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Vous avez sélectionné:
Genial
Partitions à imprimer
61 partitions trouvées
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51
Ernesto Nazareth : Genial – Valsas Brasileiros
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Piano seul
#
INTERMÉDIAIRE
#
Latin/Musique du monde
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Ernesto Nazareth
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Genial – Valsas Brasileiros
#
Tomplay
Telechargez la partition Piano Genial – Valsas Brasileiros de Nazareth. Partition pour Piano seul -- Musique du monde...
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Telechargez la partition Piano Genial – Valsas Brasileiros de Nazareth. Partition pour Piano seul -- Musique du monde
5.99€
A Genial Stroll
A Genial Stroll
#
Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Ted Hogarth
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Glenn Broadhead
#
A Genial Stroll
#
Four Mile Music LLC
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 4 - SKU: A0.1232713 By Ted Hogarth. By Gene Bertoncini. Arranged by Glenn Broadhead. Jazz,Stand...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 4 - SKU: A0.1232713 By Ted Hogarth. By Gene Bertoncini. Arranged by Glenn Broadhead. Jazz,Standards. 18 pages. Four Mile Music LLC #828356. Published by Four Mile Music LLC (A0.1232713). A cheerful, jazzy contrafact of Horace Silver's Strollin' by guitarist Gene Bertoncini, arranged for clarinet quartet (three Bb clarinets plus bass clarinet). Also included are alternate parts for Eb Clarinet (replacing Bb Clarinet 1) and Eb Alto Clarinet and/or Basset Horn in F (replacing Bb Clarinet 3). The piece may be performed individually or as Part 4 of Suite Bertoncini. No improvisation is required.
$3.99 ≈
3.69€
A Genial Stroll
A Genial Stroll
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Ted Hogarth
#
Glenn Broadhead
#
A Genial Stroll
#
Four Mile Music LLC
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1241453 By Ted Hogarth. By G...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1241453 By Ted Hogarth. By Gene Bertoncini. Arranged by Glenn Broadhead. Contemporary,Jazz. 12 pages. Four Mile Music LLC #836822. Published by Four Mile Music LLC (A0.1241453). A cheerful, jazzy contrafact of Horace Silver's Strollin' by guitarist Gene Bertoncini. The piece may be performed individually or as Part 4 of Suite Bertoncini. Â Jazz-influenced, but no improvisation is required. Â The sound file is from a clarinet quartet version of the chart, which is similar but not identical.
$5.99 ≈
5.53€
Genial
Genial
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Ernesto Nazareth
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Wolfgang Birtel
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Genial
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - intermediate - SKU: S9.Q49855 Valsa brasileira. Composed by Ernesto Nazareth. Edited by Wolfgang Birtel. Arranged by Wolfgang ...
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Violin and piano - intermediate - SKU: S9.Q49855 Valsa brasileira. Composed by Ernesto Nazareth. Edited by Wolfgang Birtel. Arranged by Wolfgang Birtel. This edition: Sheet music. (c) 2019 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 6 pages. Schott Music - Digital #Q49855. Published by Schott Music - Digital (S9.Q49855). Digital publication of the piece found in the following print music collection: The Entertainer - 33 Popular Pieces from Classical to Entertainment Music.
$3.99 ≈
3.69€
Genial
Genial
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Ernesto Nazareth
#
Wolfgang Birtel
#
Genial
#
Schott Music - Digital
#
SheetMusicPlus
String quartet (double bass ad lib.) - intermediate - SKU: S9.Q45340 Waltz. Composed by Ernesto Nazareth. Arranged by Wolfgang Birtel. This editi...
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String quartet (double bass ad lib.) - intermediate - SKU: S9.Q45340 Waltz. Composed by Ernesto Nazareth. Arranged by Wolfgang Birtel. This edition: score and parts. Copyright 2015 Schott Music GmbH & Co. KG, Mainz. Downloadable. 14 pages. Schott Music - Digital #Q45340. Published by Schott Music - Digital (S9.Q45340). Digital publication of the piece found in the following print music collection: Latin Dances.
$5.99 ≈
5.53€
Set Blue
Set Blue
#
Ensemble de guitares
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Gene Bertoncini
#
Glenn Broadhead
#
Set Blue
#
Four Mile Music LLC
#
SheetMusicPlus
Guitar - Level 4 - SKU: A0.1284779 By Gene Bertoncini. By Gene Bertoncini. Arranged by Glenn Broadhead. Jazz. 26 pages. Four Mile Music LLC #875958. Pub...
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Guitar - Level 4 - SKU: A0.1284779 By Gene Bertoncini. By Gene Bertoncini. Arranged by Glenn Broadhead. Jazz. 26 pages. Four Mile Music LLC #875958. Published by Four Mile Music LLC (A0.1284779). Master guitarist Gene Bertoncini's scampering contrafact of Bluesette is here arranged for five guitars. Â An optional, repeatable chorus is included in which guitarists solo, strum, comp, or play a bass line as directed. This piece may be played by itself or as Part 7 of SUITE BERTONCINI (Samba Wes, You Are a Story, Samba-fu, A Genial Stroll, Sofflee, For Chet, Set Blue, Who's in Love?).
$9.99 ≈
9.23€
Waldteufel. Bambuco No 4 Opus 1 No 21
Waldteufel. Bambuco No 4 Opus 1 No 21
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Juan Carlos Cortés Aguirre
#
Juan Carlos Cortés Aguirre
#
Waldteufel. Bambuco No 4 Opus
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Juan Carlos Cortés Aguirre
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1120124 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés Aguirre. Arranged by Juan Carlos Cortés Aguirre. Fo...
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Piano Solo - Level 4 - SKU: A0.1120124 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés Aguirre. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #721440. Published by Juan Carlos Cortés Aguirre (A0.1120124). Composición por: JUAN CARLOS CORTÉS A. Basado sobre temas melódicos del Vals Los patinadores del genial compositor francés Emil Waldteufel, con ritmo tradicional de Bambuco Colombiano en compás de 3/4. Composición con carácter derivado en derecho de autor, que data del año 1989, pero digitalizada el 30 de Marzo de 2012. Cabe destacar que tan caracterÃstico apellido francés se pronuncia foneticamente: Valtùlfel (Algunos pronuncian: Valtólfel).
$7.99 ≈
7.38€
Samba-ful
Samba-ful
#
Jazz
#
Gene Bertoncini
#
Glenn Broadhead
#
Samba-ful
#
Four Mile Music LLC
#
SheetMusicPlus
Guitar - Level 4 - SKU: A0.1284772 By Gene Bertoncini. By Gene Bertoncini. Arranged by Glenn Broadhead. Jazz. 16 pages. Four Mile Music LLC #875948. Pub...
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Guitar - Level 4 - SKU: A0.1284772 By Gene Bertoncini. By Gene Bertoncini. Arranged by Glenn Broadhead. Jazz. 16 pages. Four Mile Music LLC #875948. Published by Four Mile Music LLC (A0.1284772). Master guitarist Gene Bertoncini's rhythmic contrafact of 'S Wonderful is here arranged for five guitars. This piece may be played by itself or as Part 3 of SUITE BERTONCINI (Samba Wes, You Are a Story, Samba-ful, A Genial Stroll, Sofflee, For Chet, Set Blue, Who's in Love?).
$9.99 ≈
9.23€
Die rote Blume
Die rote Blume
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Fredrik Schwenk
#
Die rote Blume
#
Fredrik Schwenk
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1022048 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score. 51 pages. Fredrik Schwenk #6319871. Publish...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1022048 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score. 51 pages. Fredrik Schwenk #6319871. Published by Fredrik Schwenk (A0.1022048). The nine songs after poems by Gustav Mahler (1860-1911) were commissioned by the Dutch mezzo-soprano Christianne Stotijn. Mahler was already planning a late Romantic cantata entitled Das klagende Lied shortly after beginning his studies at the Vienna Conservatory in 1878, for which he conceived a three-part cycle of poems for his own setting. When Mahler completed the score in October 1880, he was already at the beginning of a great conducting career. The quality of the poem could be debated, especially in view of the successful Lieder eines fahrenden Gesellen from 1883 and 1884; and yet the ballad, inspired by a mixture of fairy tales by the Brothers Grimm and the poet Ludwig Bechstein, reflects almost the complete range of voices of Mahler's first great creative period, from the songs from Des Knaben Wunderhorn to the Fourth Symphony. At the special request of mezzo-soprano Chrisianne Stotijn and pianist Joseph Breinl, the complete text of the plaintive song was newly set to music. A particular challenge of the new setting of Gustav Mahler's poems consisted for me above all in compromising the genial imperfection of the poetry with a compositional aesthetic that emphasizes precisely the unrhymed, edgy and clichéd as its own quality and does not seek to conceal it. In doing so, it seemed wise and prudent to me, not only for reasons of historical distance(ization), not to implement an intersubjective subjectability to the songs. The serious and ballad-like basic tone was to be preserved, the way in which the text was implemented stems from the idea of a thoroughly pluralistic and therefore stylistic tightrope walk, which in a kind of music about music reflects the relationship to one's own tradition and its changing values and thus repeats the phenomenon of Mahler per se in the context of the 21st century.
$7.50 ≈
6.93€
Samba Wes
Samba Wes
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Jazz
#
Gene Bertoncini
#
Glenn Broadhead
#
Samba Wes
#
Four Mile Music LLC
#
SheetMusicPlus
Guitar - Level 4 - SKU: A0.1284769 By Gene Bertoncini. By Gene Bertoncini. Arranged by Glenn Broadhead. Jazz. 19 pages. Four Mile Music LLC #875947. Pub...
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Guitar - Level 4 - SKU: A0.1284769 By Gene Bertoncini. By Gene Bertoncini. Arranged by Glenn Broadhead. Jazz. 19 pages. Four Mile Music LLC #875947. Published by Four Mile Music LLC (A0.1284769). Master guitarist Gene Bertoncini's contribution to a tribute album for Wes Montgomery is here arranged for five guitars. This piece may be played by itself or as Part 1 of SUITE BERTONCINI (Samba Wes, You Are a Story, Samba-fu, A Genial Stroll, Sofflee, For Chet, Set Blue, Who's in Love?).
$9.99 ≈
9.23€
For Chet
For Chet
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Jazz
#
Gene Bertoncini
#
Glenn Broadhead
#
For Chet
#
Four Mile Music LLC
#
SheetMusicPlus
Guitar - Level 4 - SKU: A0.1284767 By Gene Bertoncini. By Gene Bertoncini. Arranged by Glenn Broadhead. Jazz. 21 pages. Four Mile Music LLC #875945. Pub...
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Guitar - Level 4 - SKU: A0.1284767 By Gene Bertoncini. By Gene Bertoncini. Arranged by Glenn Broadhead. Jazz. 21 pages. Four Mile Music LLC #875945. Published by Four Mile Music LLC (A0.1284767). Master guitarist Gene Bertoncini's haunting ballad in memory of Chet Baker (whom he recorded with) is here arranged for five guitars. The second chorus is a shout or soli that includes some very tricky passages, so an optional jump of 16 bars is included. This piece may be played by itself or as Part 6 of SUITE BERTONCINI (Samba Wes, You Are a Story, Samba-fu, A Genial Stroll, Sofflee, For Chet, Set Blue, Who's in Love?.
$9.99 ≈
9.23€
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99 ≈
10.15€
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
3.69€
Piel Canela
Piel Canela
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Piano seul
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INTERMÉDIAIRE
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Bobby Capo
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Marco D
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Piel Canela
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Marco D
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1370031 Composed by Bobby Capo. Arranged by Marco D. Contemporary,Film/TV,Folk,Latin,Multicultural,World. Score. 3 pages....
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Piano Solo - Level 3 - SKU: A0.1370031 Composed by Bobby Capo. Arranged by Marco D. Contemporary,Film/TV,Folk,Latin,Multicultural,World. Score. 3 pages. Marco D #954406. Published by Marco D (A0.1370031). Genial arreglo para piano de este iconico Bolero , facil de aprender , dejaras a todos impresionado con esta cancion.
$4.99 ≈
4.61€
Six Concert Pieces
Six Concert Pieces
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Flûte traversière et Piano
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AVANCÉ
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Ernesto Kohler
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Six Concert Pieces
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Flute and piano - advanced - SKU: S9.Q48912 Composed by Ernesto Kohler. This edition: Sheet music. Classics Relaunched. Downloadable. Op. 84. Musikverla...
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Flute and piano - advanced - SKU: S9.Q48912 Composed by Ernesto Kohler. This edition: Sheet music. Classics Relaunched. Downloadable. Op. 84. Musikverlag Zimmermann - Digital #Q48912. Published by Musikverlag Zimmermann - Digital (S9.Q48912). German • English.Viele Jahre schlummerten die entzückenden Vortragsstücke in der ehemaligen DDR und waren nicht mehr zugänglich. Mit der Wiedervereinigung kamen sie zurück in das Archiv des Musikverlages Zimmermann. Unsere Reihe Classics Relaunched ist der ideale Rahmen für die Wiederbelebung. Wie stets bei den Köhler-Flötenstücken ist die Melodie genial. Die Klavierbegleitung ist geschmackvoll und lässt der Flöte viel Raum.
$16.99 ≈
15.70€
Clarinet Quintet Opus 205
Clarinet Quintet Opus 205
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dafydd Bullock
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Clarinet Quintet Opus 205
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Dafydd Bullock
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.960776 Composed by Dafydd Bullock. 20th Century,Contemporary. Individual part. 33 pages. Dafydd Bullock #4286207. Publ...
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Clarinet Solo - Level 4 - SKU: A0.960776 Composed by Dafydd Bullock. 20th Century,Contemporary. Individual part. 33 pages. Dafydd Bullock #4286207. Published by Dafydd Bullock (A0.960776). Quintet for Clarinet and Strings, Opus 205Luxembourg, 20-21 September, 20121. Late Summer, with the changing weather and moods of Autumn already intruding.2. A nostalgic farewell to Summer.3. A genial Ländler, reflecting dry, cold Autumn sunshine in the mountains.4. Autumn has arrived, with cold, wet, melancholy weather and inexorable and rapid decay. Some golden light remains ....
$10.00 ≈
9.24€
Morgenstern-Liederbuch
Morgenstern-Liederbuch
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Enjott Schneider
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Morgenstern-Liederbuch
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SMezATB) and piano - SKU: S9.Q25247 Sieben Gedichte für Chor und Klavier. Composed by Enjott Schneider. This edition: choral scor...
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Mixed choir (SMezATB) and piano - SKU: S9.Q25247 Sieben Gedichte für Chor und Klavier. Composed by Enjott Schneider. This edition: choral score. Downloadable, Choral score. Duration 21 minutes. Schott Music - Digital #Q25247. Published by Schott Music - Digital (S9.Q25247). German.Mit sieben kuriosen Stücken für gemischten Chor oder Solisten (SMezATB) und Klavier wartet Enjott Schneider in seinem Morgenstern-Liederbuch auf. Hier finden sich dadaistische Stilcollagen vom Feinsten: Elemente aus Rock, Jazz, Symbolismus, Madrigal und Zwölftonmusik kokettieren geradezu um die Wette. Gepaart werden sie mit genial-banalen Textverzweigungen und -verballhornungen sowie völlig absurden Silben und übertriebener, ja bizzarer Konsonantenformung. Sprachlich und stimm- bzw. gesangstechnisch werden hier sämtliche Register gezogen. Ein fulminant-schwungvoller Zyklus für professionelle Ensembles, die keine Scheu vor ekstatischem Flüstern, animalischen Imitationen, Klangverfremdungen, Zungenschnalzen, Karateschreien, Glissandi, Clusterwirkungen und extremer Artikulation haben. Die Gedichte von Christian Morgenstern sind wie sein gesamtes facettenreiches Schaffen kaum zu verorten: zwischen Ironie, Witz, Sarkasmus, Dadaismus, Nonsense und gespiegelt von tiefer Spiritualität und Anthroposophie sind sie unerreicht. Gegensätze von Hoch Geistig und Trivial Banalem verunsichern. Dementsprechend ist auch die Musik, die 1985 für die Singphoniker komponiert wurde, kaum zu verorten. Banale Versatzstücke und lyrische Komplexität ergänzen sich. Gesangstechnisch: Virtuos und vom Feinsten.
$18.99 ≈
17.54€
Clarinet Quintet Opus 205 Parts
Clarinet Quintet Opus 205 Parts
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Contemporain
#
Dafydd Bullock
#
Clarinet Quintet Opus 205 Part
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Dafydd Bullock
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Viola,Violin - Level 4 - SKU: A0.960775 Composed by Dafydd Bullock. 20th Century,Contemporary. Score and parts. 42 pages. ...
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Small Ensemble Cello,Clarinet,Viola,Violin - Level 4 - SKU: A0.960775 Composed by Dafydd Bullock. 20th Century,Contemporary. Score and parts. 42 pages. Dafydd Bullock #4286209. Published by Dafydd Bullock (A0.960775). Quintet for Clarinet and Strings, Opus 205 Set of PartsLuxembourg, 20-21 September, 20121. Late Summer, with the changing weather and moods of Autumn already intruding.2. A nostalgic farewell to Summer.3. A genial Ländler, reflecting dry, cold Autumn sunshine in the mountains.4. Autumn has arrived, with cold, wet, melancholy weather and inexorable and rapid decay. Some golden light remains ....
$8.00 ≈
7.39€
Chamber Concerto
Chamber Concerto
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Gyorgy Ligeti
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Chamber Concerto
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 1 (auch Ob. d’amore, Engl. Hr.) · 2 (auch Baßklar.) · 0 – 1 · 0 · 1 · 0 – Cemb. (auch Hammond-Org. od...
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1 (auch Picc.) · 1 (auch Ob. d’amore, Engl. Hr.) · 2 (auch Baßklar.) · 0 – 1 · 0 · 1 · 0 – Cemb. (auch Hammond-Org. od. Harmonium) · Klav. (auch Cel.) – Str. (1 · 1 · 1 · 1 · 1) 13 instrumentalists - SKU: S9.Q17115 For 13 Instrumentalists. Composed by Gyorgy Ligeti. This edition: study score. Chamber music - Score - contemporary music. Music Of Our Time. Downloadable, Study score. Duration 21 minutes. Schott Music - Digital #Q17115. Published by Schott Music - Digital (S9.Q17115). Wenn ein Stück so oft gespielt wird wie György Ligetis Kammerkonzert, dann muss das einen Grund haben. Hier sind es mindestens drei: Erstens ist das Kammerkonzert ein sehr gutes, faszinierendes Stück, das Interpreten und Zuhörer unmittelbar und direkt fesselt, obwohl es extrem komplex ist. Zweitens behandelt Ligeti darin jedes Instrument wie einen Solisten, so dass jeder einzelne Musiker im Ensemble dankbare Aufgaben hat. Und drittens ist seine Idee der Polymetrik und deren Umsetzung einfach genial: Die Parallelität unterschiedlicher Tempi, hier kombiniert mit „superschnellen solistischen Aktionen“ (Ligeti), erzeugt genau den einzigartigen, immer wieder atemberaubenden schwebend-irisierenden „Ligeti-Sound“, für den der Komponist bis heute bewundert und verehrt wird.
$33.99 ≈
31.40€
Fantasía Típica Colombiana Opus 6
Fantasía Típica Colombiana Opus 6
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Juan Carlos Cortés Aguirre
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Juan Carlos Cortés Aguirre
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Fantasía Típica
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1120134 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés Aguirre. Arranged by Juan Carlos Cortés Aguirre. Fo...
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Piano Solo - Level 4 - SKU: A0.1120134 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés Aguirre. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 7 pages. Juan Carlos Cortés Aguirre #721450. Published by Juan Carlos Cortés Aguirre (A0.1120134). Composición por: JUAN CARLOS CORTÉS A. Composición original de estilo libre, que presenta solo ritmos caracterÃsticos de la zona Andina de Colombia. Comienza con un pasillo lento, luego aparece un torbellino (Ritmo folclórico de los departamentos de Santander, Boyacá y Antioquia) que es interrumpido súbitamente por un pasillo fiestero (Alegre), luego entra un Bambuco en compás de 3/4, ritmo emblemático musical de Colombia. Luego sigue un pasillo lento y un breve vals, que da lugar a la entrada de una Guabina (Ritmo popular de los departamentos de Tolima y Antioquia), para finalizar con el segundo tema del Torbellino inicial. Este estilo de composición lo cultivo con especial y genial inspiración el maestro antioqueño Carlos Vieco OrtÃz.
$7.99 ≈
7.38€
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99 ≈
3.69€
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
3.69€
Improvisation On Tchaikovsky`s Cherubic Hymn
Improvisation On Tchaikovsky`s Cherubic Hymn
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Orchestre à Cordes
#
FACILE
#
Luis Anjos Teixeira
#
Improvisation On Tchaikovsky`s
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Luis Anjos Teixeira
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.889429 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Easter,Standards. Score and parts. 17 pages....
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String Orchestra - Level 2 - SKU: A0.889429 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Easter,Standards. Score and parts. 17 pages. Luis Anjos Teixeira #4727333. Published by Luis Anjos Teixeira (A0.889429). „Improvisation On Tchaikovsky`s Cherubic Hymn. It is an original Harp improvisation to be accompanied by an adaptation for strings inspired by Tchaikovsky`s choir piece „Cherubic Hymn. The harmonic structure of Tchaikowky`s original work has been faithfully reproduced, so all credits for this piece goes to him. Rather than an arrangement, the outcome of this adventurous experience resulted in an improvisation for the Harp. With the added melodies on the Harp and the stringed instrumental caracter of the orquestral adaptation, the piece gains a stronger tone contrast, keeping at the same time its deep spiritual beauty, thus bringing it to a wider range of public and performance choices. it is very easy to perform, yet it moves deeply both performer and public. The piece is appropriate for beginner students. It can be used in serious concerts and all kinds of cultural events. It is a very Spiritual piece, it induces a wonderful mood in Baptism or Christmas celebrations. One can get married to it. The piece is also appropriate to honor someone in a funeral. Although this score was composed in full intent to be performed as written, the Harp part can be played by itself and the orquestral arrangement from the Hymn can also be performed without the Harp. This score was conceived so that without adaptations, the Harp the orchestra and the original Choir could perform at the same time. Or intercalated „Ad Lieb, the Harp with the choir, or the orquestra with the choir. Instead of a full string orquestra one can also use just a string quartet and a doublebass. A Little Historical Note. „The Cherubic Hymn is part of the Liturgy of St. John Chrysostom written in the fourth century by the Byzantine saint, honored as such by both Eastern Orthodox and Roman Catholic churches. In the context of the liturgy, the hymn is sung during the most mystical and spiritual part of the service as a prelude to the transubstantiation of bread and wine into the real presence of Our Lord. Pyotr Ilyich Tchaikovsky, the inspiring Master and genial composer with whom I had the happy causality to write this improvisation or „collab was born in; 25 April/7 May 1840 – 25 October/6 November 1893, was a Russian composer of the late Romantic period, he created an outstanding number of unique musical masterpieces. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design, this work is dedicated to her. Special Thanks to Tchaikovsky, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was produced with Garritan instruments. Thank You very much that You toke Your Time to read this text and to listen the file. I hope You enjoy it, Sheers…
$9.99 ≈
9.23€
MENDELSSOHN Song without Words Op.62.No.4 for string orchestra
MENDELSSOHN Song without Words Op.62.No.4 for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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I
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MENDELSSOHN Song without Words
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Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.963713 Composed by Felix Bartholdy Mendelssohn. Arranged by I. Romantic Period. Score and Parts. 8 pages. Ian Butte...
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String Orchestra - Level 3 - SKU: A0.963713 Composed by Felix Bartholdy Mendelssohn. Arranged by I. Romantic Period. Score and Parts. 8 pages. Ian Butterworth #5968195. Published by Ian Butterworth (A0.963713). One of the shortest Songs without Words. A genial piece in G major lasting one minute.  Copying of individual parts for sole use by the purchaser is permitted.Through the experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have proved their suitability for youth and amateur players. www.ianbutterworthmusic.co.uk
$7.99 ≈
7.38€
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99 ≈
3.69€
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