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Give It One: Piano Accompaniment
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Vous avez sélectionné:
Give It One: Piano Accompaniment
Partitions à imprimer
493 partitions trouvées
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Give It One: Piano Accompaniment
Give It One: Piano Accompaniment
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Piano (partie séparée)
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Jazz
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Alan Downey and Maynard Fergus
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Alan Baylock
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Give It One: Piano Accompanime
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017572_K Piano Accompaniment. Composed by Alan Downey and Maynard Ferguson. Arranged by Alan Baylock. Jazz. Part. ...
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Jazz Ensemble - SKU: AX.00-PC-0017572_K Piano Accompaniment. Composed by Alan Downey and Maynard Ferguson. Arranged by Alan Baylock. Jazz. Part. 6 pages. Alfred Music - Digital Sheet Music #00-PC-0017572_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017572_K). UPC: 038081459486.You gotta have this spectacular chart! Alan arranged this one reminiscent of Maynard's version but in a lower key---the lead trumpet only goes to written D above the staff. Tempo is brisk at 220 BPM but you could play is a little slower. Solo space is provided for all four trumpets for flexibility. Truly outstanding! This title is available in SmartMusic.
$3.00 ≈
£2.29
Halevi Songs (piano/vocal score only)
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99 ≈
£6.87
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Trombone
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INTERMÉDIAIRE
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Opera
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Classique
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Tom Ervin
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Marco Bordogni
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20 Counterparts from Book 1 Ro
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual pa...
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Trombone Solo - Level 3 - SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00 ≈
£19.10
Never Gonna Give You Up / Rick Roll Meme (Early Intermediate Piano with Lyrics)
Never Gonna Give You Up / Rick Roll Meme (Early Intermediate Piano with Lyrics)
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Piano seul
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FACILE
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Rock
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Rick Astley
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Chelsey Joy
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Never Gonna Give You Up / Rick
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Chelsey Joy
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SheetMusicPlus
Piano Solo, Easy Piano, Piano Accompaniment - Early Intermediate - Digital Download By Rick Astley. Arranged by Chelsey Joy. Individual Part, Piano R...
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Piano Solo, Easy Piano, Piano Accompaniment - Early Intermediate - Digital Download By Rick Astley. Arranged by Chelsey Joy. Individual Part, Piano Reduction, Sheet Music Single. 5 pages. Published by Chelsey Joy
An early intermediate to intermediate piano arrangement of Never Gonna Give You Up by Rick Astley, also known as the "Rick Roll" meme. This arrangement includes the lyrics for easier follow along, one flat throughout, and all sections of the original song. It is five pages long with several repeats.
Duration: 3-5 min
Pages: 5
Key: F/Dm
Level: Early Intermediate - Intermediate
Arranged by Chelsey Joy: New Age Pianist, Composer, and Educator
www.youtube.com/chelseyjoymusic
$4.99 ≈
£3.81
My Saxophone and Me (E flat version)
My Saxophone and Me (E flat version)
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Saxophone Alto et Piano
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DÉBUTANT
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Colin Kirkpatrick
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Lazy Days
(No 4)
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My Saxophone and Me
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95 ≈
£4.55
My Saxophone and Me (B flat version)
My Saxophone and Me (B flat version)
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Saxophone Tenor et Piano
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DÉBUTANT
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Colin Kirkpatrick
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Island Song
(No 3)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Ki...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.
$5.95 ≈
£4.55
Delibes: Duo des Fleurs for Trombone Duo & Piano
Delibes: Duo des Fleurs for Trombone Duo & Piano
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2 Trombones (duo)
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INTERMÉDIAIRE
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Leo Delibes
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James M
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Delibes: Duo des Fleurs for Tr
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jmsgu3
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SheetMusicPlus
Trombone Duet Trombone - Level 3 - SKU: A0.552414 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,W...
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Trombone Duet Trombone - Level 3 - SKU: A0.552414 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score. 7 pages. Jmsgu3 #6342767. Published by jmsgu3 (A0.552414). Duo of the flowers from Lakme, Act I. A popular wedding selection.Leo Delibes (1836-1891) was a French composer of the Romantic period best known for his ballets and operas. He was a child prodigy and began composing music at the age of seven. He studied at the Paris Conservatoire, where he developed a mastery of the symphonic form and wrote several pieces for the orchestra. His works for the stage are among the most popular and beloved of the Romantic era, including the ballets Coppélia and Sylvia, and the opera Lakmé.Delibes was a pioneer in the use of orchestral color and instrumental effects to enhance the dramatic narrative of his works. His works are often praised for their lyricism, graceful melodies, and colorful orchestrations. His music is considered to be a bridge between the grandiose and romantic works of the French composers before him, such as Gounod and Berlioz, and the more intimate and melodic style of composers like Debussy and Ravel.Delibes’ influence can be heard in the works of later composers such as Stravinsky and Prokofiev, and his music continues to be performed and enjoyed today. His contributions to music history are significant, and his works remain beloved masterpieces of the Romantic era.Léo Delibes' opera Lakmé is an opera in three acts. It was first performed in 1883 at the Théâtre Lyrique in Paris. The libretto was written by Edmond Gondinet and Philippe Gille. The story is set in British-occupied India and tells the story of a young Indian girl, Lakmé, who is in love with a British officer, Gerald. The story follows the couple's romantic journey, as well as the obstacles they face from Lakmé's father and the British military. The opera is best known for its beautiful score, which includes the famous aria The Flower Duet as well as the duet Lakmé! The Bell Song. The opera has been performed in opera houses all over the world and is considered one of Delibes' most popular works.The Duo des Fleurs, composed by French composer Léo Delibes, is a ballet pas de deux from the ballet Lakme, Act I. It is a beloved masterpiece of the Romantic period and is often performed as a standalone piece in many ballet performances. The piece is typically danced by two female ballet dancers and is known for its playful and lighthearted nature. The music consists of a melody that alternates between the two dancers and is often accompanied by a lighthearted waltz. The music has a strong sense of unity and connection between the two dancers, which is enhanced by the use of the same melody. The piece also features a beautiful soaring coda that gives it a sense of grandeur and beauty. The Duo des Fleurs is an exquisite piece of music and an enduring classic of the ballet repertoire.
$26.95 ≈
£20.59
London Town Fantasy for Trombone and Piano
London Town Fantasy for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Contemporain
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Antonio J
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London Town Fantasy for Trombo
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trombone - Advanced - Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. P...
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Piano Accompaniment, Trombone - Advanced - Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. Garca has taken Haydn?s ?London? Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would ?showcase the trombone in a jazz ballad style and somehow reference the Haydn ?London? Symphony? that would follow it on the program, knowing that the first half of the concert would also include the Brahms ?Variations on a Theme of Joseph Haydn.? She and trombone soloist Nathan Dishman suggested the title ?London Town Fantasy,? envisioning a potential intersection with elements of George Gershwin?s ?A Foggy Day (In London Town),? which seemed apt given a scheduled trip of Garca?s to London during the compositional process.
Listeners familiar with Haydn's ?London? Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony?s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the ?bridge? section of the tune is crafted from the first seven measures of the opening theme of Haydn?s first movement (Allegro).
The use of ?A Foggy Day? had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin?s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of ?A Foggy Day.? (An optional written-out solo is provided.)
Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).
The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or ?minus one,? make rehearsals easy and even provide the aural basis for your own potential ?virtual? performance.
$27.50 ≈
£21.01
I Heard the Voice of Jesus Say (Lent) vocal trio, cello and piano
I Heard the Voice of Jesus Say (Lent) vocal trio, cello and piano
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Piano, Voix
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FACILE
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Horatius Bonar, John B
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Connie Boss
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I Heard the Voice of Jesus Say
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801776 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacre...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801776 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score. 7 pages. Connie Boss #6718237. Published by Connie Boss (A0.801776). This wonderful song is for a vocal trio with lyrics for Lent. It is for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. It also includes an optional cello accent instrument that can be played or not and has piano accompaniment. You can sing all the parts for each verse, or like the mp3, I added parts each verse. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
$5.50 ≈
£4.20
Just Give Me a Reason: Piano Accompaniment
Just Give Me a Reason: Piano Accompaniment
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Accompagnement Piano
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Methodes
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Alecia Moore, Jeff Bhasker, Na
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Michael Story
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Just Give Me a Reason: Piano A
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016323_K Piano Accompaniment. Composed by Alecia Moore, Jeff Bhasker, Nate Ruess, and Pink. Arranged by Michael...
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String Orchestra - SKU: AX.00-PC-0016323_K Piano Accompaniment. Composed by Alecia Moore, Jeff Bhasker, Nate Ruess, and Pink. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016323_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016323_K). UPC: 038081471747.One of 2013's biggest hits, this soulful and catchy tune contains many different textures and sounds. This solidly scored arrangement will be a hit with both students and audience alike! It contains easy optional parts for piano and tambourine, but the piece is totally playable by strings alone. (2:15) This title is available in SmartMusic.
$5.99 ≈
£4.58
Give It All You Got: Piano Accompaniment
Give It All You Got: Piano Accompaniment
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Accompagnement Piano
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Methodes
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Chuck Mangione
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Victor Lopez
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Give It All You Got: Piano Acc
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Chuck Mangione. Arranged by Victor Lopez. For Jazz Ensemble. Instructional. Part. 8 pages. Published by Alfred Music - Digital Sheet Music ...
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By Chuck Mangione. Arranged by Victor Lopez. For Jazz Ensemble. Instructional. Part. 8 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
£2.29
Amida Buddha, My Oya-Sama, for Alto and Piano Accompaniment
Amida Buddha, My Oya-Sama, for Alto and Piano Accompaniment
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Accompagnement Piano
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INTERMÉDIAIRE
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the power of His Universal Vow
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Richard St
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Amida Buddha, My Oya-Sama, for
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Richard St. Clair
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.939725 Composed by Richard St. Clair. 20th Century,Contemporary. 8 pages. Richard St. Clair #3002481. Publishe...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.939725 Composed by Richard St. Clair. 20th Century,Contemporary. 8 pages. Richard St. Clair #3002481. Published by Richard St. Clair (A0.939725). Music and Lyrics by Richard St. Clair. Duration: 3 1/2 minutes. Oya-Sama means beloved parent, a term that Jodo Shinshu Buddhist faithful use to describe their personal relationship to the great savior Buddha, Amida. The words Namu Amida Butsu translate as Thank You, Amida Buddha and also as I take refuge in Amida Buddha. The MP3 Audio Clip is a computer-generated soundfile.Lyrics:NAMU AMIDA BUTSU, NAMU AMIDA BUTSU I give thanks to Amida Buddha, I give thanks to Amida Buddha, Amida Buddha, my Oya-Sama, beloved parent and my savior rescuing me from many kalpas of evil karma. By the power of His Universal Vow, I am among the millions gifted with this inconceivable Shinjin and the assurance of Buddhahood in His glorious Land of Peace and Bliss! This realm of suffering is a place of impermanence. I wish to leave itand go to Amida's Pure Land. Amida will bring me there,soon as I leave this body of skin and bones.I am truly saved!I give thanks to Amida Buddha, my savior! NAMU AMIDA BUTSU.
$6.99 ≈
£5.34
50 Favorite Hymns Piano Accompaniment Tracks
50 Favorite Hymns Piano Accompaniment Tracks
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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Chris Cooke
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50 Favorite Hymns Piano Accomp
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Chris Cooke
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SheetMusicPlus
Piano - SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #3004581. Published...
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Piano - SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #3004581. Published by Chris Cooke (A0.1071369). This is a recording of the printed piano accompaniment book. (Other Books also available are for flute, clarinet/trumpet, alto sax, French horn, and trombone.) These recordings may also be used for group singing. There is a short introduction, and enough repeats of the verses in case you would like to play or sing them all! While these recordings contain multiple verses, the print version contains only one verse with no introduction. Many hymns are in their original hymnal keys, but if not, they have been adjusted slightly for a better playing range.This is one large file, containing all 50 accompaniments, plus one bonus recording-a harpsichord version of the first piece. For this reason, the cue point is given which is the time in the recording when each hymn occurs so they can be located more easily within this one-hour and 59-minute MP3. For instance, And Can It Be would be found at the 6-minute and 12-second time point. The full list of hymns, with their concert keys, cue points, and length of introduction, is below:All Things Bright and Beautiful (alternate tune, Monk), C,harpsichord; 4-measure introAll Things Bright and Beautiful, piano, cue point: 0:3:06; 4-measure introAnd Can It Be, F; cue point: 0:06:12; 4-measure introAre You Washed in the Blood, G; cue point: 0:09:33; 4-measure introAt Calvary, C; cue point: 0:11:25; 4-measure introBe Thou My Vision, E-flat; cue point: 0:13:44; 4-measure introBlessed Be the Name, A-flat; cue point: 0:15:29; 4-measure introBreathe on Me, Breath of God, F; cue point: 0:17:47; 4-measure introCome, Christians Join to Sing, E-flat; cue point: 0:19:16; 4-measure introFaith is the Victory, E-flat; cue point: 0:21:02; 4-measure introGlory to His Name, G; cue point: 0:23:21; 4-measure introHe Keeps Me Singing, A-flat; cue point: 0:25:40; 4-measure introHeavenly Sunlight, F; cue point: 0:27:58; 4-measure introI Know Whom I Have Believed, A-flat; cue point: 0:29:39; 4-measure introI Love to Tell The Story, A-flat; cue point: 0:32:06; 4-measure introImortal, Invisible, God Only Wise, A-flat; cue point: 0:34:52; 4-measure introIt Is Mine, B-flat; cue point: 0:36:27; 4-measure introJesus Saves, G; cue point: 0:38:22; 4-measure introJoy Unspeakable and Full of Glory, A-flat; cue point: 0:40:22; 4-measure introJust as I am , E-flat; cue point: 0:42:41; 6-measure introLeaning on the Everlasting Arms, A-flat; cue point: 0:46:36; 4-measure introLike a River Glorious F; cue point: 0:48:23; 4-measure introLove Lifted Me, B-flat; cue point: 0:50:32; 4-measure introMy Faith Looks Up to Thee, D; cue point: 0:53:19; 4-measure introNothing But the Blood, A-flat; cue point: 0:55:32; 4-measure introOh How I Love Jesus, A-flat; cue point: 0:57:51; 4-measure introOn Jordan’s Stormy Banks, E-flat; cue point: 0:59:37; 4-measure introPraise Him! Praise Him! F; cue point: 1:01:56; 4-measure introRedeemed, How I Love to Proclaim It, A-flat; cue point: 1:04:14; 4-measure introRejoice, The Lord Is King! C; cue point: 1:05:49; 4-measure introRevive Us Again, F; cue point: 1:07:52; 4-measure introRock of Ages, B-flat; cue point: 1:09:36; 4-measure introSend the Light, F; cue point: 1:10:54; 4-measure introSince I Have Been Redeemed, F; cue point: 1:13:34; 4-measure introSince Jesus Came Into My Heart, G; cue point: 1:16:02; 4-measure introSoftly and Tenderly, F; cue point: 1:18:30; 4-measure introStand Up, Stand Up for Jesus, G; cue point: 1:22:29; 4-measure introStanding on the Promises, B-flat; cue point: 1:24:48; 4-measure introSunshine in My Soul, F; cue point: 1:27:06; 2-measure introThe Old Rugged Cross, B-flat; cue point: 1:29:21; 4-measure in.
$9.97 ≈
£7.62
Three Chromicons for piano solo
Three Chromicons for piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Dillon Ford
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Three Chromicons for piano sol
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David Warin Solomons
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 2...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.
The sound sample is the live performance.
The Three Chromicons were premiered by pianist Valentin Bogolubov at the Socit de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).
Ford explains the significance of these unique scores:
"In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."
"By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."
"Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."
"Now, anyone wishing to realize a chromicon is at liberty to follow any path?straight or curvilinear?from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."
"Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."
Video of Chromicon III
https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00 ≈
£9.17
We're Forgiven (God of Grace)
We're Forgiven (God of Grace)
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Piano, Voix
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DÉBUTANT
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Musique Sacrée
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Lisa Waites
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We're Forgiven
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Servant Song Music and Ministry
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.921766 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Score. 1 pages. Servant Song Music an...
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Piano,Vocal,Voice - Level 1 - SKU: A0.921766 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Score. 1 pages. Servant Song Music and Ministry #6617305. Published by Servant Song Music and Ministry (A0.921766). This short, accessible piece of worship music was written as a liturgical response for use during Christian services during the Advent/Christmas/Epiphany seasons of the church calendar. It returns the work of the people TO the people, placing these musical Words of Assurance into the mouths and hearts of the congregation and/or choir, rather than having the minister alone speaking the words of absolution/assurance after the Prayer of Confession. Set in a simple key for beginning accompanists and including chord charts for guitarists (or pianists who prefer to play by reading the melody notes in the RH and playing by chord symbol with their LH), this song has been set in a perfect vocal range for congregational voices and/or church choirs. Melody and harmony parts have been included in the score so that you can divide into soprano/alto parts if you'd like to, but the piece works equally well if you stick to the melody alone. Non-liturgical churches have also appreciated this piece as a way for congregants to respond musically to services on themes such as God's Grace, Forgiveness, Reconciliation, Prodigals, Mercy, and also throughout Advent or whenever the pastor is focusing on themes of Hope, Peace, Joy, Love, etc. Published by Servant Song Music & Ministry, this piece is hot off the press for use in Advent 2021, but watch for an SATB Choral version to follow at Sheet Music Plus in the next week or two! There is also a video available on YouTube at https://youtu.be/orgm6VuEJVo which you are free to use for digital or hybrid worship services. The lyrics are Closed Captioned, so your people can learn to sing the piece in rhythm with the piano accompaniment. .
$2.99 ≈
£2.28
Never Gonna Give You Up
Never Gonna Give You Up
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Saxophone Baryton, Piano
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DÉBUTANT
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Rick Astley
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Rodrigo Faleiros
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Never Gonna Give You Up
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Rodrigo Faleiros
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1275873 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Rodrigo Faleiros. Ch...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1275873 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop,Singer/Songwriter. Score and part. 2 pages. Rodrigo Faleiros #867635. Published by Rodrigo Faleiros (A0.1275873). Enjoy the smash hit song NEVER GONNA GIVE YOU UP very easy sheet music version. This arrangement of Rick Astley's classic focus on the main melody line of the chorus, notated in a easier way suited for any begginer to play it. This easy baritone sax sheet music of Never Gonna Give You Up contains a piano accompaniment.
$5.99 ≈
£4.58
Never Gonna Give You Up
Never Gonna Give You Up
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Saxophone Baryton, Piano
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DÉBUTANT
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Rick Astley
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Rodrigo Faleiros
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Never Gonna Give You Up
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Rodrigo Faleiros
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1275877 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Rodrigo Faleiros. Ch...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1275877 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop,Singer/Songwriter. Score and part. 2 pages. Rodrigo Faleiros #867643. Published by Rodrigo Faleiros (A0.1275877). Enjoy the smash hit song NEVER GONNA GIVE YOU UP very easy sheet music version. This arrangement of Rick Astley's classic focus on the main melody line of the chorus, notated in a easier way suited for any begginer to play it. This easy baritone sax sheet music of Never Gonna Give You Up contains a piano accompaniment with chords symbols above the bars.
$5.99 ≈
£4.58
Be Merciful to Me ~ Psalm 57 (for Vocal Solo with Piano accompaniment)
Be Merciful to Me ~ Psalm 57 (for Vocal Solo with Piano accompaniment)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Be Merciful to Me ~ Psalm 57
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Sharon Wilson
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.565304 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Praise & Worship,Sacred....
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Piano,Vocal,Voice - Level 3 - SKU: A0.565304 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Praise & Worship,Sacred. Score. 8 pages. Sharon Wilson #3872535. Published by Sharon Wilson (A0.565304). This Scripture song based on Psalm 57 verses 1 and 7-10 is formatted as a vocal solo with piano accompaniment (3 staff piano-vocal score). This solo arrangement is in the key of G major and has a vocal range of one octave, from the first B below middle C to the first B above middle C (B3 to B4). The purchase price includes a 5-page combined score plus a 2-page solo score. Duration 3:00.This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The simplicity of the melody allows the vocalists to focus on the words and dynamics as the audience is drawn to the beauty of God's Word expressed musically. The lyrics were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me, For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.I’ll sing and give you praises.I’ll wake up at dawn and give you thanks.I’ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.
$4.99 ≈
£3.81
Be Merciful to Me ~ Psalm 57 (for Flute or Violin Solo with Piano accompaniment)
Be Merciful to Me ~ Psalm 57 (for Flute or Violin Solo with Piano accompaniment)
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Violon et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Be Merciful to Me ~ Psalm 57
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet,Piano Flute,Piano - Level 3 - SKU: A0.565308 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holida...
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Instrumental Duet,Piano Flute,Piano - Level 3 - SKU: A0.565308 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holiday,Praise & Worship,Sacred. Score and part. 8 pages. Sharon Wilson #3872677. Published by Sharon Wilson (A0.565308). This original Scripture song based on Psalm 57 verses 1 and 7-10 is formatted as an instrumental duet (for a C-instrument with piano accompaniment). This arrangement is in the key of G major with the solo range (FLUTE or VIOLIN) of one octave; from the first B above middle C to the second B above middle C (B4 to B5). For the VIOLIN, all notes are playable in the first position making this piece an excellent choice for early-intermediate string players. The purchase price includes a 5-page combined score plus a 2-page solo score. Duration 3:00.This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The beautiful, lyrical style of this instrumental piece creates an atmosphere of worship and is an ideal selection for any church setting. The lyrics (not included on the sheet music) were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me, For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.I’ll sing and give you praises.I’ll wake up at dawn and give you thanks.I’ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.
$4.99 ≈
£3.81
Be Merciful to Me ~ Psalm 57 (for Cello Solo with Piano accompaniment)
Be Merciful to Me ~ Psalm 57 (for Cello Solo with Piano accompaniment)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Be Merciful to Me ~ Psalm 57
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Sharon Wilson
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.565307 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holiday,Praise & Worship,Sacre...
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Cello,Piano - Level 3 - SKU: A0.565307 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holiday,Praise & Worship,Sacred. Score and part. 8 pages. Sharon Wilson #3872675. Published by Sharon Wilson (A0.565307). This original Scripture song based on Psalm 57 verses 1 and 7-10 is formatted as an instrumental duet (for a bass clef C-instrument with piano accompaniment). This arrangement is in the key of G major with the solo range (CELLO) of one octave; from the second B below middle C to the first B below middle C (B2 to B3). For the CELLO, all notes are playable in the first position making this piece an excellent choice for early-intermediate string players. The purchase price includes a 5-page combined score plus a 2-page solo score. Duration 3:00.This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The beautiful, lyrical style of this instrumental piece creates an atmosphere of worship and is an ideal selection for any church setting. The lyrics (not included on the sheet music) were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me, For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.I’ll sing and give you praises.I’ll wake up at dawn and give you thanks.I’ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.
$4.99 ≈
£3.81
Rejoice! Rejoice! A King Is Born Today! (The Sheep's Carol) - Piano Accompaniment for 2-Part Choir
Rejoice! Rejoice! A King Is Born Today! (The Sheep's Carol) - Piano Accompaniment for 2-Part Choir
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Accompagnement Piano
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Joanna Mills
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Rejoice! Rejoice! A King Is Bo
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Joanna Mills Music
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SheetMusicPlus
Choir,Piano - SKU: A0.1069484 Composed by Joanna Mills. Children,Christian,Christmas,Sacred. Accompaniment. Duration 142. Joanna Mills Music #4849777. P...
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Choir,Piano - SKU: A0.1069484 Composed by Joanna Mills. Children,Christian,Christmas,Sacred. Accompaniment. Duration 142. Joanna Mills Music #4849777. Published by Joanna Mills Music (A0.1069484). This lovely Christmas anthem (from the children's musical The Animal Alleluia) is perfect for children's choirs-- use it in your Christmas Pageant, or your Lessons & Carols service! It tells the story of the sheep who witness the star, hear the angels, and lead their shepherds to the stable where they give baby Jesus their wool to keep Him warm. The original lyrics are set to the traditional hymn Rejoice In The Lord Always and is pitched in an accessible key for most voices. The arrangement features a unison first verse, 2-part harmony in the second verse, and a 4-part (or 2 part) round at the end. Approximate performance time: 2:22.This product is one song from a complete musical called The Animal Alleluia which is also available on Sheet Music Plus:(S0.549673)
$4.99 ≈
£3.81
Germaine Tailleferre : Danse de la Tete for flute and 2 pianos
Germaine Tailleferre : Danse de la Tete for flute and 2 pianos
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Germaine Tailleferre
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Germaine Tailleferre : Danse d
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano Accompaniment - Level 4 - SKU: A0.1394382 Composed by Germaine Tailleferre. 20th Century,Chamber,Classical,Contemporary. 15 pages. Musik Fab...
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Flute,Piano Accompaniment - Level 4 - SKU: A0.1394382 Composed by Germaine Tailleferre. 20th Century,Chamber,Classical,Contemporary. 15 pages. Musik Fabrik Music Publishing #977863. Published by Musik Fabrik Music Publishing (A0.1394382). This sequence was originally part of the 1948 ballet Paris-Magie. The present arrangement was conceived for one of the Caroline animated films by Marco de Gastyne during the late 1950s. Given the time period, it is probable that Tailleferre was writing this for Jean-Pierre Rampall, who performed on a number of Tailleferre film scores during this period.In the surreal ballet Paris-Magie, the spritely musique represents a fashionably dressed widow who believes that she has found her dead husband's stuffed head at the Paris Flea Market. A few dynamic markings have been added, although Tailleferre did not include many markings in her manuscript score.
$11.35 ≈
£8.67
A Christmas Tune for Flute and Piano
A Christmas Tune for Flute and Piano
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Flûte traversière et Piano
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FACILE
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Noël
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Cody Weinmann
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A Christmas Tune for Flute and
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Cody Weinmann
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.835162 Composed by Cody Weinmann. Christmas,Concert. Score and parts. 7 pages. Cody ...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.835162 Composed by Cody Weinmann. Christmas,Concert. Score and parts. 7 pages. Cody Weinmann #6121307. Published by Cody Weinmann (A0.835162). This little Christmas tune takes some cues from the famous Christmas bells. The C-G-A-E theme weaves its way throughout the texture in various guises from legato and striking quarter-note passages between the solo flute and the piano to softer instances over longer note durations. Several eighth and sixteenth note runs will give the flautist a run for their money. All of the frills in this piece are to make this a happy and festive piece for all who play it.DedicationThis work is dedicated to a dear friend from my high school days, Sarah Aplet. Itis an honor to write this piece for her.Cody Weinmann is a prolific composer of many different types and genres of music.These can range from works for solo piano and solo instrument with piano accompaniment to full band, orchestra and choral works. He also is an avid writerof original music and arrangements for young people, including his own pianostudents.He also loves to write sacred praise and worship music to glorify God and our SaviorJesus Christ. He believes in writing music to bring people to Him through music andlyrics.Cody self-publishes through Musicaneo.com (http://www.codyweinmann.musicaneo.com) as well as on Sheet Music Plus.For more, you can check him out on his various social media links below.
$2.99 ≈
£2.28
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Give It One: Piano Accompaniment
