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Finale from Clarinet Quintet in F
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Vous avez sélectionné:
Finale from Clarinet Quintet in F
Partitions à imprimer
14 partitions trouvées
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1
Pastorale Quintet Three (Opus 399) - Score Only
Pastorale Quintet Three (Opus 399) - Score Only
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Daniel Hay
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Pastorale Quintet Three
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Daniel Hay Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1049877 Composed by Daniel Hay. 20th Century,Classical,Contemporary,Multicultural,World. 6 pages....
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1049877 Composed by Daniel Hay. 20th Century,Classical,Contemporary,Multicultural,World. 6 pages. Daniel Hay Music #654268. Published by Daniel Hay Music (A0.1049877). The third Pastorale Quintet I've written. All three I chose to spell with an added 'e'. This piece is for Flute, Oboe, Clarinet, Horn in F, and Bassoon. The audio file sample is output from Finale. They YouTube link is output created for me by Gonzalo Ortiz Delgado at www.youtube.com/c/GonzaloOrtizDelgado.
$11.99 ≈
11.04€
Saint-Saëns: Le Carnaval des Animaux (The Carnival of the Animals (A Selection of pieces from) - wind quintet
Saint-Saëns: Le Carnaval des Animaux (The Carnival of the Animals (A Selection of pieces from) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Camille Saint- Saens
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Saint-Saëns: Le Carnaval des
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RayThompsonMusic
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SheetMusicPlus
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Composed by Camille Saint- Saens (1835-1921). Arranged by Ray Thompson. Roma...
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Composed by Camille Saint- Saens (1835-1921). Arranged by Ray Thompson. Romantic Period, Repertoire, Anniversary, Wedding, Recital. Score, Set of Parts. 48 pages. Published by RayThompsonMusic
The Carnival of the Animals (Le carnaval des animaux) is a humorous musical suite of fourteen movements by the French Romantic composer Camille Saint-Sans. The work was written for private performance by an ad hoc ensemble of two pianos and other instruments, and the complete work lasts around 25 minutes.
I have arranged a selection of pieces from this suite for wind quintet-
They are:
I. Introduction et Marche Royale du Lion( Inroduction and Royal March of the Lion)
II. Poules et Coqs (Hens and Roosters)
IV. Tortues (Tortoises)
V. L'Elphant (The Elephant)
XII. Fossiles (Fossils)
XII. Le Cygne (The Swan)
XIV. Final (Finale)
$19.95 ≈
18.37€
Mozart: Divertimento in D "Salzburg Symphony No.1" K136 Mvt.1 - wind quintet
Mozart: Divertimento in D "Salzburg Symphony No.1" K136 Mvt.1 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Divertimento in D &quo
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.553717 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Holiday,Wedding. ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.553717 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Holiday,Wedding. 18 pages. RayThompsonMusic #3569493. Published by RayThompsonMusic (A0.553717). Mozart wrote three early String Quartets in Salzburg in 1772 naming them Divertimenti. They are catalogued as K.136, K.137 and K.138. In form these Divertimenti are in three movements, which differs from his later divertimenti which have 4 or more movements. They are sometimes known as Salzburg Symphonies 1 to 3. K. 136, in D major, the best known of the three, opens with an Allegro, followed by an attractive G major slow movement and a rapid finale with the requisite touch of contrapuntal interest. K. 137, in B flat major, starts with an Andante, followed by two faster movements. The third of the set, K. 138, in F major, follows an opening tripartite Allegro with a G major Andante and a final Presto. This is mvt.1 Allegro of K. 136 in D major: arranged wind quintet.Complete  arrangement of this Divertimento K136 available here.I have created new natural horn parts.The melody is shared out between mainly flute and oboe...I have not done a straight swop from violin 1 to flute etc....Written for Clarinet in A, Horn In D.(Clarinet in Bb and Horn in F also provided).
$9.95 ≈
9.16€
Mozart: Divertimento in F "Salzburg Symphony No.3" K138 - wind quintet
Mozart: Divertimento in F "Salzburg Symphony No.3" K138 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Divertimento in F &quo
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1119213 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Tho...
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1119213 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 29 pages. RayThompsonMusic #720628. Published by RayThompsonMusic (A0.1119213). Mozart wrote three early String Quartets in Salzburg in 1772 naming them Divertimenti. They are catalogued as K.136, K.137 and K.138. In form these Divertimenti are in three movements, which differs from his later divertimenti which have 4 or more movements. They are sometimes known as Salzburg Symphonies 1 to 3. K. 136, in D major, the best known of the three, opens with an Allegro, followed by an attractive G major slow movement and a rapid finale with the requisite touch of contrapuntal interest. K. 137, in B flat major, starts with an Andante, followed by two faster movements. The third of the set, K. 138, in F major, follows an opening tripartite Allegro with a C major Andante and a final Presto. This is no. 3 Arranged wind quintet. The melody is shared out between mainly flute and oboe...I have not done a straight swop from violin 1 to flute etc.... I have created a natural Horn part in F and C basso.
$14.95 ≈
13.77€
Beethoven: String Quintet Op.4 (adapted from the Octet for wind Op.103) Mvt.I - wind quintet
Beethoven: String Quintet Op.4 (adapted from the Octet for wind Op.103) Mvt.I - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: String Quintet Op.4
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.553661 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Cl...
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.553661 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Holiday,Wedding. 37 pages. RayThompsonMusic #3466544. Published by RayThompsonMusic (A0.553661). The String Quintet in E-flat major, Op. 4, was composed by Ludwig van Beethoven in 1795. It was adapted from his Octet in E-flat major, Op. 103, which, despite its high opus number, was in fact composed by Beethoven in 1792/1793 but was published only in 1837, ten years after the composer's death. The Quintet was published in Vienna in 1796.The quintet has been viewed as a mere transcription of the octet. However, there are a few differences between the two works. In the first movement, there are significant changes in the exposition and substantial ones in the development, reprise, and ending. The ensuing Andante employs new themes and involves significant changes in the ones retained. The Scherzo and finale are also substantially different: among other alterations, a second trio was added to the former and a new alternate theme was inserted in the latter.This arrangement is for wind quintet. (Horn in Eb) but horn in F also provided.
$9.95 ≈
9.16€
Mozart: Divertimento in Bb "Salzburg Symphony No.2" K137 - wind quintet
Mozart: Divertimento in Bb "Salzburg Symphony No.2" K137 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Divertimento in Bb &qu
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1119979 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Tho...
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1119979 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 20 pages. RayThompsonMusic #721313. Published by RayThompsonMusic (A0.1119979). Arranged wind quintet Natural Horn in Bb ALTO Mozart wrote three early String Quartets in Salzburg in 1772 naming them Divertimenti. They are catalogued as K.136, K.137 and K.138. In form these Divertimenti are in three movements, which differs from his later divertimenti which have 4 or more movements. They are sometimes known as Salzburg Symphonies 1 to 3. K. 136, in D major, the best known of the three, opens with an Allegro, followed by an attractive G major slow movement and a rapid finale with the requisite touch of contrapuntal interest. K. 137, in B flat major, starts with an Andante, followed by two faster movements. The third of the set, K. 138, in F major, follows an opening tripartite Allegro with a C major Andante and a final Presto. This is no. 2 Arranged wind quintet. The melody is shared out between mainly flute and oboe...I have not done a straight swop from violin 1 to flute etc.... I have created a natural Horn part in Bb alto.
$14.95 ≈
13.77€
Two Daydreams for Woodwind Quintet
Two Daydreams for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Sir Arthur Seymour Sullivan
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Ted R
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Two Daydreams for Woodwind Qui
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Ted R. Marcus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1248051 Composed by Sir Arthur Seymour Sullivan. Arranged by Ted...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1248051 Composed by Sir Arthur Seymour Sullivan. Arranged by Ted R. Marcus. 19th Century,Chamber,Romantic Period,Wedding. 31 pages. Ted R. Marcus #842615. Published by Ted R. Marcus (A0.1248051). Day Dreams is a collection of six solo piano miniatures the young Arthur Sullivan published in 1867. The pieces amply demonstrate a natural melodic gift that would reach full fruition in the enduring comic operas Sullivan wrote with W.S. Gilbert. This is a contrasting pair of Daydreams, numbers 2 and 6, arranged for woodwind quintet. The first Daydream, Robert and Clara, is an expressive cantabile aria that evokes the music of Robert Schumann. The oboe, clarinet, and horn sing the complete melody, but everyone gets at least a fragment of it. (This selection is great for weddings and church services as well as for the concert hall.) The second, À l'Hongroise, is the flashy finale of the Day Dreams collection. It's a spirited Hungarian-inspired dance with a chromatic melody in shifting tonality, with harmonic turns audacious enough to thrill even 21st century listeners, culminating in a wide-ranging arpeggio passage for the four woodwinds. Both selections are transposed up half a step from the original keys of D major and f-sharp minor. Arranged for advanced players, the two selections make a great concert opener, closer, or encore. Duration: 6:12Please visit my Web site to explore more classics for adventurous woodwind quintets.
$18.00 ≈
16.57€
Danse siberienne for Woodwind Quintet
Danse siberienne for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Opera
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Classique
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Gioachino Rossini
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Ted R
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Danse siberienne for Woodwind
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Ted R. Marcus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.986813 Composed by Gioachino Rossini. Arranged by Ted R. Marcus....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.986813 Composed by Gioachino Rossini. Arranged by Ted R. Marcus. 19th Century,Classical,Opera,Romantic Period. 16 pages. Ted R. Marcus #592481. Published by Ted R. Marcus (A0.986813). Danse sibérienne is one of Gioachino Rossini's Péchés de vieillesse (Sins of Old Age). Written for piano in 1864, it's a delightfully clever imitation of a Russian dance by an Italian composer living in France. This version for advanced woodwind quintet captures all the playfulness while emphasizing Rossini's seeming anticipation of such 20th century composers as Shostakovich or Kabalevsky. It's transposed up half a step from the original f-sharp minor. Suitable for college or adult ensembles or an adventurous high school quintet, it's a fun and entertaining concert opener, finale, or encore.Duration: approx. 2:15Please visit my Web site to explore more classics for adventurous woodwind quintets.
$15.00 ≈
13.81€
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
23.02€
Daughter Zion, rejoice from Judas Maccabaeus - Choral & Shuffle - Brass Quintet
Daughter Zion, rejoice from Judas Maccabaeus - Choral & Shuffle - Brass Quintet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Noël
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G
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Thomas Graf
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Daughter Zion, rejoice from Ju
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.504110 Composed by G.F. Haendel. Arranged by Thomas Graf. Christmas,Jazz. Score ...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.504110 Composed by G.F. Haendel. Arranged by Thomas Graf. Christmas,Jazz. Score and parts. 49 pages. Thomas Graf - the-hit-factory.com #116037. Published by Thomas Graf - the-hit-factory.com (A0.504110). This concert piece starts with a classic choral auf Händel’s masterpiece, then comes the big surprise: A funky Back Beat with jazzy chords starts and will make your whole audience clap and dance. All parts are feature and even a solo for the bass part is included. It ends up in a cool finale. Drums are optional and may be substituted by a Cachon or even only clapping. A must for your upcoming concerts during holiday season! Instrumentation: Tpt 1/2 in Bb/C, Horn in F/Eb, Trombone C/Bb, Tuba/Bass in Bb/Eb Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$20.00 ≈
18.42€
Schubert: Wind Octet in F major, D.72 (Complete) - wind octet
Schubert: Wind Octet in F major, D.72 (Complete) - wind octet
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Classique
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Franz Schubert / Ray Thompson
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Ray Thompson
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Schubert: Wind Octet in F majo
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 4 - SKU: A0.1082372 Composed by Franz Schubert / Ray Thompson. Arranged by Ray Thompson. Classical,Rom...
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Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 4 - SKU: A0.1082372 Composed by Franz Schubert / Ray Thompson. Arranged by Ray Thompson. Classical,Romantic Period. Score and parts. 106 pages. RayThompsonMusic #686525. Published by RayThompsonMusic (A0.1082372). Written for wind octet :2 oboes, 2 clarinets, 2 horns and 2 bassoons. Composed in 1813, and publised in 1889, Schubert's wind octet D72 is incomplete. The minuet and trio, and finale exist, along with a fragment of 100 bars of the first movement. The 2nd slow movement (if there was one) is missing. This is my 4 movement octet: 1.Allegro (finished by me from the “fragmentâ€) 2. Allegretto (from Rosamunde string quartet†3. Menuetto and 2 Trios (original) 4. Allegro (original) Mvt.1.The fragment seems to show the end of the development, flowing into the recapitulation. I have now completed the first movment, with the expostion starting in F, and 2nd theme moduating into the Dominant C major. An optional repeat has been added, the 2nd time bar has a diminshed 7th chord I have created a new deveopment section in D minor, using themes from the fragment , which then leads into the start of the fragment., which leads to the recapitualtion. This has both themes in F and brings the movement to an end The new movement is 232 bars long. I have made some light tweaks to Schubert's original work. My new 1st mvt. lasts 5 mins 2 seconds without my repeat. (About 7 mins 20 secs with) Check out my other arrangements for wind quartet, wind quintet and wind dectet Mvt.2 is an arrangement of the slow movement of the “Rosamunde†string quartet. I have transposed this into Bb. (NATURAL HORN PARTS in Bb basso)(Hn in F provided) Mvts 3/4 are Schubert’s originals, but the clarinet parts are in Bb, rather than C. The mp3 is of the 1st movement.
$24.95 ≈
22.97€
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic P...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 55 pages. RayThompsonMusic #725159. Published by RayThompsonMusic (A0.1124411). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 4th movement: Finale (Vivace ma non troppo) It is in a traditional rondo form, A–B–A–C–A–B–A. The main melody is pentatonic. The B section is more lyrical, but continues in the spirit of the first theme. The C section is a chorale theme. I have adapted the string music for winds, and included some sustained horn chords. It has a similar feel to the finale of Dvorak’s wind serenade in D minor op.44.
$14.95 ≈
13.77€
Schubert: Wind Octet D.72 Mvt.I (Complete mvt. - Thompson) based on original fragment) - wind octet
Schubert: Wind Octet D.72 Mvt.I (Complete mvt. - Thompson) based on original fragment) - wind octet
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Classique
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Franz Schubert/Ray Thompson
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Ray Thompson
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Schubert: Wind Octet D.72 Mvt.
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 5 - SKU: A0.1075056 Composed by Franz Schubert/Ray Thompson. Arranged by Ray Thompson. Romantic Period...
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Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 5 - SKU: A0.1075056 Composed by Franz Schubert/Ray Thompson. Arranged by Ray Thompson. Romantic Period. Score and parts. 35 pages. RayThompsonMusic #679326. Published by RayThompsonMusic (A0.1075056). This is an original composition by me, utilising Schubert's fragment and themes from the fragment Written for wind octet:2 ob, 2 cl, 2 hn and 2 bsn. Composed in 1813, and publised in 1889, Schubert's wind octet D72 is incomplete. The minuet and trio, and finale exist, along with a fragment of 100 bars of the first movement. The 2nd slow movement (if there was one) is missing. The fragment seems to show the end of the development, flowing into the recapitulation. I have now completed the movment, with the expostion starting in F, and 2nd theme moduating into the Dominant C major. An optional repeat has been added, the 2nd time bar has a diminshed 7th chord I have created a new deveopment section in D minor, using themes from the fragment , which then leads into the start of the fragment., which leads to the recapitualtion. This has both themes in F and brings the movement to an end The new movement is 232 bars long. Other mvts are available for quintet, octet and dectet/decet. The mp3 is the 2nd theme of the exposition. leading into the development section. I have made some light tweaks to Schubert's original work. It lasts 5 mins 2 seconds without my repeat. (About 7 mins 20 secs with) Check out my other arrangements for wind quartet, wind quintet and wind dectet.
$19.95 ≈
18.37€
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Finale from Clarinet Quintet in F
