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Vous avez sélectionné:
First Light Method
Partitions à imprimer
64 partitions trouvées
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51
Rubank Elementary Method – Marimba or Xylophone
Rubank Elementary Method – Marimba or Xylophone
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Rubank Elementary Method &ndas
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Rubank Publications
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SheetMusicPlus
Xylophone, Marimba, Mallets (Xylophone) SKU: HL.4470100 Edited by Howard M. Peterson. Concert Band Method. Elementary Method. Learn To Play. Instructiona...
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Xylophone, Marimba, Mallets (Xylophone) SKU: HL.4470100 Edited by Howard M. Peterson. Concert Band Method. Elementary Method. Learn To Play. Instructional book (softcover). With instructional text, instructional photos and standard notation. 48 pages. Rubank Publications #RUBL57. Published by Rubank Publications (HL.4470100). ISBN 9781458424211. UPC: 073999987911. 9x12 inches. Edited by Howard M. Peterson.A fundamental beginning course for individual or like-instrument class instruction.
Song List
: Abide with Me All Through The Night Gavotte My Country, 'Tis Of Thee (America) The America Beautiful Annie Laurie Believe Me, If All Those Endearing Young Charms Come Back To Erin Flow Gently, Sweet Afton Good Night Ladies Holy, Holy, Holy In the Gloaming Lead, Kindly Light Long, Long Ago Love's Old Sweet Song Maryland, My Maryland O Come, All Ye Faithful (Adeste Fideles) Old Black Joe Old Folks At Home (Swanee River) Old Hundred Onward, Christian Soldiers Rock Of Ages Silent Night Sweet and Low There Is A Green Hill Far Away Waltz How Can I Leave Thee? Minuet Duke Street The First Noel Drink to Me Only With Thine Eyes The Blue Bells Of Scotland Lightly Row Auld Lang Syne
$7.99 ≈
£6.19
Beginning Method For Violin - Volume 1 (Modern Hohmann-Wohlfahrt In Two Volumes)
Beginning Method For Violin - Volume 1 (Modern Hohmann-Wohlfahrt In Two Volumes)
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Violin
SKU: HL
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Beginning Method For Violin -
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Rubank Publications
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SheetMusicPlus
Orchestra; Violin SKU: HL.4472510 Volume 1. Edited by Harvey S. Whistler. String Method. Instruction. 48 pages. Rubank Publications #RUBL116. Publ...
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Orchestra; Violin SKU: HL.4472510 Volume 1. Edited by Harvey S. Whistler. String Method. Instruction. 48 pages. Rubank Publications #RUBL116. Published by Rubank Publications (HL.4472510). ISBN 9781540001696. UPC: 073999725100. 9.0x12.0x0.168 inches.Hohmann-Wohlfahrt Method for Violin, Volume I (Introducing the First Position) (Whistler).
Song List
: The First Noel Just A Song At Twilight (Love's Old Sweet Song) Largo Long, Long Ago Old Black Joe Processional (Williams L) Silent Night Spring Song, Op.68 #15 Autumn Song Polish Dance Aria (Weber) Aria (Handel) Duet (Hohmann) Aria (Hohmann) Morning Song (Hohmann) Serenade (Hohmann) Scotch Air Soldier's March (Hohmann) Homeward Bound (H0hmann) Night Winds (Hohmann) Aria (Donizetti) Festival Day (Balfe) Duet (Wohlfahrt) Pomp And Chivalry (Wohlfahrt) Andantino (Pleyel) Allegro De Concert (Dancla) Allegretto Con Variazioni(Pleyel Valse Evening Song My Bonnie Lies Over The Ocean Little Brown Jug Barcarolle Country Dance Waltz Auld Lang Syne Ode To Joy Home On The Range Caprice Jingle Bells Nocturne, Op. 33 O Come, All Ye Faithful Folk Dance, Op. 39, No. 13 Waltz, Op. 39, No. 8
$7.99 ≈
£6.19
First Symphony for Beginning Band
First Symphony for Beginning Band
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Orchestre d'harmonie
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DÉBUTANT
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Aaron Fonzi
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First Symphony for Beginning B
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.998361 Composed by Aaron Fonzi. Contemporary,Standards. Score and parts. 101 pages. Aaron Fonzi #6089967. Published by ...
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Concert Band - Level 1 - SKU: A0.998361 Composed by Aaron Fonzi. Contemporary,Standards. Score and parts. 101 pages. Aaron Fonzi #6089967. Published by Aaron Fonzi (A0.998361). Composed in honor of women's history month, First Symphony for Beginning Band is a unique piece that depicts four important women throughout our history. Movement 1 depicts the harrowing tale of Sojourner Truth's escape from slavery. She went on to become one of the most influential abolitionists in history- both an icon for racial justice and women's rights.The second movement depicts the innocence of a young Malala, who stood up against the Taliban's exclusion of women's rights to education. At the age of 15, she was shot in the head three times on a school bus as she was on her way home. Miraculously, she survived and went on to win a Nobel Peace Prize (she is the youngest person to ever earn this prestigious award. Still alive today, Malala is currently studying at Oxford and runs the Malala Fund, which advocates for quality education for all girls. Movement 3 captures the energy, cunning and adventurous nature of Amelia Earhart. She was the first woman to fly the Atlantic, and her disappearance is one of the greatest mysteries of our time. Rehearsal D represents her flight over the open seas and Rehearsal E depicts the unresolved tragedy of her disappearance. Finally, the 4th movement honors the only person to win Nobel Prizes in two separate sciences, Marie Curie. Her scientific, methodical approach to exploration and discovery are depicted here via the fragmented eighth note motifs and methodical percussion writing. I hope your students will enjoy the catchy hooks and melodies, and I hope that this piece can serve as a valuable reminder of the infinite capacity of the human spirit. Most importantly, may we continue to strive to make this world a better place for all! Onward, Aaron Fonzi.
$25.00 ≈
£19.36
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95 ≈
£25.51
Korsakov: Flight of the Bumblebee for Viola & Piano
Korsakov: Flight of the Bumblebee for Viola & Piano
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Alto, Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95 ≈
£25.51
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95 ≈
£25.51
First Lessons Folk Harp
First Lessons Folk Harp
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Harpe
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FACILE
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Methodes
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Star Edwards
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First Lessons Folk Harp
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Star Edwards. For folk harp. First Lessons. Methods. Beginning-Intermediate. E-book and online audio. Published by Mel Bay Publications - Digital Sh...
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Composed by Star Edwards. For folk harp. First Lessons. Methods. Beginning-Intermediate. E-book and online audio. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619114319. First Lessons Folk Harp is designed for the beginner harp student who has no prior music training. In this book they will learn to read music notation, count rhythm, implement important fingering techniques, organize practice, tune a harp, play common bass patterns and make a decision about which kind of harp to play. Tips are included to help students get the most out of practicing. The songs serve as examples of harp basics, allowing the student to learn while playingvibrant melodies instead of repetitive or trite exercises. This book features traditional Irish, Scottish, Welsh, Canadian, American and Renaissance music. These songs will transport and delight audiences with their simplicity and profound clarity. They invite us to ancient landscapes steeped in mystery, and to experience the traditions of harping throughout the ages.This book presents two new note reading methods based on logical, predictable music patterns that employ cutting edge techniques. They were developed to move studentsbeyond reading notes as single isolated symbols. The rhythm table compares thedifferent note values and rests to each other and visually shows how they are related through counting out rhythm increments. Helpful photos define how important hand positions are on the harp. These are an immense resource for students, allowing them to avoid tension in their hands and prevent injury. Accompanying online audio allows them to play along as they learn.
$9.99 ≈
£7.74
Moonlight Sonata - easy piano/early intermediate
Moonlight Sonata - easy piano/early intermediate
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Piano Facile
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FACILE
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Classique
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Ludwig van Beethoven
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Chrissy Ricker
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Moonlight Sonata - easy piano/
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Chrissy Ricker
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SheetMusicPlus
Piano Solo, Easy Piano - Early Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by Chrissy Ricker. Romantic Per...
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Piano Solo, Easy Piano - Early Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by Chrissy Ricker. Romantic Period, Repertoire, Wedding, Funeral, Recital. Sheet Music Single. 4 pages. Published by Chrissy Ricker
This is an "easy piano" (level 3-4 of most method books) arrangement of the first movement from Beethoven's famous "Moonlight" Sonata. This piece has been transposed from the original key and shortened to be accessible to early intermediate pianists.
Chrissy Ricker is a Nationally Certified Teacher of Music (NCTM) with a Master's degree in piano performance and pedagogy. Chrissy enjoys composing and arranging music to motivate and challenge students of all ages. In addition to the works she publishes through SMP Press, Chrissy's piano music is also published by Kjos Music Company and Piano Pronto Publishing. Her music has appeared on the piano contest lists of many state and national teaching associations, including the National Federation of Music Clubs. Visit Chrissy's website at www.chrissyricker.com
$3.99 ≈
£3.09
Hymntime Piano Book #1 - Children's Piano
Hymntime Piano Book #1 - Children's Piano
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Fred Bock
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Hymntime Piano Book #1 - Child
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Fred Bock Music Company
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SheetMusicPlus
Piano/Keyboard SKU: HL.8738364 Arranged by Fred Bock. Piano Method. Fred Bock Publications. Children, General Worship, Sacred. Softcover. 31 pages. Fred ...
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Piano/Keyboard SKU: HL.8738364 Arranged by Fred Bock. Piano Method. Fred Bock Publications. Children, General Worship, Sacred. Softcover. 31 pages. Fred Bock Music Company #BG0836. Published by Fred Bock Music Company (HL.8738364). ISBN 9780634011849. UPC: 073999383645. 12.0x9.0x0.113 inches.This book, the first in a series of graded piano publications, is arranged in such an order that the pieces may be used in conjunction with most piano methods as supplemental material. A unique feature of this volume, as well as other volumes in this series, is a categorized listing of problem areas, included so a teacher may quickly locate which pieces are intended for specific techniques.
Song List
: Jesus Loves Me (W Bradbury/A Warner) O Worship the King (J Haydn) Deep and Wide (W Cowper/A Smith) This Little Light of Mine Tell Me the Story of Jesus (Sweney/Looney) Silent Night ((Franz Gruber) We Gather Together Jesus Bids Us Shine (E. Excell) Hallelujah! (N Johnson) Stand Up for Jesus (G Duffield/G Webb) Bubbling in My Soul (J Sullivan/M Lacour) O Be Careful, Little Hands Away in A Manger (M Luther/C Muller) When Little Samuel Woke (J Taylor/J Peterson) When He Cometh (W Cushing/G Root)
$5.95 ≈
£4.61
Playing Outside the Lines, Volume II The Primary Color Palette: Single Ornaments for Irish Flute
Playing Outside the Lines, Volume II The Primary Color Palette: Single Ornaments for Irish Flute
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Flûte traversière
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DÉBUTANT
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Celtique/Irlandais
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Playing Outside the Lines, Vol
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Method. Celtic/Irish. Ebook and online audio. 129 pages. Mel Bay Publications - Digital Sheet Music #30874MEB. Published by Mel Bay Publications - Dig...
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Method. Celtic/Irish. Ebook and online audio. 129 pages. Mel Bay Publications - Digital Sheet Music #30874MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459455. 8.75x11.75 inches.
Volume II of Playing Outside the Lines is the second of a comprehensive four-part Irish flute method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Building on the foundation provided in Volume I and providing the framework for the remaining two volumes of the series, Volume II offers a detailed introduction to Irish traditional flute ornamentation. Volume II contains ornamentation fingering charts, 40 tune versions, 69 accompanying audio tracks, and nearly 200 exercises. Playing Outside the Lines is the first Irish flute method book series of its kind, containing more than 600 technical exercises, rich and nuanced discussions of Irish flute style and cultural context, previously undocumented techniques, side-by-side explanations for Boehm and simple system flutists (as well as information for musicians transitioning between the two instruments), audio excerpts, simple system flute care and purchasing information, and resources for further study. By the end of the four-part series, Boehm and simple system flutists of any background will have the tools necessary to play Irish music with a deep understanding of the tradition as well as with individual creativity. A fantastic bible of Irish flute playing. Harrison is a very meticulous and thorough author. Viviana Guzman, The Flute View Magazine An invaluable resource for any flutist. Brook Ferguson, Principal Flutist of the Colorado Symphony Orchestra Leslie Anne Harrisons Playing Outside the Lines is a marvelous gift to all interested in Irish music. Her clear and detailed writing is a huge boon to those embracing the traditional Irish flute and is truly enlightening to those (like me) who want to delve into this music while playing the Boehm flute. From tiniest detail to largest form, Leslie Anne Harrison is there every step of the way. Playing Outside the Lines is a major contribution to flute pedagogy. Robert Dick, Performer and Author of The Other Flute.
$19.99 ≈
£15.48
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duo)
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FACILE
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
£15.49
1, 2, 3 - Play!
1, 2, 3 - Play!
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Harpe
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DÉBUTANT
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Methodes
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Ray Pool
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1, 2, 3 - Play!
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Easy/Beginner - Arranged by Ray Pool. Method, Technique Training. 90 pages. Published by Afghan Press Music for the Harp...
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Harp - Easy/Beginner - Arranged by Ray Pool. Method, Technique Training. 90 pages. Published by Afghan Press Music for the Harp
This is a study of ear training through melodic development. Small melodic fragments from familiar nursery rhymes, folk, patriotic and hymns tunes are used. The numbers 1 through 7 are used instead of using ?Do, Re, Mi?? to identify the notes in the scale. Melodies are categorized by range, beginning with a range of only three notes, progressing through a total of nine categories. Skills in ear training are highly useful to musicians who might be asked to take requests at hotels, parties and restaurants, or those involved in harp therapy. With the melodic fragments that are the focus of study, performance by ear can be highly strengthened and developed.
Table of Contents:
All Through the Night, Amazing Grace, America, Angels from the Realms of Glory, Angels We Have Heard on High, Au Clare de la Lune, Away in a Manger, Be Thou My Vision, Billy Boy, Cindy, Clementine, Day is Done (Taps), Down in the Valley, Drink to Me Only with Thine Eyes, For He's a Jolly Good Fellow, Frere Jacques, Go Tell Aunt Rhody, Go Tell It On the Mountain, Goin' Home, Good King Wenceslas, He's Got the Whole World in His Hands, Here We Come A'Wassailing, Home on the Range, Home Sweet Home, Hot Cross Buns, I'm a Little Teapot, Jingle Bells, Joy to the World, Kumbayah, Lightly Row, London Bridge, Lonesome Valley, Mary Had a Little Lamb, Michael Row the Boat Ashore, Morning Has Broken, My Bonnie Lies Over the Ocean, Ode to Joy, Oh Susanna, Oh How Lovely is the Evening, Old Folks at Home, Old Hundredth, On Top of Old Smokey, Over the River and Through the Woods, Row Row Row Your Boat, Shenandoah, Silent Night, Skip to my Lou, Swing Low Sweet Chariot, The Farmer in the Dell, The First Nowell, The Harp that Once Thro' Tara's Halls, The Star Spangled Banner, This Old Man, Three Blind Mice, Twinkle Twinkle Little Star, We Wish You Merry Christmas, When the Saints Go Marching In.
$25.00 ≈
£19.36
The Fundamentals of Jazz Theory for Guitar
The Fundamentals of Jazz Theory for Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Methodes
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Tony Benade
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The Fundamentals of Jazz Theor
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Tony Benade
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SheetMusicPlus
Composed by Tony Benade. Jazz, Method, Etudes and Exercises. 67 pages. Published by Tony Benade...
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Composed by Tony Benade. Jazz, Method, Etudes and Exercises. 67 pages. Published by Tony Benade
The Fundamentals of Jazz Theory is part one of a larger study entitled, ?Jazz, The Language of Music.? The first volume deals with all the necessary music theory one needs to improvise intelligently. Universities and conservatories have a normal two year program for just this study. This book deals only with the portions of music theory that is necessary to perform in a jazz venue.
This could be used in a class room situation or worked with privately by any jazz educator.
This book is for the serious student of jazz and will enlighten them to the necessary mechanics of music that they must know if they wish to pursue study in the art of improvisation.
$24.95 ≈
£19.32
Hymns, Pipes, & Praise
Hymns, Pipes, & Praise
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Orgue
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Musique Sacrée
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Anna Laura Page
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Other Church
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Hymns, Pipes, & Praise
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Jubilate Music Group - Digital
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SheetMusicPlus
Organ - Hymns Blended with Praise Songs. Arranged by Anna Laura Page. Organ - Method or Collection; Other Church; Worship Resources. Jubilate Music....
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Organ - Hymns Blended with Praise Songs. Arranged by Anna Laura Page. Organ - Method or Collection; Other Church; Worship Resources. Jubilate Music. Form: Medley. Hymn; Sacred. Book. 42 pages. Jubilate Music Group - Digital #00-9452383. Published by Jubilate Music Group - Digital
English.
Singers of all ages love to perform partner songs, and the Partners in Praise Series overflows with traditional melodies arranged in partner song fashion for children's, youth and adult choirs. Each songbook in the series provides a wonderful source of easily-prepared titles for worship and Christian school concerts, as well as reproducible song and narration sheets . . . no need to buy additional copies for the singers! Add the delightful short narratives before each song and create a medley of two or more songs for children's chapel, special Sunday school programs, vacation Bible school and adult fellowship events. Combine several groups of singers and perform all six songs with narration for a special 15-20 minute musical program. Partners in . . . Spirituals, the first installment in the series, includes six partner song arrangements of some of the best-loved spirituals of all time. Great for performance throughout the year, they also are appropriate for special occasions such as Christmas and Easter, Ascension, Christ the King and Pentecost, All Saints' and Lent, communion and peace Sunday, and evangelism or stewardship. Don't miss Tom Goeman's wonderfully orchestrated recording! Both a full performance/accompaniment CD recording and a money-saving Book/CD Kit are available separately. Titles Include: Glory Bound (This Train / When the Saints Go Marchin' In) * Peace Like a River, Kum Ba Yah * Good News! (Go, Tell It on the Mountain) * Carry Me Home (Swing Low, Sweet Chariot / Deep River) * Rise and Shine! * Sing with the Spirit! (I'm Gonna Sing When the Spirit Says Sing / I'm Gonna Sing, Sing, Sing).
$15.95 ≈
£12.35
In The Summertime (score - vln, vla, cel)
In The Summertime (score - vln, vla, cel)
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861849 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 14 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 4 - SKU: A0.861849 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 14 pages. Mark O'Connor Musik International #6203883. Published by Mark O'Connor Musik International (A0.861849). In The Summertime (score – vln, vla, cel) MO167AScore (parts available)Music by Mark O’Connor10 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together. We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167ACopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$7.50 ≈
£5.81
In The Summertime (viola part - vln, vla, cel)
In The Summertime (viola part - vln, vla, cel)
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861851 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Conno...
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String Ensemble,String Trio - Level 4 - SKU: A0.861851 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203887. Published by Mark O'Connor Musik International (A0.861851). In The Summertime (viola part – vln, vla, cel) MO167CViola Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167CCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
£3.48
In The Summertime (violin part - vln, vla, cel)
In The Summertime (violin part - vln, vla, cel)
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861850 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Conno...
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String Ensemble,String Trio - Level 4 - SKU: A0.861850 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203885. Published by Mark O'Connor Musik International (A0.861850). In The Summertime (violin part – vln, vla, cel) MO167BViolin Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167BCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
£3.48
In The Summertime (cello part - vln, vla, cel)
In The Summertime (cello part - vln, vla, cel)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861852 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Conno...
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String Ensemble,String Trio - Level 4 - SKU: A0.861852 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203889. Published by Mark O'Connor Musik International (A0.861852). In The Summertime (cello – vln, vla, cel) MO167DCello Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167DCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
£3.48
Three Dances for Quintet
Three Dances for Quintet
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New Age
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Contemporain
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Xavier Lo
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Three Dances for Quintet
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Xavier Lo
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn - Level 4 - SKU: A0.1027659 Composed by Xavier Lo. 20th Century,Contemporary,New Age. Score and p...
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn - Level 4 - SKU: A0.1027659 Composed by Xavier Lo. 20th Century,Contemporary,New Age. Score and parts. 26 pages. Xavier Lo #3424759. Published by Xavier Lo (A0.1027659). This composition consists of three different dance movements that present a variety of different emotions.I. Trio of MoodsThis dance movement consists of three different sections which each represents a person with a specific mood and expression. The first section represents a funny and goofy person, which is followed with a second section that represents a logical and methodical person. The third section represents a light and sweet person. These section are alternated throughout the movement.II. OptimisteOptimiste is a french translation for 'upbeat'. This dance movement represents a group of people celebrating enjoy-fully with alcoholic drinks. However, eventually the after effects of alcohol will begin to affect them.III. IntensityIn this dance, it presents an intimate dance of Argentine Tango between two people. The connection between shows a range of intimate emotions, such as, passion, aggression and lust.
$6.50 ≈
£5.03
LILLY'S DANCE (THE TUMBLER)
LILLY'S DANCE (THE TUMBLER)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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LILLY'S DANCE
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876447 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99 ≈
£3.86
Scenes in Stained Glass Windows
Scenes in Stained Glass Windows
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Orchestre d'harmonie
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DÉBUTANT
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Classique
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Jordan R
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Scenes in Stained Glass Window
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J.R. Sawyer
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1230436 Composed by Jordan R. Sawyer. Classical. Score and Parts. 27 pages. J.R. Sawyer #826139. Published by J.R. Sawy...
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Concert Band - Level 1 - SKU: A0.1230436 Composed by Jordan R. Sawyer. Classical. Score and Parts. 27 pages. J.R. Sawyer #826139. Published by J.R. Sawyer (A0.1230436). Light diffusing through richly stained glass in lofty cathedrals was the inspiration for this piece. A lonely and haunting melody accompanied by the persistent tinkling sound of bells draws the different scenes one might see in these powerful forms of art. Using the most achievable octave of pitches and the simple rhythmic patterns found in the first 5-6 pages of most Beginning Band method books, this tone poem describes the lonely wonder, the intricate detail, the heroic stories, the sheer grandeur, and the final awe of standing in an empty space bathed in light through stained glass windows.
$15.00 ≈
£11.61
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