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Give a Hoot
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Vous avez sélectionné:
Give a Hoot
Partitions à imprimer
12 partitions trouvées
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1
Give a Hoot
Give a Hoot
#
William Suit
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Give a Hoot
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Give a Hoot
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William Suit
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.1018858 Composed by William Suit. Children,Instructional,Standards. 2 pages. William Suit #6121225. Published by Wi...
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Vocal Solo,Voice - Level 1 - SKU: A0.1018858 Composed by William Suit. Children,Instructional,Standards. 2 pages. William Suit #6121225. Published by William Suit (A0.1018858). A delightful song about an owl. Give a Hoot is a study in the descending C scale for the young vocalist and a great choice for recital!
$3.99 ≈
3.69€
Skeet Shooting with Mom's Fiestaware
Skeet Shooting with Mom's Fiestaware
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John Dorhauer
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Skeet Shooting with Mom's Fies
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John J Dorhauer
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1024062 Composed by John Dorhauer. 20th Century,Contemporary,Jazz. Score and Parts. 110 pages. John J Dorhauer #59175. ...
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Concert Band - Level 4 - SKU: A0.1024062 Composed by John Dorhauer. 20th Century,Contemporary,Jazz. Score and Parts. 110 pages. John J Dorhauer #59175. Published by John J Dorhauer (A0.1024062). Back to School 2015 Its title says it all – Skeet Shooting with Mom’s Fiestaware imagines a dangerous excursion where a child sneaks off for some fun with Mom’s colorful dinnerware, gets caught, and has to glue everything back together. The piece’s use of mixed meter and soli writing will challenge any high school band, but its use of grooves, aleatoric notation, and bizarre techniques (including dropping a cymbal) will make it fun and accessible for everyone. Originally commissioned by the Riverside Brookfield High School concert band for their retiring director Kevin McOlgan, the only stipulation given to the composer was for it to feature McOlgan’s primary obsession: fiestaware. Contact information: johnjdorhauer@gmail.com PRO: ASCAP Social Media: https://www.facebook.com/JohnDorhauer?fref=ts / https://twitter.com/JohnDorhauer Duration: 7 minutes Year of Release: 2012.
$50.00 ≈
46.19€
A Dream Within a Dream
A Dream Within a Dream
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Contemporain
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Edgar Allan Poe
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Joseph Orien
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A Dream Within a Dream
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Joseph Orian
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.1031190 Composed by Edgar Allan Poe. Arranged by Joseph Orien. Contemporary. Score and par...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.1031190 Composed by Edgar Allan Poe. Arranged by Joseph Orien. Contemporary. Score and parts. 4 pages. Joseph Orian #3004777. Published by Joseph Orian (A0.1031190). As often as Edgar Allen Poe's poetry is melancholy and morose, it is a breath of fresh air to find an arrangement that gives vitality and joyfulness to the words. That is what A Dream Within a Dream aims to do. It is perfect for this kind of setting, and includes fairly simple piano work and an easy-to-learn vocal melody.If you'd like to get ahold of me then shoot me an email! josephgreenecomposer@gmail.com
$2.00 ≈
1.85€
The Arban Manual - Hooten Edition
The Arban Manual - Hooten Edition
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Methodes
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Eric Bolvin
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The Arban Manual - Hooten Edit
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SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire,...
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95 ≈
15.66€
The Good, The Bad And The Ugly (main Title)
The Good, The Bad And The Ugly (main Title)
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Ennio Morricone
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Diane L
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The Good, The Bad And The Ugly
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Diane L. Correa
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SheetMusicPlus
Woodwind Ensemble Flute,Piccolo - Level 3 - SKU: A0.508984 Composed by Ennio Morricone. Arranged by Diane L. Correa. 20th Century,Film/TV. 14 pages. Dia...
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Woodwind Ensemble Flute,Piccolo - Level 3 - SKU: A0.508984 Composed by Ennio Morricone. Arranged by Diane L. Correa. 20th Century,Film/TV. 14 pages. Diane L. Correa #120081. Published by Diane L. Correa (A0.508984). #DianaFlutist Are you performing this piece? For Flute Ensemble; Piccolo, C Flute, Bass Flute, and Contrabass Flute. This arrangement is from the Spaghetti Western era of The Good The Bad and The Ugly film theme. This piece gives a feeling of excitement and adventure. You might even hear the rustling of the tumbleweeds or a shoot-out of a gun fight in the middle of a windy town. It sets an energetic and uplifting mood throughout the piece. It's a definite must have for any flute ensemble's staple repertoire. It's a classic for sure!
$24.99 ≈
23.09€
Lux Aeterna (SSA)
Lux Aeterna (SSA)
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Chorale 3 parties
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INTERMÉDIAIRE
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Contemporain
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Sally Whitwell
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Sally Whitwell
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Lux Aeterna
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.873043 Composed by Sally Whitwell. Contemporary. Octavo. 7 pages. Sally Whitwell #4786509. Published by Sally Whi...
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Choral Choir (SSA) - Level 3 - SKU: A0.873043 Composed by Sally Whitwell. Contemporary. Octavo. 7 pages. Sally Whitwell #4786509. Published by Sally Whitwell (A0.873043). Lux Aeterna By Sally Whitwell On 12 June, 2016, the international LGBTQ+ community was hit hard with the news of a mass shooting in one of our community’s entertainment venues, a nightclub in Orlando, Florida. Forty nine people were killed, and fifty three wounded in what was deemed a terrorist attack. At the time, it was the deadliest shooting by a single gunman in United States history. I wrote this piece in the wake of that news, I suppose as a way of processing this attack on my community. The club was hosting a special ‘Latin Night’ that night, so the majority of the victims were Hispanic. Culturally, Hispanic populations have a very strong Roman Catholic tradition, so it seemed the right thing to incorporate a piece of the Catholic Requiem Mass. The Lux Aeterna is the Communion antiphon for that Mass. Lux aeterna luceat eis, Domine:Cum Sanctis tuis in aeternum: quia pius es. Requiem aeternam dona eis, Domine: et lux perpetua luceat eis. Cum Sanctis tuis in aeternum: quia pius es. May light eternal shine upon them, O Lord, with Thy Saints for evermore: for Thou art gracious. Eternal rest give to them, O Lord, and let perpetual light shine upon them: With Thy Saints for evermore, for Thou art gracious. Everlasting light shine upon them
$1.99 ≈
1.84€
The Sandy Hook Lullaby
The Sandy Hook Lullaby
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Nicholas McClure
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The Sandy Hook Lullaby
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Nicholas McClure
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1028045 Composed by Nicholas McClure. Contemporary. Score and parts. 11 pages. Nicholas McClure #3226621. Published by ...
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Concert Band - Level 3 - SKU: A0.1028045 Composed by Nicholas McClure. Contemporary. Score and parts. 11 pages. Nicholas McClure #3226621. Published by Nicholas McClure (A0.1028045). On December 14, 2012, at 9:35 a.m., the entire country stood motionless, for a horrific act of terror was underway. Adam Lanza shot and killed 20 first-graders and 6 adults, at Sandy Hook Elementary School in Newtown, Connecticut; a moment in history as one of the worst school shootings that our country has ever faced. Every single child which was murdered had a future of their own, taken away at the hands of a ruthless gunman, who in an instant, ended any chance that these 20 children had to have a happy life. Along with these children, were the 6 heroic staff members who so selflessly gave their life in order to stop this perpetrator who came to destroy the fragile object that we all call life. The title of this piece, The Sandy Hook Lullaby, is symbolic to represent the deaths and aftermath on that faithful day. This particular piece is a lullaby to represent the day that the victims lives were taken, ending with a peaceful goodbye. The song starts strong and valiant, to represent the beginning and potential of a new day. As it progresses, the song softens a bit, with clarinet lead, which represents the students learning in the classroom and the staff working as normal. A swell in volume represents the knowledge learned, as they are completely unaware of the events to follow. Halfway through, terror strikes. The percussion solo is representative of the the 5 minutes that the entire attack took place. The entire finale of the song is to represent the peaceful rest of those murdered, the final goodbye. The song ends softly, as the victims are put to rest, and because most of the victims were children, this comes in the form of a lullaby. Just as a loving and caring parent would put their child to sleep with a song, we give our final goodbyes with this Sandy Hook Lullaby. Thank you, and please enjoy with reverence and respect. -Nicholas McClure, Composer.
$30.00 ≈
27.72€
Endings
Endings
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jazz
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John Fries
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John Fries
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Endings
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John Fries
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.500314 Composed by John Fries. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #113503. P...
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Piano Solo - Level 4 - SKU: A0.500314 Composed by John Fries. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #113503. Published by John Fries (A0.500314). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. I wrote this piece in 2022 after the Uvalde shootings. It reflects the sadness of loss and hope for what follows. Give it a try!
$4.99 ≈
4.61€
Five Songs for Soprano - Song-Cycle, Op. 14
Five Songs for Soprano - Song-Cycle, Op. 14
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Piano, Voix
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INTERMÉDIAIRE
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William Kersten
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Five Songs for Soprano - Song-
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William Kersten
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Pu...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Published by William Kersten (A0.1314982). Inspired by the Victorian and Romantic poetry of Christina Rossetti, Anne Bronte, Thomas Hood and Thomas Beddoes, the Five songs form a cycle of joy, sadness, love, death and exultation.  The music is scored in two versions: Normal Vocal Range and Wide Vocal Range.1. A Birthday Christina Rossetti (1830-1894) My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me. 2. Echo Christina RossettiCome to me in the silence of the night; Come in the speaking silence of a dream; Come with soft rounded cheeks and eyes as bright As sunlight on a stream; Come back in tears, Oh memory, hope, love of finished years. Oh dream how sweet, too sweet, too bitter sweet, Whose wakening should have been in Paradise, Where souls brimfull of love abide and meet; Where thirsting longing eyes Watch the slow door That opening, letting in, lets out no more. Yet come to me in dreams, that I may live My very life again though cold in death - Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low, As long ago, my love, how long ago. 3. There is dew...â€Thomas Hood (1799-1845)There is dew for the flowret And honey for the bee, And bowers for the wild bird, And love for you and me. There are tears for the many And pleasures for the few; But let the world pass on, dear, There's love for me and you. 4. We do lie beneath the grass...â€Thomas Beddoes (1803-1849) We do lie beneath the grass In the moonlight, in the shade Of the yew-tree. They that pass Hear us not. We are afraid They would envy our delight, in our graves by glow-worm night. Come follow us, and smile as we; We sail to the rock in the ancient waves, Where the snow falls by thousands into the sea, And the drowned and the shipwrecked have happy graves.  5. My soul is awakened...â€Â Anne Bronte (1820-1849)My soul is awakened, my spirit is soaring And carried aloft on the wings of the breeze, For above and around me the wild wind is roaring Arousing to rapture the earth and the seas. The long withered grass in the sunshine is glancing, The bare trees are tossing their branches on high, The dead leaves beneath them are merrily dancing The white clouds are scudding across the blue sky. I wish I could see how the ocean is lashing The foam of its billows to whirlwinds of spray, I wish I could see how its proud waves are dashing, And hear the wild roar of their thunder today.
$6.99 ≈
6.46€
Prelude BWV 855a: 1. Prelude No. 10 in B Minor - As played By Víkingur Ólafsson
Prelude BWV 855a: 1. Prelude No. 10 in B Minor - As played By Víkingur Ólafsson
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach and VÃ
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Flavio Regis Cunha
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Prelude BWV 855a: 1. Prelude N
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1250503 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. ...
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Piano Solo - Level 3 - SKU: A0.1250503 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Sacred. Score. 4 pages. Flavio Regis Cunha #844832. Published by Flavio Regis Cunha (A0.1250503). An exquisite and beautiful new sheet music of 'Prelude BWV 855a: 1. Prelude No. 10 in B Minor', composed by the legendary Johann Sebastian Bach as performed by renowned icelandic pianist VÃkingur Ólafsson, is now available!  This timeless classic is perfect for both students, amateurs and professional pianists alike, featuring exquisite melodies infused with emotion and passion. Captivate your audience with a soul-stirring performance! Follow in the footsteps of a master - purchase 'Prelude BWV 855a: 1. Prelude No. 10 in B Minor', composed by Johann Sebastian Bach and performed by VÃkingur Ólafsson today! IntermediateFormat: Concert, 9 x 12 inches4 pagesNotesPrelude and Fugue in E minor, BWV 855, is the 10th prelude and fugue for keyboard (harpsichord) in the first book of The Well Tempered Clavier, composed in 1722 by Johann Sebastian Bach. The Prelude in E minor, BWV 855a, features as No. 18 (Praeludium 5) in the 1720 Klavierbüchlein für Wilhelm Friedemann Bach. BWV 855a may also refer to both this Prelude and a Fughetta in the same key, an early version of BWV 855. Alexander Siloti made a piano arrangement in B minor of the Prelude BWV 855a.Ólafsson teamed up with director Magnús Leifsson to shoot the video in a fish processing plant in Iceland, complete with grand piano. They use the fish, an early Christian symbol, to allude to the mysticism and timelessness of Bach’s music – as changeable as water, it has to be understood at a metalevel, given the many different ways in which composition, transcription and performance can be interwoven. Everything is there in Bach’s music, says the pianist, who transports the composer’s keyboard writing to new shores on his latest recording. Icelandic pianist VÃkingur Ólafsson releases video featuring music from his new album, Johann Sebastian Bach.YT: https://youtu.be/rtT__umjFVY
$6.99 ≈
6.46€
Bach: Prelude No. 10 in E Minor (BWV 855: 1) - As played By Vikingur Olafsson
Bach: Prelude No. 10 in E Minor (BWV 855: 1) - As played By Vikingur Olafsson
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and VÃ
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Flavio Regis Cunha
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Bach: Prelude No. 10 in E Mino
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1148922 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. ...
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Piano Solo - Level 4 - SKU: A0.1148922 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Easter,Festival,Instructional. Score. 8 pages. Flavio Regis Cunha #749054. Published by Flavio Regis Cunha (A0.1148922). Prelude and Fugue in E minor, BWV 855, is the 10th prelude and fugue for keyboard (harpsichord) in the first book of The Well Tempered Clavier, composed in 1722 by Johann Sebastian Bach. The Prelude in E minor, BWV 855a, features as No. 18 (Praeludium 5) in the 1720 Klavierbüchlein für Wilhelm Friedemann Bach. BWV 855a may also refer to both this Prelude and a Fughetta in the same key, an early version of BWV 855. Ólafsson teamed up with director Magnús Leifsson to shoot the video in a fish processing plant in Iceland, complete with grand piano. They use the fish, an early Christian symbol, to allude to the mysticism and timelessness of Bach’s music – as changeable as water, it has to be understood at a metalevel, given the many different ways in which composition, transcription and performance can be interwoven. Everything is there in Bach’s music, says the pianist, who transports the composer’s keyboard writing to new shores on his latest recording. Icelandic pianist VÃkingur Ólafsson releases video featuring music from his new album, Johann Sebastian Bach.Advanced Intermediate Format: Concert, 9 x 12 inches 8 pagesPLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.
$5.99 ≈
5.53€
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