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Get Back Up Synthesizer
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Vous avez sélectionné:
Get Back Up Synthesizer
Partitions à imprimer
8 partitions trouvées
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Get Back Up - Synthesizer
Get Back Up - Synthesizer
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Piano (partie séparée)
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tobyMac
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Mark A
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Get Back Up - Synthesizer
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.315222 By tobyMac. Arranged by Mark A. Brymer. This edition: scorch. Christian,Collection,Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard ...
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SKU: HX.315222 By tobyMac. Arranged by Mark A. Brymer. This edition: scorch. Christian,Collection,Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #214662. Published by Hal Leonard - Digital (HX.315222).
$7.00 ≈
$9.54
Get Back Up Again (from Trolls) - Synthesizer
Get Back Up Again (from Trolls) - Synthesizer
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Piano (partie séparée)
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Film/TV
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Pop musique
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Benj Pasek, Justin Paul, and A
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Mac Huff
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Pop
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Get Back Up Again
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Benj Pasek, Justin Paul, and Anna Kendrick. Arranged by Mac Huff. Film/TV; Pop. EPak. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.368936). - ...
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By Benj Pasek, Justin Paul, and Anna Kendrick. Arranged by Mac Huff. Film/TV; Pop. EPak. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.368936). - ePak - Film/TV; Pop - Hal Leonard - Digital Sheet Music
$7.00 ≈
$9.54
Come, Let Us Sing
Come, Let Us Sing
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Musique Sacrée
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Christian contemporain
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Thomas D
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Thomas D
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Come, Let Us Sing
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Beyond the Walls Music
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Electric Guitar,Glockenspiel,Medium Voice,Medium-High Voice,Synthesizer - Level 2 - SKU: A0.1109013 By Thomas D. LeFevre. ...
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Drum Set,Electric Bass Guitar,Electric Guitar,Glockenspiel,Medium Voice,Medium-High Voice,Synthesizer - Level 2 - SKU: A0.1109013 By Thomas D. LeFevre. By Thomas D. LeFevre. Arranged by Thomas D. LeFevre. Christian,Contemporary,Praise & Worship,Religious,Sacred. Full Performance. Duration 160. Beyond the Walls Music (BMI) #711556. Published by Beyond the Walls Music (BMI) (A0.1109013). This joyous, up-tempo (BPM 128) praise song invites both singers and worshipers to join in singing our “glad Hosannas†and “thanks to our Redeemer…†Written in a simple, yet engaging contemporary style, Its melody encourages participation. While ideal for a modern worship ensemble, it can also be sung by a choir with piano. It can be readily produced with electric guitar, keyboard/synthesizer, bass, and drum kit. The song’s invitational and energetic nature makes for an effective beginning of contemporary worship - especially if the congregation likes to clap their hands on the back beat! A PDF two-page score, for piano/keyboard and three-part vocal is also available for purchase. Note: While not reflected in the score, the recording modulates from F to G for the final repeated chorus. This adds much energy and is suggested.
$2.50 ≈
$3.41
Circus
Circus
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Chorale SATB
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INTERMÉDIAIRE
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Pop musique
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Britney Spears
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Christopher Alexander
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Circus
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.839919 By Britney Spears. By Benjamin Levin, Claude Kelly, and Lukasz Gottwald. Arranged by Christopher A...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.839919 By Britney Spears. By Benjamin Levin, Claude Kelly, and Lukasz Gottwald. Arranged by Christopher Alexander. Pop. 16 pages. Christopher Alexander #6072717. Published by Christopher Alexander (A0.839919). Bring your circus to life with this choral arrangement of the 2008 hit by Britney Spears! Each gender gets their chance to shine with the melody while the other backs them up with emphatic accented notes, and the ending chorus allows a few sopranos to add a descant before the song ends with one final hit. The relentless drive of this song will bring your audience to the dance club!Full score and parts available (tenor sax, 3 trumpets, trombone, piano, synthesizer, bass guitar, drum set):https://www.sheetmusicplus.com/title/circus-full-score-and-parts-digital-sheet-music/21870452
$2.25 ≈
$3.07
Circus
Circus
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Pop musique
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Britney Spears
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Christopher Alexander
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Circus
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Christopher Alexander
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SheetMusicPlus
Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.839920 By Britney Spears. By Benjamin Levin, Claude Kelly, a...
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Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.839920 By Britney Spears. By Benjamin Levin, Claude Kelly, and Lukasz Gottwald. Arranged by Christopher Alexander. Pop. 59 pages. Christopher Alexander #6072723. Published by Christopher Alexander (A0.839920). Bring your circus to life with this choral arrangement of the 2008 hit by Britney Spears! Each gender gets their chance to shine with the melody while the other backs them up with emphatic accented notes, and the ending chorus allows a few sopranos to add a descant before the song ends with one final hit. The relentless drive of this song will bring your audience to the dance club!Octavo also available: https://www.sheetmusicplus.com/title/circus-octavo-digital-sheet-music/21870449
$25.00 ≈
$34.08
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamara released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamara released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamara, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamara's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamara at friend Donald Byrd's urging. Santamara started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamara later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamara recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamara included the track on his album Watermelon Man (1962). Santamara's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzl Pygmies (1966), by Simha Arom and Genevive Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99 ≈
$20.44
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Get Back Up Synthesizer
