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Four on Six Alto Sax 2
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Vous avez sélectionné:
Four on Six Alto Sax 2
Partitions à imprimer
51 partitions trouvées
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26
51
Four on Six - Alto Sax 2
Four on Six - Alto Sax 2
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Saxophone (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Blues
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John Abercrombie, John Scofiel
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Mike Tomaro
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Four on Six - Alto Sax 2
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Hal Leonard - Digital
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SheetMusicPlus
Level 4 - SKU: HX.390006 By John Abercrombie, John Scofield, and Wes Montgomery. Arranged by Mike Tomaro. This edition: scorch. Blues,Jazz. 3 pages. Hal...
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Level 4 - SKU: HX.390006 By John Abercrombie, John Scofield, and Wes Montgomery. Arranged by Mike Tomaro. This edition: scorch. Blues,Jazz. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.390006).
$6.00 ≈
5.54€
Bach: Wachet auf for Alto Sax & Piano
Bach: Wachet auf for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Sax
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
23.05€
5 Famous Songs by Bach for Alto Sax Quartet
5 Famous Songs by Bach for Alto Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Alt
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738125. Published by Woods Only, Arrangements (A0.1137872). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99 ≈
29.55€
akSax (for Saxophone Quartet)
akSax (for Saxophone Quartet)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Adrian Borza
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akSax
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Adrian Borza
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1003612 Composed by Adrian Bo...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1003612 Composed by Adrian Borza. 20th Century,Concert,Contemporary,Standards. 46 pages. Adrian Borza #2945999. Published by Adrian Borza (A0.1003612). akSax integrates an additive rhythm called aksak, which is a particularity of the Balkans folklore. However, this specific feature is less common in Western musical practices. The work’s metric structure is based on sequences of two, three and four sixteenth notes. These units of unequal length, such as the 2/16, 3/16, and 4/16 meters, are irregularly alternated in order to build musical phrases. The modal pitch structure has its origin in some Geamparale tunes, wedding dances from the Danube Plain and Dobrogea region. The mixture of the symmetrical and asymmetrical meters, together with an extremely fast tempo (i.e. 436 beats per minute or even 500), helps to turn the performer into a masterly artist.Instrumentation: Soprano saxophone in B-flat, Alto saxophone in E-flat, Tenor saxophone in B-flat, Baritone saxophone in E-flatAvailable version: the first movement of akSax may also be performed as a solo piece for Alto saxophone, and it is accessible as a separate file.Format: Full score with introductory text. Individual parts for soprano, alto, tenor and baritone saxophones are also included. Individual parts do not come with covers. Level: This music is best suited for intermediate and advanced musicians.Audio preview: An extract from the first part for solo saxophone
$7.99 ≈
7.38€
Allegro (from "Concerto for Four Claviers") (G min) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
Allegro (from "Concerto for Four Claviers") (G min) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
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Quintette de Saxophone: 5 saxophones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 5 - SKU: A0.813402 Composed by Johann Sebastian Bach. Arra...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 5 - SKU: A0.813402 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209825. Published by Regis Bookshar (A0.813402). Saxophone Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a Saxophone Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00 ≈
32.34€
Allegro (from "Concerto for Four Claviers") (A min) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
Allegro (from "Concerto for Four Claviers") (A min) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
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Quintette de Saxophone: 5 saxophones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 5 - SKU: A0.813378 Composed by Johann Sebastian Bach. Arra...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 5 - SKU: A0.813378 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 42 pages. Regis Bookshar #6209755. Published by Regis Bookshar (A0.813378). Saxophone Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (42 pages). In addition to this version for a Saxophone Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00 ≈
32.34€
5 Famous Songs by Bach for Alto Sax Quintet
5 Famous Songs by Bach for Alto Sax Quintet
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Alt
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone - Level 1 - SKU: A0.957294 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissa...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone - Level 1 - SKU: A0.957294 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748245. Published by Woods Only, Arrangements (A0.957294). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897632: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899793: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900294: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901615: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190371Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism;.
$39.99 ≈
36.95€
5 Famous Songs by Bach for Alto Sax Trio
5 Famous Songs by Bach for Alto Sax Trio
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3 Saxophones (trio)
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Alt
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Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone - Level 2 - SKU: A0.1138515 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arr...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone - Level 2 - SKU: A0.1138515 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738855. Published by Woods Only, Arrangements (A0.1138515). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto saxophone trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99 ≈
22.16€
Saint-Saëns: The Swan for Alto Sax & Piano
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
30.44€
5 Famous Songs by Bach for Saxophone Trio
5 Famous Songs by Bach for Saxophone Trio
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3 Saxophones (trio)
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FACILE
#
Classique
#
Christian Petzold, Johann Seba
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Ander
#
5 Famous Songs by Bach for Sax
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1138518 Composed by Christian Petzold, Johann Seb...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1138518 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738859. Published by Woods Only, Arrangements (A0.1138518). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99 ≈
22.16€
When I'm Sixty-four
When I'm Sixty-four
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2 Saxophones (duo)
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INTERMÉDIAIRE
#
Rock
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The Beatles
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David McKeown
#
When I'm Sixty-four
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David McKeown
#
SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.588147 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCart...
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Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.588147 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. 2 scores. 5 pages. David McKeown #5306113. Published by David McKeown (A0.588147). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged as a duet for two Alto Saxophones. Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99 ≈
5.53€
When I'm Sixty-Four
When I'm Sixty-Four
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Saxophone Alto
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DÉBUTANT
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Rock
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The Beatles
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Rene Alves
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When I'm Sixty-Four
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Rene Alves
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SheetMusicPlus
Alto Saxophone Solo - Level 1 - SKU: A0.1369797 By The Beatles. By John Lennon and Paul McCartney. Arranged by Rene Alves. Multicultural,Patriotic,Pop,R...
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Alto Saxophone Solo - Level 1 - SKU: A0.1369797 By The Beatles. By John Lennon and Paul McCartney. Arranged by Rene Alves. Multicultural,Patriotic,Pop,Rock,Wedding,World. Individual part. 2 pages. Rene Alves #954165. Published by Rene Alves (A0.1369797). Alto sax sheet music for the song When I'm Sixty-Four - beatles. The sheet music is large, great for reading on tablets.
$6.00 ≈
5.54€
When I'm Sixty-four
When I'm Sixty-four
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2 Saxophones (duo)
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INTERMÉDIAIRE
#
Rock
#
The Beatles
#
David McKeown
#
When I'm Sixty-four
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David McKeown
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - SKU: A0.588148 By The Beatles. By John Lennon, John Winston Lennon, Pau...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - SKU: A0.588148 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5306115. Published by David McKeown (A0.588148). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged as a duet for one Soprano and one Alto Saxophone. The full YouTube performance above is the Alto Saxophone version of this duet.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99 ≈
5.53€
When I'm Sixty-four
When I'm Sixty-four
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2 Saxophones (duo)
#
INTERMÉDIAIRE
#
Rock
#
The Beatles
#
David McKeown
#
When I'm Sixty-four
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.588146 By The Beatles. By John Lennon, John Winston Lennon, Paul ...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.588146 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5306111. Published by David McKeown (A0.588146). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged as a duet for one Alto and one Tenor Saxophone. The full YouTube performance above is the Alto Saxophone version of this duet.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99 ≈
5.53€
When I'm Sixty-four
When I'm Sixty-four
#
2 Saxophones (duo)
#
INTERMÉDIAIRE
#
Rock
#
The Beatles
#
David McKeown
#
When I'm Sixty-four
#
David McKeown
#
SheetMusicPlus
Soprano Saxophone Duet Soprano Saxophone - Level 3 - SKU: A0.588150 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul ...
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Soprano Saxophone Duet Soprano Saxophone - Level 3 - SKU: A0.588150 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Score. 5 pages. David McKeown #5306119. Published by David McKeown (A0.588150). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged as a duet for two Soprano Saxophones. The full YouTube performance above is the Alto Saxophone version of this duet.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99 ≈
5.53€
My Saxophone and Me (E flat version)
My Saxophone and Me (E flat version)
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Saxophone Alto et Piano
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DÉBUTANT
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Colin Kirkpatrick
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Lazy Days
(No 4)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95 ≈
5.50€
O Christmas Tree, (O Tannenbaum), Jazz style, for Alto Saxophone Duet
O Christmas Tree, (O Tannenbaum), Jazz style, for Alto Saxophone Duet
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Ernst Anschütz
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David McKeown
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O Christmas Tree,
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David McKeown
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SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.594315 Composed by Ernst Anschütz. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,...
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Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.594315 Composed by Ernst Anschütz. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. 2 scores. 4 pages. David McKeown #6574673. Published by David McKeown (A0.594315). O Christmas Tree, (O Tannenbaum), is a much-loved Christmas song. This version is arranged as a duet in a Jazz Waltz/Swing style for two Alto Saxophones. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of O Christmas Tree is Polish in origin and dates back to the sixteenth century. The lyrics we know and love were added much later by German composer Ernst Anschütz in 1824. The lyrics were originally a homage to the fir tree, using the evergreen foliage as a metaphor for constancy and loyalty. The association with Christmas appeared later in the nineteenth century.With a performance time of three minutes and a half minutes, this version of O Christmas Tree is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.O Christmas Tree is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in jazz waltz music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several busy passages to keep players on their toes. The melody is played four times, the last in 4/4 time with a short coda. This arrangement is suitable for players at an intermediate level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.69€
O Christmas Tree, (O Tannenbaum), Jazz style, for Soprano and Alto Saxophone Duet
O Christmas Tree, (O Tannenbaum), Jazz style, for Soprano and Alto Saxophone Duet
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Ernst Anschütz
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David McKeown
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O Christmas Tree,
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David McKeown
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - SKU: A0.594316 Composed by Ernst Anschütz. Arranged by David McKeown...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - SKU: A0.594316 Composed by Ernst Anschütz. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6574675. Published by David McKeown (A0.594316). O Christmas Tree, (O Tannenbaum), is a much-loved Christmas song. This version is arranged as a duet in a Jazz Waltz/Swing style for one Soprano and one Alto Saxophone. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of O Christmas Tree is Polish in origin and dates back to the sixteenth century. The lyrics we know and love were added much later by German composer Ernst Anschütz in 1824. The lyrics were originally a homage to the fir tree, using the evergreen foliage as a metaphor for constancy and loyalty. The association with Christmas appeared later in the nineteenth century.With a performance time of three minutes and a half minutes, this version of O Christmas Tree is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.O Christmas Tree is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in jazz waltz music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several busy passages to keep players on their toes. The melody is played four times, the last in 4/4 time with a short coda. This arrangement is suitable for players at an intermediate level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.69€
O Christmas Tree, (O Tannenbaum), Jazz style, for Alto and Tenor Saxophone Duet
O Christmas Tree, (O Tannenbaum), Jazz style, for Alto and Tenor Saxophone Duet
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Ernst Anschütz
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David McKeown
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O Christmas Tree,
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David McKeown
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.594314 Composed by Ernst Anschütz. Arranged by David McKeown. ...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.594314 Composed by Ernst Anschütz. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6574671. Published by David McKeown (A0.594314). O Christmas Tree, (O Tannenbaum), is a much-loved Christmas song. This version is arranged as a duet in a Jazz Waltz/Swing style for one Alto and one Tenor Saxophone. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of O Christmas Tree is Polish in origin and dates back to the sixteenth century. The lyrics we know and love were added much later by German composer Ernst Anschütz in 1824. The lyrics were originally a homage to the fir tree, using the evergreen foliage as a metaphor for constancy and loyalty. The association with Christmas appeared later in the nineteenth century.With a performance time of three minutes and a half minutes, this version of O Christmas Tree is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.O Christmas Tree is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in jazz waltz music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several busy passages to keep players on their toes. The melody is played four times, the last in 4/4 time with a short coda. This arrangement is suitable for players at an intermediate level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.69€
Ave Maria by Franz Schubert, Alto Saxophone Duet
Ave Maria by Franz Schubert, Alto Saxophone Duet
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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David McKeown
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Ave Maria by Franz Schubert, A
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David McKeown
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SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.587358 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sa...
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Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.587358 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sacred,Wedding. 2 scores. 5 pages. David McKeown #3210667. Published by David McKeown (A0.587358). Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. This version is arranged as a duet for two Alto Saxophones. Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts play the melody. The overall performance time is around four and a half minutes. The sample recording is from the Clarinet and Alto Saxophone version of this duet. The full length youtube performance is of the Clarinet version. Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are extended triplet quaver arpeggios which will pose a challenge for finger coordination and breathing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.25€
5 Famous Songs by Bach for Saxophone Choir Quintet
5 Famous Songs by Bach for Saxophone Choir Quintet
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Quintette de Saxophone: 5 saxophones
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Sax
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.957297 Composed by Bach, Mart...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.957297 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748253. Published by Woods Only, Arrangements (A0.957297). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for saxophone choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897852: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899873: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900434: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901835: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190379Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protest.
$39.99 ≈
36.95€
Arioso by Bach for Saxophone Duet
Arioso by Bach for Saxophone Duet
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2 Saxophones (duo)
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Saxophone D
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Woods Only, Arrangements
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SheetMusicPlus
Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 1 - SKU: A0.1041953 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred...
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Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 1 - SKU: A0.1041953 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. 5 pages. Woods Only, Arrangements #646741. Published by Woods Only, Arrangements (A0.1041953). This easy arrangement for saxophone duet was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$3.99 ≈
3.69€
Ave Maria by Franz Schubert, Tenor Saxophone Duet
Ave Maria by Franz Schubert, Tenor Saxophone Duet
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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David McKeown
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Ave Maria by Franz Schubert, T
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David McKeown
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SheetMusicPlus
Tenor Saxophone Duet Tenor Saxophone - Level 3 - SKU: A0.587353 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,...
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Tenor Saxophone Duet Tenor Saxophone - Level 3 - SKU: A0.587353 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sacred,Wedding. Score. 5 pages. David McKeown #3210657. Published by David McKeown (A0.587353). Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. This version is arranged as a duet for two Tenor Saxophones. Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts play the melody. The overall performance time is around four and a half minutes. The sample recording is from the Clarinet and Alto Saxophone version of this duet. The full length youtube performance is of the Clarinet version. Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are extended triplet quaver arpeggios which will pose a challenge for finger coordination and breathing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.25€
ARIOSO, by J. S. Bach (sinfonia) - for Alto Saxophone and accompaniment
ARIOSO, by J. S. Bach (sinfonia) - for Alto Saxophone and accompaniment
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Saxophone Alto et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.964379 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Stand...
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Alto Saxophone,Piano - Level 1 - SKU: A0.964379 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321031. Published by Leyandder Trustworthy (A0.964379). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Alto Saxophone along with a piano accompaniment that comes with the product.
$1.99 ≈
1.84€
TRIPLE PACK of Alto Sax Duets - contains over 50 duets including Christmas, classical and jazz
TRIPLE PACK of Alto Sax Duets - contains over 50 duets including Christmas, classical and jazz
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Classique
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Newton, Meacham, Handel, Deli
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Austin Ralphson
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TRIPLE PACK of Alto Sax Duets
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Austin Ralphson
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SheetMusicPlus
Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Cl...
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Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier, J. Pierpoint, L. Mason, F. Gruber, J. Mohr, Trad. Arranged by Austin Ralphson. 20th Century, Classical Period, Baroque Period, Christmas, Wedding. Score. 98 pages. Published by Austin Ralphson
This is a book of popular pieces arranged for duet; it comprises both volumes from the '15 Duets for Fun' series, plus the '21 Christmas Duets for Fun' as well, making a total of 51 duets in this set. The difficulty levels range from early-intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that both parts are interesting throughout - they often interweave and take on many roles within the music. A duet score is provided for each piece, and the repertoire covers wedding music, slow melodies, traditional Welsh melodies, baroque classics, famous symphonic melodies, piano works, Christmas classics and other popular pieces. This is the full list: 1. Jingle Bells v1 2. Jingle Bells v2 3. Ding Dong Merrily On High v1 4. Ding Dong Merrily On High v2 5. Ding Dong Merrily On High v3 6. Joy To The World v1 7. Joy To The World v2 8. Joy To The World v3 9. Deck The Halls v1 10. Deck The Halls v2 11. Deck The Halls v3 12. O Christmas Tree v1 13. O Christmas Tree v2 14. Silent Night v1 15. Silent Night v2 16. Silent Night v3 17. O Little Town Of Bethlehem v1 18. O Little Town Of Bethlehem v2 19. O Little Town Of Bethlehem v3 20. God Rest Ye Merry, Gentlemen v1 21. God Rest Ye Merry, Gentlemen v2 22. All Through The Night (Welsh trad.) 23. Amazing Grace (Newton) 24. American Patrol (Meacham) 25. David of the White Rock (Welsh trad.) 26. Fanfare from ?Water Music? (Handel) 27. Happy Birthday 28. Largo from ?Xerxes? (Handel) 29. Myfanwy (Welsh trad.) 30. Pizzicati from ?Sylvia? (Delibes) 31. Prelude in C (Bach) 32. La Rjouissance from ?Music for the Royal Fireworks? (Handel) 33. Rondo from ?Abdelazer? (Purcell) 34. Scherzo from Symphony No. 2 (Beethoven) 35. Suo Gan (Welsh trad.) 36. Concerto for Mandolin and Strings (Ugolino) 37. The Entertainer (Scott Joplin) 38. Highlights from Rhapsody In Blue (Gershwin) 39. The Blue Danube Waltz (Johann Strauss II) 40. Six Christmas Pieces, No.5 (Mendelssohn) 41. Fr Elise (Beethoven) 42. In The Hall Of The Mountain King (Grieg) 43. Trumpet Voluntary (Jeremiah Clarke) 44. Eine Kleine Nachtmusik No.1 (Mozart) 45. The Londonderry Air / Danny Boy (trad.) 46. Symphony No.5, Mvt.1 (Beethoven) 47. Rondo Alla Turca (Mozart) 48. ?Autumn? from ?The Four Seasons? (Vivaldi) 49. ?Ode to Joy? from Symphony No.9 (Beethoven) 50. March of the Toy Soldiers from ?The Nutcracker? (Tchaikovsky) 51. Prelude from ?Te Deum? (Charpentier)
$39.99 ≈
36.95€
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Four on Six Alto Sax 2
