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February Minor Piano Solo
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Vous avez sélectionné:
February Minor Piano Solo
Partitions à imprimer
54 partitions trouvées
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February Minor Piano Solo (Jazz Piano #2) for Intermediate Jazz Instruction
February Minor Piano Solo (Jazz Piano #2) for Intermediate Jazz Instruction
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Piano seul
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INTERMÉDIAIRE
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Gregory H
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February Minor Piano Solo
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Standard Time
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1376320 Composed by Gregory H. Turner, Debra E. Stempien. Instructional,Jazz,Standards. Score. 3 pages. Standard Time #96...
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Piano Solo - Level 3 - SKU: A0.1376320 Composed by Gregory H. Turner, Debra E. Stempien. Instructional,Jazz,Standards. Score. 3 pages. Standard Time #960862. Published by Standard Time (A0.1376320). This is the second in a series of jazz piano solos for intermediate students. Â February Minor, in D minor, is composed in the gypsy jazz style of Django Reinhardt.
$4.99 ≈
4.48€
Pezzo capriccioso B minor
Pezzo capriccioso B minor
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Violoncelle, Piano
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AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Pezzo capriccioso B minor
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - advanced - SKU: S9.Q6880 Morceau de concert. Composed by Peter Ilyich Tchaikovsky. This edition: Sheet music. Cello Library. Do...
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Cello and piano - advanced - SKU: S9.Q6880 Morceau de concert. Composed by Peter Ilyich Tchaikovsky. This edition: Sheet music. Cello Library. Downloadable. Op. 62. Schott Music - Digital #Q6880. Published by Schott Music - Digital (S9.Q6880). Key: B minor.Apart from the famous Rococo Variations, Pyotr I. Tchaikovsky composed another work for solo violoncello: Pezzo capriccioso, Opus 62. It is dedicated to Brandoukoff (Brandukov) with whom he had performed this little virtuoso piece for the first time at the famous salon of the Benardaky family in February 1888. The soloist himself suggested a few minor changes in the solo part. Even Maurice Gendron, the great cello virtuoso and teacher, attended to the work once again, not only 'bedighting' the solo part in a virtuoso manner but also adding a cadenza, an extended recapitulation and a lengthened ending to the Pezzo. The present edition enables the performer to get an accurate picture of the different versions and layers. The fingerings, bowing indications and interpretational aids - except for in the added parts - are by Maurice Gendron.
$19.99 ≈
17.95€
Elegie in Eb Minor (Classical Music for Tablet Series)
Elegie in Eb Minor (Classical Music for Tablet Series)
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Piano seul
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AVANCÉ
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Classique
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Stephen R Dalrymple
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Edited by Stephen R Dalrymple
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Elegie in Eb Minor
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.818281 By Stephen R Dalrymple. By Sergei Rachmaninoff. Arranged by Edited by Stephen R Dalrymple. Romantic Period....
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Instrumental Solo - Level 5 - SKU: A0.818281 By Stephen R Dalrymple. By Sergei Rachmaninoff. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 18 pages. Stephen R Dalrymple #4966281. Published by Stephen R Dalrymple (A0.818281). Élegié in E Flat Minor for solo piano (Classical Music for Tablet Series) ♫ by Sergei Vasilyevich Rachmaninoff (Opus 3.1) ♫ Rachmaninoff (born in 1873) , Russian composer, virtuoso pianist, and conductor, was considered one of the finest pianists of his day. His compositions belong to the Romantic period of music history. He graduated at the Moscow Conservatory in 1892. After the premiere of his First Symphony in 1897, the negative reaction by an important critic sent him into a tailspin of depression that lasted several years. ♫ In 1909 he performed a series of 26 performances with the Boston Symphony Orchestra in the USA. In 1914 he travelled to England for a concert tour. ♫ In February 1917 on the day the Socialist Revolution began in St Petersburg, he performed a benefit piano recital in Moscow for wounded Russian soldiers. When he returned home, he found that a group of Social Revolutionary Party members had seized his property as their own communal property. He had invested most of his earnings on the estate, but left it behind. Rachmaninoff's concert performance in Yalta on 5 September 1917 was to be his last in Russia. The chaos and tension of the October Revolution was daunting. He composed with the noise of gunshots and rallies in the background. He received an invitation to perform 10 recitals across Scandinavia. He accepted the offer, using it as an excuse to obtain permits so he and his family could flee Russia. ♫ He returned to the USA in November 1918 and America became his home. When he became an American citizen in 1943, Sergei Rachmaninoff said: “This is the only place on earth where a human being is respected for what he is and what he does, and it does not matter who he is and where he came from.†He died in March 1943 from cancer at the age of 70. (condensed from Wikipedia - October 2022) ♫ Rachmaninoff’s Opus 3 contains 5 piano pieces. The first is the Élegié in E Flat Minor, the second is the Prelude in C# Minor (one of his most famous piano compositions). This opus was finished in 1892, when he was 19 years old. The Prelude in C# Minor is loud, explosive, and declarative; the Élegié in E Flat Minor is soft, fluid, and contemplative. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Sequenced by the Editor ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.58€
Soliloquy in E Minor
Soliloquy in E Minor
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Soliloquy in E Minor
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.574147 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. Sco...
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Piano Solo - Level 3 - SKU: A0.574147 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. Score. 4 pages. James M Stevens Music ASCAP #6304829. Published by James M Stevens Music ASCAP (A0.574147). Written February 28, 2021, this is an original piano composition in a reflective style and with a lyrical melody in the key of E minor.
$4.99 ≈
4.48€
Midnight Musings - Piano Solo
Midnight Musings - Piano Solo
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Midnight Musings - Piano Solo
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1177367 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New...
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Piano Solo - Level 3 - SKU: A0.1177367 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #777375. Published by James M Stevens Music ASCAP (A0.1177367). Written February 9, 2023, this is an original piano composition based my recent organ solo with some modifications for piano in the key of D minor. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' music on streaming services worldwide including Spotify, Amazon, Apple, Pandora, Deezer, and others.
$3.99 ≈
3.58€
The Peaceful Swan - Piano Solo
The Peaceful Swan - Piano Solo
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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The Peaceful Swan - Piano Solo
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1176715 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New...
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Piano Solo - Level 3 - SKU: A0.1176715 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New Age,Sacred,Wedding. Score. 4 pages. James M Stevens Music ASCAP #776794. Published by James M Stevens Music ASCAP (A0.1176715). Written February 8, 2023, this is an original piano composition based my recent organ solo with some modifications for piano. This is in a graceful adagio style in the key of E major with a middle section in E minor. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' music on streaming services worldwide including Spotify, Pandora, Apple, Amazon, Deezer, and others.
$3.99 ≈
3.58€
Quiet Moment at Dusk - Piano Solo
Quiet Moment at Dusk - Piano Solo
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Quiet Moment at Dusk - Piano S
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.582463 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Inst...
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Piano Solo - Level 3 - SKU: A0.582463 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Instructional,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #191637. Published by James M Stevens Music ASCAP (A0.582463). Written February 11, 2022, this is an original piano composition in a quiet and reflective style in the key of A minor. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' music on streaming platforms such as Spotify, Pandora, Apple, Amazon, and others.
$3.99 ≈
3.58€
Musings at River Branch - Piano Solo
Musings at River Branch - Piano Solo
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Musings at River Branch - Pian
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.575534 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New ...
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Piano Solo - Level 3 - SKU: A0.575534 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #184870. Published by James M Stevens Music ASCAP (A0.575534). Written February 9, 2022, this is an original piano composition in a gentle and reflective style with wandering harmonies in the key of G minor. James Michael Stevens is a prolific composer residing in Nashville, TN.
$3.99 ≈
3.58€
Elegy at Willow Pond - Piano Solo
Elegy at Willow Pond - Piano Solo
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Elegy at Willow Pond - Piano S
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.621483 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New ...
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Piano Solo - Level 3 - SKU: A0.621483 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #230624. Published by James M Stevens Music ASCAP (A0.621483). Written February 19, 2022, this is an original piano composition in a quiet and reflective mood in the key of E minor. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' music on streaming platforms such as Spotify, Amazon, Apple, Pandora, and others.
$4.99 ≈
4.48€
Elegy at Willow Pond - Piano Solo
Elegy at Willow Pond - Piano Solo
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Elegy at Willow Pond - Piano S
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.612676 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Inst...
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Piano Solo - Level 3 - SKU: A0.612676 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Instructional,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #221867. Published by James M Stevens Music ASCAP (A0.612676). Written February 19, 2022, this is an original piano composition in a quiet and reflective mood in the key of E minor. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' music on streaming platforms such as Spotify, Amazon, Apple, Pandora, and others.
$4.99 ≈
4.48€
Hearts of Love - Romantic Piano
Hearts of Love - Romantic Piano
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Hearts of Love - Romantic Pian
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.573267 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Love,New Age,Sacred,Wed...
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Piano Solo - Level 3 - SKU: A0.573267 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Love,New Age,Sacred,Wedding. Score. 4 pages. James M Stevens Music ASCAP #5206481. Published by James M Stevens Music ASCAP (A0.573267). Written February 3, 2020, this is an original piano composition in a nostalgic lullaby style in the key of B flat major. Begins in B flat, moves D Major, B minor, and the returns to B flat major. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$3.99 ≈
3.58€
L.van Beethoven - Symphony no.5 Op.67 for piano – 3rd and 4th mov. Scherzo(Allegro) - Allegro
L.van Beethoven - Symphony no.5 Op.67 for piano – 3rd and 4th mov. Scherzo(Allegro) - Allegro
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Piano seul
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AVANCÉ
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Classique
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Ludwing van Beethoven
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Santino Cara
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L.van Beethoven - Symphony no.
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.516467 Composed by Ludwing van Beethoven. Arranged by Santino Cara. Classical. Score. 29 pages. Santino Cara #2032049. Pu...
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Piano Solo - Level 5 - SKU: A0.516467 Composed by Ludwing van Beethoven. Arranged by Santino Cara. Classical. Score. 29 pages. Santino Cara #2032049. Published by Santino Cara (A0.516467). Piano transcription of the third movement “Scherzo:Allegro†and of the fourth movement “Allegro†from the Symphony no.5 in C minor op.67 by Ludwig van Beethoven. Processed and transcribed in Rome in February 2014 by Santino Cara. The audio, reports the faithful transcription of the score. The duration of the third and fourth movement together, is about 15:48 minutes Always on my page of Sheet Music Plus, there is the full transcript of the Symphony Op.67 no.5 in a single pdf file, but there are also the four individual movements available for download The duration of the complete work is about 32 minutes I – Allegro con brio - 7:16 m II – Andante con moto - 9:23 m III – Scherzo: Allegro, IV - Allegro - 15:48 m.
$16.20 ≈
14.54€
Beside the Gray Shore - Reflective Piano
Beside the Gray Shore - Reflective Piano
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Beside the Gray Shore - Reflec
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.572805 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sac...
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Piano Solo - Level 3 - SKU: A0.572805 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #4298261. Published by James M Stevens Music ASCAP (A0.572805). Written February 3, 2019, this is an original piano composition in a darkly reflective style in the key of A minor. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=z9J_UBARnkg
$4.99 ≈
4.48€
Stone Horizons - Minimalist Piano
Stone Horizons - Minimalist Piano
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Stone Horizons - Minimalist Pi
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1175388 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Con...
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Piano Solo - Level 3 - SKU: A0.1175388 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Contemporary,Easter,New Age. Score. 4 pages. James M Stevens Music ASCAP #775546. Published by James M Stevens Music ASCAP (A0.1175388). Written February 7, 2023, this is an original piano composition in a reflective and minimalist style in the key of C minor. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' music on streaming services around the world including Spotify, Apple, Amazon, Pandora, Deezer, and other.
$4.99 ≈
4.48€
Reverie - Reflective Piano
Reverie - Reflective Piano
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Reverie - Reflective Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.573298 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sac...
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Piano Solo - Level 3 - SKU: A0.573298 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #5289691. Published by James M Stevens Music ASCAP (A0.573298). Written February 22, 2020, this is an original piano composition in an introspective style in the key of A minor. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$4.99 ≈
4.48€
Soliloquy - Reflective Piano
Soliloquy - Reflective Piano
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Soliloquy - Reflective Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.572800 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sac...
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Piano Solo - Level 3 - SKU: A0.572800 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #4297083. Published by James M Stevens Music ASCAP (A0.572800). Written February 1, 2019, this is an original piano composition in a reflective style in the key of G minor. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=e3076eaNyVY
$4.99 ≈
4.48€
Winter Solace - Reflective Piano
Winter Solace - Reflective Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Michael Stevens
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James Michael Stevens
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Winter Solace - Reflective Pia
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.573291 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred,World. Sc...
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Piano Solo - Level 4 - SKU: A0.573291 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred,World. Score. 4 pages. James M Stevens Music ASCAP #5223175. Published by James M Stevens Music ASCAP (A0.573291). Written February 17, 2020, in a reflective style in the key of C minor with a lyrical melody above a soft bed of triplet eighth notes. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$3.99 ≈
3.58€
Quiet Pathways - Flute & Piano
Quiet Pathways - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Quiet Pathways - Flute & P
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James M Stevens Music ASCAP
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.574142 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,...
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Flute,Piano - Level 3 - SKU: A0.574142 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #6303415. Published by James M Stevens Music ASCAP (A0.574142). Written February 26, 2021, this is an original flute and piano composition in a reflective style in the key of D minor. There is a separate flute part in the score and the piano part as seen can serve as an independent solo. The accompaniment track as heard can be found at Sheet Music Plus under Quiet Pathways Piano Track.
$6.99 ≈
6.28€
Quiet Pathways - Clarinet & Piano
Quiet Pathways - Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Quiet Pathways - Clarinet &
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James M Stevens Music ASCAP
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.574143 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contempora...
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Clarinet,Piano - Level 3 - SKU: A0.574143 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #6303425. Published by James M Stevens Music ASCAP (A0.574143). Written February 26, 2021, this is an original clarinet and piano composition in a reflective style in the key of D minor. There is a separate clarinet part in the score and the piano part as seen can serve as an independent solo. The accompaniment track as heard can be found at Sheet Music Plus under Quiet Pathways Piano Track.
$6.99 ≈
6.28€
Peaceful Reverie - Flute & Piano
Peaceful Reverie - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Peaceful Reverie - Flute &
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James M Stevens Music ASCAP
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.574119 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sa...
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Flute,Piano - Level 3 - SKU: A0.574119 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #6290779. Published by James M Stevens Music ASCAP (A0.574119). Written February 19, 2021, this an original flute and piano composition in a calm, reflective, and quiet style in the key of B minor with a middle section in B major. There is a separate flute part in the score and piano part as seen can serve as an independent solo. The accompaniment track as heard is available under Peaceful Reverie Piano Track.
$6.99 ≈
6.28€
Peaceful Reverie - Oboe & Piano
Peaceful Reverie - Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Peaceful Reverie - Oboe &
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James M Stevens Music ASCAP
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.574120 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sac...
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Oboe,Piano - Level 3 - SKU: A0.574120 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #6290813. Published by James M Stevens Music ASCAP (A0.574120). Written February 19, 2021, this an original oboe and piano composition in a calm, reflective, and quiet style in the key of B minor with a middle section in B major. There is a separate oboe part in the score and piano part as seen can serve as an independent solo. The accompaniment track as heard is available under Peaceful Reverie Piano Track.
$6.99 ≈
6.28€
Quiet Pathways - Violin & Piano
Quiet Pathways - Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Quiet Pathways - Violin &
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.574141 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. 8...
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Piano,Violin - Level 3 - SKU: A0.574141 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. 8 pages. James M Stevens Music ASCAP #6303399. Published by James M Stevens Music ASCAP (A0.574141). Written February 26, 2021, this is an original violin and piano composition in a reflective style in the key of D minor. There is a separate violin part in the score and the piano part as seen can serve as an independent solo. The accompaniment track as heard can be found under Quiet Pathways Piano Track.
$6.99 ≈
6.28€
Peaceful Reverie - Violin & Piano
Peaceful Reverie - Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Peaceful Reverie - Violin &
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.574118 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,S...
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Piano,Violin - Level 3 - SKU: A0.574118 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. 8 pages. James M Stevens Music ASCAP #6290753. Published by James M Stevens Music ASCAP (A0.574118). Written February 19, 2021, this an original violin and piano composition in a calm, reflective, and quiet style in the key of B minor with a middle section in B major. There is a separate violin part in the score and piano part as seen can serve as an independent solo. The accompaniment track as heard is available under Peaceful Reverie Piano Track.
$6.99 ≈
6.28€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
21.54€
Aspirations Op. 1
Aspirations Op. 1
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Piano seul
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AVANCÉ
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Contemporain
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Tayren N
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Aspirations Op. 1
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Tayren N. Ben-Abraham
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1027238 Composed by Tayren N. Ben-Abraham. 20th Century,Concert,Contemporary. Score. 10 pages. Tayren N. Ben-Abraham #203...
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Piano Solo - Level 5 - SKU: A0.1027238 Composed by Tayren N. Ben-Abraham. 20th Century,Concert,Contemporary. Score. 10 pages. Tayren N. Ben-Abraham #2039327. Published by Tayren N. Ben-Abraham (A0.1027238). This solo piano work describes the unfulfilled aspirations of a person or group of people and aims to be as a meditation by which these aspirations can be offered at the time of performance together as one voice along with the performer. This work is suitable for recitals, to be placed as solo repertoire as part of a concert, and more. Aspirations is suitable for all audiences. It is suitable for performers who are at an advanced level of piano skills to the professional. The entire work lasts approximate 7 minutes long. This piece was written in January and February 2012 with the official finishing date being February 28, 2012. It is my first serious piece which was composed in my undergraduate studies at Valley City State University under my professor Jorge Variego. The first 22 bars were conceived a year earlier as a sketch. This piece is part of the Valley City Collection, which describes works of music I composed while living in Valley City, North Dakota. The piece in the beginning involves bitonality, the bass being in A minor and the melodic line being in F major. The main theme is given much room to develop and soon runs into the secondary theme at measure 45. At measures 48 to 50 the main theme returns only to introduce the third theme at measure 51 to 52 then returning to the first theme. At measure 73, another theme enters to transition back to the main theme that is a variation at measure 81 to the end. Mainly composed in 12/8 time, the work concludes in 4/4 time. Your Performing Rights Organization Your Social Media Channels and Contact Information.
$5.00 ≈
4.49€
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February Minor Piano Solo
