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Vous avez sélectionné:
Fugue for Band
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Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
#
AVANCÉ
#
Contemporain
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Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
(+)
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.24€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
#
Hautbois (partie séparée)
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
(+)
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.24€
Fugue for Band
Fugue for Band
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Orchestre d'harmonie
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FACILE
#
Rob Hendrickson
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Rob Hendrickson
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Fugue for Band
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Rob Hendrickson
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1294548 By Rob Hendrickson. By Rob Hendrickson. Arranged by Rob Hendrickson. Baroque,Children,Historic,Instructional,Tr...
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Concert Band - Level 2 - SKU: A0.1294548 By Rob Hendrickson. By Rob Hendrickson. Arranged by Rob Hendrickson. Baroque,Children,Historic,Instructional,Traditional. Score and Parts. 24 pages. Rob Hendrickson #884924. Published by Rob Hendrickson (A0.1294548). A low-mid level band piece for younger players - a first venture into polyphony with your ensemble without stressing the notes or range.
$4.99 ≈
4.61€
A Walk in the Forbidden Garden
A Walk in the Forbidden Garden
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Orchestre d'harmonie
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FACILE
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Tom Tucker
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A Walk in the Forbidden Garden
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PDF Band Music
#
SheetMusicPlus
Concert Band - Grade 2 - SKU: B0.PDF-BAND-19 Composed by Tom Tucker. A Walk in the Forbidden Garden is a compelling choice for Grade 2 level band studen...
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Concert Band - Grade 2 - SKU: B0.PDF-BAND-19 Composed by Tom Tucker. A Walk in the Forbidden Garden is a compelling choice for Grade 2 level band students. Multicultural. Score and Parts. 72 pages. PDF Band Music #PDF-BAND-19. Published by PDF Band Music (B0.PDF-BAND-19). 8.5 x 11 inches.From the beginning dramatic thematic statement to the fugue recapitulation section, students will find A Walk in the Forbidden Garden an exciting and challenging composition. The work is level 2 throughout with the exception of the 16 measure fugue which will requires careful attention to accidentals.
$38.70 ≈
35.78€
Fugue #1
Fugue #1
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Violoncelle (partie séparée)
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AVANCÉ
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Abbiate, Louis
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theupperstaff
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Fugue #1
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theupperstaff
#
SheetMusicPlus
Cello Solo - Level 5 - SKU: A0.647597 Composed by Abbiate, Louis. Arranged by theupperstaff.com. 20th Century,Concert,Instructional,Standards. Individua...
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Cello Solo - Level 5 - SKU: A0.647597 Composed by Abbiate, Louis. Arranged by theupperstaff.com. 20th Century,Concert,Instructional,Standards. Individual part. 4 pages. Theupperstaff #2079915. Published by theupperstaff (A0.647597). Written in the shadow of Bach's Fugues for solo violin comes this very challenging piece with a 20th century twist. Hope you're ready for this one.
$4.99 ≈
4.61€
Germaine Tailleferre : Choral et Fugue, arranged for concert band by Paul Wehage - full score
Germaine Tailleferre : Choral et Fugue, - concert band by Paul Wehage - full score
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Germaine Tailleferre
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Paul Wehage
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Germaine Tailleferre : Choral
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.533052 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instructional. Score and pa...
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Concert Band - Level 4 - SKU: A0.533052 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instructional. Score and parts. 17 pages. Musik Fabrik Music Publishing #432815. Published by Musik Fabrik Music Publishing (A0.533052). In the late 1990s, a score was found in Germaine Tailleferre’s papers with the title page “Choral et Fugue pour orchestre d’harmonie†and a dedication “à L'Harmonie Municipale de Lyonâ€. The pages which followed contained the score of “Choral†for organ with optional brass and “Fugue†for orchestra. When the late composer Desiré Dondeyne was consulted concerning this score, he confirmed that this work had been projected, but refused to say anything further on the subject. Research was undertaken to try to locate a scale in the municipal archives of the City of Lyons (as the Municipal Band no longer exists) but proved to be unsucessful. It is unclear whether or not Tailleferre intended to undertake this work herself or if she intended to entrust it (as she often did) to Dondeyne. In any case, it would appear that the concert band version for this work was probably never completed. Paul Wehage, a longtime scholar of the works of Tailleferre, has undertaken the orchestration of this work The Fugue movement remains close to Tailleferre’s original version for orchestra. The choral section is entirely rescored. Instrumentation : Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Cornet I, II and III Bb trumpet I and II F Horn I-IV Trombone I, II and III Baritone Tuba Timpani Percussion 1: snare drum Percussion II: bass drum Percussion III: triangle, two cymbals, xylophone, suspended cymbal duration ca. 7:00 This set contains the full score. The woodwind parts and the brass and percussion parts are available in two seperate sets. The individual parts are also available as separate items.
$19.95 ≈
18.44€
Germaine Tailleferre : Choral et Fugue, arranged for concert band by Paul Wehage - complete set of
Germaine Tailleferre : Choral et Fugue, - concert band by Paul Wehage - complete set of
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Germaine Tailleferre
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Paul Wehage
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Germaine Tailleferre : Choral
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.533051 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instructional. Score and pa...
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Concert Band - Level 4 - SKU: A0.533051 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instructional. Score and parts. 72 pages. Musik Fabrik Music Publishing #432813. Published by Musik Fabrik Music Publishing (A0.533051). In the late 1990s, a score was found in Germaine Tailleferre’s papers with the title page “Choral et Fugue pour orchestre d’harmonie†and a dedication “à L'Harmonie Municipale de Lyonâ€. The pages which followed contained the score of “Choral†for organ with optional brass and “Fugue†for orchestra. When the late composer Desiré Dondeyne was consulted concerning this score, he confirmed that this work had been projected, but refused to say anything further on the subject. Research was undertaken to try to locate a scale in the municipal archives of the City of Lyons (as the Municipal Band no longer exists) but proved to be unsucessful. It is unclear whether or not Tailleferre intended to undertake this work herself or if she intended to entrust it (as she often did) to Dondeyne. In any case, it would appear that the concert band version for this work was probably never completed. Paul Wehage, a longtime scholar of the works of Tailleferre, has undertaken the orchestration of this work The Fugue movement remains close to Tailleferre’s original version for orchestra. The choral section is entirely rescored. Instrumentation : Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Cornet I, II and III Bb trumpet I and II F Horn I-IV Trombone I, II and III Baritone Tuba Timpani Percussion 1: snare drum Percussion II: bass drum Percussion III: triangle, two cymbals, xylophone, suspended cymbal duration ca. 7:00 This set contains the complete brass and percussion parts. The full score and the woodwind parts are available in two seperate sets. The individual parts are also available as separate items.
$65.00 ≈
60.09€
Germaine Tailleferre : Choral et Fugue, arranged for concert band by Paul Wehage - complete set of
Germaine Tailleferre : Choral et Fugue, - concert band by Paul Wehage - complete set of
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Germaine Tailleferre
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Paul Wehage
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Germaine Tailleferre : Choral
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.533050 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instructional. Score and pa...
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Concert Band - Level 4 - SKU: A0.533050 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instructional. Score and parts. 84 pages. Musik Fabrik Music Publishing #432811. Published by Musik Fabrik Music Publishing (A0.533050). In the late 1990s, a score was found in Germaine Tailleferre’s papers with the title page “Choral et Fugue pour orchestre d’harmonie†and a dedication “à L'Harmonie Municipale de Lyonâ€. The pages which followed contained the score of “Choral†for organ with optional brass and “Fugue†for orchestra. When the late composer Desiré Dondeyne was consulted concerning this score, he confirmed that this work had been projected, but refused to say anything further on the subject. Research was undertaken to try to locate a scale in the municipal archives of the City of Lyons (as the Municipal Band no longer exists) but proved to be unsucessful. It is unclear whether or not Tailleferre intended to undertake this work herself or if she intended to entrust it (as she often did) to Dondeyne. In any case, it would appear that the concert band version for this work was probably never completed. Paul Wehage, a longtime scholar of the works of Tailleferre, has undertaken the orchestration of this work The Fugue movement remains close to Tailleferre’s original version for orchestra. The choral section is entirely rescored. Instrumentation : Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Cornet I, II and III Bb trumpet I and II F Horn I-IV Trombone I, II and III Baritone Tuba Timpani Percussion 1: snare drum Percussion II: bass drum Percussion III: triangle, two cymbals, xylophone, suspended cymbal duration ca. 7:00 This set contains the complete woodwind parts. The full score and the brass and percussion parts are available in two seperate sets. The individual parts are also available as separate items.
$65.00 ≈
60.09€
Tuba Mirum and Agnus Dei from the Requiem, by Mozart for Band - 2 of 2, Brass & Percussion Parts
Tuba Mirum and Agnus Dei from the Requiem, by Mozart for Band - 2 of 2, Brass & Percussion Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Bud Caputo
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Tuba Mirum and Agnus Dei from
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Bud Caputo
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.826600 Composed by Wolfgang Amadeus Mozart. Arranged by Bud Caputo. Classical,Concert,Contemporary,Sacred. Score and pa...
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Concert Band - Level 4 - SKU: A0.826600 Composed by Wolfgang Amadeus Mozart. Arranged by Bud Caputo. Classical,Concert,Contemporary,Sacred. Score and parts. 19 pages. Bud Caputo #1900771. Published by Bud Caputo (A0.826600). 2016 Arrangement New Release Tuba Mirum and Agnus Dei Fugue from The Requiem-W.A. Mozart-is an adaptation of the original choral work using the full band sonorities. The fugue has some challenging technical and rhythmic aspects that students will find particularly interesting. Score and woodwind Parts sold under separate cover.
$20.00 ≈
18.49€
Tuba Mirum and Agnus Dei from the Requiem, by Mozart for Band - 1 of 2 Score and Woodwind Parts
Tuba Mirum and Agnus Dei from the Requiem, by Mozart for Band - 1 of 2 Score and Woodwind Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Bud Caputo
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Tuba Mirum and Agnus Dei from
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Bud Caputo
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.826602 Composed by Wolfgang Amadeus Mozart. Arranged by Bud Caputo. Classical,Concert,Contemporary,Sacred. Score and pa...
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Concert Band - Level 4 - SKU: A0.826602 Composed by Wolfgang Amadeus Mozart. Arranged by Bud Caputo. Classical,Concert,Contemporary,Sacred. Score and parts. 39 pages. Bud Caputo #1900765. Published by Bud Caputo (A0.826602). 2016 Arrangement New Release Tuba Mirum and the Agnus Dei Fugue from The Mozart Requiem K.627 -is an adaptation of the original choral work using the full band sonorities. The fugue has some challenging technical and rhythmic aspects that students will find particularly interesting. Brass and Percussion parts sold under separate cover.
$20.00 ≈
18.49€
Fantasy and Fugue for Wind Ensemble set of parts
Fantasy and Fugue for Wind Ensemble set of parts
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Orchestre d'harmonie
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Contemporain
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Said Dolatowski
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Fantasy and Fugue for Wind Ens
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Golden Hawk Music
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SheetMusicPlus
Concert Band - SKU: A0.802935 Composed by Said Dolatowski. Contemporary. Score and parts. 34 pages. Golden Hawk Music #2964291. Published by Golden Hawk...
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Concert Band - SKU: A0.802935 Composed by Said Dolatowski. Contemporary. Score and parts. 34 pages. Golden Hawk Music #2964291. Published by Golden Hawk Music (A0.802935). This is the set of parts for Fantasy and Fugue, by David Dolatowski.
$20.00 ≈
18.49€
Prelude and Fugue in G, BWV 541 for concert band
Prelude and Fugue in G, BWV 541 for concert band
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Garden City Winds
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Rudy Volkmann
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Prelude and Fugue in G, BWV 54
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Rudy Volkmann
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1222423 By Garden City Winds. By Johann Sebastian Bach. Arranged by Rudy Volkmann. Baroque. Score and Parts. 106 pages....
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Concert Band - Level 5 - SKU: A0.1222423 By Garden City Winds. By Johann Sebastian Bach. Arranged by Rudy Volkmann. Baroque. Score and Parts. 106 pages. Rudy Volkmann #818679. Published by Rudy Volkmann (A0.1222423). This is one of Bach's major (but rarely heard) preludes and fugues. Â Inspired by the Eugene Ormandy recordings of other Bach works with the Philadelphia Orchestra in the 1960's, I have been tweaking this arrangement for concert band for over forty years - this final arangement is a wonderful vehicle for a good symphonic band.There is no percussion.
$60.00 ≈
55.47€
Bach, Johann Sebastian: Toccata, Adagio & Fugue in C Major, BWV 564 (arranged for band by Steve Rei
Bach, Johann Sebastian: Toccata, Adagio & Fugue in C Major, BWV 564 (arranged for band by Steve Rei
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Steve Reisteter
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Bach, Johann Sebastian: Toccat
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Steve Reisteter
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.925205 Composed by Johann Sebastian Bach. Arranged by Steve Reisteter. Baroque. Score and parts. 257 pages. Steve Reist...
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Concert Band - Level 5 - SKU: A0.925205 Composed by Johann Sebastian Bach. Arranged by Steve Reisteter. Baroque. Score and parts. 257 pages. Steve Reisteter #5030449. Published by Steve Reisteter (A0.925205). This three movement work, originally for pipe organ, has been arranged for symphonic concert band. This is the version played by the Allentown Band.
$25.00 ≈
23.11€
Incantation and Fugue
Incantation and Fugue
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Orchestre d'harmonie
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FACILE
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Richard E Brown
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Incantation and Fugue
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Dacker Music
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.814716 Composed by Richard E Brown. Contemporary,Instructional,Standards. Score and parts. 17 pages. Dacker Music #2967...
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Concert Band - Level 2 - SKU: A0.814716 Composed by Richard E Brown. Contemporary,Instructional,Standards. Score and parts. 17 pages. Dacker Music #2967153. Published by Dacker Music (A0.814716). Incantation and Fugue provides a rare opportunity for grade 2 bands to explore the use of mild dissonance in a piece at their level. The first section begins mysteriously and gradually builds to a big climax. The second section is a very active fugue in the key of C minor, fairly strict in its form and contrapuntal working out of the thematic material, while giving all the players plenty to keep them busy and interested.The price includes license to make as many copies of each parts as necessary.Grade 3 - Duration 3:15
$45.00 ≈
41.60€
Pachelbel: Canon in D for Solo Viola
Pachelbel: Canon in D for Solo Viola
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Alto (partie séparée)
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Solo
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jmsgu3
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.552083 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Individual pa...
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Viola Solo - Level 3 - SKU: A0.552083 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Individual part. 2 pages. Jmsgu3 #6116381. Published by jmsgu3 (A0.552083). The famous wedding classic arranged for Solo Viola.Duration: 2:12Score: 2 pages. The famous Pachelbel Canon arranged for Solo Viola. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
30.46€
Little Suite for Orchestra
Little Suite for Orchestra
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Gary Friedman
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Little Suite for Orchestra
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Gary Friedman
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SheetMusicPlus
Large Ensemble Tuba - Level 4 - SKU: A0.889873 Composed by Gary Friedman. Baroque,Contemporary,Romantic Period. Score and parts. 101 pages. Gary Friedma...
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Large Ensemble Tuba - Level 4 - SKU: A0.889873 Composed by Gary Friedman. Baroque,Contemporary,Romantic Period. Score and parts. 101 pages. Gary Friedman #10627. Published by Gary Friedman (A0.889873). There are 3 movements. Sarabande, March, and Fugue, ranging from 3 to 5 minutes in duration. The Sarabande is serious and melodic, the March is cute, and the Fugue is an orchestrated version of my Fugue for Four Winds. You can get some idea of the sound of Sarabande and March by listening to the sound clips of the versions of them in my Seven Easy Melodies for Oboe with Piano Accompaniment, either in SheetMusicPlus or on my website, www.garyfriedmanmusic.net. The original Fugue for Four Winds may also be heard in these two places. Suitable for chamber orchestra. The Sarabande instruments are 2 each of flute, oboe, clarinet in A, bassoon, and horn, plus strings. In the March a trumpet (which has a nice short solo) and snare drum and triangle are added. In the Fugue, oboe 2 becomes English horn and a second trumpet is added. There are also optional parts in the Fugue for trombone, tuba, which can be covered by the bassoons, and for bells. Year: 2000.
$40.00 ≈
36.98€
Fugue No.4 in c sharp minor BWV 849
Fugue No.4 in c sharp minor BWV 849
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Gianluigi Massetti
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Fugue No.4 in c sharp minor BW
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Gianluigi Massetti
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1028137 Composed by Johann Sebastian Bach. Arranged by Gianluigi Massetti. Baroque. Score and parts. 12 pages. Gianluig...
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Concert Band - Level 3 - SKU: A0.1028137 Composed by Johann Sebastian Bach. Arranged by Gianluigi Massetti. Baroque. Score and parts. 12 pages. Gianluigi Massetti #4747339. Published by Gianluigi Massetti (A0.1028137). This is a transcription of the fugue no.4 WTC1 in c scharp minor for a wind orchestra. It's particulary appropriate for professional wind bands and schools. For others informations contact me on my personal e-mail: giangimassetti@gmail.com
$10.99 ≈
10.16€
Passacaglia & Fugue in C minor BWV 582 arr. for Concert Band - SCORE
Passacaglia & Fugue in C minor BWV 582 arr. for Concert Band - SCORE
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Daniel Basford
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Passacaglia & Fugue in C m
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Daniel Basford
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1025651 Composed by Johann Sebastian Bach. Arranged by Daniel Basford. Baroque,Contemporary. Score and parts. 41 pages....
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Concert Band - Level 4 - SKU: A0.1025651 Composed by Johann Sebastian Bach. Arranged by Daniel Basford. Baroque,Contemporary. Score and parts. 41 pages. Daniel Basford #4898707. Published by Daniel Basford (A0.1025651). Approx. Grade 5+ (Upper Intermediate-Advanced)
$20.00 ≈
18.49€
Passacaglia & Fugue in C minor BWV 582 arr. for Concert Band - PARTS
Passacaglia & Fugue in C minor BWV 582 arr. for Concert Band - PARTS
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
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Johann Sebastian Bach
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Daniel Basford
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Passacaglia & Fugue in C m
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Daniel Basford
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1025650 Composed by Johann Sebastian Bach. Arranged by Daniel Basford. Baroque,Contemporary. Score and parts. 256 pages...
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Concert Band - Level 4 - SKU: A0.1025650 Composed by Johann Sebastian Bach. Arranged by Daniel Basford. Baroque,Contemporary. Score and parts. 256 pages. Daniel Basford #4982207. Published by Daniel Basford (A0.1025650). Approx. Grade 5+ (Upper Intermediate-Advanced)
$65.00 ≈
60.09€
"Conversations" A piece for Piano Four (4) Hands
"Conversations" A piece for Piano Four (4) Hands
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Antonis Koundourakis
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"Conversations" A pi
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ANTONIOS KOUNDOURAKIS
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.991619 Composed by Antonis Koundourakis. Concert,Contemporary,Instructional,Standards. Score. 11 pages. ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.991619 Composed by Antonis Koundourakis. Concert,Contemporary,Instructional,Standards. Score. 11 pages. ANTONIOS KOUNDOURAKIS #3471903. Published by ANTONIOS KOUNDOURAKIS (A0.991619). In this piece Antonis explores the polyphonic and the homophonic style of composition with the added benefit and freedom of having 2 extra hands on the keyboard. Therefore there is a wide range being used simultaneously and in many cases the piece requires good coordination of the performers while in other cases independence of dynamics and phrasing. There is an extended period of stretto immitations, normally found in the style of the Fugue, and a 7 voice homophonic section resembling choral music. The different styles are juxtaposed in the form of a conversation, hence the title of the piece.This piece is ideal for live performance but can also be played by teacher and student while interchanging the parts they play for added benefit of learing coordination and understanding the challenges of the other performer when playing together. In case you buy and perform the piece don't hesitate to contact Antonis at midnightnotesband@gmail.com to give him any feedback on the score legibility/playability and the experience of playing his composition! Videos are also very welcome!
$6.00 ≈
5.55€
Bach,J.S.-Fugue in g minor,BWV 578,for Wind Band
Bach,J.S.-Fugue in g minor,BWV 578,for Wind Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Bach,J
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MSM
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Bach,J.S.-Fugue in g minor,BWV
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Open Cloud
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.672635 Composed by Bach,J.S. Arranged by MSM. Classical,Romantic Period. Score and Parts. 66 pages. Open Cloud #5315211...
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Concert Band - Level 3 - SKU: A0.672635 Composed by Bach,J.S. Arranged by MSM. Classical,Romantic Period. Score and Parts. 66 pages. Open Cloud #5315211. Published by Open Cloud (A0.672635). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Bach,J.S. (Bach Johann Sebastian),1685-1750, for Wind Band, published by More Sheet Music Press.
$4.99 ≈
4.61€
Rimsky-Korsakov: Fugue Op. 17 No. 1 for String Trio
Rimsky-Korsakov: Fugue Op. 17 No. 1 for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Classique
#
Contemporain
#
Nikolay Andreyevich Rimsky-Kor
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James M
#
Rimsky-Korsakov: Fugue Op. 17
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1358785 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie. 19th Century,C...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1358785 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 11 pages. Jmsgu3 #943246. Published by jmsgu3 (A0.1358785). Rimsky-Korsakov's Six Fugues, Op. 17, composed in 1875, is an essential set of works for several reasons: Six Fugues was written in 1875 while Rimsky-Korsakov was serving as a military bandmaster in the Russian navy. Rimsky-Korsakov was a prominent Russian composer and teacher of classical music, known for his delicate orchestration and contributions to developing a Russian national identity in music. His most famous composition is The Flight of the Bumblebee. Rimsky-Korsakov's Six Fugues, Op. 17, are essential for their historical context, genre, instrumentation, and the composer's influence on Russian music. They provide valuable insights into Rimsky-Korsakov's compositional style and are accessible through various formats for study and enjoyment.
$24.95 ≈
23.07€
Selections from Mahler’s “Veni Creator Spiritus” for Concert Band (Conductor’s Score)
Selections from Mahler’s “Veni Creator Spiritus” for Concert Band (Conductor’s Score)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gustav Mahler
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Robert L
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Selections from Mahler’s
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Robert Anello
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1114090 Composed by Gustav Mahler. Arranged by Robert L. Anello. 20th Century,Romantic Period. Score and parts. 29 page...
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Concert Band - Level 4 - SKU: A0.1114090 Composed by Gustav Mahler. Arranged by Robert L. Anello. 20th Century,Romantic Period. Score and parts. 29 pages. Robert Anello #716008. Published by Robert Anello (A0.1114090). Gustav Mahler’s “Veni Creator Spiritus†was a new musical setting for the lyrics of a 9th century Latin hymn, originally sung as a Gregorian chant, as an invocation of the Holy Spirit during the celebration of the Christian Feast of Pentecost. This work would comprise the Part I of the symphony with Part II being a setting of the words from the closing scene of “Faust†by Johann Wolfgang von Goethe. Mahler envisioned the premiere of this new symphony, Number 8, as a massively grand spectacle, with an orchestra not only including strings but a large brass and woodwind section, eight soloists, two full adult choruses, and a children’s choir. The full complement for the premiere was 171 instrumentalists and 858 singers, a total of 1029 musicians, which inspired the promoter to advertise the work as “Symphony of a Thousand.†Part I, “Veni Creator Spiritus,†expresses the whole range of human emotions: grand statements expressing the awe of divine majesty alternate with gentle melodic lines of tender love. It combines moments of awesome dramatic tension with the lightness of a fugue. Robert Anello’s arrangement makes this exceptional music accessible to large concert bands while maintaining the essence and flow of Mahler’s original work.
$9.99 ≈
9.24€
Bach: Partita No. 2 BWV 826 for Clarinet Quartet
Bach: Partita No. 2 BWV 826 for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
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James M
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Bach: Partita No. 2 BWV 826 fo
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1435859 Composed by Johann Sebastian Bach. Arranged by James M. Gut...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1435859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 75 pages. Jmsgu3 #1015958. Published by jmsgu3 (A0.1435859). BACH: Partita No. 2 BWV 826 Contents: Sinfonia, Allemande, Courante, Sarabande, Rondeau, Capriccio. Bach's Partita No. 2 in C minor, BWV 826, is an essential work for several reasons: Significance in Bach's Oeuvre It is part of Bach's monumental collection of six partitas (suites) for the keyboard, considered among music history's most famous and challenging suites. The partitas were published as Bach's Opus 1 in 1731, showcasing the diversity of forms and ingenious counterpoint in his keyboard writing. Partita No. 2 was one of the earliest partitas to be published individually in 1727, highlighting its significance. Musical Characteristics It opens with a grand Sinfonia movement akin to a French overture, followed by an expressive Andante aria-like movement. The fugue movement has an intense subject spanning a minor 9th interval. It includes a double (ornamented variation) of the traditional Sarabande dance movement. The final Capriccio movement is a virtuosic and contrapuntal concerto-like piece testing the performer's technical prowess. Overall, the partita exhibits a weighty, substantial, and momentous character compared to the first. Influence and Legacy It expanded keyboard suites' technical and musical boundaries and other partitas. Due to its artistic merit and challenges, it has remained a pinnacle of the keyboard repertoire, studied and performed by generations of musicians. In summary, Bach's Partita No. 2 is a significant work that exemplifies the composer's mastery of counterpoint, variation forms, and virtuosic keyboard writing, solidifying the partitas' enduring importance in the canon of Western classical music.
$42.95 ≈
39.71€
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