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Vous avez sélectionné:
Fast Cars
Partitions à imprimer
66 partitions trouvées
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51
Carson Cooman: Nine Preludes for piano
Carson Cooman: Nine Preludes for piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: Nine Preludes f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601...
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Piano Solo - Level 4 - SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601. Published by Musik Fabrik Music Publishing (A0.533554). I. (Flowing)II. (Fast, nimble)III. (Funereal) (in memoriam Donald Martino)IV. (Dancing)V. (Distant, echoing) (for Richard and Dee Wilson)VI. (Moderate, singing, with humor) (for Michael Finnissy)VII. (Slow, very lyrical)VIII. (March)IX. (Envoi: Very slow, from afar)Nine Preludes (2007) for piano was written for and is dedicated to pianist Marilyn Nonken; it was commissioned byRichard Mason.Although the work is composed as a set of discrete movements, the preludes are very much interconnected, as motivicand developmental ideas run throughout the entire set. The basic musical material (founded upon collections of minorand major thirds) is shared among all nine movements. An elegiac quality runs throughout the work.The first prelude (Flowing) is inspired by the piano music of Johannes Brahms, whose contributions to the instrument’sliterature have been a significant and ongoing influence on my work.The second prelude is fast and bright. Consistent staccato textures are maintained as the two hands intertwine.The third prelude (Funereal) is dedicated to the memory of American composer Donald Martino (1931–2005). The musicrefers very obliquely to Martino’s setting of Robert Herrick’s poems of death and eternity in The White Island (1985).The fourth prelude (Dancing) is light and buoyant. After a melodic middle section, the opening music reverses itself to theend.The fifth prelude (Distant, echoing) is dedicated to Richard and Dee Wilson. Through large blocks of sustained sound (bothquiet and loud), the movement explores certain harmonic colors of the piano.The sixth prelude (Moderate, singing, with humor) is dedicated to English composer Michael Finnissy. The opening ismarked “like an ‘off-kilter’ folk song,†and this original melody is subjected to a variety of transformations and textures.The rhythmic patterns are constantly in flux.The seventh prelude (Slow, very lyrical) is melodic and passionate, with a nocturnal character. The middle builds to anintense climax before dying away.The eighth prelude (March) is spiky and crisp. In the trio, the march theme is turned first into a tonal ballad beforegradually transforming back into the language of the march. A faster reprise of the opening music follows.The ninth prelude (Envoi: Very slow, from afar) is an elegaic “farewell.†Romantic gestures and harmonies try to assertthemselves before the music dies away.Performance Note: Although it is preferred that the entire set of nine preludes be played in concert, individual preludes (or smallerassembled groupings) may be performed when necessary for programming needs. If the entire set is played, however, the order of thepreludes should not be changed. The movements should be listed in the program in the format shown at the top of this page.Recorded by Donna Amato on Carson Cooman: Piano works ALTARUS AIR-CD-9015
$25.95 ≈
23.57€
Carson Cooman: Biblicals: Concerto for Solo Piano
Carson Cooman: Biblicals: Concerto for Solo Piano
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Piano seul
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AVANCÉ
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Carson Cooman
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Carson Cooman: Biblicals: Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Musik Fabrik Music...
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Piano Solo - Level 5 - SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Musik Fabrik Music Publishing #3038635. Published by Musik Fabrik Music Publishing (A0.533692). Biblicals: Concerto for Solo Piano in Five Movements (1998) was commissioned from thecomposer by an anonymous benefactor for pianist Kathleen Supové in tribute of her tirelesssupport of new music.The work is in five movements, each inspired by a different biblical quotation which isquoted in the score before each movement. If possible, these passages should be printed inthe program or read aloud before the performance of the work. Each movement isprogrammatic only in an internal sense. While the movements do not attempt to directlyportray the action of the passage in a storybook sense, they do attempt to capture the overallaffect of the verse. The form of the work is as a concerto for solo piano drawing on a titlethat has been used in the past by numerous composers. Likewise, although the work does notinvolve an orchestra, I have titled it concerto because it contains elements of a concerto solopart and because of the virtuosity required to perform the work. The work explores a widerangeof styles from quasi-lyrical to highly chromatic. Throughout, the work has a rhythmicintensity which should be observed by the performer.The first movement, Hovering Over the Waters, makes use of an irregular rhythmic patternintroduced in the opening measure and used throughout the work. Irregular and nervousrhythms using chromatic intervals pervade the entire movement.The second movement, Baldhead, is a forceful and loud movement making use of the clashbetween diatonic and pentatonic clusters. It is relentless in its pounding energy, irregularrhythms, and volume. This movement is dedicated to American composer Daniel Pinkhamon the occasion his 75th birthday in 1998. The connection of this movement to Pinkhamcomes in the superimposition of pentatonic and diatonic clusters, a technique used so well inone of my favorite Pinkham works, Blessings for Organ (1978).The third movement, Forgiven and Free, presents a tranquil scene involving the building ofchords, standard and otherwise, through the adding of tones one at a time. Brief chromaticmelodies appear and then disappear quickly.The fourth movement, Under the Sun, makes use of a motive involving four chords over a lefthand bass consisting of a major-tenth chord. This motive appears throughout the movement,constantly breaking in and interrupting the action. A variety of irregular rhythmic motivesappear throughout as a contrast to the main motive with its strict rhythm. Quotes of nurseryrhyme tunes are hidden throughout the movement as well in various forms.The fifth movement, The Seventh Angel, is a fast and furious tarantella. As the movementflies by a variety of musical ideas emerge and then disappear into the main motive again.The music continues to get faster and faster and finally the movement ends with a furiousprogression from the bottom to top of the piano and then a thunderous unison chord in thelower register.
$16.95 ≈
15.39€
Chasing Cars
Chasing Cars
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Guitare notes et tablatures
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DÉBUTANT
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Rock
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Snow Patrol
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Ben Garraway
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Chasing Cars
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Music Lesson Downloads
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.892557 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Ben Garr...
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Guitar - Level 1 - SKU: A0.892557 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Ben Garraway. Pop,Rock. Guitar Tab. 2 pages. Music Lesson Downloads #4621327. Published by Music Lesson Downloads (A0.892557). A very simple version of this song that works perfectly along with the original track. Can be played with fingers or a plectrum and is a great introduction to picking. Sounds great played by itself also as it's quite fast and young players sometimes have trouble with the speed.
$4.99 ≈
4.53€
Carson Cooman: Frequent Flyer (2005) for alto saxophone, marimba, and piano
Carson Cooman: Frequent Flyer (2005) for alto saxophone, marimba, and piano
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Contemporain
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Carson Cooman
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Carson Cooman: Frequent Flyer
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Alto Saxophone,Marimba,Piano Accompaniment - Level 5 - SKU: A0.533627 Composed by Carson Cooman. Contemporary. Score and parts. 31 pages....
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Small Ensemble Alto Saxophone,Marimba,Piano Accompaniment - Level 5 - SKU: A0.533627 Composed by Carson Cooman. Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing #3033827. Published by Musik Fabrik Music Publishing (A0.533627). Frequent Flyer (2005) for alto saxophone, marimba, and piano was written for the OregonBach Festival Composers Symposium and Fireworks, the festival ensemble-in-residence.The principal material for the work is presented in the opening fast and aggressive ritornello,which returns throughout the work between other sections. Every time it reappears, itsorchestration is changed slightly.Between the ritornelli, variations of contrasting character are presented, based on the principalmaterial. The work has an overall fast-slow-fast shape, generally maintaining a flyingenergy throughout.Carson
$19.95 ≈
18.12€
Chasing Cars
Chasing Cars
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Rock
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Snow Patrol
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Keith Acheson
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Chasing Cars
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Keith Acheson
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - SKU: A0.1016102 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arra...
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Choral Choir (4-Part) - Level 3 - SKU: A0.1016102 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Keith Acheson. Pop,Rock. Octavo. 15 pages. Keith Acheson #5987353. Published by Keith Acheson (A0.1016102). The smash hit by Snow Patrol arranged by Keith Acheson for SSAB Choir and piano accompaniment (full score).Keith Acheson is an Irish composer based in Belfast, N. Ireland. He has written for a wide range of ensembles from orchestral and choral, to chamber and solo instrumental works. For more information you can contact the composer at:E: acheson.keith@gmail.comFB: www.facebook.com/keith.acheson.9T: @Keith_AchesonInst: @Keith_Acheson
$1.99 ≈
1.81€
Carso Cooman: Polpis Dreaming (2002) for Eb contrabass saxophone and piano
Carso Cooman: Polpis Dreaming (2002) for Eb contrabass saxophone and piano
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Carson Cooman
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Carso Cooman: Polpis Dreaming
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Baritone Saxophone,Bass Saxophone,Piano - Level 5 - SKU: A0.533585 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and p...
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Small Ensemble Baritone Saxophone,Bass Saxophone,Piano - Level 5 - SKU: A0.533585 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3029121. Published by Musik Fabrik Music Publishing (A0.533585). Polpis Dreaming (2002) for contrabass saxophone and piano was commissioned for and isdedicated to Jay C. Easton. The work was inspired by Easton's championing of the more unusual members of the saxophone family, particularly the contrabass with its incredibly powerful and deep sound. This work is recorded on Easton's SoLow CD.The title refers to Polpis, a region of Nantucket Island, Massachusetts that borders Nantucket Harbor with a variety of smaller inlets. This work is one of a variety of pieces connected to the landscape of Nantucket. In the case of this piece, the extra-musical image was one of the incredible depth of the ocean (perhaps parallel to the depth of the contrabass saxophone's sound) slowly being explored/achieved through the means of inlets.The work's basic material comes from the saxophone's opening gesture, which moves upwardfrom the bottom of the instrument. The pitch material and interval content that are transformed throughout the work are presented in that motion.The first section of the work is declamatory, with lyric impulses. The material of the work is unfolded as the sounds of the piano's resonance, combined with the tone of the contrabass saxophone are explored. A faster middle section occurs next in which the harmonic gestures and transformations are always moving towards greater consonance. After the middle section, there is a return to the mood of the opening, although the material of the middle section also appears in transformation.
$11.95 ≈
10.85€
Six Polyphonic Ricercars for SAT Recorder Trios
Six Polyphonic Ricercars for SAT Recorder Trios
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Cristofano Piochi
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John Geohegan
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Six Polyphonic Ricercars for S
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JGJG Sheet Music LLC
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SheetMusicPlus
Recorder - Level 2 - SKU: A0.1485958 Composed by Cristofano Piochi. Arranged by John Geohegan. Baroque. Recorder Ensemble. 69 pages. JGJG Sheet Music LL...
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Recorder - Level 2 - SKU: A0.1485958 Composed by Cristofano Piochi. Arranged by John Geohegan. Baroque. Recorder Ensemble. 69 pages. JGJG Sheet Music LLC #1063011. Published by JGJG Sheet Music LLC (A0.1485958). Six ricercars by Siena cathedral choirmaster Cristofano Piochi (1675). These polyphonic compositions differ in rhythmic complexity. Two ricercars form a two-part (slow/fast) set based on one melody. Easy key signatures and ranges. Audio preview has three ricercars beginning at 0:00, 2:15, and 4:45. Present these at an ARS meeting or play in your small ensemble! Also offered as ATB trios.
$9.00 ≈
8.17€
Six Polyphonic Ricercars for ATB Recorder Trios
Six Polyphonic Ricercars for ATB Recorder Trios
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Cristofano Piochi
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John Geohegan
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Six Polyphonic Ricercars for A
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JGJG Sheet Music LLC
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SheetMusicPlus
Recorder - Level 2 - SKU: A0.1485961 Composed by Cristofano Piochi. Arranged by John Geohegan. Baroque. Recorder Ensemble. 69 pages. JGJG Sheet Music LL...
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Recorder - Level 2 - SKU: A0.1485961 Composed by Cristofano Piochi. Arranged by John Geohegan. Baroque. Recorder Ensemble. 69 pages. JGJG Sheet Music LLC #1063014. Published by JGJG Sheet Music LLC (A0.1485961). Six ricercars by Siena cathedral choirmaster Cristofano Piochi (1675). These polyphonic compositions differ in rhythmic complexity. Two ricercars form a two-part (slow/fast) set based on one melody. Easy key signatures and ranges. Audio preview has three ricercars beginning at 0:00, 2:15, and 4:45. Present these at an ARS meeting or play in your small ensemble! Also offered as SAT trios.
$9.00 ≈
8.17€
Carson Cooman: Fantasy Variations (2005) for alto saxophone and piano
Carson Cooman: Fantasy Variations (2005) for alto saxophone and piano
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Saxophone Alto et Piano
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AVANCÉ
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Carson Cooman
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Carson Cooman: Fantasy Variati
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.533621 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 18 pages. Musik Fabrik Music ...
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Alto Saxophone,Piano - Level 5 - SKU: A0.533621 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3033373. Published by Musik Fabrik Music Publishing (A0.533621). Fantasy Variations (2005) for alto saxophone and piano was written for saxophonist PaulWehage and is dedicated to him and to American composer George Perle (on his 90thbirthday).The work is cast as two presentations of the theme surrounding five free variations -- allplayed without break. The theme serves as the basis of the musical material for the entirework as well as the structural template for each variation. Also, each variation containsmaterial referring back specifically to the previous variation.The opening theme is declamatory and massive. The first variation is fast and limber. Thesecond variation is introspective and stratified. The third variation is fleeting. The fourthvariation is distant and spare. The fifth variation is fast and driving, and the final themebegins whispered and slowly regains its declamatory nature before an intensely hammeredcoda.Carson
$14.95 ≈
13.58€
Carson Cooman: Summer Solstice for piano
Carson Cooman: Summer Solstice for piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: Summer Solstice
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.533553 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 10 pages. Musik Fabrik Music Publishing #3018597...
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Piano Solo - Level 4 - SKU: A0.533553 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 10 pages. Musik Fabrik Music Publishing #3018597. Published by Musik Fabrik Music Publishing (A0.533553). Summer Solstice (2007) for piano was written for and is dedicated to pianist and composer Jeffrey Jacob.Though there were a number of interconnected inspirations behind the work’s conception, one of theseintentions is as a tribute to American composer Vincent Persichetti (1915–1987). Though there are nospecific quotations from Persichetti’s music, some of the textural and developmental ideas (particularly inthe fast, middle section) owe themselves to his work.The work opens in a free, declamatory manner – announcing its basic pitch material. Spasmodic gesturesintercut the resonant declamation. Amidst the bright ringing, a lyric melody tries to assert itself again andagain. A whirling and dry fast section, however, emerges; the material is put through a series of spinningtransformations, building to a ringing and clangorous climax – bathed in the white heat of the summer sun.The final section is marked “memorial candles†– distant and near candles set out on a field flicker in thesummer heat and ebbing sunlight while low, distant chimes sound the passing of time. The candles slowlyburn out – one by one – in the heat of the dry summer air.Recorded by Donna Amato on Carson Cooman: Piano works ALTARUS AIR-CD-9015
$12.95 ≈
11.76€
Carson Cooman - Sonata No. 3 for Violin and Piano (2012)
Carson Cooman - Sonata No. 3 for Violin and Piano (2012)
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Violon et Piano
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AVANCÉ
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Carson Cooman
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Carson Cooman - Sonata No. 3 f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Solo,Piano - Level 5 - SKU: A0.775977 Composed by Carson Cooman. Contemporary,Standards. Score and individual part. 44 pages. Musik Fabrik ...
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Instrumental Solo,Piano - Level 5 - SKU: A0.775977 Composed by Carson Cooman. Contemporary,Standards. Score and individual part. 44 pages. Musik Fabrik Music Publishing #2034877. Published by Musik Fabrik Music Publishing (A0.775977). Sonata No. 3 for Violin and Piano (2012) was written for violinist Warren Davidson and pianist Donna Amato, superb musicians for whose advocacy on behalf of my music I am very grateful. The first movement, Canto, is an extended song that develops through a variety of textures. The second movement, Lamento, is a fierce lament in the tradition of an old Irish caoine. The thirdmovement, Variazioni, is structured as two presentations of the theme surrounding five free variations. The theme serves both as the basis of the musical material for each variation as well as the structural template. Each variation also contains material referring back specifically to the previous variation. The opening theme is declamatory. The first variation is fast and limber. The second variation is introspective and stratified. The third variation is fleeting. The fourth variation is distant and spare. The fifth variation is fast and driving. The final theme begins whispered and slowly regains its declamatory nature before an intense coda ends the work.
$29.85 ≈
27.11€
Carson Cooman: The Doors in the Sky (2007) for violin
Carson Cooman: The Doors in the Sky (2007) for violin
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Violon
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Doors in th
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Musik Fabrik Music Publishing
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.533566 Composed by Carson Cooman. Concert,Contemporary,Standards. 4 pages. Musik Fabrik Music Publishing #3022371. Publi...
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Violin Solo - Level 5 - SKU: A0.533566 Composed by Carson Cooman. Concert,Contemporary,Standards. 4 pages. Musik Fabrik Music Publishing #3022371. Published by Musik Fabrik Music Publishing (A0.533566). The Doors in the Sky (2007) for violin commissioned by and is dedicated to violinist PiotrSzewczyk. It was written as a part of his ViolinFutura commissioning project. The missionof the project seeks to commission pieces connected to the deep historical traditions ofsolo violin literature. The work takes its inspiration thus from these historical works and alsofrom a brief poem by American poet Elizabeth Kirschner.The work begins with slow, melodic music in firm tonality. A fast, dancing section emergesand becomes gradually wilder – abandoning its tonal grounding through chromaticalternation. After this fast music stops, the initial slow music returns to conclude the piece,with darker interjections now inserted into the tonal texture before ending in quiet repose.
$7.75 ≈
7.04€
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
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Orchestre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3...
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Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95 ≈
23.57€
Carson Cooman: Shining Silhouette: Mt. Mansfield Sunset for solo Eb clarinet
Carson Cooman: Shining Silhouette: Mt. Mansfield Sunset for solo Eb clarinet
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Clarinette
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AVANCÉ
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Carson Cooman
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Carson Cooman: Shining Silhoue
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.533563 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 4 pages. Musik Fabrik Music Publish...
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Clarinet Solo - Level 5 - SKU: A0.533563 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 4 pages. Musik Fabrik Music Publishing #3022365. Published by Musik Fabrik Music Publishing (A0.533563). Shining Silhouette: Mt. Mansfield Sunset (2006) for solo Eï¢ clarinet was written for and isdedicated to Dennis Báthory-Kitsz and Stevie Balch on their 10th wedding anniversary.Although the work is intended as a stand-alone concert piece, there are references intertwinedthroughout to the couple’s life and work together. The overall inspiration comes from thelandscape of the state of Vermont and particularly Mt. Mansfield.The opening section is flexible and fantastic – forcefully full of energy and life. A deliberatepassage leads to the next section – fast and fleeting, with a “quicksilver†character that perhapsreflects the horses of the Argentum Fugit farm in Vermont. The final section recalls the mood ofthe opening, but more haltingly – bringing into play a brief quotation (which is shown has beenrelated to the musical material all along). After this aborted recapitulation winds down in asimilar way to the first section, a dramatic coda emerges – leading to the final notes of power,brightness and joy.In terms of musical material, the work is an exploration of the expansion and contraction of atotal chromatic row, settling into lyrical tonally centered gestures.
$7.75 ≈
7.04€
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95 ≈
23.57€
Carson Cooman - Sonnets for Two Trumpets (2008)
Carson Cooman - Sonnets for Two Trumpets (2008)
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2 Trompettes (duo)
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INTERMÉDIAIRE
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Contemporain
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Carson Cooman
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Carson Cooman - Sonnets for Tw
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Musik Fabrik Music Publishing
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SheetMusicPlus
Trumpet Duet Trumpet - Level 3 - SKU: A0.775970 Composed by Carson Cooman. Contemporary. Score. 10 pages. Musik Fabrik Music Publishing #2034855. Publis...
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Trumpet Duet Trumpet - Level 3 - SKU: A0.775970 Composed by Carson Cooman. Contemporary. Score. 10 pages. Musik Fabrik Music Publishing #2034855. Published by Musik Fabrik Music Publishing (A0.775970). Sonnets for Two Trumpets (2008) is a suite of lyrical movements. The opening movement, Song, decorates a modal melody with arabesque figurations. The second movement, Dance, bounces a syncopated melody back and forth between the players. The third movement, Chorale, is fervent and stately. The fourth movement, Estampie, is fast and energetic. The fifth movement, Prayer, is sad, yet hopeful.
$12.95 ≈
11.76€
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95 ≈
58.99€
Carson Cooman: Paradoxes: Sonata for Cello and Piano (1998)
Carson Cooman: Paradoxes: Sonata for Cello and Piano (1998)
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Violoncelle, Piano
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AVANCÉ
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Carson Cooman
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Carson Cooman: Paradoxes: Sona
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Musik Fabrik Music Publishing
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.533690 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Standards. Score and part. 25 pages. Musik Fabrik Mu...
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Cello,Piano - Level 5 - SKU: A0.533690 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Standards. Score and part. 25 pages. Musik Fabrik Music Publishing #3038631. Published by Musik Fabrik Music Publishing (A0.533690). Paradoxes: Sonata for Cello and Piano (1998) was written as a commission frommusicologist and cellist Larry KludgeThe conception and inspiration of this sonata had the idea of paradoxes behind it. Ouruniverse is certainly full of these paradoxes, and they range from the most practical in natureto the most highly philosophical in nature. Each of the movements in this work isparadoxical in a variety of musical ways. The movement titles present the foundation ideasfor each movement, stillness, brevity, and movement; however, those serve as only thebeginning for the paradoxes in the work. The first movement, Paradox of Stillness, openswith a statement of the main melodic theme for the work. The melody and pitches of thattheme are used in a variety of ways throughout. The second section serves as a contrast to theopening after which the opening section is recalled again for the close. The brief secondmovement, Paradox of Brevity, is a very fast moving movement for the cello and the piano.Driving rhythms and odd harmonic twists pervade the movement. The final movement,Paradox of Movement, opens with and sustains a moto perpetuo dance for almost the entiremovement with a break in the middle for a brief cadenza for the solo cello. A brief codabrings the movement to a close
$19.95 ≈
18.12€
Carson Cooman - Viola Quintet (Unquiet Parables) (2009) for two violins, two violas and cello
Carson Cooman - Viola Quintet (Unquiet Parables) (2009) for two violins, two violas and cello
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Carson Cooman
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Carson Cooman - Viola Quintet
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Ensemble,String Quintet - Level 5 - SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Mus...
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String Ensemble,String Quintet - Level 5 - SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Music Publishing #2035285. Published by Musik Fabrik Music Publishing (A0.775995). Viola Quintet (Unquiet Parables) (2009) was commissioned by the Vienna Soloists and is dedicated to Jack Melby and Jane Thompson. The work is in three movements, each sharing the same basic musical material. The starting point for the music is dissonant cadential figuration centered on Ab (taken from the voice leading of American colonial-era music). Spinning out from this idea, the material extends to incorporate a sonority formed from perfect 5ths one semitone apart. Irregular phrase lengths and cadences are used as the basis of the work’s large-scale structures. The first movement, Recitatives and Chorales, consists of free, recitative-like material for the instruments in solo. These recitatives often erupt into fast spirals. This texture is interrupted periodically by chorale-like ideas presented by the full quintet. The second movement, Serenata, is a song-like with each instrument taking the melody in turn. Some of the recitative-ideas of the first movement re-emerge, as well as a re-articulation of the cadential figuration. The third movement, Ductia, is energetic and driving. A ductia is a Medieval stamping dance resembling the estampie. The driving (yet sometimes off-kilter) character of the dance is interrupted by a recollection of the first movement’s material. The final resolution of the extended cadential figurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$32.45 ≈
29.47€
Carson Cooman: Sonata for Solo Violin (2005)
Carson Cooman: Sonata for Solo Violin (2005)
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Violon
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Carson Cooman
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Carson Cooman: Sonata for Solo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Violin Solo - SKU: A0.533610 Composed by Carson Cooman. Concert,Contemporary,Standards. 12 pages. Musik Fabrik Music Publishing #3030921. Published by M...
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Violin Solo - SKU: A0.533610 Composed by Carson Cooman. Concert,Contemporary,Standards. 12 pages. Musik Fabrik Music Publishing #3030921. Published by Musik Fabrik Music Publishing (A0.533610). Sonata for Solo Violin (2005) was composed for and is dedicated to David Fulmer. It is in twomovements.The first movement, Logos, was inspired by a paradoxical contrast present at Cisco Beach onNantucket Island, Massachusetts, USA. On one side of the sandy beach are the powerfulpounding waves of the unbounded Atlantic ocean. On the other side sits one of Nantucket's mosttranquil freshwater ponds. Within one field of vision exists this contrast. It is a lyrical movement which contrasts slow melodic gestures with very fast running passages. The outer two sections explore the development of a series of melodic cells that are unfolded at the start of the work. The middle section features a long-breathed lyrical melody with lower register decorations and interruptions.The second movement, Synodos, is a journey. The Greek title is built from the Greek words for with [sun] and road/way[hodos] and refers to a fellow traveller on a journey. It is a personal journey -- between performer and violin.It ismystical in conception with two extended slow sections framing a dramatic and jagged one in the center. The musical material and gestures are gradually transformed over time -- as periods of motion are contrasted with periods of extreme stillness and resonant inactivity.A resonant acoustic is preferred for a performance of the work.
$11.95 ≈
10.85€
Carson Cooman: Fourth Piano Sonata
Carson Cooman: Fourth Piano Sonata
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Piano seul
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AVANCÉ
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Carson Cooman
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Carson Cooman: Fourth Piano So
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.533606 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 16 pages. Musik Fabrik Music Publishing #3030525...
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Piano Solo - Level 5 - SKU: A0.533606 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 16 pages. Musik Fabrik Music Publishing #3030525. Published by Musik Fabrik Music Publishing (A0.533606). I. Mourning at SunsetII. Beyond Distant EchoesIII. Whispers of MortalityFourth Piano Sonata (2005) was commissioned by and is dedicated to pianist Donna Amato.The work is in three movements, each using the exact same musical material. Eachmovement presents a trajectory towards a greater integration of the disparate pieces ofmaterial.The first movement, Mourning at Sunset, presents the basic material in clearly definedblocks. An opening section of forceful, declamatory chords alternates with a more lyricalsection of interlocking lines. The forceful music returns before a slow, desolate section ispresented. This builds to a small climax before dying down again. The opening then returns.The second movement, Beyond Distant Echoes, is slow and ethereal. Sounds of distant gongsalternate with brittle, spasmodic interjections.The third movement, Whispers of Mortality, is inspired by the finale of Frederic Chopin'sPiano Sonata in B-flat minor. It is fast and fleeting and too short. The musical materialhas transformed into pure running roulades of raw notes. The movement evaporates into theuppermost register.
$19.95 ≈
18.12€
Carson Cooman: Solar Visions (2004) for woodwind quintet
Carson Cooman: Solar Visions (2004) for woodwind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Solar Visions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.533642 Composed by Carson Cooman. Contemporary. Score and parts. 58 pages. Musik Fab...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.533642 Composed by Carson Cooman. Contemporary. Score and parts. 58 pages. Musik Fabrik Music Publishing #3035193. Published by Musik Fabrik Music Publishing (A0.533642). Solar Visions (2004) for woodwind quintet was commissioned by and is dedicated to theArcadian Winds of Boston, Massachusetts, at the specific request of John Paul Aubrey,hornist. Hearing the Arcadian Winds perform contemporary music on numerous occasionswas an inspiration to the writing of this piece.The work is in three movements, each sharing the same basic musical material. The startingpoint for the work's conception is a dissonant cadential figuration from early American music,centered on Ab. Spinning out from this idea, the material extends to incorporate patterns ofperfect 5ths one semitone apart. This sense of cadence is extended in the work to makelarger-scale structures.The first movement, Recitatives and Chorales, consists of free, recitative-like material for theinstruments in solos. These recitatives often erupt into fast spirals. This texture is interruptedperiodically by chorale-like ideas presented by the full quintet.The second movement, Serenata, is a song-like with each instrument taking the melody inturn. Some of the recitative-ideas of the first movement re-emerge, as well as a rearticulationof the cadential figuration.The third movement, Dance, is energetic and driving. The dance is interrupted by arecollection of the first movement's material. The final resolution of the extended cadentialfigurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$29.95 ≈
27.20€
Carson Cooman: Concerto for Bass Saxophone and Strings (1999), score and solo part
Carson Cooman: Concerto for Bass Saxophone and Strings (1999), score and solo part
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Orchestre à Cordes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Musi...
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String Orchestra - Level 5 - SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3041103. Published by Musik Fabrik Music Publishing (A0.533709). I. Chaconne: ...a continuum of dreams...II. CadenzaIII. ToccataConcerto for Bass Saxophone and Strings (1999) was commissioned by basssaxophonist Andreas van Zoelen (with generous support from the Broeker Fund forNew Music) and is dedicated with appreciation and admiration to him. Van Zoelen iscommitted to enhancing the very small existing bass saxophone repertoire throughsupporting the creation and performance of new works. The subtitle of the firstmovement (...a continuum of dreams...) could be seen as a sort of subtitle for theentire work that sets the mood and provides unification for the entire piece. The firstmovement is a slow and ethereal chaconne. The strings and the saxophone interact invarious ways throughout this movement in non-traditional form. There are actuallytwo ground bass themes; one is introduced at the beginning with pizzicato stringsbut soon moves to the background (although it is almost always present). The secondis presented near the end of the work and eventually the two are combined. Theinterval of an augmented fourth (tritone) has special use throughout the movementas a variety of themes and motifs are transformed throughout. The second movementis a cadenza for the unaccompanied saxophone. The third movement is a fast andwild toccata. The saxophone plays almost without rest for the entire movement. Amiddle section recalls the theme of augmented fourths from the first movement.Heavy use is made of pizzicato strings. The saxophone part for this movement ishighly virtuosic, exploring the full possibilities and range of the instrument.This is the score and solo part only. The parts are on rental from the publisher.
$29.95 ≈
27.20€
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