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Get Back Up Guitar
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Vous avez sélectionné:
Get Back Up Guitar
Partitions à imprimer
105 partitions trouvées
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101
Get Back Up - Guitar
Get Back Up - Guitar
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Guitare (partie séparée)
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tobyMac
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Mark A
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Get Back Up - Guitar
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.315223 By tobyMac. Arranged by Mark A. Brymer. This edition: scorch. Christian,Collection,Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard ...
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SKU: HX.315223 By tobyMac. Arranged by Mark A. Brymer. This edition: scorch. Christian,Collection,Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #214662. Published by Hal Leonard - Digital (HX.315223).
$7.00 ≈
$9.70
Guitar Theory Modules
Guitar Theory Modules
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Guitare
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INTERMÉDIAIRE
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Methodes
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Tom Godfrey
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Guitar Theory Modules
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Tom Godfrey
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SheetMusicPlus
Guitar, Music Theory - Intermediate - Digital Download Composed by Tom Godfrey. Method, Etudes and Exercises, General Instructional. 233 pages. Publi...
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Guitar, Music Theory - Intermediate - Digital Download Composed by Tom Godfrey. Method, Etudes and Exercises, General Instructional. 233 pages. Published by Tom Godfrey
Most music theory books are written from a piano perspective, but Guitar Theory Modules is written for the guitar player. You'll learn basic music theory in a series 80 bite-sized modules of 1-4 pages each. You'll learn how scales and chords are put together, and there are plenty of playing exercises so you can apply theory to the fretboard. It's best to work through Guitar Theory Modules with a teacher, but in case you are learning on your own, there is an answer section in the back so you can check your work on the written exercises. A deeper understanding of how music is put together can improve your music reading, give you ideas for writing, and help you become a more well-rounded musician. Before beginning Guitar Theory Modules, you should know how to read music in standard notation, be familiar with the concept of sharps and flats, and know (or be learning) the note names on each string up to the 12th fret. Need help? Check out www.godfreyguitarlessons.com for online lesson information.
$16.00 ≈
$22.17
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99 ≈
$16.61
Beginning Rock/Pop Guitar Etudes
Beginning Rock/Pop Guitar Etudes
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Guitare
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FACILE
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Methodes Etudes
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Adam Douglass
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Beginning Rock/Pop Guitar Etud
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (rock & blues) - Beginning-Intermediate - Composed by Adam Douglass. Rock. E-book and online video. 32 pages. Mel Bay Publications - Digi...
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Guitar (rock & blues) - Beginning-Intermediate - Composed by Adam Douglass. Rock. E-book and online video. 32 pages. Mel Bay Publications - Digital Sheet Music #30648MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117679.
Is the beginning stage of learning the guitar proving to be a frustrating experience? Do you lack songs which you can play from start to finish? Do the ones that you can play all the way through not sound much like their original versions? I have been teaching these pieces to my beginner students for quite some time now, and the success rate has been remarkable. Most methods start by having the student slowly move back and forth between basic chords using only down strokes, playing chords one note at a time to make sure all the notes ring clear. This book offers something much differentaplaying music! The pieces are designed to target trouble areas often experienced by beginners of the instrument: arching the fingers enough in order to let all the notes of a chord ring clearly. Rather than just droning on through a series of chords, musical patterns are created so that as you learn proper technique youare also playing something musical. The results have been better than expected. Focusing on figures that demand proper technique and some of the most common strumming patterns found in popular music, many of my students are able to execute beginner and intermediate level songs within a few weeks of picking up the instrument rather than a few months. Additionally, the dreaded F chord, or root 6 major barre chord, often rings clearly with all 6 notes being heard upon the first attempt. This book will help you achieve your guitar related goals quickly, more efficiently, and most importantly, more enjoyably. Includes access to online video.
$12.99 ≈
$18.00
Waltz Op 69 No 2 (Arranged for Guitar)
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99 ≈
$2.76
We Must Learn to Walk Together
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99 ≈
$5.53
Nevermore for alto and classical guitar
Nevermore for alto and classical guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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David Warin Solomons
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Nevermore for alto and classic
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1373984 Composed by David Warin Solomons. 20th Century,Contemporary. Score. 8 pages. David Warin Solomons #...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1373984 Composed by David Warin Solomons. 20th Century,Contemporary. Score. 8 pages. David Warin Solomons #958551. Published by David Warin Solomons (A0.1373984). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat major The pdf contains score and separate guitar partThe poem and English translation are as follows:Nevermore Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$11.00 ≈
$15.24
Anna Kendrick: Get Back Up Again (from Trolls) - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Film/TV
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Anna Kendrick
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Virtualsheetmusic
Instantly printable sheet music by Anna Kendrick for voice, piano or guitar of MEDIUM skill level. / film/tv,pop,movies
Instantly printable sheet music by Anna Kendrick for voice, piano or guitar of MEDIUM skill level. / film/tv,pop,movies
$7.97 ≈
$11.04
tobyMac: Get Back Up - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Christian contemporain
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tobyMac
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Virtualsheetmusic
Instantly printable sheet music by tobyMac for voice, piano or guitar of MEDIUM skill level. / christian,pop
Instantly printable sheet music by tobyMac for voice, piano or guitar of MEDIUM skill level. / christian,pop
$8.97 ≈
$12.43
Get Back Up Again
Get Back Up Again
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Piano, Voix et Guitare
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Film/TV
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Pop musique
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Justin Timberlake, Benj Pasek,
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Pop
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Get Back Up Again
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Justin Timberlake, Benj Pasek, and Anna Kendrick. Film/TV; Pop. Piano/Vocal/Guitar (chords only). 9 pages. Published by Hal Leonard - Digital Sheet Music (HX...
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By Justin Timberlake, Benj Pasek, and Anna Kendrick. Film/TV; Pop. Piano/Vocal/Guitar (chords only). 9 pages. Published by Hal Leonard - Digital Sheet Music (HX.372302). - Piano/Vocal/Guitar (chords only) - Film/TV; Pop - Hal Leonard - Digital Sheet Music
$4.99 ≈
$6.91
Love Will Keep Us Together
Love Will Keep Us Together
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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The Captain & Tennille
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John Fries
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Love Will Keep Us Together
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1199669 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by John Fries. 20th Centu...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1199669 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Score. 3 pages. John Fries #798672. Published by John Fries (A0.1199669). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  It was first recorded by Sedaka in 1973. American pop duo Captain & Tennille covered the song in 1975, with instrumental backing almost entirely by “Captain†Daryl Dragon. Sedaka admitted lifting the main chord progression from Do It Again by The Beach Boys and added a progression including augmented chords. Neil Sedaka rerecorded a spoof of his song, renaming it Lunch Will Keep Us Together for his first children's CD Waking Up Is Hard to Do.
$4.99 ≈
$6.91
Getting Better
Getting Better
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Rock
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The Beatles
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Bill Swick
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Getting Better
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Bill Swick
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SheetMusicPlus
Small Ensemble Bass Guitar,Drums,Voice - Level 3 - SKU: A0.810649 By The Beatles. By John Lennon and Paul McCartney. Arranged by Bill Swick. Rock. Score...
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Small Ensemble Bass Guitar,Drums,Voice - Level 3 - SKU: A0.810649 By The Beatles. By John Lennon and Paul McCartney. Arranged by Bill Swick. Rock. Score and parts. 38 pages. Bill Swick #6602047. Published by Bill Swick (A0.810649). This arrangement of Getting Better may be performed with a guitar quartet or large guitar ensemble along with two electric guitars, bass, drums, and optional back-up singers. The tempo and range make this an intermediate level arrangement. This is ideal for Year 2, Quarter 3.
$35.00 ≈
$48.49
We Are Never Ever Getting Back Together
We Are Never Ever Getting Back Together
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Orgue
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Pop musique
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Taylor Swift
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We Are Never Ever Getting Back
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1036554 By Taylor Swift. This edition: scorch. E-Z Play Today. Country,Pop. Score. 7 pages. Hal L...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1036554 By Taylor Swift. This edition: scorch. E-Z Play Today. Country,Pop. Score. 7 pages. Hal Leonard - Digital #226878. Published by Hal Leonard - Digital (HX.1036554). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
$4.14
Got To Get You Into My Life
Got To Get You Into My Life
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Rock
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The Beatles
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Bill Swick
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Got To Get You Into My Life
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Bill Swick
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.810651 By The Beatles. By John Lennon and Paul McCartney. Arranged by Bill Swick. Contemporary. Score and parts. 34 p...
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Small Ensemble - Level 4 - SKU: A0.810651 By The Beatles. By John Lennon and Paul McCartney. Arranged by Bill Swick. Contemporary. Score and parts. 34 pages. Bill Swick #6602537. Published by Bill Swick (A0.810651). This arrangement of Got to Get You Into My Life is written for 4 acoustic guitars, 2 electric guitars, violin, viola, cello, bass, drums and optional back-up singers. This may be performed with a small ensemble or a large ensemble. It is a great way to demonstrate collaboration amongst areas of the music department by including orchestra and choir students. The range, rhythms, and tempo suggest this is an advanced intermediate level arrangement ideal for Year 2, Quarter 3.
$30.00 ≈
$41.56
Get Back
Get Back
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Piano grosses notes
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DÉBUTANT
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Rock
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The Beatles
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Get Back
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.447145 By The Beatles. This edition: scorch. E-Z Play Today. Pop,Rock,Standards. Score. 2 pages. ...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.447145 By The Beatles. This edition: scorch. E-Z Play Today. Pop,Rock,Standards. Score. 2 pages. Published by Hal Leonard - Digital (HX.447145). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
$4.14
You Can Close Your Eyes
You Can Close Your Eyes
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Guitare notes et tablatures
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FACILE
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Rock
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James Taylor
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John Murphy C
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#
You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Pu...
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Guitar - Level 2 - SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Published by John Murphy (A0.841182). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags : Sheet music, Tab, Pop/Rock, Folk , Country, Acoustic Guitar, Easy Intermediate
$5.99 ≈
$8.30
You Can Close Your Eyes
You Can Close Your Eyes
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Guitare notes et tablatures
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INTERMÉDIAIRE
#
Rock
#
James Taylor
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John Murphy C
#
#
You Can Close Your Eyes
#
John Murphy
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Pu...
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Guitar - Level 3 - SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Published by John Murphy (A0.841181). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.com
$5.99 ≈
$8.30
You Can Close Your Eyes
You Can Close Your Eyes
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Guitare notes et tablatures
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Rock
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James Taylor
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John Murphy C
#
#
You Can Close Your Eyes
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John Murphy
#
SheetMusicPlus
Guitar - SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by...
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Guitar - SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by John Murphy (A0.841180). You Can Close Your Eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :) Contact me at info@guitarlessonsdundrum.com
$6.99 ≈
$9.68
Get Back Up
Get Back Up
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Piano, Voix et Guitare
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Christian contemporain
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tobyMac
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Get Back Up
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By tobyMac. For piano, voice and guitar (chords only). Christian; Pop. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music ...
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By tobyMac. For piano, voice and guitar (chords only). Christian; Pop. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
$6.91
Superwoman
Superwoman
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Deborah Johnson
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Barnes &
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Superwoman
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Deborah Johnson
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1404284 By Deborah Johnson. By Deborah Johnson. Broadway,Comedy,Contemporary,Jazz,Musical/Show,Singer/Songw...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1404284 By Deborah Johnson. By Deborah Johnson. Broadway,Comedy,Contemporary,Jazz,Musical/Show,Singer/Songwriter. Score. 15 pages. Deborah Johnson #987387. Published by Deborah Johnson (A0.1404284). Deborah Johnson's Superwoman is a vibrant tribute to the incredible strength of women worldwide. This upbeat and energetic song celebrates the everyday feats of ordinary yet extraordinary women. Drawing from her own experiences, Deborah navigates the complexities of managing a household, navigating career changes, raising three children, maintaining a marriage, and all the challenges life throws her way. Through Superwoman, Deborah captures the resilience and determination required to juggle multiple roles and responsibilities, resonating with listeners who understand the struggle of holding everything together. Purchase the single MP3 here: https://amzn.to/3PvNCHK The accompaniment MP3 track is also available for download Note from Deborah: Are you embracing your inner superheroine? I get it—navigating life's hurdles while donning our invisible capes can feel like a whirlwind circus act. To claim the title of Superwoman, you've got to juggle the whole shebang: home life, career acrobatics, kid wrangling, spouse wrangling (or partner wrangling, let's keep it inclusive), and just the general chaos of existence. It's the kind of balancing act that'd make a Cirque du Soleil performer jealous! Speaking from the trenches myself, I've done my fair share of plate-spinning: managing a household, enduring the rollercoaster ride of a career (complete with loop-de-loops), wrangling three sons who seem to have synchronized their mischief, keeping a marriage afloat through the stormy seas and dealing with the curveballs life tosses our way. And let's not forget society's laundry list of expectations: staying fit, maintaining a Pinterest-worthy home, being the rock for our loved ones... and that's not even touching on the culinary escapades! And let's raise a toast to the single moms out there, pulling off the ultimate juggling act—balancing multiple jobs, raising the next generation of superheroes, and keeping the household shipshape. They're the Superwomen on turbocharged overdrive! It's no wonder that the song Superwoman resonates with us—it's our anthem, our battle cry, and our reminder that we're all superheroes in our own right! Written, arranged and performed by Deborah Johnson. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded dozens of albums, written 3 original musicals and has appeared on many stages around the country and world. She also appeared with the headliner piano/vocal duo Double Grande. Her internationally released bookshave garnered great reviews (on Amazon & Barnes & Noble) Deborah’s songs have also been up for multiple Grammy Awards. Music and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Backgrounds by Deborah and David Johnson. Additional production, guitars and bass by Michael Ferenci. Recorded at Ferenci Studios, Silverlake, CA. https://DJWorksMusic.com For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com YouTube Link https://youtu.be/YUOvivxjlsw?si=AGohZrZl1ErdkQTDÂ
$8.99 ≈
$12.46
Ballad Of A Homeschooled Girl
Ballad Of A Homeschooled Girl
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Piano, Voix et Guitare
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FACILE
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Olivia Rodrigo
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Audrey Trammell
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Ballad Of A Homeschooled Girl
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Audrey Trammell
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1446556 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Audrey Trammell. Contemporary,Po...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1446556 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Audrey Trammell. Contemporary,Pop,Rock,Singer/Songwriter. Score. 9 pages. Audrey Trammell #1026358. Published by Audrey Trammell (A0.1446556). This is a chart for a vocalist, guitarist, and bassist. This chart is in Ab major and has a BPM of 120, and the bridge has a tempo change to 85 before going back up again at the last chorus. The notation for bass and guitar is exact, but I also included chords where relevant in case of a second guitarist. There are instructions for a drummer. This chart is about 3 and a half minutes long, and clean. Works great as an energetic closer for a set!
$4.99 ≈
$6.91
You Could Be Just That!
You Could Be Just That!
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Andrew McDonald
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Andrew McDonald
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You Could Be Just That!
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Andrew Mc Donald
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1249844 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Pop. Score. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1249844 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #844322. Published by Andrew Mc Donald (Macka Records) (A0.1249844). You Could Be Just That is a song about being a little flat. Sometimes we get to work and we feel a bit under the weather, perhaps tired or grumpy. So it is a good idea to sit down perhaps have a coffee and a chat to perk us up to get back into the vibe of our day. The Lord is our rest when we are weary. This is a pop song for piano and vocals.
$4.99 ≈
$6.91
Folk Songs For Classical Guitar - Volume 29 (Songs 757-783)
Folk Songs For Classical Guitar - Volume 29 (Songs 757-783)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1163847 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1163847 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 46 pages. Socrates Arvanitakis #764199. Published by Socrates Arvanitakis (A0.1163847). This is the twenty-ninth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 29 (Songs 757-783)Sally BrownSally GraySamuel Hooser’s HymnSandySantianaScarborough Fair 1Scarborough Fair 2 (singing together version)Scraping Up Sand In The Bottom Of The SeaSearching for LambsSeasons of the Year (the)Second Britford CarolSee Amid the Winter’s SnowSeeds of Love (the)Servant of Rosemary Lane (the)Servingman and the Husbandman (the)Seven Virgins (the)Seventeen Come SundayShaker March No 20Shaker Solemn Song 2 (A)Shaker Solemn Song 12Shaker Turning Shuffle Tune No. 5She’s like the SwallowSheepcrook and Black DogSheep-shearing SongShepherd and his dog (the)Shepherd’s Song (the)Shepherds Arise.
$25.00 ≈
$34.64
Yang
Yang
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Bah Eilat Omar
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Salomon Abiassi
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Yang
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Salomon Abiassi
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1267632 Composed by Bah Eilat Omar. Arranged by Salomon Abiassi. Classical,Contemporary. Individual part. 3 pages. Salom...
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Solo Guitar - Level 4 - SKU: A0.1267632 Composed by Bah Eilat Omar. Arranged by Salomon Abiassi. Classical,Contemporary. Individual part. 3 pages. Salomon Abiassi #860173. Published by Salomon Abiassi (A0.1267632). Yang was composed by Bah Eilat Omar, who is Salomon's childhood friend from school during his time growing up in Togo. After ceasing musical activities for 10 years, while on travel in China, Omar reestablished contact with Salomon, who then reignited his desire to get back into music. In Omar's own words, the message behind “Yang†is as follows: We have within us the power to overcome any adversity. No matter its ferocity, the storm always eventually calms down..
$9.00 ≈
$12.47
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Get Back Up Guitar
