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Forever.(is a Long Time)
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Vous avez sélectionné:
Forever.(is a Long Time)
Partitions à imprimer
88 partitions trouvées
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Forever ... (is A Long Time)
Forever ... (is A Long Time)
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Piano seul
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FACILE
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Pop musique
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Halsey
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Piano Go Life
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Forever ...
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Piano Go Life
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SheetMusicPlus
Small Ensemble Piano Solo - Level 2 - SKU: A0.794365 By Halsey. By Ashley Frangipane, Benjamin Joseph Levin, Benjamin Levin, Magnus August Hoiberg, Magn...
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Small Ensemble Piano Solo - Level 2 - SKU: A0.794365 By Halsey. By Ashley Frangipane, Benjamin Joseph Levin, Benjamin Levin, Magnus August Hoiberg, Magnus Hoiberg, Nathan Perez, Peder Losengard, and Peder Losnegard. Arranged by Piano Go Life. Pop. Score. 3 pages. Piano Go Life #6357345. Published by Piano Go Life (A0.794365). Halsey - Forever... (is A Long Time) Piano CoverArranged by Piano Go Life .
$9.99
Forever Is A Long Long Time
Forever Is A Long Long Time
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Jazz
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Horace Silver
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George Kaplan
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Forever Is A Long Long Time
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George Kaplan
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SheetMusicPlus
Small Ensemble - Level 3 - Interactive Download SKU: A0.1080568 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download....
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Small Ensemble - Level 3 - Interactive Download SKU: A0.1080568 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 5 pages. Duration 97. George Kaplan #O3hzbTXeQooqr2CdoRXCm. Published by George Kaplan (A0.1080568). Key: E minor.The three-LP United States Of Mind series of vocal albums (with Horace on RMI electric piano, garbed in a dashiki) from the early 70s was widely scorned but is now viewed as a giant musical wellspring signaling a new direction for jazz. The composer later remarked in an interview, “The music came through me, not from me.â€.
$9.99
Together forever
Together forever
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Piano seul
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INTERMÉDIAIRE
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Classique
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Jose Valladares
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Jose Valladares
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Together forever
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1368439 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 3 pages. Circlesquare Musi...
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Piano Solo - Level 3 - SKU: A0.1368439 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 3 pages. Circlesquare Music #952785. Published by Circlesquare Music (A0.1368439). Introducing Together Forever, a deeply moving and soulful piano composition that embodies the unwavering commitment and enduring bond of a lifelong partnership. This emotive piece, from the touching album A Celebration of Love, and Life by the acclaimed artist and composer Jose Valladares, is a musical representation of the promise and dedication inherent in the words together forever.With a gentle and steady tempo of 60, Together Forever unfolds with a tenderness and depth that speak directly to the heart. Each note and chord progression in this composition weaves a narrative of love's journey – from its first, tentative steps to the confident strides of a bond that has stood the test of time. The melody is both a comforting embrace and a joyful celebration, encapsulating the beauty and resilience of a love that grows stronger and more profound with each passing day.Together Forever is not just a piece of music; it's a testament to the enduring nature of true love. It invites listeners to reflect on the cherished moments shared with a partner, the trials overcome together, and the shared dreams for the future. This composition is perfect for those who wish to express their deep commitment through the timeless language of music, for pianists looking to convey the richness of a lifelong bond, and for anyone who cherishes the promise of being together forever.Let Together Forever be the soundtrack to your most treasured memories, echoing the steadfast promise of a love that knows no end. Allow this piece to accompany you in moments of reflection and celebration, serving as a musical reminder of the love that binds you to another, through all of life's ebb and flow.
$8.99
Solitude is Oneself [piano]
Solitude is Oneself [piano]
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Juan María Solare
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Solitude is Oneself [piano]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Juan María Solare. Contemporary Classical, Post-Romantic, Neo-Classical, Repertoire, Funeral. Score. ...
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Piano Solo - Intermediate - Composed by Juan María Solare. Contemporary Classical, Post-Romantic, Neo-Classical, Repertoire, Funeral. Score. 8 pages. Published by Juan Maria Solare
Solitudeis Oneself: Three piano pieces:
1 NeverUnderestimate the Difficulties of Simple Things
2 Too MuchBut Still Not Enough
3 Waitingfor Perfection is Waiting Forever
Tranquil, relaxing, "chill",minimalist, expressive music for solo piano.
You can "use" this music formeditation, study, learning, sleeping, relax or praying.
The phrase wherethe title (Solitude is Oneself)comes from belongs to Javier Adriz (1948-2011), Argentine poet, one ofmy best teachers and friends (the original Spanish reads "La soledad es uno mismo").
Don'tsee any negative aspects in Solitude. In Spanish there is only one word forSolitude and Loneliness (namely "Soledad"). Loneliness is a state ofisolation, without dialog, feeling abandoned and without external points ofreference. But I conceive Solitude as a highely creative state, in which one isfaced to what one actually wants to achieve, with one's thoughts, with one'sself.
NeverUnderestimate the Difficulties of Simple Things. Lots of times I have seenthis in several persons - and in myself: when something is simple, easy anduncomplicated, we tend to underestimate it too much and its hidden difficultiesend up tackling us. We leave to the last moment a text that seems easy tolearn, and we do not assimilate it as we could. Or a chess game that is(really) won, but we feel over-confident, we play with superficiality, we makeslight mistakes one after the other and loose control of the situation.
Thistitle can be understood as self-referent: this particular piano piece seems tobe simple... until you try to perform it really well and record it.
About the ArtWork / Cover Art of Solitudeis Oneself:
It shows a human face (concretely the composer's)faced simmetrically to its silhouette, in black. This illustration alludes tothe title: Solitude is Oneself. Is oneself (the person) facing his ownsolitude, his internal misterious being. A real human facing his own shadow. Itis not a negative shadow: is the shadow of which Shamanism speaks, the ownshadow from where one draws strength.
The music is dedicated to Mr. Cadmiel Prez from Repblica Dominicana.
Solitude isOneself was recorded by the composer and released as single on Friday 17August 2018 on Spotify, Deezer, Apple Music, Qobuz, Tidal, Amazon mp3 and nearly all streaming platforms you canimagine.
In Spotify is here:
https://open.spotify.com/album/6KffxzDSVYJqZuNEK3Bj0h
In Bandcamp is here:
https://juanmariasolare.bandcamp.com/album/solitude-is-oneself
If you readSpanish you can find more about this music here:
https://es.quora.com/blog/musica-neoclasica/La-soledad-es-uno-mismo-m%C3%BAsica-para-piano
$3.00
Forever
Forever
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Rock
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The Beach Boys
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Sherry Lewis Publishing
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Forever
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521357 By The Beach Boys. By Dennis Wilson and Gregg Jakobson. Arranged by Sherry Lewis Publishing. P...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521357 By The Beach Boys. By Dennis Wilson and Gregg Jakobson. Arranged by Sherry Lewis Publishing. Pop,Rock. 12 pages. Sherry Lewis Publishing #5854259. Published by Sherry Lewis Publishing (A0.521357). FOREVER, Beach Boys STRING TRIO, Intermediate Level for 2 violins and cello or violin, viola and cello score: 5 pages parts: 4 pages time: 2'24 DEMO NOTE: I began the demo with a few measures cuts at the beginning to get to the main theme as the intro is rather long but is included in the arrangement of course. MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three partshowever I offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me at stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing.
$12.99
Forever And Ever, Amen
Forever And Ever, Amen
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Randy Travis
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Sarah Cellobat Chaffee
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Forever And Ever, Amen
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.526272 By Randy Travis. By Don Schlitz and Paul Overstreet. Arranged by Sarah Cellobat Chaffee. Country,Pop...
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String Trio Cello,Violin - Level 3 - SKU: A0.526272 By Randy Travis. By Don Schlitz and Paul Overstreet. Arranged by Sarah Cellobat Chaffee. Country,Pop,Wedding. 13 pages. Sarah Cellobat Chaffee #6328055. Published by Sarah Cellobat Chaffee (A0.526272). *INSTRUMENTATION: 2 VIOLINS & CELLO*Forever And Ever, Amen was released as a single by Randy Travis in 1987; it subsequently reached #1 on the Billboard Hot Country Singles charts and won a Grammy for Best Country & Western Song. And with its fun laid-back groove, catchy melody, and sweet lovestruck lyrics, this song is the perfect country love song to have in your gig books! Originally written for a wedding, this chart for your two-violin and cello trio will also be perfect for ceremonies, receptions, cocktails, parties, or any other occasion where you need to get your audience feeling a little sentimental (in a fun way). Maintaining the danceable country beat and fun layered harmonies of the original, this arrangement is sure to get your audience singing along! Rated intermediate, this will be learnable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$14.99
Forever.(is a Long Time) by MUSICHELP - Piano Solo
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Piano seul
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MUSICHELP
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Forever.(is a Long Time)
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Musicnotes
Performed by: MUSICHELP: Forever. (is a Long Time) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, in...
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Performed by: MUSICHELP: Forever. (is a Long Time) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 4 pages --
$5.99
Forever.(is a Long Time) by KimBo - Piano Solo
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Piano seul
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Pop musique
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KimBo
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Forever.(is a Long Time)
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Musicnotes
Performed by: KimBo: Forever. (is a Long Time) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music fil...
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Performed by: KimBo: Forever. (is a Long Time) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 3 pages -- Solo Instrumental~~Pop
$9.99
Marilyn Forever
Marilyn Forever
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Gavin Bryars
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Marilyn Forever
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Schott Music - Digital
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SheetMusicPlus
Bcl.bsn-hn-perc-str(0.0.2.1.1); jazz trio (tsax-pno-jazz bass) - SKU: S9.Q43082 Chamber Opera. Composed by Gavin Bryars. This edition: study scor...
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Bcl.bsn-hn-perc-str(0.0.2.1.1); jazz trio (tsax-pno-jazz bass) - SKU: S9.Q43082 Chamber Opera. Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 90 minutes. Schott Music - Digital #Q43082. Published by Schott Music - Digital (S9.Q43082). English.Commissioned by Gavin Bryars’ long-standing collaborators, ensemble Aventa, and with a libretto by author and poet Marilyn Bowering, Bryars' Marilyn Forever examines the inner life of Marilyn Monroe, and her intellectual and emotional relationships with death and love. Often seen as a victim, fantasy and sex object, the character of Monroe is fleshed out in this chamber opera: 'We are given through Monroe’s own voice her combination of sensitivity and exhibitionism, allied to the narrative of the ‘chorus’, a view from the ‘inside’ of the conflicting emotion and ambitions of this compelling and timeless personality.' (Aventa).
$33.99
I'm Forever Blowing Bubbles
I'm Forever Blowing Bubbles
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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George Gershwin
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I'm Forever Blowing Bubbles
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1452471 By George Gershwin. By John W. Collette. Arranged by Timothy Stapay/George Gershwin. Broadway,Film/TV,Jazz,Musica...
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Piano Solo - Level 4 - SKU: A0.1452471 By George Gershwin. By John W. Collette. Arranged by Timothy Stapay/George Gershwin. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 5 pages. Timothy Stapay #1031803. Published by Timothy Stapay (A0.1452471). Here is George Gershwin's version of I'm Forever Blowing Bubbles, which I arranged based on a Gershwin piano roll from the early 20th century. It was held in a private collection for decades. Here for the first time is my sheet music arrangement for this classic from long ago. Before he was famous, George was what was known as a song plugger. He would play newly composed songs to help generate record sales. In the early 20th century, many homes had player pianos. George's performance was preserved on such a roll and is only now available to the general public.Composed in 1918 by John W. Collette. The phrase “blowing bubbles” symbolizes the act of chasing dreams, hopes, and aspirations. Just like soap bubbles that float away and disappear, dreams can be elusive, fleeting, and transient. Famously covered by Doris Day.Lyrics:[Verse 1]I'm dreaming dreamsI'm scheming schemesI'm building castles highThey're born anewTheir days are fewJust like a sweet butterflyAnd as the daylight is dawningThey come again in the morning[Chorus]I'm forever blowing bubblesPretty bubbles in the airThey fly so highNearly reach the skyThen like my dreams.
$6.99
Now Thank We All Our God: Set A
Now Thank We All Our God: Set A
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Martin Rinkart
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Brett L
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Now Thank We All Our God: Set
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Sonata Grendel Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.837495 Composed by Martin Rinkart. Arranged by Brett L. Wery. Christian,Holiday,Praise & Worship,Sacred. Octavo....
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Choral Choir (SATB) - Level 3 - SKU: A0.837495 Composed by Martin Rinkart. Arranged by Brett L. Wery. Christian,Holiday,Praise & Worship,Sacred. Octavo. 12 pages. Sonata Grendel Publishing #5753929. Published by Sonata Grendel Publishing (A0.837495). SET A: SATB Choir/Organ (optional brass quintet and timpani-sold separately ) Now Thank We All Our God was originally written ca. 1636 by Protestant minister, Martin Rinkart. The melody is attributed to Lutheran Hymnist, Johann Crüger and was used in three J.S. Bach chorales but the most common version we hear today was harmonized by Felix Mendelssohn in 1840. Martin Rinkart was a deacon in Eisleben Germany where he served during the Thirty Years’ War. The city of Eisleben and Rinkart’s own home became a sanctuary for political refugees during the war. The resulting overcrowding in the walled city resulted in a horrible plague which hit its peak in 1637. Rinkart was the only surviving pastor in the city and before the plague was over he would preside over 4000 funerals include that of his own wife. Despite this, it was during this time that he wrote Now thank we all our God. This new setting of Now Thank We All Our God draws on Rinkart’s fierce spirit of optimism and faith in a time of desolation and despair. To paint the picture of the circumstances in which Rinkart wrote the hymn, this setting opens with the text from Psalm 13: How long, Lord? Will you forget me forever?The setting turns quickly, in an act of disruptive optimism and faith, to a lopsided dance of joy. In the end, the setting returns to the opening question of Psalm 13, How long? only to be answered by Rinkart’s declaration, Gifts of love today!
$2.75
Day Time Impressions
Day Time Impressions
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Piano seul
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INTERMÉDIAIRE
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href=https://youtu
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Sarah Baker
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Day Time Impressions
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Forsyth Brothers Ltd
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. P...
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Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. Published by Forsyth Brothers Ltd (A0.1241720). Suitable for players of around grade 4-5 standard, these evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!Sarah Baker is Vocal Composer in Residence for Services at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events. All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills.Contents:Air Balloon!Buzzards CirclingThere’s a Cow in the Garden Eating the FlowersWatching the World Go ByAutumn SkiesFriendsSnake in the PondMorning CommuteThe Witch's CottageComposer’s NotesAir Balloon! One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front!  It was both terrifying and exhilarating to watch the balloon float past and then land so near by.Buzzards Circling There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.There’s A Cow In The Garden Eating The Flowers Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child. The final phrase articulates my longing: ‘I wish it would come again’.Watching The World Go By A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.Autumn Skies A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone.Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.Snake In The Pond One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again.Morning Commute I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.The Witch’s Cottage My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up.Sarah Baker2023.
$9.99
Marilyn Forever
Marilyn Forever
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Gavin Bryars
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Marilyn Forever
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Schott Music - Digital
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SheetMusicPlus
Bcl.bsn-hn-perc-str(0.0.2.1.1); jazz trio (tsax-pno-jazz bass) - SKU: S9.Q43079 Chamber Opera. Composed by Gavin Bryars. This edition: vocal scor...
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Bcl.bsn-hn-perc-str(0.0.2.1.1); jazz trio (tsax-pno-jazz bass) - SKU: S9.Q43079 Chamber Opera. Composed by Gavin Bryars. This edition: vocal score. Downloadable, Vocal score. Duration 90 minutes. Schott Music - Digital #Q43079. Published by Schott Music - Digital (S9.Q43079). English.Commissioned by Gavin Bryars’ long-standing collaborators, ensemble Aventa, and with a libretto by author and poet Marilyn Bowering, Bryars' Marilyn Forever examines the inner life of Marilyn Monroe, and her intellectual and emotional relationships with death and love. Often seen as a victim, fantasy and sex object, the character of Monroe is fleshed out in this chamber opera: 'We are given through Monroe’s own voice her combination of sensitivity and exhibitionism, allied to the narrative of the ‘chorus’, a view from the ‘inside’ of the conflicting emotion and ambitions of this compelling and timeless personality.' (Aventa).
$47.99
TAPS A Rembrance
TAPS A Rembrance
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Orchestre
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INTERMÉDIAIRE
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Traditional
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Ken Litton
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TAPS A Rembrance
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Artist of Note, Inc.
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 2...
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Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [†with thoughts of I Corinthians 15:51 in mind, “The trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________† Optional text** Ed Hunter for www.TapsForever.com.
$29.99
Never Gonna Leave You
Never Gonna Leave You
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Ensemble Jazz
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INTERMÉDIAIRE
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Michael Drake
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Kevin Carberry
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Never Gonna Leave You
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Michael Gene Drake
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1420957 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Blues,Contemporary,Film/TV,Funk,...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1420957 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Blues,Contemporary,Film/TV,Funk,Jazz. 176 pages. Michael Gene Drake #1002366. Published by Michael Gene Drake (A0.1420957). The song “Never Gonna’ Leave You†is from my CD “Welcome To My Island†from 1991.                    LyricsIt’s been a long time since we’ve been there,It’s been a long time since we cared,It’s “  “  “  “  “  “ “  we’ve had each other like before, We’re lookin’ forward to the new time,We’re lookin’ forward to it all,You know we can’t wait any longer, now it’s time to be together.Never gonna leave you….let you go….lose you….give you up….I’m gonna make it showI’ll be home before too long, We’ll be back together,A mountain was our love,  and this will last forever! It’s been a long time since we’ve been there, It’s been a long time since we cared,But now we know it’s all behind us, We’ve got tomorrow we can share. michaeldrakemusic@outlook.com  www.drakemusic.com.
$35.00
The Stars and Stripes Forever (Score & Parts)
The Stars and Stripes Forever (Score & Parts)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Patriotique
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John Philip Sousa
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Steven Klaus
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The Stars and Stripes Forever
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NiceChart
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.931995 Composed by John Philip Sousa. Arranged by Steven Klaus. Patriotic. Score and parts. 119 pages. NiceChart #47645...
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Concert Band - Level 4 - SKU: A0.931995 Composed by John Philip Sousa. Arranged by Steven Klaus. Patriotic. Score and parts. 119 pages. NiceChart #4764597. Published by NiceChart (A0.931995). This authentic arrangement of the most popular march of all time closely follows the original parts, but scored to fit a more standard instrumentation. No longer do you need E-flat Clarinets and Bass Saxophones to perform this piece properly! If you happen to have some other curveballs in your instrumentation, such as piano or guitar, we've got you covered and this is your arrangement.
$70.00
Beethoven's Wig Sing Along Symphonies
Beethoven's Wig Sing Along Symphonies
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Piano, Voix
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INTERMÉDIAIRE
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Beethoven's Wig, Richard Perlm
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Clifton J
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Beethoven's Wig Sing Along Sym
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Beethoven's Wig, Inc.
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.928570 Composed by Beethoven's Wig, Richard Perlmutter. Arranged by Clifton J. Noble Jr. Children,Classical,Instru...
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Piano,Vocal,Voice - Level 3 - SKU: A0.928570 Composed by Beethoven's Wig, Richard Perlmutter. Arranged by Clifton J. Noble Jr. Children,Classical,Instructional,Romantic Period,Standards. Score. 52 pages. Beethoven's Wig, Inc. #6383983. Published by Beethoven's Wig, Inc. (A0.928570). Inspired and wildly imaginative, Beethoven's Wig Sing Along Symphonies are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. Each piece is carefully arranged for piano so that it’s fun to play and sing along!GREAT FOR PIANO STUDENTS AND TEACHERSPiano teachers often tell their students they should sing the instrumental pieces they play to improve their performance. This helps students to interpret pieces lyrically. The witty and delightful lyrics in this collection are an entertaining means to that end. They are great to sing along with when playing, and are educational and fun!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words? - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association. CONTENTS Beethoven’s Wig (5th Symphony, Beethoven), Sing Verdi Very Loud (La donna é mobile, Verdi), Drip Drip Drip (Pizzicato from Sylvia, Delibes), Bull In A China Shop (Toreador Song from Carmen, Bizet), Haydn’s Great Surprise (Surprise Symphony, Haydn), King and Queens of England (Trumpet Tune in D, Purcell), Stuck In The Saddle Again Light Cavalry Overture, von Suppé), Forever We’re Marching (Washington Post March, Sousa), Tchaikovsky’s Cannonball, Tchaikovsky), Midnight Snack (Habanera from Carmen, Bizet), Can You Can Can? (Can Can, Offenbach), Wow! What A Wedding Cake! (Wedding March, Mendelssohn
$17.99
Forever is a Long Time
Forever is a Long Time
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Piano, Voix
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Albert Von Tilzer
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Forever is a Long Time
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Composed by Albert Von Tilzer (1878-1956). Portraits, Farewells, Love, Sadness. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sherid...
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Composed by Albert Von Tilzer (1878-1956). Portraits, Farewells, Love, Sadness. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7444). - - - Johns Hopkins University Sheridan Libraries
$5.99
Manic Piano Medley by KimBo - Piano Solo
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Piano seul
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KimBo
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Manic Piano Medley
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Musicnotes
Performed by: KimBo: Manic Piano Medley - (Ashley - Finally // beautiful stranger - Forever (is a long time) - SUGA's Interlude - You should be sad - Grave...
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Performed by: KimBo: Manic Piano Medley - (Ashley - Finally // beautiful stranger - Forever (is a long time) - SUGA's Interlude - You should be sad - Graveyard - I HATE EVERYBODY - More - 3am - Still Learning - Without Me) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 16 pages -- Solo Instrumental~~R & B~~Indie R & B~~Electropop~~Pop Rock~~Pop~~Country-Pop~~Contemporary R & B~~Alternative Pop/Rock~~Synth-pop
$9.99
STAY FOREVER (No Quiero Perderte Nunca)
STAY FOREVER (No Quiero Perderte Nunca)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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ROBERT VAN HORNE
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STAY FOREVER
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1432654 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,Multicultural,Wo...
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Piano Solo - Level 4 - SKU: A0.1432654 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,Multicultural,World. Score. 9 pages. White Piano International Publishing #1012429. Published by White Piano International Publishing (A0.1432654). STAY FOREVER (No Quiero Perderte Nunca)Original Piano Solo Music from “FOREVER AMOR”Composed and arranged by Robert Van Horne in 1991Advanced Intermediate Piano Solo Arrangement(This sheet music does not contain the violin and bass scores as heard on the mp3 sample)9 pagesDuration approximately 4 minutesIn 1985, I fell in love with Mexican, Spanish, and Latin music after visiting Mexico City. There I discovered composers like Agustin Lara, Jose Alfredo Jimenez, Antonio Carlos Jobim, and Astor Piazzolla. Despite not speaking Spanish fluently, I'm captivated by the language's musicality.This passion inspired me to compose Latin-style songs in the early 1990s, culminating in my album “FOREVER AMOR,” and later recording the music in 2016 for Piano, Violin and Bass. STAY FOREVER captures the essence of a Mexican serenade beautifully. The free and ad lib style, combined with a yearning melody, would evoke a sense of longing and passion. Mexican serenades often convey deep emotions, whether it's love, longing, or even heartbreak, and it seems like this song encapsulates that sentiment perfectly. It's the kind of music that can touch the soul and transport listeners to a world of romance and emotion.Imaginary Spanish words can add a touch of mystery and romance, enhancing the storytelling aspect of the music. It seems like the kind of song that could tug at heartstrings and transport listeners to another world.The piano sheet music for STAY FOREVER is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.While the mp3 sample includes violin and bass, the sheet music is for solo piano, suitable for intermediate to advanced players and instructors. You can find the full version on my album at:Published by White Piano International PublishingRobert Van Horne is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$2.99
Only from Blood Does Freedom Grow (Full Score and Parts)
Only from Blood Does Freedom Grow (Full Score and Parts)
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Orchestre
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FACILE
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. St...
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Full Orchestra - Level 2 - SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
Only from Blood Does Freedom Grow (Piano/Choral Score)
Only from Blood Does Freedom Grow (Piano/Choral Score)
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Chorale SATB
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FACILE
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.
$4.00
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
A Thousand Years
A Thousand Years
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Christina Perri
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Barry McCormick
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A Thousand Years
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B. McCormick
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1424437 By Christina Perri. By Christina Perri and David Hodges. Arranged by Barry McCormick. Film/TV,Pop,W...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1424437 By Christina Perri. By Christina Perri and David Hodges. Arranged by Barry McCormick. Film/TV,Pop,Wedding. Score. 6 pages. B. McCormick #1005621. Published by B. McCormick (A0.1424437). “A Thousand Years” Piano Vocal and Guitar Sheet Music Step into the timeless ballad “A Thousand Years” by Christina Perri, featured in the Twilight movie soundtrack. Our meticulously crafted Piano Vocal and Guitar Arrangement captures the essence of eternal love, combining the vocal melody, harmonizing chords, and sweeping arpeggios. Whether you’re a solo performer, part of an ensemble, or a worship leader, this arrangement invites you to experience romance through music. About the Song “A Thousand Years” resonates with longing and devotion. Written for the novel and subsequent film series Twilight, it captures the love affair between Edward and Bella. The song’s haunting melody and poetic lyrics evoke the timeless promise of forever. Sheet Music Details Our arrangement offers a rich musical tapestry: Vocal Melody: The treble clef in the right hand carries the emotional weight of the lyrics, allowing you to sing or play the heart of the song. Harmony Part: The left hand provides additional harmony, enhancing the overall texture. Sweeping Arpeggios: In the chorus, sweeping arpeggios add depth and drama, creating a satisfying challenge for intermediate pianists. Pedaling and Sustain: The ending section features marked pedaling, but sustained chords can be used throughout bars with the same harmonic structure. Left Hand over Right Hand: This simple concept yet can be technically difficult is seen in the ending section. Care should be taken to ensure the upper melody is clear and legato and that there is no distinction in sound from when the right and left hand swap taking the melody Guitar Chord Sheet: Included alongside the piano part, the guitar chord sheet provides: Lyrics and Chords: Strum along with the lyrics using chord symbols. Chord Diagrams: Visualize finger placement for each chord. Strumming and Fingerpicking Patterns: Suggestions to enhance guitar accompaniment. About the Arranger: Barry McCormickBarry McCormick, the creative mind behind this arrangement, weaves emotion and musicality into every note. His journey as an arranger spans years of exploration, from classical compositions to contemporary adaptations. As you delve into “A Thousand Years,” you’ll connect with Barry’s passion for making music accessible and heartfelt.Connect with Barry: X|TT|YT|IG: @resourcefularrangementsBarry invites you to explore the magic of music, one note at a time.
$4.99
Captain Magan Violin Duet
Captain Magan Violin Duet
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2 Violons (duo)
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FACILE
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Turlough O` Carolan
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Luis Anjos Teixeira
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Captain Magan Violin Duet
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Luis Anjos Teixeira
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SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.889448 Composed by Turlough O` Carolan. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 4 pages. Luis...
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Violin Duet Violin - Level 2 - SKU: A0.889448 Composed by Turlough O` Carolan. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 4 pages. Luis Anjos Teixeira #6138039. Published by Luis Anjos Teixeira (A0.889448). Captain Magan is a lovely piece written a long time ago by an Irish composer named Turlough Carolan, known also as „the last Irish bard or „O`Carolan. He lived between 1670 - 1738.I Arranged this piece for a Violin duet, and a few ornaments where introduced. It has a dance like structure and a nostalgic character, it can be played faster or slower, and it is easy to learn. Due to the timeless and universal nature of the piece, you can perform it in all kinds of events. I wish you a lot of fun and a great success. The score was written on Finale, the sound file was produced with samplers from Garritan. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the picture and the cover design. Special Thanks to O`Carolan, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Pontinha, Joaninha, Schwarzenegerschen, Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Love Forever
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