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Vous avez sélectionné:
Five Songs on old texts
Partitions à imprimer
9 partitions trouvées
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1
Five Songs on old texts
Five Songs on old texts
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Chorale SSATB
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AVANCÉ
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Contemporain
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Paul Hindemith
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Five Songs on old texts
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Schott Music - Digital
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SheetMusicPlus
3. Of Household Rule - Vom Hausregiment. Composed by Paul Hindemith (1895-1963). This edition: choral score. Schott Choral Music. Downloadable, choral...
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3. Of Household Rule - Vom Hausregiment. Composed by Paul Hindemith (1895-1963). This edition: choral score. Schott Choral Music. Downloadable, choral score. Schott Music - Digital #Q9139. Published by Schott Music - Digital
$3.99 ≈
3.60€
Five Songs on old texts
Five Songs on old texts
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Chorale SSATB
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AVANCÉ
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Contemporain
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Paul Hindemith
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Five Songs on old texts
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Schott Music - Digital
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SheetMusicPlus
4. Trooper's Drinking Song - Landsknechtstrinklied. Composed by Paul Hindemith (1895-1963). This edition: choral score. Schott Choral Music. Down...
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4. Trooper's Drinking Song - Landsknechtstrinklied. Composed by Paul Hindemith (1895-1963). This edition: choral score. Schott Choral Music. Downloadable, choral score. Schott Music - Digital #Q9140. Published by Schott Music - Digital
$3.99 ≈
3.60€
Five Songs on old texts
Five Songs on old texts
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Chorale SSATB
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AVANCÉ
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Contemporain
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Paul Hindemith
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Five Songs on old texts
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Schott Music - Digital
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SheetMusicPlus
5. The devil a monk would be - Art lässt nicht von Art. Composed by Paul Hindemith (1895-1963). This edition: choral score. Schott Choral Music. ...
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5. The devil a monk would be - Art lässt nicht von Art. Composed by Paul Hindemith (1895-1963). This edition: choral score. Schott Choral Music. Downloadable, choral score. Schott Music - Digital #Q9141. Published by Schott Music - Digital
$3.99 ≈
3.60€
Five Songs on old texts
Five Songs on old texts
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Chorale SSATB
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AVANCÉ
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Contemporain
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Paul Hindemith
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Five Songs on old texts
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Schott Music - Digital
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SheetMusicPlus
1. True Love - Wahre Liebe. Composed by Paul Hindemith (1895-1963). This edition: choral score. Schott Choral Music. Downloadable, choral score. Schot...
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1. True Love - Wahre Liebe. Composed by Paul Hindemith (1895-1963). This edition: choral score. Schott Choral Music. Downloadable, choral score. Schott Music - Digital #Q788. Published by Schott Music - Digital
$2.99 ≈
2.70€
Five Songs on old texts
Five Songs on old texts
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Chorale SSATB
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AVANCÉ
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Contemporain
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Paul Hindemith
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Five Songs on old texts
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Schott Music - Digital
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SheetMusicPlus
2. Lady's Lament - Frauenklage. Composed by Paul Hindemith (1895-1963). This edition: choral score. Schott Choral Music. Downloadable, choral sco...
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2. Lady's Lament - Frauenklage. Composed by Paul Hindemith (1895-1963). This edition: choral score. Schott Choral Music. Downloadable, choral score. Schott Music - Digital #Q789. Published by Schott Music - Digital
$2.99 ≈
2.70€
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
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Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00 ≈
48.71€
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74 ≈
6.98€
Five Hungarian Folk Songs
Five Hungarian Folk Songs
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Dennis Bathory-Kitsz
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Dennis Bathory-Kitsz
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Five Hungarian Folk Songs
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Westleaf Edition
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1164163 Composed by Dennis Bathory-Kitsz. Arranged by Dennis Bathory-Kitsz. Classical,Folk,Historic,Traditional. Sc...
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String Orchestra - Level 4 - SKU: A0.1164163 Composed by Dennis Bathory-Kitsz. Arranged by Dennis Bathory-Kitsz. Classical,Folk,Historic,Traditional. Score and Parts. 89 pages. Westleaf Edition #764511. Published by Westleaf Edition (A0.1164163). These Five Hungarian Folks Songs were transcribed and arranged from 78rpm records issued about 1915.Király ErnÅ‘ sings several as Old Folk Songs (“Régi Népdalokâ€), even though Megugrattak Hortobágyon A Karámból Egy Csikót was composed by Vajda József and remains an often recorded song. Megy A GÅ‘zös Lefelé on the Munkacsy recording was composed by Rózsa S. Lajos, but composers of the remaining songs are unidentified.The records were purchased by József Báthory in Manhattan in the early 20th century, and remained in the family until the 21st century. All the records were transferred to digital form in January 2013, with the original transfer stored in exact condition, after which they were passed on to historian David Neal Lewis for archiving. Files were restored from the digital transfers (rumble, clicks, pops removed as much as possible, noise reduction, and some remastering) and are available for download at:http://maltedmedia.com/people/bathory/hungarian.htmlSpecial thanks to composer Ãdám Kondor for translations of the Régi Népdalok texts, and to Dr. A. S. Weinstangel for noting errors in the score. The bowings in this edition are by violinist John Lindsey, who directed the premiere of this set with Vermont’s Eleva Chamber Players.Katika Csárdásoriginal performed by unidentified “Military Bandâ€, Columbia 10-inch E920Nyári este furulyázom sokáig(‘I play the flute all summer eve’)original performed by Király ErnÅ‘ on “Régi Népdalokâ€, Columbia 12-inch E5077BÃhari Hatarszélén – Megy A GÅ‘zös Lefelé – Csárdás(‘At the Bihari border’ - ‘The steamer goes down’ - Csárdás)original performed by the Olga B. Munkacsy Orchestra, Columbia 10-inch E2858Megugrattak Hortobágyon A Karámból Egy Csikót(‘Bringing the pony to the Hortobágyon Woods’)original performed by Király ErnÅ‘ on “Régi Népdalokâ€, Columbia 12-inch E5077Debreczeni Csárdás Friss(‘New Debreczen Csárdás’)original performed by unidentified “Military Bandâ€, Columbia 10-inch E920.
$20.00 ≈
18.04€
Due South (Complete Collection) (Downloadable)
Due South (Complete Collection) (Downloadable)
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Chorale SATB
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Stephen Chatman
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Due South
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir unaccompanied - Moderately Difficult - SKU: MQ.7.0720-E Composed by Stephen Chatman. Instrument parts. 36 pages. Galaxy Music Corporation - D...
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SATB choir unaccompanied - Moderately Difficult - SKU: MQ.7.0720-E Composed by Stephen Chatman. Instrument parts. 36 pages. Galaxy Music Corporation - Digital #7.0720-E. Published by Galaxy Music Corporation - Digital (MQ.7.0720-E). English.Due South is one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman’s choral settings are broad in scope and tone; the tone painting evokes the stunning landscapes and their diverse communities. Both his original texts and those of poet Tara Wohlberg capture the enchanted worlds of North, South, East, and West.1. Arise is the short opening of this suite of five pieces, and is set to glorious homophonic music with rising motives in the lower voices.2. What's Cookin'? takes its sweet time tantalizing the listener with all the menu items of a truly Southern feast. Music, set to a slow tempo in swing eighths, makes the recitation tempting, if not downright sultry.3. Bugs is a soundscape of insects and their songs. Precise vocal effects make this challenging but also whimsical, and the result is pure fun.4. Love, O Love recalls an old-fashioned love letter in which the writer compares the beloved to the moon and the sun and pledges eternal love. The music begins with lush chords sung together, moves to an over-arching soprano line with gentle undulations in the lower parts, and finishes with the choir singing together again, Love shines on you, my only one.5. A perfectly apt finale to this choral suite, Kentucky Derby begins with a nod to My Old Kentucky Home, and then it's off to the races, literally. The text of the suite is declaimed rapidly in patter-song format, almost as if the chorus is calling race as it progresses. A tour de force, and truly, ..a wild ride!
$4.50 ≈
4.06€
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