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Feeling Good F Instrument
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Vous avez sélectionné:
Feeling Good F Instrument
Partitions à imprimer
12 partitions trouvées
<
1
It's Such A Good Feeling
It's Such A Good Feeling
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Instruments en Do
#
Fred Rogers
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Charlie Lee
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It's Such A Good Feeling
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C Lee
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SheetMusicPlus
C Instrument - SKU: A0.1197646 Composed by Fred Rogers. Arranged by Charlie Lee. 20th Century,Children,Film/TV,Jazz. Lead Sheet / Fake Book. 2 pages. C ...
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C Instrument - SKU: A0.1197646 Composed by Fred Rogers. Arranged by Charlie Lee. 20th Century,Children,Film/TV,Jazz. Lead Sheet / Fake Book. 2 pages. C Lee #796827. Published by C Lee (A0.1197646). Lead sheet in F.
$4.99 ≈
4.49€
Feeling Good - F Instrument by Nina Simone - Instrumental Solo
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Instruments en Fa
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Nina Simone
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Feeling Good - F Instrument
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Musicnotes
Sheet Music for Feeling Good - F Instrument from The Roar of the Greasepaint - The Smell of the Crowd arranged for Instrumental Solo;Instrumental Part in G Mino...
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Sheet Music for Feeling Good - F Instrument from The Roar of the Greasepaint - The Smell of the Crowd arranged for Instrumental Solo;Instrumental Part in G Minor. Digital sheet music from Musicnotes.
$2.99 ≈
2.69€
Feeling Good
Feeling Good
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Jazz
#
Michael Buble
#
Fishel Pustilnik
#
Feeling Good
#
F & N Enterprise
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.635965 By Michael Buble. By Anthony Newley and Les...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.635965 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Fishel Pustilnik. Jazz. Score and parts. 5 pages. F & N Enterprise #6099329. Published by F & N Enterprise (A0.635965). An excellent arrangement of the famous Song Feeling Good for Tenor Sax and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/XoeHFlNiNWw The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99 ≈
4.49€
Feeling Good
Feeling Good
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Jazz
#
Michael Buble
#
Fishel Pustilnik
#
Feeling Good
#
F & N Enterprise
#
SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.635971 By Michael Buble. By Anthony Newley and Les...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.635971 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Fishel Pustilnik. Jazz. Score and parts. 5 pages. F & N Enterprise #6102021. Published by F & N Enterprise (A0.635971). An excellent arrangement of the famous Song Feeling Good for Alto Sax and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/XoeHFlNiNWw The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99 ≈
4.49€
Feeling Good
Feeling Good
#
Ensemble Jazz
#
INTERMÉDIAIRE/AVANCÉ
#
Michael Buble
#
Matt Amy
#
Feeling Good
#
Matt Amy Music
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1096396 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Matt Amy. Contemporary,Jazz...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1096396 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Matt Amy. Contemporary,Jazz,Pop. Score and parts. 55 pages. Matt Amy Music #700374. Published by Matt Amy Music (A0.1096396). A very popular arrangement, certainly one to please the crowd. Key - F minor (with modulation to G minor) Instrumentation: - Solo Vocal - 5 Saxophones - 4 Trumpets - 4 Trombones - Guitar - Piano - Bass - Drums - Synth Strings - Violin 1 - Violin 2 - Viola - Cello - Contrabass More arrangements from Matt Amy here: https://www.sheetmusicplus.com/publishers/matt-amy-music-sheet-music/3005565?ac=1 Contact (and more info) Matt here: http://www.mattamymusic.com/contact.
$50.00 ≈
45.03€
Feeling Good
Feeling Good
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Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Michael Buble
#
Guillaume Ceretto
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Feeling Good
#
Guillaume Ceretto
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1161548 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Guillaume Ceretto. 20th Century,Jazz,Pop. ...
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Concert Band - Level 3 - SKU: A0.1161548 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Guillaume Ceretto. 20th Century,Jazz,Pop. Score and parts. 43 pages. Guillaume Ceretto #761907. Published by Guillaume Ceretto (A0.1161548). Arrangement of the famous song of Leslie Bricusse and Anthony Newley. This arrangement is pretty much inspired by the Michael Bublé version, but with an easily ending, adapted for young Concert Band.The song is 2'40'' long.Instrumentation : PiccoloFlute 1,2OboeBassoonClarinet 1,2,3 in BbBass ClarinetAlto Saxophone 1,2 in BbTenor Saxophone in BbBaritone Saxophone in EbHorn 1,2 in FTrumpet 1,2,3 in BbTrombone 1,2,3 in CEuphonium T.C in BbTuba in CTimpaniVibraphoneDrum setBongos.
$55.00 ≈
49.54€
Clair De Lune (Debussy) - horn in F and piano with FREE BACKING TRACK
Clair De Lune (Debussy) - horn in F and piano with FREE BACKING TRACK
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Cor et Piano
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AVANCÉ
#
Classique
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Claude Debussy
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Austin Ralphson
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Clair De Lune
#
Austin Ralphson
#
SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1173499 Composed by Claude Debussy. Arranged by Austin Ralphson. 20th Century,Classical,Romantic Period,Wedding. S...
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French Horn,Piano - Level 5 - SKU: A0.1173499 Composed by Claude Debussy. Arranged by Austin Ralphson. 20th Century,Classical,Romantic Period,Wedding. Score and part. 12 pages. Austin Ralphson #773644. Published by Austin Ralphson (A0.1173499). Clair de lune means moonlight in French, and Debussy took this title from Verlaine's poem Clair de lune. The beautiful melody works very well for solo instrument with piano and requires good breath control. The rhythms are particularly tricky in this piece, regularly moving from triplets to duplets and back again. Despite this, however, it should always flow smoothly and be played with feeling.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/9UFGVTDjHlk and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/pTh1O
$3.99 ≈
3.59€
Lift High the Cross (Crucifer)
Lift High the Cross (Crucifer)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Musique Sacrée
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Sydney H
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F
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Lift High the Cross
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Sweetwater Brass Press
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SheetMusicPlus
Composed by Sydney H. Nicholson (1875-1947). Arranged by F. Leslie Smith. Christian, Sacred, Easter, Lent. Score, Set of Parts. 32 pages. Published by Sweetwate...
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Composed by Sydney H. Nicholson (1875-1947). Arranged by F. Leslie Smith. Christian, Sacred, Easter, Lent. Score, Set of Parts. 32 pages. Published by Sweetwater Brass Press (S0.274709). - Score,Set of Parts - Christian,Sacred,Easter,Lent - Sweetwater Brass Press
In 1887, George Kitchin wrote ?Lift High the Cross.? Michael R. Newbolt revised it in 1916, and it was printed in that year in Sydney Nicholson?s supplement to Hymns Ancient and Modern. At the same time, it was set to Nicholson?s hymn tune, ?Crucifer,? and has since come to be used as the opening or closing hymn in many churches. There are several very good arrangements of ?Lift High the Cross? featuring brass instruments with varying combinations of other musicians?organ, choir, tympani, snare drum, hand bells, high voice descant. This arrangement features brass quintet alone, and the triumphant nature of the hymn?s melody sits exceptionally well with this particular instrumental grouping. It begins, however, with a completely different interpretation?the first time through the refrain and the verse are played relatively slowly, quietly and contemplatively (the tempo marking instructs ?Reverently?). The pace then picks up, and the feeling of the piece changes to one of exultation. This joyous mood is sustained throughout the variations that follow, and each player gets a chance to shine. Finally, after one last statement of the refrain, the dynamics quiet down for a beautifully soft finish. This is a perfect concert piece for Easter, Lent, or church processional or recessional. This arrangement was completed in 2017, and performance time runs about 5 minutes, 10 seconds. The arranger, Les Smith, would be very interested in your comments on this piece; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00 ≈
3.60€
Gymnopédie No.1 - Eric Satie - Concert Band
Gymnopédie No.1 - Eric Satie - Concert Band
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Orchestre d'harmonie
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FACILE
#
Classique
#
Contemporain
#
Erik Satie
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Thomas Graf
#
 
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Gymnopédie No.1 - Eric
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.569465 Composed by Erik Satie. Arranged by Thomas Graf. Instructional,Standards. Score and parts. 89 pages. Thomas Graf...
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Concert Band - Level 2 - SKU: A0.569465 Composed by Erik Satie. Arranged by Thomas Graf. Instructional,Standards. Score and parts. 89 pages. Thomas Graf - the-hit-factory.com #6355159. Published by Thomas Graf - the-hit-factory.com (A0.569465). This piece is perfect as warm up for your band. It will settle up a good intonation while feeling the warmth of this heart taking melody and harmony. It goes through 4! Different keys, from Bb over C, Db to the original key D-Major. So for wind players it might be a great challenge to master the original key, while Bb-major would be the perfect starter key for a rehearsal. The Gymnopédies are three piano compositions written by French composer and pianist Erik Satie. He completed the whole set by 2 April 1888, however they were at first published individually: the first and the third in 1888, the second in 1895. Instrumentation: All Band Instruments, including Piano. Part I (8vb) Baritone Horn, Part I (8vb) Horn in F, Part I (8vb) Tenor Saxophone, Part I (8vb) Trombone, Part I Alto Saxophone, Part I Clarinet 1 in Bb, Part I Flute, Part I Oboe, Part I Trumpet in Bb, Part II Alto Saxophone, Part II Clarinet 2 in Bb, Part II Horn in F, Part II Tenor Saxophone, Part II Trombone, Part II Trumpet in Bb, Part III Baritone, Part III Horn in Eb, Part III IV Alto Saxophone, Part III IV Clarinet 3 in Bb, Part III IV Horn in F, Part III IV Trumpet in Bb, Part III Tenor Saxophone, Part III Trombone, Part IV Bassoon, Part IV Euphonium, Part IV Horn in Eb, Part IV Tenor Saxophone, Part IV Trombone, Part V Baritone Saxophone, Part V Bass Clarinet in Bb, Part V Bass in Bb, Part V Bass in Eb, Part V Bassoon, Part V Tuba B.-Trombone E-Bass, Piano, Listen to the video recording - a challenge for your ensemble. .
$29.99 ≈
27.01€
Lost Boy
Lost Boy
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Ruth B
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Brian Streckfus
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Lost Boy
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B...
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Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
$1.99 ≈
1.79€
Let All Mortal Flesh Keep Silence
Let All Mortal Flesh Keep Silence
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Piano seul
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AVANCÉ
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French hymn tune PICARDY
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arranged by P
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Let All Mortal Flesh Keep Sile
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PFTMusic
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1079909 Composed by French hymn tune PICARDY. Arranged by arranged by P. F. Tillen. 20th Century,Classical,Holiday,Sacred...
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Piano Solo - Level 5 - SKU: A0.1079909 Composed by French hymn tune PICARDY. Arranged by arranged by P. F. Tillen. 20th Century,Classical,Holiday,Sacred,Traditional. Score. 3 pages. PFTMusic #684121. Published by PFTMusic (A0.1079909). The beloved hymn tune PICARDY is found in most hymnals with a variety of texts, including Let All Mortal Flesh Keep Silence and You, Lord, Are Both Lamb and Shepherd. Arranged here for solo piano, this solemn version employs octaves, fourths, and chord clusters to evoke the mystical feeling of the tune. Accessible for a good intermediate or advanced player, this arrangement is suitable for Advent or general worship, or as a recital selection. Please check for more piano music, sacred and secular choral and vocal selections, and arrangements for instrumental ensembles.
$6.99 ≈
6.30€
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