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Finding a Way: Oboe
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Vous avez sélectionné:
Finding a Way: Oboe
Partitions à imprimer
11 partitions trouvées
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1
Finding a Way: Oboe
Finding a Way: Oboe
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Orchestre d'harmonie
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Methodes
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Chris M
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Festival.
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Finding a Way: Oboe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017046_O1 Oboe. Composed by Chris M. Bernotas. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00...
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Concert Band - SKU: AX.00-PC-0017046_O1 Oboe. Composed by Chris M. Bernotas. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017046_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017046_O1). UPC: 038081498157.Beginning with an unresolved emotion and motive, Finding a Way travels through many emotions looking for a way to find resolution and comfort, conveying an uplifting and hopeful spirit that ultimately finds peace. When healing has had a chance to occur, sadness and sorrow can become replaced with delight and excitement of our memories. The piece concludes with a restatement of the opening, questioning motive, but this time with the question answered. (4:15)Concert/Contest; Festival.
$3.00 ≈
¥21.54
Romantic Pieces, Op.75 (1st mov.) - Oboe and Piano (Full Score and Parts)
Romantic Pieces, Op.75 (1st mov.) - Oboe and Piano (Full Score and Parts)
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Hautbois, Piano (duo)
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FACILE
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Classique
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Antonin Dvorak
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César Madeira
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Romantic Pieces, Op.75
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Sheet Music To Play Editions
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1370857 Composed by Antonin Dvorak. Arranged by César Madeira. 19th Century,Children,Classical,Romantic Period,Wedding...
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Oboe,Piano - Level 2 - SKU: A0.1370857 Composed by Antonin Dvorak. Arranged by César Madeira. 19th Century,Children,Classical,Romantic Period,Wedding. Score and part. 16 pages. Sheet Music To Play Editions #955199. Published by Sheet Music To Play Editions (A0.1370857). Romantic Pieces, Op. 75 (1st movement). Arrangement for Oboe and Piano. With Full Score and Individual Parts. Enjoy it!AntonÃn Leopold Dvořák (1841 – 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor BedÅ™ich Smetana. Dvořák's style has been described as the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99 ≈
¥57.37
Non mi porti a Funkytown? (Disco & Pavane)
Non mi porti a Funkytown? (Disco & Pavane)
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Cello,Oboe,Piano,Violin - Level 3 - SKU: A0.1381048 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba M...
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Cello,Oboe,Piano,Violin - Level 3 - SKU: A0.1381048 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965763. Published by Barabba Music (A0.1381048). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with clarinet and flute in place of the oboe available. For more information visit www.jasonbarabba.com.
$45.60 ≈
¥327.43
Non mi porti a Funkytown? (Disco & Pavane)
Non mi porti a Funkytown? (Disco & Pavane)
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Cello,Clarinet,Piano,Violin - Level 3 - SKU: A0.1381033 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barab...
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Cello,Clarinet,Piano,Violin - Level 3 - SKU: A0.1381033 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965749. Published by Barabba Music (A0.1381033). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with Flute and Oboe in place of the clarinet available. For more information visit www.jasonbarabba.com.
$45.60 ≈
¥327.43
Non mi porti a Funkytown? (Disco & Pavane)
Non mi porti a Funkytown? (Disco & Pavane)
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Cello,Flute,Piano,Violin - Level 3 - SKU: A0.1381044 Composed by Jason V. Barabba. 20th Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba ...
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Cello,Flute,Piano,Violin - Level 3 - SKU: A0.1381044 Composed by Jason V. Barabba. 20th Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965759. Published by Barabba Music (A0.1381044). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with clarinet and oboe in place of the flute available. For more information visit www.jasonbarabba.com.
$45.60 ≈
¥327.43
Buzzards In Love
Buzzards In Love
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Ensemble Jazz
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AVANCÉ
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Roger Aldridge
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Buzzards In Love
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979623 Composed by Roger Aldridge. Contemporary,Jazz,World. Score and parts. 13 pages. Roger Aldridge #1...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979623 Composed by Roger Aldridge. Contemporary,Jazz,World. Score and parts. 13 pages. Roger Aldridge #118865. Published by Roger Aldridge (A0.979623). Buzzards In Love is an extended piece for concert band that draws upon many influences including jazz, classical, and tango. It tells a story about two buzzards finding each other. This piece is a way for concert band and jazz band musicians to join forces in a performance with a spirit of fun and adventure. The score has two sections where improvisation is used. The Roadkill Interlude section is an open space for anything that is creative and fun to happen. Ideally, it is different for each performance. INSTRUMENTATION: 4 flutes, alto flute, oboe, bassoon, 3 clarinets, bass clarinet, 2 alto saxophones, tenor saxophone, baritone saxophone, 4 trumpets, 3 french horns, 3 trombones, baritone horn, tuba. PARTS: The set of parts is available at BUZZARDS IN LOVE PARTS (S0.84831). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ VIDEO: https://youtu.be/7qNT38IEkUA DURATION: around 5:00 YEAR OF RELEASE: 2009 PERFORMANCE: Besides being for concert band, this piece can be performed by a large jazz ensemble with additional woodwinds and brass. Percussion is not used in the notated sections of the score. The focus of the music is entirely on wind instruments. .
$20.00 ≈
¥143.61
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
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Violon
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Tito Abeleda
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Violin 1, 2, 3
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records...
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Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records #4784007. Published by Visionary Quest Records (A0.1070248). STRING ORCHESTRA - Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 43 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInsta.
$2.99 ≈
¥21.47
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Record...
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String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99 ≈
¥323.05
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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Orchestre à Cordes
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records...
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Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99 ≈
¥21.47
Standin’ in the Need of Prayer with Take Time to Be Holy
Standin’ in the Need of Prayer with Take Time to Be Holy
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple
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Standin’ in the Need of
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Stephen R Dalrymple
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SheetMusicPlus
Small Ensemble Flute,Piano - Level 3 - SKU: A0.818340 By Stephen R Dalrymple. By African American Spiritual, George C Stebbins, William D Longstaff. Arr...
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Small Ensemble Flute,Piano - Level 3 - SKU: A0.818340 By Stephen R Dalrymple. By African American Spiritual, George C Stebbins, William D Longstaff. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 64 pages. Stephen R Dalrymple #6232369. Published by Stephen R Dalrymple (A0.818340). Standin’ in the Need of Prayer with Take Time to Be Holy arranged for flute and piano by Stephen R Dalrymple transcribed for clarinet, trumpet, euphonium (or trombone), violin, and cello sequenced by the composer Standin’ in the Need of Prayer African American Spiritual  Take Time to Be Holy lyrics - William D. Longstaff 1882 melody - George C. Stebbins 1890   It has often been said that when a person points a finger at someone else, that person is actually pointing 3 fingers back at himself or herself. All the way back to the Garden of Eden, blaming others can be useful to take the attention away from our own actions and problems. Living a clean life begins with acknowledging our guilt, finding God’s grace, then trying to follow the Creator’s plan.   This .pdf file includes 14 score choices ♫ Full Score for flute and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for flute and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet   (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50 ≈
¥32.31
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00 ≈
¥71.80
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Finding a Way: Oboe
