Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Frank Lake
Non classifié
15
Piano & claviers
Piano, Voix
8
Piano seul
8
Piano Facile
6
Piano, Voix et Guitare
2
Instruments en Do
1
Guitares
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
2
Voix
Chorale 3 parties
3
Chorale SATB
3
Chorale TTBB
2
Chorale 2 parties
1
Vents
Flûte traversière et Piano
2
Saxophone Soprano et Piano
2
Flûte, Hautbois, Clarinette, Basson
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Tenor et Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Hautbois, Piano (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Ensemble de Clarinettes
1
+ 4 instrumentations
Retracter
Cuivres
Cor et Piano
1
Trompette, Euphonium (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3
Trio à Cordes: violon, alto, violoncelle
2
Violon
1
Alto, Violoncelle (duo)
1
Alto, Piano
1
Alto seul
1
Violon, Violoncelle (duo)
1
+ 2 instrumentations
Retracter
Percussions & orchestre
Ensemble de cuivres
1
Batterie
1
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
Artistes :
• Lake Street Dive
• Emerson, Lake & Palmer
• Ocean, Frank
PARTITIONS GRATUITES
185 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Frank Lake
Partitions à imprimer
82 partitions trouvées
<
1
26
51
76
Lake-Side Polka - for "Hungry Five" Polka Band
Lake-Side Polka - for "Hungry Five" Polka Band
#
Frank M
#
Aaron Hettinga
#
Lake-Side Polka - for "Hu
#
Aaron Hettinga
#
SheetMusicPlus
Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.782012 Composed by Frank M. Davis. Arranged by Aaron Hettinga. Folk,Multicultural,Trad...
(+)
Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.782012 Composed by Frank M. Davis. Arranged by Aaron Hettinga. Folk,Multicultural,Traditional,World. Score and parts. 9 pages. Aaron Hettinga #6056789. Published by Aaron Hettinga (A0.782012). Professor Frank Marion Davis (1839-1896) was an American educator, singer, and composer of both hymns and secular works. Among his secular works were a number of collections of polkas and waltzes written for solo piano. This series of works presents arrangements of a number of Davis’ compositions prepared for the instrumentation of Alford’s Hungry Five polka band books and serve as a fine addendum to those familiar pieces. While the clarinet parts tend to be the most active, they often feature diatonic scalar patterns. All parts should remain accessible to most intermediate-level players.Lake-Side Polka (originally published in 1874) has more participation in the Trumpet and Trombone parts than are found in much of the rest of this collection.This downloadable PDF package contains a full score and a set of folio-sized parts that are ready to go for your German Band's Oktoberfest gig!
$9.99 ≈
9.23€
6-Song Frank M. Davis Polka Collection - for “Hungry Five” Polka Band
6-Song Frank M. Davis Polka Collection - for “Hungry Five” Polka Band
#
Frank M
#
Aaron Hettinga
#
6-Song Frank M. Davis Polka Co
#
Aaron Hettinga
#
SheetMusicPlus
Clarinet,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1371643 Composed by Frank M. Davis. Arranged by Aaron Hettinga. 19th Century,Chamber,Classical,Folk,M...
(+)
Clarinet,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1371643 Composed by Frank M. Davis. Arranged by Aaron Hettinga. 19th Century,Chamber,Classical,Folk,Multicultural,World. 29 pages. Aaron Hettinga #955893. Published by Aaron Hettinga (A0.1371643). Professor Frank Marion Davis (1839-1896) was an American educator, singer, and composer of both hymns and secular works. Among his secular works were a number of collections of polkas and waltzes written for solo piano. This series of works presents arrangements of a number of Davis’ compositions prepared for the instrumentation of Alford’s “Hungry Five†polka band books and serve as a fine addendum to those familiar pieces. While the clarinet parts tend to be the most active, they often feature diatonic scalar patterns. All parts should remain accessible to most intermediate-level players. The “Blue Bird’s Call†Polka (originally published in 1876) contains onomatopoeic chirps in the clarinet parts that make for a light and fun addition to any program. “Good Enough†Polka (originally published in 1874) is an example of Davis’ standard composition form used throughout most of this collection. “Harvest Home†Waltz (originally published in 1873) adds a pleasant waltz to the collection. Its melody is first presented simply,then embellishments are added as the piece continues. Davis’ aptly-titled “Jolly Friend†Polka (originally published in 1874) is a jovial tune with a bouncy melody that moves the clarinetists nimbly around a bit! “Lake-Side†Polka (originally published in 1874) has more participation in the Trumpet and Trombone parts than are found in much of the rest of this collection. “Nimble Toe†Polka (originally published in 1874) passes the melodic and accompaniment elements around the ensemble for a bit of variety for the players. This downloadable PDF package contains a set of full scores and a set of folio-sized parts (2 songs per page) that are ready to go for your German band's Oktoberfest OomPah gig!Also available individually as linked above.
$34.99 ≈
32.33€
Chorus. Hail to the Chief (Lady of the Lake)
Chorus. Hail to the Chief (Lady of the Lake)
#
Piano, Voix
#
Mr
#
Chorus. Hail to the Chief
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.13999 Composed by Mr. Sanderson. Rulers, Heroes, Patriotism, Black Roderick. Lester S. Levy Collection. 3 pages. Published by ...
(+)
Piano and voice - SKU: LV.13999 Composed by Mr. Sanderson. Rulers, Heroes, Patriotism, Black Roderick. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13999). Chorus. Hail to the Chief (Lady of the Lake). Composed by Mr. Sanderson. [text] Written by Walter Scott, Esqr. Published [n.d.] by Firth & Hall, 1 Franklin Sqr. in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Rulers, Heroes, Patriotism, Black Roderick. First line reads Hail! Hail! Hail! to the Chief who in triumph advances.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.53€
Bless 'em All
Bless 'em All
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Contemporain
#
Frank Lake
#
Kevin P Holdgate
#
Bless 'em All
#
Kevin P Holdgate
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.790936 By Frank Lake. By Frank Lake and Jimmy Hughes. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 14...
(+)
Brass Ensemble - Level 3 - SKU: A0.790936 By Frank Lake. By Frank Lake and Jimmy Hughes. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 14 pages. Kevin P Holdgate #4320239. Published by Kevin P Holdgate (A0.790936). The Versatile Brass Sextet CollectionSuitable for players of all levels (Includes parts for Eb Horn, Trombone and Eb Bass in Treble Clef)Suitable as a light concert item, singalong, or as part of a Beer Keller Set Bless 'Em All, also known as The Long and the Short and the Tall is a war song that became popular during the 2nd World War.The words have been credited as being written by Fred Godfrey in 1917 to music composed by Robert Kewley. It was first recorded by George Formby, Jr. in 1940. The song has also been credited to Jimmy Hughes, Frank Lake and Al Stillman.
$12.99 ≈
12.00€
Bless 'em All
Bless 'em All
#
Piano, Voix et Guitare
#
FACILE
#
Frank Lake
#
F
#
Bless 'em All
#
Musicaliti Publishing
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1456916 By Frank Lake. By Frank Lake and Jimmy Hughes. Arranged by F. Turnbull. 20th Century,Historic,Patri...
(+)
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1456916 By Frank Lake. By Frank Lake and Jimmy Hughes. Arranged by F. Turnbull. 20th Century,Historic,Patriotic. Score. 1 pages. Musicaliti Publishing #1035999. Published by Musicaliti Publishing (A0.1456916). Arranged for easy guitar accompaniment for group sing-alongs.
$4.99 ≈
4.61€
Bless 'em All
Bless 'em All
#
Frank Lake
#
L Crane
#
Bless 'em All
#
L. Crane
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 1 - SKU: A0.939288 By Frank Lake. By Frank Lake and Jimmy Hughes. Arranged by L Crane. 20th Century,Contemporary,Film/TV,Patriotic,Traditional. Brass Band. 22 pages. L. Crane #4604109. Published by L. Crane (A0.939288). Arranged for a UK Youth brass/ training band, all parts in treble clef. Very easy. Great for 1940's events.
$24.99 ≈
23.09€
Somethin' Stupid
Somethin' Stupid
#
Chorale TTBB
#
FACILE
#
Frank Sinatra
#
Jay Althof
#
Somethin' Stupid
#
Lake Avenue Studios
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1319492 By Frank Sinatra. By C. Carson Parks. Arranged by Jay Althof. A Cappella,Barbershop,Pop. 6 pages....
(+)
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1319492 By Frank Sinatra. By C. Carson Parks. Arranged by Jay Althof. A Cappella,Barbershop,Pop. 6 pages. Lake Avenue Studios #908089. Published by Lake Avenue Studios (A0.1319492). A fun arrangement for TTBB of the classic Frank and Nancy Sinatra song.
$4.75 ≈
4.39€
Merry Christmas, Darling
Merry Christmas, Darling
#
Chorale TTBB
#
INTERMÉDIAIRE
#
The Carpenters
#
Jay Althof
#
Merry Christmas, Darling
#
Lake Avenue Studios
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.808868 By The Carpenters. By Frank Pooler and Richard Carpenter. Arranged by Jay Althof. A Cappella,Pop,Rock. Oc...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.808868 By The Carpenters. By Frank Pooler and Richard Carpenter. Arranged by Jay Althof. A Cappella,Pop,Rock. Octavo. 5 pages. Lake Avenue Studios #4313887. Published by Lake Avenue Studios (A0.808868). A beautiful 5 part a cappella arrangement of this classic song by the Carpenters. Female melody with 4 part male back up.
$4.75 ≈
4.39€
A Night In Tunisia
A Night In Tunisia
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Guitar,Piano - Level 3 - SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 ...
(+)
Guitar,Piano - Level 3 - SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99 ≈
8.31€
A Night In Tunisia
A Night In Tunisia
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli...
(+)
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99 ≈
8.31€
A Night In Tunisia
A Night In Tunisia
#
Cor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part...
(+)
French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99 ≈
8.31€
A Night In Tunisia
A Night In Tunisia
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...
(+)
Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99 ≈
8.31€
A Night In Tunisia
A Night In Tunisia
#
Trompette, Euphonium (duo)
#
INTERMÉDIAIRE
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Euphonium,Instrumental Duet,Trombone - Level 3 - SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. J...
(+)
Euphonium,Instrumental Duet,Trombone - Level 3 - SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5899355. Published by Keith Terrett (A0.747026). A great sounding arrangement of A Night in Tunisia arranged for Baritone, Euphonium, Trombone (BC) & Piano, low brass players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99 ≈
8.31€
A Night In Tunisia
A Night In Tunisia
#
Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score an...
(+)
Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99 ≈
8.31€
A Night In Tunisia
A Night In Tunisia
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and ...
(+)
Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5898999. Published by Keith Terrett (A0.747020). A great sounding arrangement of A Night in Tunisia arranged for Bb Tenor Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99 ≈
8.31€
A Night In Tunisia
A Night In Tunisia
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pa...
(+)
Oboe,Piano - Level 3 - SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899715. Published by Keith Terrett (A0.747028). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Oboists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99 ≈
8.31€
A Night In Tunisia
A Night In Tunisia
#
Alto, Piano
#
INTERMÉDIAIRE
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...
(+)
Piano,Viola - Level 3 - SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99 ≈
8.31€
A Night In Tunisia
A Night In Tunisia
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arra...
(+)
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5820835. Published by Keith Terrett (A0.746989). A great sounding arrangement of A Night in Tunisia, your String Orchestra will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99 ≈
13.85€
A Night In Tunisia
A Night In Tunisia
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz....
(+)
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99 ≈
13.85€
A Night In Tunisia
A Night In Tunisia
#
Quintette de Clarinettes: 5 clarinettes
#
INTERMÉDIAIRE
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Ter...
(+)
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827845. Published by Keith Terrett (A0.746990). A great sounding arrangement of A Night in Tunisia, your Clarinet Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99 ≈
13.85€
Fear Is Not My Future
Fear Is Not My Future
#
Instruments en Do
#
FACILE
#
Musique Sacrée
#
Brandon Lake
#
Jhonata Lino
#
Fear Is Not My Future
#
Jhonata Lino
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1189909 By Brandon Lake. By Brandon Lake, Hannah Shackelford, Jonathan Jay, and Nicole Hannel. Arranged by Jhonata Lino...
(+)
C Instrument - Level 2 - SKU: A0.1189909 By Brandon Lake. By Brandon Lake, Hannah Shackelford, Jonathan Jay, and Nicole Hannel. Arranged by Jhonata Lino. Praise & Worship,Religious,Sacred,Spiritual,Wedding. Lead Sheet / Fake Book. 4 pages. Jhonata Lino #789514. Published by Jhonata Lino (A0.1189909). Em 17 de junho de 2015, nove homens e mulheres afro-americanos perderam a vida em um único ato de ódio durante um estudo bÃblico semanal na Madre Emanuel AMEC em Charleston, SC. Sete anos após a tragédia, Fear Is Not My Future foi gravado em abril de 2022 para comemorar e honrar as vidas perdidas durante o tiroteio de Charleston. Este cântico é uma declaração de esperança em meio à s nossas provações e tribulações. O coração por trás deste projeto é não apenas expandir a ideia de como é o Reino de Deus, mas também compartilhar e espalhar música e uma mensagem que explora um amor inspirador e não filtrado por todas as pessoas. Fear is Not My Future foi escrito por Brandon Lake, Jonathan Jay, Hannah Shackleford e Nicole Hannel. É do álbum de colaboração da Maverick City Music com Kirk Franklin intitulado Kingdom Book One
$5.99 ≈
5.53€
Roots of Tradition, Wings to Fly
Roots of Tradition, Wings to Fly
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Glenda E
#
Roots of Tradition, Wings to F
#
Glenda E. Franklin Publications
#
SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.956414 Composed by Glenda E. Franklin. Contemporary. Octavo. 12 pages. Glenda E. Franklin Publications #6269587. ...
(+)
Choral Choir (SSA) - Level 3 - SKU: A0.956414 Composed by Glenda E. Franklin. Contemporary. Octavo. 12 pages. Glenda E. Franklin Publications #6269587. Published by Glenda E. Franklin Publications (A0.956414). Written for the Alpha Delta Kappa International Convention in Salt Lake City, Utah in July, 2015, this poignant selection expresses how teachers (and parents) instill roots of tradition as strong as an oak and wings like an eagle to soar up high through the love they have for their students and children.
$2.00 ≈
1.85€
This is My Father's World
This is My Father's World
#
Piano seul
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Stephen R Dalrymple
#
This is My Father's World
#
Stephen R Dalrymple
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.818215 By Stephen R Dalrymple. By Malthie Babcock & Franklin Sheppard. Arranged by Stephen R Dalrymple (Dalrymple Designs...
(+)
Piano Solo - Level 3 - SKU: A0.818215 By Stephen R Dalrymple. By Malthie Babcock & Franklin Sheppard. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score. 13 pages. Stephen R Dalrymple #3070593. Published by Stephen R Dalrymple (A0.818215). This is My Father’s World♫ piano solo arrangement by Stephen R Dalrymple♫ lyrics by Malthie Babcock with a traditional English melody adapted by Franklin Sheppard♫ Malthie Davenport Babcock, a pastor in upstate New York, was an athletic man who loved to walk near Lake Ontario and the Niagara Escarpment. He often told his wife that he was “going out to see the Father’s world.†This phrase prompted the title for one of his original poems. His wife published his poems after his death in 1901 (age 42.) ♫ In 1915 Franklin Shepherd, his friend, adapted Babcock’s poem and an English folk tune to create the hymn. Shepherd named the melody TERRA BEATA (Blessed Earth). ♫ The original folk tune appears in the opening notes of the Shire Theme by Howard Shore in the Lord of the Rings Film Series.♫ The last stanza used in this video is seldom found in hymnbooks. But there is a delightful idea here that since Jesus Christ was incarnated on the earth, the entire earth is holy ground.♫ music © 2017 (copyright registered in 'I See your Glory’ collection)♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2023 Stephen R Dalrymple ♫ performed by the composer♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$4.50 ≈
4.16€
Folk Songs For Classical Guitar - Volume 19 (Songs 487-513)
Folk Songs For Classical Guitar - Volume 19 (Songs 487-513)
#
Traditional/Anonymous
#
Socrates Arvanitakis
#
Folk Songs For Classical Guita
#
Socrates Arvanitakis
#
SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1156207 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
(+)
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1156207 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 41 pages. Socrates Arvanitakis #756521. Published by Socrates Arvanitakis (A0.1156207). This is the nineteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 19 (Songs 487-513)Jovial Young Sailor (the)Joy of SpringtimeJoys of MaryJoys of Mary (the nine)Juda’s LandJust as the Tide was FlowingKeach i’ the Creel (the)Keel Row (the)Keeper (the)Kelvin GroveKeys of CanterburyKing and the TinkerKing Herod and the CockKing PharimKingston Volunteers (the)Kitty of ColeraineKnife in the Window (the)Knight and the Shepherd’s Daughter (the)La PiqueLady Franklin's Lament (Lord Franklin)Lady Maisrey 1Lady Maisrey 2Lady Maisrey 3Lady Maisrey 4Lake of ColphinLambkin.
$25.00 ≈
23.10€
This Is My Father's World guitar and voice
This Is My Father's World guitar and voice
#
Guitare notes et tablatures
#
FACILE
#
Franklin Sheppard, Maltbie Bab
#
PianoSheetNow
#
This Is My Father's World guit
#
PianoSheetNow
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.556969 Composed by Franklin Sheppard, Maltbie Babcock. Arranged by PianoSheetNow. 20th Century,Contemporary,Praise & Worship,...
(+)
Guitar - Level 2 - SKU: A0.556969 Composed by Franklin Sheppard, Maltbie Babcock. Arranged by PianoSheetNow. 20th Century,Contemporary,Praise & Worship,Romantic Period. Guitar Tab. 3 pages. PianoSheetNow #6270017. Published by PianoSheetNow (A0.556969). This is My Father's World is a Christian hymn written by Maltbie Davenport Babcock.. When Rev. Babcock lived in Lockport, New York, he took frequent walks along the Niagara Escarpment to enjoy the overlook's panoramic vista of upstate New York scenery and Lake Ontario, telling his wife Katherine he was going out to see the Father's world. He died in 1901 at age 42. Shortly after his death Katherine published a compilation of Babcock's writings entitled Thoughts for Every-Day Living that contained the poem My Father's World. The poem was set to music in 1915 by Franklin L. Sheppard, a close friend of Babcock. The tune name, Terra Beata, means Blessed Earth in Latin.Guitar and voice (Guitar classical or acoustic). Easy.With standard guitar notation and tablature (TAB). With melody line. With Guitar chords.With downloadable mp3 for audio help or sing along.
$2.99 ≈
2.76€
<
1
26
51
76
Frank Lake
