence a voice is clearCalling for the world to hearControl room erupts with shouts and cheersHigh in the sky the module appearsChorus 2This is the homecoming, this the homecomingThose brave men are coming, coming homeAfter days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home CodaHome, they were homeOur homeLyrics © 2018 Phil Cummings
$2.50 ≈
2.29€
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Fall's Calling
