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Vous avez sélectionné:
Gentle adagio
Partitions à imprimer
20 partitions trouvées
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1
Adagio Cantabile
Adagio Cantabile
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Giuseppe Tartini
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Jaime Morales-Matos
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Adagio Cantabile
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Gordon Cherry
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1240833 Composed by Giuseppe Tartini. Arranged by Jaime Morales-Matos. Baroque. Score and part. 4 pages. Gordon...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1240833 Composed by Giuseppe Tartini. Arranged by Jaime Morales-Matos. Baroque. Score and part. 4 pages. Gordon Cherry #836226. Published by Gordon Cherry (A0.1240833). The Tartini Adagio Cantabile is a beautiful and haunting piece of music composed by the Italian Baroque composer Giuseppe Tartini. The composition is a slow and contemplative piece that is characterized by its lyrical melody and expressive harmonies.The piece is originally scored for solo violin and string orchestra, and it begins with a simple, yet evocative melody that is accompanied by a gentle, pulsing accompaniment. As the piece progresses, the soloist becomes more expressive, weaving intricate melodies around the underlying harmonic structure.One of the most notable features of the Tartini Adagio Cantabile is its use of dissonance, particularly in the harmonies that underpin the solo part. These dissonances create a sense of tension and release throughout the piece, adding to its emotional impact.Overall, the Tartini Adagio Cantabile is a masterful work of Baroque music and this 4-minute arrangement by Jaime Morales Matos showcases the expressive power of the Trombone and the creative genius of the composer. Its haunting melody and expressive harmonies have made it a beloved piece among both performers and audiences alike.Appropriate for advanced intermediate performers and is in bass clef.
$15.00 ≈
13.64€
Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp
Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Adagio from the Moo
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.552224 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding...
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Bass Clarinet,Piano - Level 3 - SKU: A0.552224 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #6274037. Published by jmsgu3 (A0.552224). The Adagio from Beethoven's Moonlight Sonata is highly significant in classical music. The first movement, Adagio sostenuto, is particularly renowned for its mysterious and gentle arpeggios, creating a unique and captivating atmosphere. It is often described as having a mesmerizing and heartbroken mood and is considered one of the most iconic and poetic pieces in the classical music repertoire. The movement is in C-sharp minor and is characterized by its slow, expressive, and emotional nature, lasting approximately 6 minutes. Beethoven's innovative approach to the structure and style of the Moonlight Sonata, as well as the emotional depth of the Adagio, have contributed to its enduring significance in the world of classical music.The nickname Moonlight Sonata traces back to the 1830s when German Romantic poet Ludwig Rellstab likened the first movement of Beethoven's Piano Sonata No. 14 in C-sharp Minor, Op. 27, No. 2 to a boat floating in the moonlight on Switzerland’s Lake Lucerne. Beethoven called it Sonata quasi una fantasia, meaning sonata in the manner of a fantasy. The piece was completed in 1801 and published the following year. The nickname Moonlight Sonata has endured due to the mysterious, gently arpeggiated, and seemingly improvised nature of the first movement, which creates a unique and captivating atmosphere.
$24.95 ≈
22.69€
Adagio In C Minor
Adagio In C Minor
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Yanni
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Roy Robert Davila Gomez (R
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Adagio In C Minor
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R.Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1400341 Composed by Yanni. Arranged by Roy Robert Davila Gomez (R.Music). Contemporary,Multicultural,New Age,Singer/S...
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Full Orchestra - Level 4 - SKU: A0.1400341 Composed by Yanni. Arranged by Roy Robert Davila Gomez (R.Music). Contemporary,Multicultural,New Age,Singer/Songwriter,Wedding,World. 39 pages. R.Music #983505. Published by R.Music (A0.1400341). Aimed at conductors, instrumentalists, and amateur musicians, this wonderful work was professionally transcribed and adapted with careful attention to detail, since it is a score for full orchestra just as Yanni offers in his live concerts, that makes it A unique work with exceptional quality highly sought after on the internet.Yanni's Adagio in C Minor is a masterful work that captivates with its emotionality and beauty. This piece allows musicians to explore the depth of musical expression while evoking a wide range of emotions in the audience. From its gentle passages to its powerful crescendos, each note is imbued with passion and poetry. With Adagio in C Minor, performers have the opportunity to immerse themselves in an unforgettable musical experience, while listeners are transported on a sonic journey that leaves them in awe.
$69.99 ≈
63.66€
Adagio for Violin and Piano
Adagio for Violin and Piano
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Lynne German
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Adagio for Violin and Piano
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Lynne German
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.950885 Composed by Lynne German. 20th Century,Concert,Contemporary,Standards. Score...
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.950885 Composed by Lynne German. 20th Century,Concert,Contemporary,Standards. Score and parts. 4 pages. Lynne German #3568037. Published by Lynne German (A0.950885). Adagio for Violin and Piano is an exquisitely beautiful piece that includes key changes, register changes, climaxes, and a very gentle descent into the final pianissimo. Adagio challenges the player’s technic, while leaving open space for rich interpretation, calling the performer freely into new levels of musical depth.
$4.95 ≈
4.50€
Adagio cantabile for Two Flutes
Adagio cantabile for Two Flutes
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2 Flûtes traversières (duo)
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Classique
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Ludwig van Beethoven
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Paul Kajzar
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Adagio cantabile for Two Flute
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Paul Kajzar, Gyllcott Music
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SheetMusicPlus
Flute Duet Flute - SKU: A0.1078736 Composed by Ludwig van Beethoven. Arranged by Paul Kajzar. Classical,Romantic Period. Score. 5 pages. Paul Kajzar, Gy...
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Flute Duet Flute - SKU: A0.1078736 Composed by Ludwig van Beethoven. Arranged by Paul Kajzar. Classical,Romantic Period. Score. 5 pages. Paul Kajzar, Gyllcott Music #682953. Published by Paul Kajzar, Gyllcott Music (A0.1078736). A short and gentle arrangement for two flutes of the main theme from the 2nd movement of Beethoven’s piano sonata no. 8. The score format of this arrangement is a double stave displaying both parts and the set includes 2 copies. Difficulty level : Intermediate.
$1.99 ≈
1.81€
Adagio in F for Organ
Adagio in F for Organ
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Orgue
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Christopher Evans
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Adagio in F for Organ
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Christopher Evans
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SheetMusicPlus
Organ - SKU: A0.846369 Composed by Christopher Evans. Contemporary,Wedding. Score. 4 pages. Christopher Evans #5775137. Published by Christopher Evans (...
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Organ - SKU: A0.846369 Composed by Christopher Evans. Contemporary,Wedding. Score. 4 pages. Christopher Evans #5775137. Published by Christopher Evans (A0.846369). A soft gentle piece for a solo flute stop accompanied by soft string stops, e.g. Salicional and Celeste coupled to a soft 16 pedal stop. This piece only requires two manuals and a few stops. The indicated registration is only a guide.
$8.00 ≈
7.28€
Gentle adagio
Gentle adagio
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Orgue
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FACILE
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N/A
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N/A
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Gentle adagio
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Allan Leslie McDougall
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1175033 By N/A. By Allan Leslie McDougall. Arranged by N/A. 19th Century,Christian,Classical,Early Music,Religious. Score. 3 p...
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Organ - Level 2 - SKU: A0.1175033 By N/A. By Allan Leslie McDougall. Arranged by N/A. 19th Century,Christian,Classical,Early Music,Religious. Score. 3 pages. Allan Leslie McDougall #775164. Published by Allan Leslie McDougall (A0.1175033). A tuneful, relatively easy peaceful piece for organ. Suitable for any subdued setting e.g. a voluntary before a church service/ wedding/ funeral.
$3.00 ≈
2.73€
Top 5 Beautiful Classical Themes for Woodwind Quintet - 1st Version
Top 5 Beautiful Classical Themes for Woodwind Quintet - 1st Version
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Woods Only
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Swan Lake
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Top 5 Beautiful Classical Them
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.956916 Arranged by Woods Only. Classical,Concert,Romantic Period,Standards,World. 81 pages. Woods...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.956916 Arranged by Woods Only. Classical,Concert,Romantic Period,Standards,World. 81 pages. Woods Only, Arrangements #6571929. Published by Woods Only, Arrangements (A0.956916). This collection is the first version of the 5 most beautiful songs ever released for woodwind quintet, containing songs of the most varied and periods, from beginner to professional level. It can be performed in various occasions and places such as concert halls and academic stages. You can find the complete score on this site: https://bit.ly/WoodOnly And also expensive music in the description below.I. Swan Lake by Pyotr TchaikovskyBeautiful melody eternalized by his entrance on the oboe; Swan Lake. In a version for wood quintet where it preserves the original beauty and maintains the subtlety of the original orchestration. It can be performed by music beginners and presented in professional or academic recitals and concerts.II. Adagio from Piano Sonata No. 2 in F major by Amadeus MozartOut of the ordinary, a sad, melancholy and gentle Adagio written by Mozart in his sonata in F for piano. It can be performed by beginners and professionals alike, and is suitable for academic recitals and concerts where the music of the classical period is praised.III. Second Movement from Sonata No. 8 Pathétique by BeethovenThe second movement represents one of the most beautiful pages ever written in music. The soft melody, accompanied by harmonies that could only have come from Beethoven's pen, create an atmosphere of tranquility and impressive calm. For beginning students it is a great piece to develop the notion of the cantabile, and can be performed in academic recitals or concerts.IV. Czardas (Csárdás) by Vittorio MontiFun and celebrated original music for violin in a version that maintains the subtlety and joy contained in the original work, even though it is also folkloric, this does not prevent it from occupying its space on the great stages of concert halls and conservatories, it is not suitable to be played by beginners, but can be performed in academic recitals or concerts.V. Clair de lune from Suite Bergamasque by Claude DebussyThis arrangement for woodwind quintet was made thinking of the symbolism and beauty of the original work, keeping the essence of the original work and can be performed by intermediate students and presented in recitals and concerts.
$29.99 ≈
27.28€
Fugue No.3
Fugue No.3
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Piano seul
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AVANCÉ
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Contemporain
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David Tsvariani
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Fugue No.3
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David ...
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Piano Solo - Level 5 - SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David Tsvariani (A0.1324803). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.81€
Fugue No.4
Fugue No.4
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Piano seul
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AVANCÉ
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Contemporain
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David Tsvariani
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Fugue No.4
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David ...
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Piano Solo - Level 5 - SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David Tsvariani (A0.1324805). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.81€
Fugue No.2
Fugue No.2
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Piano seul
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AVANCÉ
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Contemporain
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David Tsvariani
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Fugue No.2
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David ...
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Piano Solo - Level 5 - SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David Tsvariani (A0.1324802). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.81€
Fugue No.1
Fugue No.1
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Piano seul
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AVANCÉ
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Contemporain
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David Tsvariani
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Fugue No.1
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Publishe...
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Piano Solo - Level 5 - SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Published by David Tsvariani (A0.1324800). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.81€
Dreaming, Opus 30
Dreaming, Opus 30
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Piano seul
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FACILE
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David Pentecost
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Dreaming, Opus 30
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David Pentecost
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.895794 Composed by David Pentecost. Contemporary,Romantic Period. Score. 6 pages. David Pentecost #5024669. Published by ...
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Piano Solo - Level 2 - SKU: A0.895794 Composed by David Pentecost. Contemporary,Romantic Period. Score. 6 pages. David Pentecost #5024669. Published by David Pentecost (A0.895794). A mostly gentle 5 page work in three sections: adagio, andante and adagio. In 3:4 time. Duration: just over 3 minutes.(In case you are wondering where Opus 29 is, it has not yet been fully transcribed to sheet music, and it is the piano solo improvisation to a relaxation video, which can be seen and heard at https://youtu.be/ZWwS1pFC8-QÂ ).
$3.99 ≈
3.63€
Second Time in Dorset
Second Time in Dorset
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Violon et Piano
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INTERMÉDIAIRE
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Contemporain
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Sheena Edwards
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Second Time in Dorset
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Songs at Sea
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.483313 Composed by Sheena Edwards. Contemporary. 6 pages. Songs at Sea #102891. Published by Songs at Sea (A0.483313). ...
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Piano,Violin - Level 3 - SKU: A0.483313 Composed by Sheena Edwards. Contemporary. 6 pages. Songs at Sea #102891. Published by Songs at Sea (A0.483313). A gentle, contemplative violin solo piece with piano accompaniment. Adagio with multiple key changes.
$1.99 ≈
1.81€
Black is the Color of my True Love's Hair
Black is the Color of my True Love's Hair
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Piano Facile
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DÉBUTANT
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Traditional
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Doniell Cushman
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Black is the Color of my True
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Doniell C Cushman
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.948007 Composed by Traditional. Arranged by Doniell Cushman. Folk,Instructional,Standards. Score. 3 pages. Doniell C Cush...
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Easy Piano - Level 1 - SKU: A0.948007 Composed by Traditional. Arranged by Doniell Cushman. Folk,Instructional,Standards. Score. 3 pages. Doniell C Cushman #5335541. Published by Doniell C Cushman (A0.948007). Arranged for Late Elementary to Early Intermediate, this version works solely with the A Minor and G Major broken chord.Includes Gentle tempo of Adagio, Pedal markings, Slurs, Dynamic Phrasing, and a Fermata at the end.
$3.99 ≈
3.63€
Six Violin Duets, Op. 1
Six Violin Duets, Op. 1
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2 Violons (duo)
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INTERMÉDIAIRE
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 1
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Artaria Editions
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. P...
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Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00 ≈
65.49€
Six Violin Duets, Op. 2
Six Violin Duets, Op. 2
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2 Violons (duo)
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INTERMÉDIAIRE
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 2
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Artaria Editions
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. P...
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Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00 ≈
65.49€
Glory of the West
Glory of the West
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Trompette, Piano
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AVANCÉ
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Lynn L
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Dr
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Glory of the West
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Lynn L. Petersen
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SheetMusicPlus
Piano,Trumpet - Level 5 - SKU: A0.973263 Composed by Lynn L. Petersen. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 24 pages. L...
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Piano,Trumpet - Level 5 - SKU: A0.973263 Composed by Lynn L. Petersen. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 24 pages. Lynn L. Petersen #6886191. Published by Lynn L. Petersen (A0.973263). Glory of the West was commissioned by Dr. Zach Buie and premiered at the College of Southern Idaho on March 3, 2020. Dr. Buie requested a new work connected with or inspired by the Mountain West region. The inspiration for this piece was the song MONTANA, which I first heard at a memorial service, a great favorite of the gentleman who had passed. The song was composed in 1910 and later adopted as Montana's state song. Glory of the West is in three sections. The first, marked Rolling Along, conveys optimism and wide-open spaces. The middle Adagio section features a descending stepwise melody followed by a soaring ascending line, reminiscent of melodic contours in the refrain of the song. The final section, marked Playfully, begins with fragments of a lively and rhythmically irregular motive, and woven throughout are echoes of the ascending lines from the previous section. The score contains the Piano and C Trumpet parts in concert pitch, and a part for B-flat Trumpet is provided as an alternate.
$10.99 ≈
10.00€
Vivaldi: The Four Seasons Complete for Euphonium & Piano
Vivaldi: The Four Seasons Complete for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: The Four Seasons Comp
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jmsgu3
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SheetMusicPlus
Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Sco...
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Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Score, Set of Parts, Solo Part. 188 pages. Published by jmsgu3
Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4
Contents:
SPRING
Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42
I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.
FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.
THUNDER: The skies are dark; lightning flashes and thunder roars.
SONG OF THE BIRDS: After the storm, the birds return with their song.
II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking Dogs
III. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
SUMMER
Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
I. Allegro non molto
LANGUISHING IN THE HEAT
Man and beast wilt in the burning sun; even the evergreens feel the heat.
THE CUCKOO
The Cuckoo sings loudly.
THE DOVE
And the songs of the turtledove and goldfinch are ardent.
THE GOLDFINCH
The gentle breezes sigh.
CHANGING WINDS.
but the north wind suddenly appears and starts to quarrel.
THE NORTH WIND
A frightened shepherd weeps in fear and bemoans his fate.
II. Adagio
The fierce lightning and terrible thunder makes the shepherd unable to rest his weary body.
BLUE-BOTTLE FLIES
III. Presto
TEMPESTUOUS SUMMERTIME
The shepherd is right to be afraid. The sky flashes and the thunder is awesome.
Grain and fruit are destroyed by the storm.
AUTUMN
Vivaldi: Autumn from the Four Seasons, Op. 8 No. 3 (RV316) Score: 27 pages, Duration: 10:37, 3 movements.
I. Allegro. The peasants dance and sing, hailing the fruits of the harvest.
The drunkard drinks deeply from the cup of Bacchus.
The Drunks. A Drunk.
The drunkards fall into a deep slumber.
II. Adagio molto. The drunkards sleep soundly; the season is mild; peace and rest overtake all the joyous peasants.
III. Allegro. The Hunt.
As dawn breaks the hunter appears with his horn, hound, and gun.
The prey appears; the chase is on.
The prey is bewildered by the clamorous dogs and the noise of the guns.
Fatigued and wounded, the prey falls and dies.
WINTER
Vivaldi: Winter from The Four Seasons, Op. 8 (RV297) Score: 23 Pages, Duration: ca. 8:30, 3 movements.
I. Allegro non molto. We shiver in the snow and are pierced by the cruel winds.
We run and stamp our feet at every step.
Our teeth chatter with the cold.
II. Largo. We pass the day contented by the fireside; outside it is raining very hard.
III. Allegro. We carefully walk on the ice. We are afraid we may fall.
We Slip and fall. We get up and bravely try again.
The ice is breaking, the cracks are wide.
The shrieking winds are at war.
Such is winter, but it has its joys.
$49.95 ≈
45.43€
Vivaldi: Summer from the Four Seasons for Violin & Piano
Vivaldi: Summer from the Four Seasons for Violin & Piano
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Violon et Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Summer from the Four
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jmsgu3
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SheetMusicPlus
Violin & Piano - Advanced - Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General In...
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Violin & Piano - Advanced - Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Score, Set of Parts, Solo Part. 56 pages. Published by jmsgu3
Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
I. Allegro non molto
LANGUISHING IN THE HEAT
Man and beast wilt in the burning sun; even the evergreens feel the heat.
THE CUCKOO
The Cuckoo sings loudly.
THE DOVE
And the songs of the turtledove and goldfinch are ardent.
THE GOLDFINCH
The gentle breezes sigh.
CHANGING WINDS.
but the north wind sudddenly
appears and strats to quarrel.
THE NORTH WIND
A frightened shephered weeps in fear and bemoans his fate.
II. Adagio
The fierce lightning and terrible thunder makes the shepherd unable to rest his weary body.
BLUE-BOTTLE FLIES
III. Presto
TEMPESTUOUS SUMMERTIME
The shepherd is right to be afraid. The sky flashes and the thunder is awesome.
Grain and fruit are destroyed by the storm.
$32.95 ≈
29.97€
<
1
Gentle adagio
