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Fantasy on a Mozart Theme
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Vous avez sélectionné:
Fantasy on a Mozart Theme
Partitions à imprimer
7 partitions trouvées
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1
Fantasy on a Mozart Theme
Fantasy on a Mozart Theme
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Guitare
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INTERMÉDIAIRE
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Classique
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Rod Whittle
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for solo classical guitar
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Fantasy on a Mozart Theme
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Cree...
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Solo Guitar - Level 3 - SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
$5.00 ≈
4.52€
Fantasy on a March
Fantasy on a March
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Gary Friedman
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Fantasy on a March
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Gary Friedman
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.889876 Composed by Gary Friedman. Contemporary. Score and parts. 42 pages. Gary Friedman #11447. Published by Gary Frie...
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Concert Band - Level 4 - SKU: A0.889876 Composed by Gary Friedman. Contemporary. Score and parts. 42 pages. Gary Friedman #11447. Published by Gary Friedman (A0.889876). With frequent changes between major and minor, the stirring march themes reappear as romantic melodies. Of special interest are the trumpet and piano solos, and a section for oboe, clarinet, horn, bassoon and piano, in homage to Mozart and Beethoven, who wrote beautiful quintets for this combination of instruments. Not all parts are necessary. They were included so as not to leave out members of a band I was playing in. For example, the alto clarinet part duplicates the third B flat clarinet part. There are tenor sax cues in the alto sax part for the solo in measures 46 and 47 in case a tenor sax is not available. A PIANO IS REQUIRED. I don't have a good band sound clip but you can listen to the piece arranged for wind quintet and piano. It is the 1st movement of my Sextet for Winds and Piano. This audio is attached to that piece here or on my music website, www.garyfriedmanmusic.net. Duration 5 minutes. Year 2000.
$40.00 ≈
36.13€
Fantasy on Mov't 2 of Mozart K.488 (piano concerto)/trans.alto sax
Fantasy on Mov't 2 of Mozart K.488 (piano concerto)/trans.alto sax
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Saxophone Alto et Piano
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FACILE
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Paul Taylor
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Paul Taylor
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Fantasy on Mov't 2 of Mozart K
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Paul Taylor
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1506434 By Paul Taylor. By Wolfgang Amadeus Mozart. Arranged by Paul Taylor. Classical. Score and part. 7 pages...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1506434 By Paul Taylor. By Wolfgang Amadeus Mozart. Arranged by Paul Taylor. Classical. Score and part. 7 pages. Paul Taylor #1081802. Published by Paul Taylor (A0.1506434). This short fantasy on the main theme of Mozart's K. 488 piano concerto (Mov't II) appears as an alto sax solo with piano accompaniment. Care was taken to arrange the orchestral part in a way to allow the saxophonist to play naturally with freedom of expression.
$5.99 ≈
5.41€
Mozart and Memories
Mozart and Memories
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Piano, Voix et Guitare
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Classique
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Trans-Siberian Orchestra
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John Oliva and Paul O'neill
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Mozart and Memories
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013494 By Trans-Siberian Orchestra. By Wolfgang Amadeus Mozart. Arranged by John Oliva and Paul O'neill. Classical. ...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013494 By Trans-Siberian Orchestra. By Wolfgang Amadeus Mozart. Arranged by John Oliva and Paul O'neill. Classical. 11 pages. Alfred Music - Digital Sheet Music #00-PS-0013494. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013494). ISBN 9780739086223. UPC: 038081432137.This is a perfect gift for any music maker who loves Trans-Siberian Orchestra. Though many fans first discover them via their well-known Christmas-themed albums and concerts, these rock opera masters also produce plenty of non-seasonal works. Night Castle is one such masterpiece: an ambitious, long form epic that tells an engaging fantasy tale amid a score that features TSO's signature neo-classical art rock at its very best. Instrumental virtuosity and brilliant writing are demonstrated throughout, including plenty of pianistic music that naturally begs to be played by any fan who dabbles with the piano, even if only casually. This complete 240-page score features spiral binding that lays flat on the piano music stand, and includes the comprehensive story text and piano sheet music for every song on the album. Complete melody lines and lyrics are included, along with basic guitar chord grids.
$3.99 ≈
3.60€
Moonlight Sonata and Friends Beginner Piano Collection
Moonlight Sonata and Friends Beginner Piano Collection
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Piano Facile
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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SilverTonalities
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Moonlight Sonata and Friends B
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1389155 Composed by Ludwig van Beethoven. Arranged by SilverTonalities. Baroque,Classical,Instructional,Romantic Period. ...
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Easy Piano - Level 1 - SKU: A0.1389155 Composed by Ludwig van Beethoven. Arranged by SilverTonalities. Baroque,Classical,Instructional,Romantic Period. Score. 41 pages. SilverTonalities #972684. Published by SilverTonalities (A0.1389155). Moonlight Sonata and Friends Beginner Piano CollectionPopular Classics for Beginner Pianists by SilverTonalities!With Letter Names embedded in Noteheads to enable Beginner Pianists to read Music quickly and accurately!PREVIEW, pages 1-2ARIOSO BWV 156, is a Cantata written by the famous German Baroque Composer Johann Sebastian Bach in 1729. A Cantata is a Vocal composition with an Instrumental Accompaniment typically in several Movements and often including a Choir, pages 3-6HUNGARIAN DANCE NUMBER 6 by the German Romantic Composer, Johannes Brahms, originates from a set of 21 Pieces on a Hungarian Theme completed in 1879, pages 7-9REVERIE L68 is a delicate, gentle and “dreamy†Piano Solo Piece which was written in 1890 by the popular French Impressionistic/Romantic Era Composter, Claude Debussy, pages 10-12MARCH OF THE PRIESTS from the famous Austrian Composer Wolfgang Amadeus Mozart’s 2 Act Opera “The Magic Flute†K260 (Die Zauberflote), which premiered in 1791 and contains Masonic Ritual Elements as well as Fairy Tale themes, pages 13-15ROMEO AND JULIET is an Overture Fantasy by the Russian Romantic Era Composer, Peter Ilyich Tchaikovsky. Based on William Shakespeare’s famous Play “Romeo and Julietâ€, it premiered in Moscow in 1870, pages 16-19PAS DES FLEURS (Dance of the Flowers) is known as the “Grand Waltz†from the 1867 Ballet “Naila†by the French Romantic Composer, Leo Delibes, pages 20-23HORNPIPE from the famous German Baroque Composer, George Friedrich Handel’s, “Water Musicâ€, is from a collection of 3 Orchestral Suites which premiered in 1717, pages 24-26MOONLIGHT SONATA 1ST MOVEMENT Theme, from Ludwig van Beethoven’s Piano Sonata Number 14 In C Sharp Minor Opus 27, Number 2, which was written in 1801 and dedicated to his student, Countess Giulietta Guicciardi, pages 27-30PAVANE OF A SLEEPING BEAUTY (Pavane de le Belle au bois dormant) was written by the French 19th Century Composer, Maurice Ravel, and is the first Piece from his popular “Mother Goose Suiteâ€, pages 31-33THE GLADIATOR MARCH was written in 1886 by the American Composer John Philip Sousa while he was serving as the leader of the United States Marine Corps Band, pages 34-36WHERE THE LEMON TREES BLOOM (Wo die Zitronen Bluhen), Opus 364 written by the Austrian Composer Johann Strauss Junior in 1874, pages 37-39.
$9.99 ≈
9.02€
RAGING FURIES - Goettinnen der Rache
RAGING FURIES - Goettinnen der Rache
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95 ≈
45.12€
Selected Operatic Fantasies of Mertz
Selected Operatic Fantasies of Mertz
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Kaspar Mertz
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Selected Operatic Fantasies of
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743260. This collection is drawn from the Portefeuille Guitarre-Spieler series and is intended for intermediate to advanced guitarists.The works in this collection:Fantasy on themes from Don Giovanni, Op. 28Don Giovanni has long been famous among enthusiasts of fretted instruments for Mozart's sublime use of the mandolin in Don Juans' aria Deh, vieni alla finestra. Mertz himself took note of Mozart's 'mandolin serenade' for he employed as a catalyst a brief quote of the mandolin introduction in his Op. 28 for a modulatory transition based upon the theme. Mertz also included a simple arrangement of the aria as number 76 in his Kukuk, a 'musical panorama' of 136 short pieces.Martha, Op. 16Martha, oder Der Markt zu Richmond by German composer Friedrich Flotow (1812-1883) was first produced in Vienna in 1847. In the second act of Martha Flotow incorporates 'Tis the Last Rose of Summer (Qui sola, verginrosa), a traditional Irish melody to which the poet Thomas Moore wrote lyrics. It was one of the most popular songs of the nineteenth century. In addition to Beethoven, Mendelssohn, and Thalberg, guitar composers to produce works based upon the famous song include Giuliani, Ferranti, Holland, and Foden. Preceding Ah! che a voi perdoni Iddio in his Op. 16, Mertz quotes a brief passage from his Elegie.The Prophet, Op. 21Giacomo Meyerbeer was the leading composer of French grand opera during Mertz's professional career. Following studies in Italy, the German composer was chiefly active in Paris and Berlin, although he traveled Europe extensively producing his operas. Le prophete premiered in Paris in 1849 after a long delay due to casting problems. Mertz's Op. 21 was published shortly thereafter.Nabucco, Op. 62 and Rigoletto, Op. 63Giuseppe Verdi's first major triumph as an opera composer was with the biblical opera Nabucodonosor (more commonly known as Nabucco). The opera was premiered in Milan in 1842 and its subsequent revivals throughout Europe spread Verdi?s fame at an astounding rate. Consequently, Verdi was commissioned to compose 14 operas in the following decade. Among these operas was Rigoletto, first produced in Venice in 1851. Mertz frequently turned to the music of Verdi for his operatic fantasies, producing no fewer than four distinct works based on themes from Rigoletto alone.
$14.99 ≈
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Fantasy on a Mozart Theme
