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Vous avez sélectionné:
Formality
Partitions à imprimer
11 partitions trouvées
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1
Formality
Formality
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Ensemble de cuivres
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INTERMÉDIAIRE
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Robert Turner
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Formality
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Robert Turner
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1029680 Composed by Robert Turner. Children,Classical,Hip-Hop,Jazz. Score and parts. 23 pages. Robert Turner #5316123...
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Brass Ensemble - Level 3 - SKU: A0.1029680 Composed by Robert Turner. Children,Classical,Hip-Hop,Jazz. Score and parts. 23 pages. Robert Turner #5316123. Published by Robert Turner (A0.1029680). FormalityThis original piece by Robert Turner is perfect for any brass ensemble wanting to play a peaceful tune mixed with faster fun bits slid in the middle. It features a short trumpet solo in the beginning before everyone else joins in to create a nice full sound. If parts for extra instruments are wanted contact me at turn.robert.thom@gmail.com and I will gladly try to add them in for no charge.
$7.99 ≈
7.38€
Fugue in Blue for Clarinet Quartet
Fugue in Blue for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Hugh Levey
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Hugh Levey
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Fugue in Blue for Clarinet Qua
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woodwindly.com
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1386176 By Hugh Levey. By Hugh Levey. Arranged by Hugh Levey. Blues,Chamber,Classical,Contemporar...
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Clarinet Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1386176 By Hugh Levey. By Hugh Levey. Arranged by Hugh Levey. Blues,Chamber,Classical,Contemporary,Jazz. 15 pages. Woodwindly.com #970126. Published by woodwindly.com (A0.1386176). 4 Bb Clarinets or 3 Bb Clarinet and Bass ClarinetFugue in Blue started out as a Clarinet Trio called Jazz Fughetta, indicating that it was a simple fugue in a jazz style, but without the formality of a fully worked out fugue. In this rewritten Clarinet Quartet version, the first three voices enter fugally with the second beginning on the dominant and the third back in the tonic. After a contrapuntal interlude based on the opening rhythms, the fourth voice enters on the sub-dominant.The original work was a student composition exercise, combining a conventional classical form (fugue) with a syncopated jazz style. Many years later it has been reworked in swing style with a more laid back feel and some more inventive harmony and jazz articulation. Of course, it has also had a fourth part added to create the clarinet quartet that is published here.The work is well suited to recital programmes, as a light-hearted opener or relaxed interlude in a more serious concert. It is also suited to younger players who wish to combine the discipline of ‘classical’ chamber music while learning about jazz articulation, such as falls and short notes at the ends of phrases.
$12.50 ≈
11.54€
Fugue in Blue for Saxophone Quartet
Fugue in Blue for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Hugh Levey
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Hugh Levey
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Fugue in Blue for Saxophone Qu
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woodwindly.com
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1386180 By Hugh Levey. By Hugh Levey. Arranged by Hugh Levey. Blues,Chamber,Classical,Contempora...
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Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1386180 By Hugh Levey. By Hugh Levey. Arranged by Hugh Levey. Blues,Chamber,Classical,Contemporary,Jazz. 15 pages. Woodwindly.com #970131. Published by woodwindly.com (A0.1386180). Parts included for SATB or AATB SaxophonesFugue in Blue started out as a Clarinet Trio called Jazz Fughetta, indicating that it was a simple fugue in a jazz style, but without the formality of a fully worked out fugue. In this Saxophone Quartet version, the first three voices enter fugally with the second beginning on the dominant and the third back in the tonic. After a contrapuntal interlude based on the opening rhythms, the fourth voice enters on the sub-dominant.The original work was a student composition exercise, combining a conventional classical form (fugue) with a syncopated jazz style. Many years later it has been reworked in swing style with a more laid back feel and some more inventive harmony and jazz articulation, so ideally suited to sax quartet.The work is well suited to recital programmes, as a light-hearted opener or relaxed interlude in a more serious concert. It is also suited to younger players who wish to combine the discipline of ‘classical’ chamber music while learning about jazz articulation, such as falls and short notes at the ends of phrases.
$12.50 ≈
11.54€
Fugue in Blue for 3 Clarinets
Fugue in Blue for 3 Clarinets
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3 Clarinettes (trio)
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INTERMÉDIAIRE
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Hugh Levey
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Hugh Levey
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Fugue in Blue for 3 Clarinets
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woodwindly.com
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SheetMusicPlus
Clarinet Trio,Woodwind Ensemble - Level 3 - SKU: A0.1386174 By Hugh Levey. By Hugh Levey. Arranged by Hugh Levey. Blues,Chamber,Classical,Contemporary,J...
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Clarinet Trio,Woodwind Ensemble - Level 3 - SKU: A0.1386174 By Hugh Levey. By Hugh Levey. Arranged by Hugh Levey. Blues,Chamber,Classical,Contemporary,Jazz. 11 pages. Woodwindly.com #970123. Published by woodwindly.com (A0.1386174). This is a fun piece that combines a jazz style with the conventional classical form of a fugue. The work is well suited to recital programmes, as a light-hearted opener or relaxed interlude in a more serious concert. It is also suited to younger players who wish to combine the discipline of ‘classical’ chamber music while learning about jazz articulation, such as falls and short notes at the ends of phrases.Fugue in Blue started out as a Clarinet Trio called Jazz Fughetta, indicating that it was a simple fugue in a jazz style, but without the formality of a fully worked out fugue. In this new version, the first three voices enter fugally with the second beginning on the dominant and the third back in the tonic. It is now in a swing style with a more laid back feel and some more inventive harmony and jazz articulation.
$12.50 ≈
11.54€
God is a Spirit. A new tune to a wonderful Isaac Watts hymn.
God is a Spirit. A new tune to a wonderful Isaac Watts hymn.
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Chorale Unison
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FACILE
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Musique Sacrée
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Harry Hicks
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God is a Spirit. A new tune to
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Harry Hicks
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.994018 Composed by Harry Hicks. Christian,Sacred. Octavo. 1 pages. Harry Hicks #4338719. Published by Harry Hi...
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Choral Choir (Unison) - Level 2 - SKU: A0.994018 Composed by Harry Hicks. Christian,Sacred. Octavo. 1 pages. Harry Hicks #4338719. Published by Harry Hicks (A0.994018). New music - by Harry Hicks, (taken from his forthcoming second book of over 400 hymns entitled Praise! 2) to an old hymn that deserves to be better known.This is subtitles 'Sincerity and hypocrisy: or: Formality in worship.' John 4:24, Ps 139:23,24.'The first book - and other compositions - are also available.
$1.99 ≈
1.84€
The Spirit of Chivalry
The Spirit of Chivalry
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Matthew Birkett
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The Spirit of Chivalry
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MEB Music
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.915973 Composed by Matthew Birkett. Contemporary. Score and parts. 145 pages. MEB Music #1954971. Published by MEB Mu...
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Brass Ensemble - Level 4 - SKU: A0.915973 Composed by Matthew Birkett. Contemporary. Score and parts. 145 pages. MEB Music #1954971. Published by MEB Music (A0.915973). A major work in three movements, this is a musical portrayal of the court of King Henry VIII, ruler of England 1509-1547. Movement one, Pagaentry celebrates chivalry, formality and the high living of the time. Movement 2, The Knight’s Ball is a pleasing siciliana, whilst the final section, Battle, describes one of the many skirmishes between England and France or Engalnd and Scotland which took place at the time. Suitable for UK 3rd-4th Section bands as a contest piece.
$25.50 ≈
23.55€
"Dialogues" - for Soprano and Percussion [Performance Score]
"Dialogues" - for Soprano and Percussion [Performance Score]
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Contemporain
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Lior Navok
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"Dialogues" - for So
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Lior Navok Music
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SheetMusicPlus
Small Ensemble High Voice,Multi-Percussion - Level 5 - SKU: A0.976035 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 18 pages. Lior...
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Small Ensemble High Voice,Multi-Percussion - Level 5 - SKU: A0.976035 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 18 pages. Lior Navok Music #4719301. Published by Lior Navok Music (A0.976035). DIALOGUES - for Soprano and Percussion (1999) DURATION: 11 Minutes TEXT BY: Lior Navok / Vocalize MOVEMENTS: 1. Talking Doll 2. Sargam 3. Twinkles 4. Shadowphobia LANGUAGE: English PROGRAM NOTES: The composer writes about his work: Dialogues for soprano and percussion was composed as a semi-theatrical composition, not to be acted. Talking Doll is a short satire about humans who act like machines for the sake of formality. The word Sargam in Indian means Solfège. The syllables sa, re, ma, ga, pa, dha (not used here) and ni are equal to our do, re, mi. Shadowphobia, as the name implies, deals with the relationship between a person and his/her shadow. INFO: Item: Full Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 18 Ink: Black & White Paper Size: DIN B4 / Ledger.
$21.00 ≈
19.39€
[Golliwog's] Cakewalk
[Golliwog's] Cakewalk
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Classique
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Claude Debussy
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Brock Lupton (1948-)
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[Golliwog's] Cakewalk
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Brock Lupton
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.942429 Composed by Claude Debussy (1862-1918). Arranged by Brock Lupton (1948-). 20th Century. 24 p...
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.942429 Composed by Claude Debussy (1862-1918). Arranged by Brock Lupton (1948-). 20th Century. 24 pages. Brock Lupton #6858209. Published by Brock Lupton (A0.942429). Claude Debussy was, by all accounts, totally devoted to his daughter Claude-Emma (affectionately known as Chouchou) The suite Children's Corner (for solo piano) is dedicated to Chouchou. She outlived her father by scarcely a year, succumbing to the diphtheria epidemic of 1919. (with information from Wikipedia). The naming of one or two among Debussy's piano works can raise issues in the light of current trends. These were not an issue during the composer's life, but are unlikely to be ignored today. The word Golliwog may have unwanted implications, but its omission may cause confusion with another of the composer's short piano works known simply as Cakewalk. The cakewalk was a dance developed from the prize walks (dance contests with a cake awarded as the prize) held in the mid-19th century, generally at get-togethers on Black slave plantations before and after emancipation in the Southern United States.... It was originally a processional partner dance danced with comical formality, and may have developed as a subtle mockery of the mannered dances of white slaveholders. Following an exhibition of the cakewalk at the 1876 Centennial Exposition in Philadelphia, the cakewalk was adopted by performers in minstrel shows, where it was danced exclusively by men until the 1890s. At that point, Broadway shows featuring women began to include cakewalks, and grotesque dances became very popular across the country. [Wikipedia] The grotesque aspect of some later cakewalk dance steps may well be heard in the accompaniment to this work: the oboist's endeavors to produce a soft low B-natural (!) will help create this effect.Technically this piece is intermediate, but the range of the bassoon (especially), oboe, and (to a lesser extent) horn parts are an additional challenge for those players.
$5.00 ≈
4.62€
Divertimento 2 / Divertissement 2 / Entertainment 2
Divertimento 2 / Divertissement 2 / Entertainment 2
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Cor
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INTERMÉDIAIRE
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Rudesindo Soutelo
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Divertimento 2 / Divertissemen
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.1205023 Composed by Rudesindo Soutelo. Classical,Contemporary,Multicultural,World. Individual part. 4 pages. Publis...
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French Horn Solo - Level 3 - SKU: A0.1205023 Composed by Rudesindo Soutelo. Classical,Contemporary,Multicultural,World. Individual part. 4 pages. Publisher by Rudesindo Soutelo #803261. Published by Publisher by Rudesindo Soutelo (A0.1205023). To Mary Beth OrrRudesindo SouteloDivertimento 2 / Divertissement 2 / Entertainment 2 for Solo F Horn [ca. 1']The informality that the title suggests is as fleeting as the minute of glory of its execution. This piece is dedicated to the horn player Mary Beth Orr.  The complex {4 (2, 2), 4, 3} which organises all the parameters of the piece, were taken from her name, which has 4 plus 4 plus 3 letters grouped in syllables.---A informalidade que sugere o tÃtulo é tão fugaz como o minuto de glória da sua execução. Esta obra está dedicada à trompista Mary Beth Orr.  O complexo {4 (2, 2), 4, 3} que organiza todos os parâmetros da peça, foram retirados do seu nome, que tem 4 mais 4 mais 3 letras agrupadas em sÃlabas.ISWC: T-312.824.951-0ISMN: 979-0-707704-03-5.
$3.00 ≈
2.77€
Divertimento
Divertimento
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Orchestre d'harmonie
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AVANCÉ
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Nejc BeÄan
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Divertimento
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UpBeat Editions
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1357096 By Nejc BeÄan. By Nejc BeÄan. 21st Century,Classical,Contemporary,Contest,Festival. 340 pages. UpBeat Edi...
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Concert Band - Level 5 - SKU: A0.1357096 By Nejc BeÄan. By Nejc BeÄan. 21st Century,Classical,Contemporary,Contest,Festival. 340 pages. UpBeat Editions #941723. Published by UpBeat Editions (A0.1357096). Divertimento actually got its title after I finished composing it during the first months of 2019. While trying to search for appropriate titular words which would somehow describe the content of the piece, I kept thinking how light-hearted the musical flow of the whole composition really is. Searching through similar light minded musical content, I did not have to search for long, before I came across the divertimenti of the late 18th century (works by both Wolfgang A. & Leopold Mozart, Haydn, Stamitz, etc.). The informality and casual manner of my piece, as well as the fact that it draws its thematic material from the concept of “absolute†music - without any presupposed program - reminds me of those times, style and the presented musical form established then. Composed in three movements of which the first two are connected, the piece focuses on brightly illuminated colours of the broad spectre provided to us by a full setting of a symphonic wind orchestra.Youtube link - Divertimento starts at 14:20Further info:www.upbeateditions.comupbeat.editions@gmail.comhttps://www.facebook.com/UpBeatEditions.
$249.00 ≈
229.96€
Divertimento 1 / Divertissement 1 / Entertainment 1
Divertimento 1 / Divertissement 1 / Entertainment 1
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Violoncelle (partie séparée)
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INTERMÉDIAIRE
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Rudesindo Soutelo
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Divertimento 1 / Divertissemen
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.1143792 Composed by Rudesindo Soutelo. Classical,Contemporary,Multicultural,World. Individual part. 4 pages. Publisher by...
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Cello Solo - Level 3 - SKU: A0.1143792 Composed by Rudesindo Soutelo. Classical,Contemporary,Multicultural,World. Individual part. 4 pages. Publisher by Rudesindo Soutelo #744103. Published by Publisher by Rudesindo Soutelo (A0.1143792). To FrantiÅ¡ek Brikcius Rudesindo Soutelo Divertimento 1 / Divertissement 1 / Entertainment 1 for Solo Cello [ca. 1'] The informality that the title suggests is as fleeting as the minute of glory of its execution. This work is dedicated to the cellist FrantiÅ¡ek Brikcius and the complexes {9, 8} and {4, 2, 3, 4, 4}, which organise all the parameters of the piece, are taken from his name, which has 9 plus 8 letters grouped in syllables. Only the final chord, in signature mode, results from the composer’s complex {9, 7}. --- A informalidade que sugere o tÃtulo é tão fugaz como o minuto de glória da sua execução. Esta obra está dedicada ao violoncelista FrantiÅ¡ek Brikcius e os complexos {9, 8} e {4, 2, 3, 4, 4}, que organizam todos os parâmetros da peça, foram tirados do seu nome, que tem 9 mais 8 letras agrupadas em sÃlabas. Só o acorde final, a modo de assinatura, resulta do complexo {9, 7} do compositor. --- ISWC: T-312.431.154-8 ISMN: 979-0-707704-01-1.
$3.00 ≈
2.77€
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