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Finale Let It Go
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Vous avez sélectionné:
Finale Let It Go
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1
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3
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James Nathaniel Holland
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95 ≈
18.07€
Finale / Let It Go (from Frozen: The Broadway Musical)
Finale / Let It Go (from Frozen: The Broadway Musical)
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Piano, Voix et Guitare
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Enfant
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Film Walt Disney
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Finale / Let It Go
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Hal Leonard - Digital
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SheetMusicPlus
Guitar,Piano and Keyboard,Vocal,Voice - Interactive Download SKU: HX.417042 This edition: Interactive Download,scorch. Broadway,Children,Disney,Film/TV. ...
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Guitar,Piano and Keyboard,Vocal,Voice - Interactive Download SKU: HX.417042 This edition: Interactive Download,scorch. Broadway,Children,Disney,Film/TV. Score. 7 pages. Hal Leonard - Digital #297808. Published by Hal Leonard - Digital (HX.417042).
$4.99 ≈
4.52€
Let All Things Praise the Lord
Let All Things Praise the Lord
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Chorale SATB
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INTERMÉDIAIRE
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Charles Wesley-AMSTERDAM, Foun
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Ken Litton
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Let All Things Praise the Lord
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1416727 Composed by Charles Wesley-AMSTERDAM, Foundry Collection, 1742. Arranged by Ken Litton. Chri...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1416727 Composed by Charles Wesley-AMSTERDAM, Foundry Collection, 1742. Arranged by Ken Litton. Christian,Contest,Festival,Religious,Sacred,Traditional. 45 pages. Artist of Note, Inc. #998390. Published by Artist of Note, Inc. (A0.1416727). Praise the Lord Who Reigns AboveCharles Wesley-AMSTERDAM, Foundry Collection, 1742SATB Choir, Organ/Keyboard, Opt. Brass & PercussionLooking for something just a bit different/reduced from the concertato form, and even easier to learn to kick off the choir season?Based on Praise the Lord Who Reigns Above this arrangement, entitled Let All Things Praise the Lord is faithful to the original including a stanza omitted in most hymnals that speaks of the choir as a battle-worthy leadership unit in worship.The text, based on Psalm 150 by English pastor Charles Wesley, was originally published in his brother, John Wesley’s Founder Collection of 1742 in conjunction the tune AMSTERDAM (which carried annotations and adaptations from a German tune). Immediately following the choir, brass, percussion and organ/keyboard fanfare, opportunity is given to the congregation to participate in the liturgy. The middle section is original music that wings the emotion/meaning of the text to a more meditative stream and back again—via a reprise of the opening fanfare—to the rousing finale with a creative descant that appears not only in Soprano/Tenor, but also (for a change) in Alto and Bass. And, with a little attention from the conductor and choir the congregation can stay in it until the final release!Included are parts for: Choir, Organ/Keyboard, Bb Trumpets, F Horn, Trombones, Bass Trombone/Tuba and Percussion: Mallets/Tympani (2 players) as well as alternate parts for Baritone B.C., Baritone T.C., Eb Alto Saxophone, Bb Tenor Saxophone and Eb Baritone Saxophone.Available where you go for the best in downloadable resources, including:Sheet Music DirectSheet Music PlusComing soon!And via your local music dealer.Also…check out other titles from Artist of Note, Inc. and East of the Altar!Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!
$1.99 ≈
1.80€
Go Tell It on the Mountain
Go Tell It on the Mountain
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Piano seul
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AVANCÉ
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Gospel Spirituel
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Michael Swedberg
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Terrence Niska
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Go Tell It on the Mountain
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125796 By Michael Swedberg. By Traditional Spiritual. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score....
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Piano Solo - Level 5 - SKU: A0.1125796 By Michael Swedberg. By Traditional Spiritual. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726536. Published by Niska Music Publishing (A0.1125796). One of the more technically demanding preludes in this set, it is a definite workout for the right hand as it is nonstop triplets from beginning to end. Not only must the wrist remain loose, but the melody is contained in the right hand amidst the steady torrent of sixteenth note triplets. There is also a wonderful two measure hemiola figure where the meter seems to shift temporarily before returning to the established meter. The exuberance and excitement of the good news of Christ’s birth is the driving force behind this arrangement. Symphonic in its conception, the pianist needs to keep that in mind as they bring all the forces of the orchestra to bear. There are instances of brass chords, swirling string lines, singing woodwinds and thundering timpani, sometimes happening all at the same time. A tour de force and an excellent concert finale!
$3.99 ≈
3.61€
Finale / Let It Go from Frozen: The Broadway Musical - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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Comédie Musicale
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Finale / Let It Go from Frozen
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Musicnotes
Finale / Let It Go - (from Frozen: The Broadway Musical) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet...
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Finale / Let It Go - (from Frozen: The Broadway Musical) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice 1;Voice 2;Voice 3;Voice 4;Piano;Backup Vocals; 7 pages -- Musical~~Show/Broadway
$5.50 ≈
4.98€
Robert Lopez: Finale / Let It Go - voice & piano
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Piano, Voix
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INTERMÉDIAIRE
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Film Walt Disney
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Enfant
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Robert Lopez
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Virtualsheetmusic
Instantly printable sheet music by Robert Lopez for voice & piano of MEDIUM skill level. / children,disney,film/tv,broadway,movies
Instantly printable sheet music by Robert Lopez for voice & piano of MEDIUM skill level. / children,disney,film/tv,broadway,movies
$7.97 ≈
7.22€
Cindy (Get Along Home Cindy, Cindy)
Cindy (Get Along Home Cindy, Cindy)
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Quatuor de Cuivres
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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American Folk Song
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F
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Cindy
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1148027 Composed by American Folk Song. Arranged by F. Leslie Smith. Folk,Historic,Traditional. 36 pages....
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1148027 Composed by American Folk Song. Arranged by F. Leslie Smith. Folk,Historic,Traditional. 36 pages. Sweetwater Brass Press #747960. Published by Sweetwater Brass Press (A0.1148027). This song uses the same melody as a 19th century African-American spiritual, The Gospel Train. The Cindy lyrics were adapted to the tune during the 20th century and have been recorded by numerous individuals and groups. Probably the most familiar of its many versions describes a girl, tells her to go home and promises future matrimony: You ought to see my Cindy She lives way down South And she's so sweet the honey bees All swarm around her mouth. Get along home Cindy, Cindy Get along home Cindy, Cindy Get along home Cindy, Cindy I'll marry you some day. This arrangement for brass quintet is written in cut time with a suggested tempo of about 96 BPM. It opens in G major and, after a 12-measure introduction, introduces the basic melody using mainly Trumpets and Trombone. This is followed by five variations. The first takes form of a gentle, rhythmically soothing near-hymn played by the Horn; the second, sounds like Turkey in the Straw and features Horn and Trumpet 2; the third is a concoction based on The Little Brown Mouse and The Girl I Left Behind played by Tuba; the fourth is Boil Em Cabbage Down by Horn and Trombone; and the fifth is Kingdom Coming by Trumpets 2 and 1. At this point, the key changes to A major, Trumpets play an extended version of the Cindy melody and Horn provides a gigue-like counterpoint. All join in for the finale. Completed in 2022, performance time runs about 3 minutes, 8 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
7.20€
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
22.64€
Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00 ≈
22.64€
F. Poulenc - Les soirées de Nazelles, FP 84, Orchestrated by A. Leytush - Score Only
F. Poulenc - Les soirées de Nazelles, FP 84, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Francis Poulenc
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A
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F. Poulenc - Les soirées de N
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1367543 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 163 pages. Arkady Leytush #951902. Publish...
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Full Orchestra - Level 4 - SKU: A0.1367543 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 163 pages. Arkady Leytush #951902. Published by Arkady Leytush (A0.1367543). Francis Poulenc - Les soirées de Nazelles, FP 84, Preamble, Cadenza #1, Variations: Le comble de la distinction, Le cÅ?ur sur la main, La désinvolture et la discrétion, La suite dans les idées, Le charme enjôleur, Le contentement de soi, Le goût du malheur, Lâ??alerte vieillesse, Cadenza #2, Finale.During the evenings, the composer used to sit at the piano and improvise portraits of his friends, all based on a given theme. The work was begun in 1930, and completed at Noizay on October 1, 1936. At the beginning of the score, it reads: The variations that form the center of this work were improvised at Nazelles during long country evenings wherein the composer played portraits for friends gathered around his piano. The composition is dedicated to the memory of my aunt LIÃ?NARD, in memory of Nazelles. My orchestral transcription of this piece is for a full orchestra. In such a new quality, this music can live well on the symphonic stage, adorning many programs with its originality. But first of all, I would like to draw the attention of the choreographers to this basically danceable, diverse and brightly characteristic music. I can say with great confidence that this work can become a ballet performance.
$100.00 ≈
90.56€
JOURNEY for Horn and Piano
JOURNEY for Horn and Piano
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Rosemary Sugden Waltzer
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JOURNEY for Horn and Piano
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New City Music
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SheetMusicPlus
Small Ensemble Horn,Piano - Level 5 - SKU: A0.904619 Composed by Rosemary Sugden Waltzer. Concert,Contemporary. Score and parts. 27 pages. New City Musi...
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Small Ensemble Horn,Piano - Level 5 - SKU: A0.904619 Composed by Rosemary Sugden Waltzer. Concert,Contemporary. Score and parts. 27 pages. New City Music #6477279. Published by New City Music (A0.904619). This is a new recital piece for horn and piano with some special effects. Journey is a three movement work for horn and piano of approximately 15 minutes in duration. Score is 20 pages. Horn part is 7 pages. It travels from one scene to the next changing in texture, character and range. The first movement begins with acoustical elements of interaction between horn and piano as the horn introduction is interrupted by frequent rests so that the reverberations of the piano with damper pedal pressed can be heard. To hear the introduction on your computer please turn the sound up. The body of the movement features lyrical horn lines with unexpected harmonies with the piano and then scampers to the end. In the whimsical second movement the horn plays a happy-go-lucky tune with a smooth melodic line which is highlighted by a minimalist pattern in the piano with modulations that are often out-of-sync between horn and piano and is true to character until the final cadence. The third movement opens with a register of the piano strings temporarily covered by a bead chain which creates a metallic sonority to compliment the timbre of the stopped horn, thus resulting in a machine like effect. Then a heroic theme alternates with a playful dialog between horn and piano, changing moods and meters until the finale when Journey is completed. This is a fun and challenging piece to show off in a recital.
$15.00 ≈
13.58€
Innerspace
Innerspace
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Mikael Carlsson
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Innerspace
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Carlssons Kluster
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download Composed by Mikael Carlsson. 21st Century, Neo-Classical, Movies. Score, Set of Parts. 136 ...
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Mikael Carlsson. 21st Century, Neo-Classical, Movies. Score, Set of Parts. 136 pages. Published by Carlssons Kluster
A large orchestral piece, inspired by the classic film music of science fiction cinema, perfect for cross-over, pops programs. A symphonic love letter to science fiction!
Anyone familiar with the 1980s sci-fi cinema boosted by the success of Steven Spielberg should note the obvious reference in the title of this piece. The 1987 sci-fi adventure, directed by Joe Dante and produced by Spielberg, was one of my favourite movies as a teenager.
When the enthusiastic Gothia Concentus commissioned me to write Innerspace, the task was to write a stand-alone concert work that would serve as companion piece to an impressive set list of well-known genre works primarily from the world of film, but also video games. Since all of the other pieces were written for sci-fi adventures taking place in outer space, I wanted to go in the other direction - inwards.
My piece and its storyline is inspired by that of Joe Dante?s movie, and of course, even more so by the ingenious 1960s sci-fi gem Fantastic Voyage. I would not say, though, that the music itself is particularly inspired by the scores written for these films (by Jerry Goldsmith and Leonard Rosenman) - it?s more of a love letter to all of the great sci-fi music written in the past century.
Innerspace is in large doses based on an octatonic scale which I developed based on a chord progression that has been in my head since I was a teenager, just waiting for the righ opportunity to ?come out?. The piece makes a condensed journey from the stark and alarming opening, through atmospheric passages which are almost bitonal in character, via stirring action and heroic scherzo motifs to a triumphant finale.
It is my intention that this piece should be entertaining, fun and exciting for the post-modern symphony audience, as well as a lot of fun for the players and conductor who share my love for the great sci-fi movies!
Duration: ca 7:30
Instrumentation: 3(1.2.pic)3(1.2.eh)3(1.2.bcl)3(1.2.cbn) - 6652(1opt) - timp.3perc - hp.pno - str.
Mikael Carlsson
January 2019
$149.99 ≈
135.82€
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Finale Let It Go
