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From Major to Minor · Clarinet and Band
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Vous avez sélectionné:
From Major to Minor · Clarinet and Band
Partitions à imprimer
31 partitions trouvées
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From Major to Minor · Clarinet and Band
From Major to Minor · Clarinet and Band
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Ensemble Jazz
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FACILE
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Jazz
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Martin Stolz
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From Major to Minor · C
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Martin Stolz
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.806085 Composed by Martin Stolz. Jazz. Score and parts. 8 pages. Martin Stolz #4317613. Published by Mar...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.806085 Composed by Martin Stolz. Jazz. Score and parts. 8 pages. Martin Stolz #4317613. Published by Martin Stolz (A0.806085). From Major to Minor(Jazz Exercise 4 · Jazz Studies Series for clarinet) arranged for clarinet and band including listening sample for clarinet.Jazz exercise in concert Bb · Grade 2-3.https://martinstolz1.selz.com/de/item/major-to-minor-clarinet-band
$4.99 ≈
$6.73
Abraham Lincoln Funeral March for Concert Band
Abraham Lincoln Funeral March for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John Gross Barnard Orchestrate
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John Gross Barnard
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Jari A
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Abraham Lincoln Funeral March
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JV MUSIC
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.722753 Composed by John Gross Barnard. Arranged by Jari A. Villanueva. Contemporary,Folk,Romantic Period,Spiritual. Sco...
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Concert Band - Level 4 - SKU: A0.722753 Composed by John Gross Barnard. Arranged by Jari A. Villanueva. Contemporary,Folk,Romantic Period,Spiritual. Score and parts. 56 pages. JV MUSIC #3423151. Published by JV MUSIC (A0.722753). Abraham Lincoln Funeral March for Concert BandBy John Gross Barnard Orchestrated by Jari Villanueva This funeral march written by John Gross Barnard was performed by the United States Marine Band during the funeral procession from the Executive Mansion to the Capitol for Abraham Lincoln on April 19, 1865. The march is titled: Funeral March in Memory of the Abraham Lincoln: Played at the Obsequies of the President of the United States by the US Marine Band. The funeral march follows the standard format of dirges of the time (most notable are Webster’s Funeral March, Chopin’s Funeral March and March in Saul by Handel) written in minor keys (considered somber) and divided into eight measure phrases which makes it easy for the funeral cadence to be played underneath. This funeral march, like most written during this time, has a transition to a major key (happier sounding). This march goes to the relative major (D minor to D major) key. Since no parts are extant from the US Band, I was asked to score the march for a modern symphonic band. I hoped to capture the somber drum beat and employed a chime to replicate the bells that tolled along the funeral route.Full Score Piccolo Flutes 1-2 Oboes 1-2 Bassoon 1-2 Eb Clarinet3 Bb ClarinetsAlto ClarinetBass ClarinetAlto Saxophone 1-2Tenor SaxophoneBaritone Saxophone 3 Cornets 2 Trumpets 4 Horns in F3 TrombonesEuphonium (Baritone TC)TubaString BassTimpaniPercussionChimesA retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.https://youtu.be/lTPBn6AkXZw
$65.00 ≈
$87.72
Intermediate Music for Four, Volume 1 Part 2 Clarinet or Trumpet in Bb 72123DD
Intermediate Music for Four, Volume 1 Part 2 Clarinet or Trumpet in Bb 72123DD
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Various
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529976 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Folk,Romantic Period,Sta...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529976 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Folk,Romantic Period,Standards. 42 pages. Last Resort Music Publishing #28467. Published by Last Resort Music Publishing (A0.529976). This is the second part in the Intermediate Music for Four, Volume 1 Series. Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately. Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Other parts available: Part 1 Flute or Oboe or Violin Part 1 Clarinet or Soprano Sax in Bb Part 1 Alto Sax in Eb Part 2 Flute or Oboe or Violin Part 2 Clarinet or Trumpet in Bb Part 2 Alto Sax in Eb Part 3 Violin in C Part 3 Viola Part 3 Clarinet or Trumpet in Bb Part 3 Tenor Sax in Bb Part 3 French Horn in F Part 4 Cello or Bassoon Part 4 Bass Clarinet in Bb Part 4 Baritone Sax in Eb Keyboard or Guitar Score (Parts 1-4 in C) Table of Contents Turkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Nore Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel).
$18.50 ≈
$24.97
Intermediate Music for Four, Volume 1 Part 3 for Clarinet or Trumpet in Bb - #72133
Intermediate Music for Four, Volume 1 Part 3 for Clarinet or Trumpet in Bb - #72133
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Various
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.530438 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Standard...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.530438 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Standards. 45 pages. Last Resort Music Publishing #3602199. Published by Last Resort Music Publishing (A0.530438). Intermediate Music for Four, Volume 1 Part 3 for Clarinet or Trumpet in Bb - #72133Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately.Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of ContentsTurkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer  Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel)
$18.50 ≈
$24.97
Themes from the Beach E flat Clarinet
Themes from the Beach E flat Clarinet
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Orchestre d'harmonie
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Contemporain
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Peter Westin
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Themes from the Beach E flat C
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Peter's Publishing House
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SheetMusicPlus
Concert Band - SKU: A0.1011719 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449459. Published by Peter's...
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Concert Band - SKU: A0.1011719 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449459. Published by Peter's Publishing House (A0.1011719). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for Clarinet in E flat (Score Sold Separately) which is 5 pages long and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will require separate purchases.
$3.99 ≈
$5.38
70 Easy Classical Pieces For Clarinet and Piano
70 Easy Classical Pieces For Clarinet and Piano
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Clarinette et Piano
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Classique
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Various
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70 Easy Classical Pieces For C
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Eugene Egorov
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SheetMusicPlus
Composed by Various. Arranged by Eugene Egorov. Romantic Period, Classical Period, Baroque Period. 101 pages. Published by Eugene Egorov...
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Composed by Various. Arranged by Eugene Egorov. Romantic Period, Classical Period, Baroque Period. 101 pages. Published by Eugene Egorov
1. Pomp and Circumstance Edward Elgar
2. Andante (Surprise Symphony) Franz Joseph Haydn
3. Arioso Daniel Gottlob Turk
4. Lullaby Johannes Brahms
5. Melody Robert Schumann
6. Sarabande George Frideric Handel
7. Silent Night Franz Xaver Gruber
8. A Little Piece Robert Schumann
9. Carnival Of Venice Julius Benedict
10. La Donna E Mobile Giuseppe Verdi
11. Largo (The New World) Antonin Dvorak
12. Old French Song Peter Ilyich Tchaikovsky
13. Waltz (Sleeping Beauty) Peter Ilyich Tchaikovsky
14. We Wish You A Merry Christmas EnglishFolk Song
15. Air Henry Purcell
16. Ode To Joy LudwigVan Beethoven
17. Italian Polka SergeiRachmaninoff
18. Minuet (In F Major) Wolfgang Amadeus Mozart
19. Solveig`s Song EdvardGrieg
20. Sonatina (In C Major) Muzio Clementi
21. Waltz DmitriKabalevsky
22. Alouette FrenchFolk Song
23. Gaudeamus Igitur Johannes Brahms
24. Green Sleeves English Folk Song
25. Hongroise Adolphe-Charles Adam
26. Minuet (In F Major) Franz Joseph Haydn
27. Serenade (Eine Kleine Nachtmusik) Wolfgang Amadeus Mozart
28. Soldier\'s March Robert Schumann
29. Arietta MuzioClementi
30. Emperor Waltz JohannStrauss Jr.
31. Grand March (Aida) Giuseppe Verdi
32. Happy Birthday To You Patty and Mildred J. Hill
33. Minuet (In D Minor) Johann Sebastian Bach
34. Santa Lucia Italian Folk Song
35. The Emperor\'s Hymn Franz Joseph Haydn
36. La Paloma Sebastian Yradier
37. Dance Of The Hours Amilcare Ponchielli
38. Fur Elise Ludwig Van Beethoven
39. Humoresque Antonin Dvorak
40. Minuet (In G Major) Johann Sebastian Bach
41. Toreador Song Georges Bizet
42. Turkish March Wolfgang Amadeus Mozart
43. Ave Maria FranzSchubert
44. Barcarolle Jacques Offenbach
45. In The Hall Of The Mountain King Edvard Grieg
46. Melody In FAnton Rubinstein
47. None But The Lonely Heart Peter Ilyich Tchaikovsky
48. Polovtsian Dance Alexander Borodin
49. Spanish Romance
50. Liebestraum (Dream Of Love) Franz Liszt
51. Arioso George Frideric Handel
52. O Mio Babbino Caro Giacomo Puccini
53. O Sole Mio Eduardo Di Capua
54. To A Wild Rose EdwardMacDowell
55. Sobre Las Olas (Over The Waves) JuventinoRosas
56. Waltz (Op. 39 No. 15) Johannes Brahms
57. Blue Danube Waltz Johann Strauss Jr.
58. Bridal Chorus (Wedding March) Richard Wagner
59. Gavotte Jean-Baptiste Lully
60. Die Forelle FranzSchubert
61. Pavane Gabriel Faure
62. The Skaters Waltz Emile Waldteufel
63. Wedding March FelixBartholdy Mendelssohn
64. Adagio (In G Minor) Tomaso Giovanni Albinoni
65. Can Can Jacques Offenbach
66. Habanera GeorgesBizet
67. Passacaglia Handel-Halvorsen
68. Radetzky March JohannStrauss Sr.
69. Serenade FranzSchubert
70. Theme From Symphony No.40 Wolfgang Amadeus Mozart
$29.95 ≈
$40.42
Anthem of Liberty: (wp) E-flat Alto Clarinet
Anthem of Liberty: (wp) E-flat Alto Clarinet
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Orchestre d'harmonie
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Methodes
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Steve Hodges
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Anthem of Liberty:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001402_WPAC1 (wp) E-flat Alto Clarinet. Arranged by Steve Hodges. Instructional. World Part. 1 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0001402_WPAC1 (wp) E-flat Alto Clarinet. Arranged by Steve Hodges. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001402_wpAC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001402_WPAC1). UPC: 038081322933.Anthem of Liberty is introduced with a warm major-key chorale presented by the woodwinds and then again by the brass. This leads to an intense second presentation in the relative minor, featuring exciting rhythmic motives passed from section to section. Following a dynamic transition, the initial chorale is again presented in a majestic manner over the driving double-time percussion and is complemented with active woodwind countermelodies. From the sensitive introduction to the stirring conclusion, this piece provides many expressive opportunities for the young musicians. (2:40)Concert/Contest.
$3.00 ≈
$4.05
Anthem of Liberty: (wp) E-flat Contrabass Clarinet
Anthem of Liberty: (wp) E-flat Contrabass Clarinet
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Orchestre d'harmonie
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Methodes
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Steve Hodges
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Anthem of Liberty:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001402_WPECBC (wp) E-flat Contrabass Clarinet. Arranged by Steve Hodges. Instructional. World Part. 1 pages. Alfred...
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Concert Band - SKU: AX.00-PC-0001402_WPECBC (wp) E-flat Contrabass Clarinet. Arranged by Steve Hodges. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001402_wpECBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001402_WPECBC). UPC: 038081322933.Anthem of Liberty is introduced with a warm major-key chorale presented by the woodwinds and then again by the brass. This leads to an intense second presentation in the relative minor, featuring exciting rhythmic motives passed from section to section. Following a dynamic transition, the initial chorale is again presented in a majestic manner over the driving double-time percussion and is complemented with active woodwind countermelodies. From the sensitive introduction to the stirring conclusion, this piece provides many expressive opportunities for the young musicians. (2:40)Concert/Contest.
$3.00 ≈
$4.05
Anthem of Liberty: (wp) B-flat Contrabass Clarinet
Anthem of Liberty: (wp) B-flat Contrabass Clarinet
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Orchestre d'harmonie
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Methodes
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Steve Hodges
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Anthem of Liberty:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001402_WPBCBC (wp) B-flat Contrabass Clarinet. Arranged by Steve Hodges. Instructional. World Part. 1 pages. Alfred...
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Concert Band - SKU: AX.00-PC-0001402_WPBCBC (wp) B-flat Contrabass Clarinet. Arranged by Steve Hodges. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001402_wpBCBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001402_WPBCBC). UPC: 038081322933.Anthem of Liberty is introduced with a warm major-key chorale presented by the woodwinds and then again by the brass. This leads to an intense second presentation in the relative minor, featuring exciting rhythmic motives passed from section to section. Following a dynamic transition, the initial chorale is again presented in a majestic manner over the driving double-time percussion and is complemented with active woodwind countermelodies. From the sensitive introduction to the stirring conclusion, this piece provides many expressive opportunities for the young musicians. (2:40)Concert/Contest.
$3.00 ≈
$4.05
Rumba Latina: 1st B-flat Clarinet
Rumba Latina: 1st B-flat Clarinet
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Clarinette (partie séparée)
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Methodes
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Victor Lopez
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Rumba Latina: 1st B-flat Clari
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0015718_C1 1st B-flat Clarinet. Composed by Victor Lopez. Instructional. Part. 2 pages. Alfred Music - Digital Shee...
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Jazz Ensemble - SKU: AX.00-PC-0015718_C1 1st B-flat Clarinet. Composed by Victor Lopez. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015718_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015718_C1). UPC: 038081335353.The rumba style evolved from Cuban dance music. This easy Latin chart has a unison intro, then the melody varies from minor to major to offer a very interesting contrast. The solo section is for all winds for flexibility and the 1st trumpet range is only to written D, fourth line. This chart is effective, easy to assemble and playable with reduced instrumentation. (4:14) This title is available in SmartMusic.
$3.00 ≈
$4.05
Rumba Latina: 2nd B-flat Clarinet
Rumba Latina: 2nd B-flat Clarinet
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Clarinette (partie séparée)
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Methodes
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Victor Lopez
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Rumba Latina: 2nd B-flat Clari
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0015718_C2 2nd B-flat Clarinet. Composed by Victor Lopez. Instructional. Part. 2 pages. Alfred Music - Digital Shee...
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Jazz Ensemble - SKU: AX.00-PC-0015718_C2 2nd B-flat Clarinet. Composed by Victor Lopez. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015718_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015718_C2). UPC: 038081335353.The rumba style evolved from Cuban dance music. This easy Latin chart has a unison intro, then the melody varies from minor to major to offer a very interesting contrast. The solo section is for all winds for flexibility and the 1st trumpet range is only to written D, fourth line. This chart is effective, easy to assemble and playable with reduced instrumentation. (4:14) This title is available in SmartMusic.
$3.00 ≈
$4.05
Duet in D-Flat Major (Alternate Version)
Duet in D-Flat Major (Alternate Version)
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Classique
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Ian Deterling
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9/16
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Duet in D-Flat Major
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Ian Deterling
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SheetMusicPlus
Instrumental Duet - Level 5 - SKU: A0.1365910 Composed by Ian Deterling. Classical. 172 pages. Ian Deterling #950261. Published by Ian Deterling (A0.136...
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Instrumental Duet - Level 5 - SKU: A0.1365910 Composed by Ian Deterling. Classical. 172 pages. Ian Deterling #950261. Published by Ian Deterling (A0.1365910). Note: The original version of Duet in D-Flat Major made use of relatively uncommon time signatures (6/16; 9/16; 12/16). This 'Alternate Version' has rewritten the piece into more familiar time signatures (6/8; 9/8; 12/8). Duet in D-Flat Major was written in what could perhaps be best described as a burst of inspiration. After a couple of days of casually juggling some motifs around in my mind, clicked and I woke up with a musical idea that I scrambled to write down as quickly as possible. I spent the majority of that day developing these ideas, and this became what is now the third movement. Some of the ‘leftover ideas’ that didn’t make it into the finale were used as seeds for the second movement - in particular, the motifs at measure 9 and from 70-80. The opening movement ended up being the last one written and begins with a noble and/or heroic fanfare in 6/16. The second movement cautiously meanders through unexpected harmonies, much like someone nervously exploring unfamiliar places. The finale is another fanfare, but has some mischievous fun after turning a few harmonic corners in minor. My goal with this duet was to create a musical universe that has the grandeur of an orchestra with just two voices.  I’ve adapted this duet for a variety of instruments. The score reads as a small flex-band ensemble, but this piece is intended to be performed by just two musicians.Instruments:Part 1 - Clarinet in Bb - Alto Clarinet - Bass Clarinet - Alto Saxophone - Tenor Saxophone in Bb - Baritone Saxophone - Trumpet in Bb - Horn in F - Alto TrombonePart 2 - Bass Clarinet - Bassoon - Baritone Saxophone - Trombone - Bass Trombone - Euphonium (BC and TC) - Tuba.
$20.00 ≈
$26.99
JOURNEY OF THE MAGI ("We Three Kings") - young concert band, easy - score, parts & license to copy)
JOURNEY OF THE MAGI ("We Three Kings") - young concert band, easy - score, parts & license to copy)
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Orchestre d'harmonie
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DÉBUTANT
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Traditional
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Brian Harris
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Clarinets remain below break
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JOURNEY OF THE MAGI
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HMS Music
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1431754 Composed by Traditional. Arranged by Brian Harris. Christmas,Holiday,Instructional,Sacred,Traditional. 34 pages...
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Concert Band - Level 1 - SKU: A0.1431754 Composed by Traditional. Arranged by Brian Harris. Christmas,Holiday,Instructional,Sacred,Traditional. 34 pages. HMS Music #1012229. Published by HMS Music (A0.1431754). _______________________JOURNEY OF THE MAGI is a tasteful, restrained, and plaintive arrangement of We Three Kings in A-A-B form. Simple harmonization, limited ranges, and basic rhythms ensure success and enjoyment for both the musicians and the audience.The work creates a musical picture of a slow-moving camel caravan crossing a desert. This is a work you will continue to use for years to come. And with the license to copy all the parts you ever need, you can let the students keep their parts as souvenirs and just print new ones the next time!LEVEL: Appropriate for 2nd-/3rd-year players or advanced beginners. (BcP-YB) PROGRAMMING:Winter/Christmas concertModerately slow tempo provides nice contrast with faster works. FEATURES:Melody distributed through all wind parts.Simple but effective percussion parts.Programmatic nature of the work allows students to begin learning expressiveness. CHALLENGES:Dynamics (long crescendo and decrescendo challenges young players to support the tone and intonation)Legato playingBalanceSolos (Two solos, each consisting of 2 quarter-notes, are optionally doubled with other instruments)Multi-percussion playing KEY and RANGES: C minor and E-flat majorStandard 1st-year ranges: Flute to B-flat above staff; Clarinets remain below break; Trumpet to third-space C; Horn from 2nd-line G to low G; Trombone to B-flat on top of staff; Tuba to C below staff. Clarinet is divided into separate 1st and 2nd parts; all others (except percussion) are undivided. MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, Clarinet, Trumpet, Bass Line*, and 3 Percussion (easy rhythms) *At least one of the following: Bassoon, Bass Clarinet, Horn, Trombone, Baritone, or Tuba PERCUSSION: Utilizes three separate multi-percussion set-ups:Percussion 1 = Bells, Finger Cymbals, Tom-tomPercussion 2 = Tambourine, Suspended Cymbal 1, Bass DrumPercussion 3 = Triangle, Suspended Cymbal 2, Bass Drum (can share same bass drum with Perc. 2). These percussion parts are simple, using only quarter-, half-, and dotted-half notes (slow eighth-notes in the Tambourine), and provide the rhythmic ostinato upon which the work progresses. The parts can easily be divided to provide playing opportunities for up to 8 percussionists. Or use three sets of finger cymbals (sounds even better) and accommodate up to 10 players!- - - - - - - - - - - - - - - -COMPOSER/ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a public school and college band director for over 30 years. ___________________________Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________
$31.99 ≈
$43.17
Duet in D-Flat Major (flexible instrumentation)
Duet in D-Flat Major (flexible instrumentation)
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Contemporain
#
Ian Deterling
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Duet in D-Flat Major
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Ian Deterling
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SheetMusicPlus
Instrumental Duet - Level 5 - SKU: A0.742998 Composed by Ian Deterling. Contemporary. 226 pages. Ian Deterling #6255511. Published by Ian Deterling (A0....
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Instrumental Duet - Level 5 - SKU: A0.742998 Composed by Ian Deterling. Contemporary. 226 pages. Ian Deterling #6255511. Published by Ian Deterling (A0.742998). Duet in D-Flat Major was written in what could perhaps be best described as a burst of inspiration. After a couple of days of casually juggling some motifs around in my mind, clicked and I woke up with a musical idea that I scrambled to write down as quickly as possible. I spent the majority of that day developing these ideas, and this became what is now the third movement. Some of the ‘leftover ideas’ that didn’t make it into the finale were used as seeds for the second movement - in particular, the motifs at measure 9 and from 70-80. The opening movement ended up being the last one written and begins with a noble and/or heroic fanfare in 6/16. The second movement cautiously meanders through unexpected harmonies, much like someone nervously exploring unfamiliar places. The finale is another fanfare, but has some mischievous fun after turning a few harmonic corners in minor. My goal with this duet was to create a musical universe that has the grandeur of an orchestra with just two voices.  I’ve adapted this duet for a variety of instruments. The score reads as a small flex-band ensemble, but this piece is intended to be performed by just two musicians. Instruments:Part 1 - Clarinet in Bb - Alto Clarinet - Bass Clarinet - Alto Saxophone - Tenor Saxophone in Bb - Baritone Saxophone - Trumpet in Bb - Horn in F - Alto TrombonePart 2 - Bassoon - Baritone Saxophone - Trombone - Bass Trombone - Euphonium (BC and TC) - Tuba
$20.00 ≈
$26.99
Themes from the Beach Bass Clarinet in B flat
Themes from the Beach Bass Clarinet in B flat
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Peter Westin
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Themes from the Beach Bass Cla
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011723 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449467. Published ...
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Concert Band - Level 4 - SKU: A0.1011723 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449467. Published by Peter's Publishing House (A0.1011723). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for Bass Clarinet in B flat (Score Sold Separately) which is 6 pages long and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will require separate purchases.
$3.99 ≈
$5.38
Themes from the Beach 1st Clarinet in B flat
Themes from the Beach 1st Clarinet in B flat
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Orchestre d'harmonie
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Contemporain
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Peter Westin
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Themes from the Beach 1st Clar
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Peter's Publishing House
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SheetMusicPlus
Concert Band - SKU: A0.1011720 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449461. Published by Peter's...
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Concert Band - SKU: A0.1011720 Composed by Peter Westin. Contemporary. Score and parts. 6 pages. Peter's Publishing House #3449461. Published by Peter's Publishing House (A0.1011720). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for 1st Clarinet in B flat (Score Sold Separately) which is 6 pages long and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will need separate purchases.
$3.99 ≈
$5.38
God Rest Ye Merry, Gentlemen (Cornish folk tune) — SATB voices, clarinet, piano
God Rest Ye Merry, Gentlemen (Cornish folk tune) — SATB voices, clarinet, piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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the 19th century, the carol wa
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Cornish folk tune
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Todd Marchand
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God Rest Ye Merry, Gentlemen
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 1...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 10 pages. Con Spirito Music #911489. Published by Con Spirito Music (A0.1323225). “God Rest Ye Merry, Gentlemen†is an English traditional carol dating, perhaps, to the 16th or 17th century. A manuscript, ca. 1650, contains a version with the first line, “Sit you merry gentlemen†and the refrain, “O tidings of comfort and joy.†The earliest known printed edition of the carol is a London broadsheet dated 1760, in which the first line is the familiar “God rest ye merry, gentlemen.†By the 19th century, the carol was well-known, with Charles Dickens referencing it in his 1843 novella, A Christmas Carol.The phrase “God rest you merry†in the first line is an archaic idiom meaning “God grant you peace and happiness.†William Shakespeare used the phrase “rest you merry†in his plays, “As You Like It†and “Romeo and Juliet,†both from the 1590s; but Dickens recorded the phrase as “God bless you, merry gentlemen†in A Christmas Carol.The tune adapted for use in this arrangement was at the time of its notation a wordless, nameless melody noted in 1905 by folk song collector E. Quintrell from the singing of a Mr. Boaden in Cornwall, England. The tune was sent to Lucy Broadwood, editor of the Journal of the Folk-Song Society, who decided that it fit the ballad, “The Maid in Bedlam,†and published the tune and text together. Gustav Holst later arranged the tune as Song without Words ‘I'll Love My Love’†in his Second Suite in F for Military Band, Op. 28, No. 2 (1911) and again as “I Love My Love†in his 6 Choral Folksongs, Op. 36 (1916). Set in F minor (Dorian), the tune brings a contemplative tone to the text, with the high point of the refrain being the subdominant Bb major chord on the word “joy.†The rich, dark timbre of solo clarinet (part included) on introduction, interludes, and ending adds to this tone. SATB voices (with some divisi on soprano and tenor), piano, Bb clarinet©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00 ≈
$2.70
Habanera from CARMEN (Flexible Instrumentation)
Habanera from CARMEN (Flexible Instrumentation)
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Orchestre d'harmonie
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Opera
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Georges Bizet
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Ian Deterling
#
Habanera from CARMEN
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Ian A. Deterling
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SheetMusicPlus
Composed by Georges Bizet (1838-1875). Arranged by Ian Deterling. Romantic Period, Movies, TV. Score, Set of Parts. 78 pages. Published by Ian A. Dete...
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Composed by Georges Bizet (1838-1875). Arranged by Ian Deterling. Romantic Period, Movies, TV. Score, Set of Parts. 78 pages. Published by Ian A. Deterling
Habanera (L?amour set un oiseau rebelle) is an aria from Georges Bizet?s 1875 opra comique Carmen. Bizet, a French composer (1838-1875), took the now famous melody from what he believed to be a folk song. The melody was actually written by Sebastin Iradier (1809-1865), a Spanish musicians and composer. Carmen was first performed in Paris in 1875 - shortly before Bizet?s death. Sadly, he was unaware that his work would quickly achieve international acclaim.
Habanera begins in minor and changes to major in measure 20 (from Dm to D Major in the original; from Cm to C Major in this arrangement). Although the melody was borrowed, Bizet?s harmonic style, with the addition of the habanera rhythm, has made this aria incredibly popular and instantly recognizable to many.
This adaptation is arranged into five parts plus percussion:
Part 1
Flute, Oboe, Clarinet, Trumpet, Violin
Part 2
Clarinet, Trumpet, Alto Sax., Violin
Part 3
Tenor Sax., Clarinet, Alto Sax., Horn, Viola
Part 4
Tenor Sax., Euphonium (T.C.), Horn, Trombone, Euphonium, Bassoon, Cello
Part 5
Euphonium (T.C.), Bass Clarinet, Bari Sax., Trombone, Euphonium, Bassoon, Cello, Contrabass, Tuba
Percussion:
Bass Drum
Tambourine
Triangle
Mallet Percussion
Timpani (2 drums)
All instrument ranges stay within Grade 3 literature.
Score and set of parts - 65 pages.
Note - this arrangement has been transposed from the keys of D Minor and D Major to C Minor and C Major.
$55.00 ≈
$74.22
Hack Attack: 1st B-flat Clarinet
Hack Attack: 1st B-flat Clarinet
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Orchestre d'harmonie
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Methodes
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Victor López
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Festival.
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Hack Attack: 1st B-flat Clarin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015822_C1 1st B-flat Clarinet. Composed by Victor López. Instructional. Part. 1 pages. Alfred Music - Digita...
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Concert Band - SKU: AX.00-PC-0015822_C1 1st B-flat Clarinet. Composed by Victor López. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015822_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015822_C1). UPC: 038081458311.Keep those hackers and slackers engaged with this bluesy rock original. The flatted 3rds and 7ths add the blues flavor, and it shifts between the major and minor mode, but that won't be any problem since they'll be begging to practice this one. Victor LA3pez has shared information from his 'international research team' on the topic and the result is this charismatic original work for your beginners. Right in the pocket! (1:45)Concert/Contest; Festival.
$3.00 ≈
$4.05
Hack Attack: B-flat Bass Clarinet
Hack Attack: B-flat Bass Clarinet
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Orchestre d'harmonie
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Methodes
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Victor López
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Festival.
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Hack Attack: B-flat Bass Clari
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015822_BC B-flat Bass Clarinet. Composed by Victor López. Instructional. Part. 1 pages. Alfred Music - Digit...
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Concert Band - SKU: AX.00-PC-0015822_BC B-flat Bass Clarinet. Composed by Victor López. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015822_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015822_BC). UPC: 038081458311.Keep those hackers and slackers engaged with this bluesy rock original. The flatted 3rds and 7ths add the blues flavor, and it shifts between the major and minor mode, but that won't be any problem since they'll be begging to practice this one. Victor LA3pez has shared information from his 'international research team' on the topic and the result is this charismatic original work for your beginners. Right in the pocket! (1:45)Concert/Contest; Festival.
$3.00 ≈
$4.05
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
$32.38
Beethoven Sampler Gig Pack - Three selections (Fur Elise, Moonlight Sonata & Ode To Joy) arranged in
Beethoven Sampler Gig Pack - Three selections (Fur Elise, Moonlight Sonata & Ode To Joy) arranged in
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Classique
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Ludwig van Beethoven
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Stephen Bulat
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Beethoven Sampler Gig Pack - T
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.858748 Composed by Ludwig van Beethoven. Arranged by Stephen Bulat. Concert,Contemporary,Romantic Period,Sacred,Wedding. Score and parts. 6 pages. Stephen Bulat Publishing #6080317. Published by Stephen Bulat Publishing (A0.858748). This Gig Pack includes lead sheet arrangements (melody & chords) of three of Beethoven's most popular compositions in their original keys. Compositions include: Für Elise (key of A minor) Moonlight Sonata - Adagio from Sonata Opus 27, No. 2 (key of C# minor) Ode To Joy (key of D major)A classical songbook must-have, each arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical fakebook yet still condensed to minimize page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (e.g. violin, flute)Please click on the publisher to view these arrangements in other keys as well as to purchase in the Classical Wedding Fake Book or the Classic Love Songs Valentine's Day Fake Book.Classical Wedding Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21758919 - Item Number: S0.776313Classical Wedding Fake Book (Bb Instruments): https://www.sheetmusicplus.com/title/21758922- Item Number: S0.776329Classical Wedding Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/21758923- Item Number: S0.776333Classical Wedding Fake Book - Band Leader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/21758924 - Item Number: S0.776337SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569)Online: http://stephenbulat.com
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Music for Three, Volume 1 Score 50199
Music for Three, Volume 1 Score 50199
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Various
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Daniel Kelley
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Music for Three, Volume 1 Scor
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.720843 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Wedding. Score...
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Small Ensemble - Level 5 - SKU: A0.720843 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Wedding. Score and parts. 83 pages. Last Resort Music Publishing #329230. Published by Last Resort Music Publishing (A0.720843). Music for Three, Volume 1 - Score (Part 1-3 in Score Form in C) Baroque, Classical & Romantic Favorites Includes works by Bach, Beethoven, Handel, Mouret, Pachelbel, Wagner and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The keyboard/guitar part encompasses parts 2 & 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played! Includes 35 arrangements. Table of Contents Air on the G String from Suite #3 in D Major (Bach) Arioso from Cantata #156 (Bach) Ave Maria adapted by Charles Gounod from WTC (Bach) Prelude #1 (Bach) Gigue from Suite #3 in D Major (Bach) Jesu, Joy of Man's Desiring from Cantata #147 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Minuet in G (Beethoven) Trumpet Voluntary (Clarke) Gavotte (Gossec) Allegro from Sonata in F Major, Op. 1 #11 (Handel) Largo from Xerxes (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) Air, Allegro, Andante, Bourree, Finale from Water Music Suite (Handel) Presto from String Quartet in F Major, Op. 74, #2 (Haydn) Waltz from Waves of the Danube, #1 (Ivanovici) Elegie from Incidental Music to Les Erinnyes (Massenet) Rondeau from Sinfonies de Fanfares (Mouret) Allegro, Menuetto, Romanza, Rondo from Eine Kleine Nachtmusik, String Quartet in G Major, K. 525 (Mozart) Canon (Pachelbel) Adagio from Octet in F Major, Op. 166 (Schubert) Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert) Moment Musical from Op. 94, #3 (Schubert) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Presto from Sonatina in F Major (Telemann) Allegro, Adagio, Finale from Concerto Grosso in D Minor, Op. 3, #11 (Vivaldi) Bridal Chorus from Act III of Lohengrin (Wagner) Available Parts 50111 Part 1 Flute or Oboe or Violin 50113 Part 1 Clarinet in Bb 50121 Part 2 Flute or Oboe or Violin 50122 Part 2 Viola 50123 Part 2 Clarinet in Bb 50131 Part 3 Cello or Bassoon 50140 Keyboard or Guitar 50199 Score Published by lastresortmusic.com.
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Papa Joe Blues
Papa Joe Blues
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Orchestre d'harmonie
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DÉBUTANT
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Blues
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Brandt Schneider
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Papa Joe Blues
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BRANDT SCHNEIDER
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SheetMusicPlus
Concert Band Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Drum Set,Flute,Horn,Oboe,Percussion,Tenor Saxophone,Trombone,Trumpet,Tuba,Xylophone - Level...
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Concert Band Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Drum Set,Flute,Horn,Oboe,Percussion,Tenor Saxophone,Trombone,Trumpet,Tuba,Xylophone - Level 1 - Interactive Download SKU: A0.500796 Composed by Brandt Schneider. This edition: Interactive Download. Blues. Score and parts. 23 pages. Duration 126. BRANDT SCHNEIDER #4MSiVITFPjE1SrMeM4TpKQ. Published by BRANDT SCHNEIDER (A0.500796). Key: Bb major.Papa Joe Blues is a work for beginning band in their first year. The song is a tribute to Joe Grasso. Mr. Grasso was the band director at Newtown High School in Connecticut from 1960 to 1992 and built one of the strongest programs in the country. This song features a fragment from the NHS fight song and the 1812 Overture. It is a minor blues. Sections could be opened up for soloing and improvising. Proceeds from the sale support the Joe Grasso scholarship fund.
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Nursery Crimes
Nursery Crimes
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Flûte, Clarinette (duo)
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INTERMÉDIAIRE/AVANCÉ
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Carl Upsall
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Nursery Crimes
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Spiramus Press
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SheetMusicPlus
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - SKU: A0.1010606 Composed by Carl Upsall. Children,Contemporary. Score and parts. 33 pages...
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - SKU: A0.1010606 Composed by Carl Upsall. Children,Contemporary. Score and parts. 33 pages. Spiramus Press #548417. Published by Spiramus Press (A0.1010606). Nursery Crimes is a reflection on nursery rhymes, remembered and reimagined. For woodwind band of 3 flutes, 3 clarinets, and 2 bass clarinets. 1. Ives Thrives in the Playground starts with the moment of first playing music at school, through to the sound of groups playing favourite tunes, initially in canon, and then completely different tunes in different parts of the playground. A nod towards Charles Ives. 2. Little Miss D minor takes the childhood tunes from the major scale through a cascade of minor thirds into a nightmarish world where familiar tunes are recognisable, but much darker, and take on the sound of Hammer Horror. 3. Bobby and Polly at Sea rounds the piece off with joyful riffing on two old favourites.
$24.95 ≈
$33.67
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From Major to Minor · Clarinet and Band
