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Francis Lai's A Man And A Woman
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Vous avez sélectionné:
Francis Lai's A Man And A Woman
Partitions à imprimer
5 partitions trouvées
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Francis Lai's A Man And A Woman (Un homme et une Femme) arranged for intermediate piano
Francis Lai's A Man And A Woman (Un homme et une Femme) - intermediate piano
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Piano Facile
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FACILE
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Pop musique
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Various
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Nigel Jefferies
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Francis Lai's A Man And A Woma
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Nigel Jefferies Music
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SheetMusicPlus
Piano Solo - Early Intermediate - Digital Download By Various. Arranged by Nigel Jefferies. Individual Part. 5 pages. Published by Nigel Jefferies Mu...
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Piano Solo - Early Intermediate - Digital Download By Various. Arranged by Nigel Jefferies. Individual Part. 5 pages. Published by Nigel Jefferies Music
Francis Lai's A Man And A Woman (Un homme et une Femme) arranged for intermediate piano.
$4.99 ≈
4.61€
A Man And A Woman (Un Homme Et Une Femme)
A Man And A Woman (Un Homme Et Une Femme)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Herbie Mann And Tamiko Jones
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Timothy Stapay/Liberace
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A Man And A Woman
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1432400 By Herbie Mann And Tamiko Jones. By Frances Lai, Jerry Keller, and Pierre Barouh. Arranged by Timothy Stapay/Libe...
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Piano Solo - Level 4 - SKU: A0.1432400 By Herbie Mann And Tamiko Jones. By Frances Lai, Jerry Keller, and Pierre Barouh. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #1012890. Published by Timothy Stapay (A0.1432400). The song “A Man and a Woman” (Une Homme et une Femme) is a timeless classic that holds a special place in the hearts of music lovers worldwide. Written by Pierre Barouh and composed by Francis Lai, this beautiful and romantic composition was first introduced to the world in 1966 as part of the soundtrack for the French film of the same name. The song was featured in the films Ocean's Thirteen and in the Mad Men television series.This arrangement is written for piano solo in the style of famous pianist, Liberace.
$6.99 ≈
6.45€
Un Homme Et Une Femme
Un Homme Et Une Femme
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Piano Facile
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DÉBUTANT
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Frances Lai and Pierre Barouh
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MarieJu
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Un Homme Et Une Femme
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MarieJu
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SheetMusicPlus
Voice - Level 1 - Interactive Download SKU: A0.782925 Composed by Frances Lai and Pierre Barouh. Arranged by MarieJu. This edition: Interactive Download....
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Voice - Level 1 - Interactive Download SKU: A0.782925 Composed by Frances Lai and Pierre Barouh. Arranged by MarieJu. This edition: Interactive Download. Film/TV,Pop. Lead Sheet / Fake Book. 2 pages. Duration 132. MarieJu #64QjpNBUtgYMIXwl7JBIdS. Published by MarieJu (A0.782925). Key: G major.The soundtrack of the movie A Man and a Woman was written by Francis Lai and earned Best Original Score nominations at both the BAFTA Awards and Golden Globe Awards in 1967. The film's theme song, with music by Francis Lai and lyrics by Pierre Barouh, was also nominated for Best Original Song in a Motion Picture at the Golden Globe Awards.
$4.99 ≈
4.61€
The Unquiet Grave from American Death Ballads (Downloadable)
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50 ≈
3.23€
Lua Branca - by Chiquinha Gonzaga - For Piano
Lua Branca - by Chiquinha Gonzaga - For Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Idalmo Santos
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Idalmo Santos
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Lua Branca - by Chiquinha Gonz
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Idalmo Santos
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1083332 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultu...
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Piano Solo - Level 4 - SKU: A0.1083332 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultural,World. Score. 4 pages. Idalmo Santos #687534. Published by Idalmo Santos (A0.1083332). One of the most famous Brazilian songs and one of the best known compositions by Chiquinha Gonzaga, the modinha Lua branca has a history surrounded by mystery. It was written for the burleta Forrodobó, performed at Teatro São José in June 1912, as a modinha for the characters Sá Zeferina and Escandanhas, whose original verses maintain the caricature spirit of the play. In 1929, this romantic version appeared with the title Lua branca (White Moon), recorded by the singer Gastão Formenti, without the authorship of the verses and the new title being known to this day. Between the two versions, there was an arrangement on disc with the title Lua de fulgores by the singer R. Ricciardi, pseudonym of the paulista Paraguassu, but it was the version recorded by Gastão Formenti, accompanied on the piano by professor J. Otaviano, and the Irmãos Vitale edition with harmonization by the pianist that became famous. Chiquinha Gonzaga had to claim authorship of the modinha, denouncing plagiarism and obtaining victory through Sbat, an entity she founded. The original version was recorded as a comic scene by Pinto Filho and Maria Vidal, in 1930, with the title Sá Zeferina. Also the original melody with verses by Paulo César Pinheiro, entitled Serenata de uma mulher (A Woman's Serenade), was recorded by OlÃvia Hime in 1998. The version canonized as Lua branca has numerous phonograph records by singers and instrumentalists such as Paulo Tapajós, Paulo Fortes, Rosemary, Vânia Carvalho, Maria Bethânia, Verônica Sabino, Leila Pinheiro, Joana, Alessandra Maestrini, Antonio Adolfo, Eudóxia de Barros, Rosária Gatti, Marcus Vianna, Maria Teresa Madeira, and Leandro Braga.
$1.99 ≈
1.84€
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Francis Lai's A Man And A Woman
