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Vous avez sélectionné:
Forever Toward You
Partitions à imprimer
5 partitions trouvées
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Forever Toward You (Downloadable)
Forever Toward You (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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David Evan Thomas
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Forever Toward You
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - SKU: MQ.8355-E Composed by David Evan Thomas. 21st Century. 10 pages. E. C. Schirmer Music Company - Digital #8355-E...
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SATB choir unaccompanied - Medium - SKU: MQ.8355-E Composed by David Evan Thomas. 21st Century. 10 pages. E. C. Schirmer Music Company - Digital #8355-E. Published by E. C. Schirmer Music Company - Digital (MQ.8355-E). English.Forever Toward You was commissioned by Plymouth Congregational Church, Minneapolis, Minnesota, in honor of Claire Colliander. The text is a translation of a poem by Rainer Maria Rilke (1875–1926) from The Book of Monastic Life. Rilke’s poem speaks of a desire to encounter the Creator—the You in the title of this composition—and of the necessity for doing so through action, not thought alone. The tempo of the music alternates between those ideas of activity (Allegro energico, Buoyant) and reflection (Poco andante, Molto moderat), giving this three minute piece quite a bit of variety and interest. Duration: 3:00.
$2.65 ≈
2.39€
Together Forever
Together Forever
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Rick Astley
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Rusty Toots
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Together Forever
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Russell Ward
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1452895 By Rick Astley. By Matthew Aitken, Michael Stock, and Pete Waterman. Arranged by Rusty Toots. 20th Century,21st...
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Concert Band - Level 4 - SKU: A0.1452895 By Rick Astley. By Matthew Aitken, Michael Stock, and Pete Waterman. Arranged by Rusty Toots. 20th Century,21st Century,Classical,Comedy,Pop. 58 pages. Russell Ward #1032179. Published by Russell Ward (A0.1452895). The 4th instalment from the Stock Aitken and Waterman Re-imagined Suite for Symphonic Winds by Rusty Toots, this re-arrangement of Rick Astley's Together Forever presents the listener with a dramatic, but ultimately triumphant finale. Powered by a distant pulsating rhythm borne from a theme from the previous movement (Never Gonna Give You Up), the listener is transported through a dramatic journey of excitement as the main theme is introduced in the low brass. At times, the overall forward momentum is contrasted with some intimate reductions in the texture, to allow the soloistic mastery of some of the ensemble's individual players to shine, while still maintaining the inevitable push towards the spectacularly rousing finish that will have your audience on their feet!
$80.00 ≈
72.16€
SALMO 117
SALMO 117
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Chorale SATB
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INTERMÉDIAIRE
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Chorus Philippines
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exalt him, all you people
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SALMO 117
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MR. JOY T. NILO
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.815261 By Chorus Philippines. By Joy T. Nilo. Multicultural,Sacred,Standards,World. Octavo. 10 pages. MR....
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.815261 By Chorus Philippines. By Joy T. Nilo. Multicultural,Sacred,Standards,World. Octavo. 10 pages. MR. JOY T. NILO #2021173. Published by MR. JOY T. NILO (A0.815261). A playful choral work on Psalm 117 Praise the Lord, all you nations; exalt him, all you people. For great is his love toward us, and the faithfulness of the Lord endures forever. Praise the Lord. Using Filipino ethnic themes, this anthem invokes audience participation as well.
$3.99 ≈
3.60€
Arcanum
Arcanum
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Helmut Kogler
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Arcanum
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Pentharmonics
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1237524 Composed by Helmut Kogler. 21st Century,Contemporary,Multicultural,New Age,World. 221 pages. Pentharmonics #833...
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Concert Band - Level 3 - SKU: A0.1237524 Composed by Helmut Kogler. 21st Century,Contemporary,Multicultural,New Age,World. 221 pages. Pentharmonics #833039. Published by Pentharmonics (A0.1237524). Arcanum - Grade 3 - Duration 8:00 min....the secret. Every day the knowledge in the world is continuously growing. In all fields of life, new findings are attained by science and research, more and more can be explained, a well-founded understanding of the things around is going to be achieved. However, the mysterious will still persist. Every new perception leads to further questions, new secrets are rising for being explored. Moreover, someone might perceive that in relation to the entire knowledge gained by mankind, the individual is shrinking. Thus, until the end of time the world will stay mysterious - the world seems to be a persistent secret, that wants to be discovered at all times anew.The musical motif of the Question begins with the very first sound of the piece - a dissonance that is harmoniously resolved again. This motif reflects the curiosity that lies dormant in all people. The dissonance creates a tension that can be seen as an impetus for the search for answers. The resolution to a major chord describes the confidence of being able to find an answer to the question. This musical motif runs through the entire work, both in the dreamy bliss of being and in the dramatic passages in which the flood of questions seems to become frightening. In such sections, the dissonance is turning into a minor chord. At the dramatic climax, a tense dominant seventh chord leads to the resolution to major, which finally describes the euphoria after the answer of a very difficult question. After a further phase of relaxation, the gaze wanders over nature in all its glory. Until towards the end of the piece, the awareness finally sets in that every answer found raises a new question and thus the mystery remains forever.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$124.99 ≈
112.74€
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 page...
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Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus?torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff?s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff?s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus? earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that?dshow healthy indifference;?
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women?s voices to paint thewords, ?Lesbia mi dicit semper male nec tacetumquam de me? (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men?s voices when Catullus says he does the same, ?quia sunt totidem mea: deprecor illamassidue? (?it?s the same with me: I?m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia?s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, ?My love for you is so great thatno other woman could possibly even know what love is.? This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99 ≈
4.50€
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