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Gloria from Mass for 4 voices
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Vous avez sélectionné:
Gloria from Mass for 4 voices
Partitions à imprimer
25 partitions trouvées
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1
Gloria from Mass for 4 voices (William Byrd) A Cappella SATB
Gloria from Mass for 4 voices (William Byrd) A Cappella SATB
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
William Byrd {1543 - 1623)
#
Edited by Andrew Emmet
#
Gloria from Mass for 4 voices
#
Andrew J Emmet
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1228208 Composed by William Byrd {1543 - 1623). Arranged by Edited by Andrew Emmet. A Cappella,Christian,...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1228208 Composed by William Byrd {1543 - 1623). Arranged by Edited by Andrew Emmet. A Cappella,Christian,Latin,Religious,Sacred. 11 pages. Andrew J Emmet #824327. Published by Andrew J Emmet (A0.1228208). SATB A Cappella.From Mass for 4 voices.Sung at the Coronation of King Charles III.
$4.00 ≈
¥29.04
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
#
Quatuor de Flûtes : 4 flûtes
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95 ≈
¥362.58
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
#
Quatuor de Clarinettes: 4 clarinettes
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95 ≈
¥362.58
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
#
Quatuor de Clarinettes: 4 clarinettes
#
FACILE
#
Guillame de Machaut, 1300-1377
#
James M
#
Machaut: Le Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by Jam...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853210. Published by jmsgu3 (A0.1260025). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Calrinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95 ≈
¥544.04
Machaut: La Messe de Nostre Dame for Flute Quartet
Machaut: La Messe de Nostre Dame for Flute Quartet
#
Quatuor de Flûtes : 4 flûtes
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. G...
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Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95 ≈
¥544.04
Machaut: La Messe de Nostre Dame for Saxophone Quartet
Machaut: La Messe de Nostre Dame for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
#
Guillaume de Machaut, 1300-137
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James M
#
Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1257962 Composed by Guillaume de Machaut, 1300...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1257962 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95 ≈
¥544.04
Machaut: La Messe de Nostre Dame for Saxophone Quartet - Score Only
Machaut: La Messe de Nostre Dame for Saxophone Quartet - Score Only
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Quatuor de Saxophones: 4 saxophones
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FACILE
#
Guillaume de Machaut, 1300-137
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James M
#
Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1257713 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1257713 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850942. Published by jmsgu3 (A0.1257713). Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He composed the mass for the Cathedral at Reims, where he served as a canon, and a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Some scholars hypothesize that Machaut did not actually come to work for the Reims Cathedral until the end of the 1350s, composing the mass as an act of devotion and dedication marking his arrival in the precinct.Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. Â It was composed for four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.T.
$49.95 ≈
¥362.58
Gloria
Gloria
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Chorale SATB
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Musique Sacrée
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John Rutter
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Gloria
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Oxford University Press Digital
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SheetMusicPlus
Composed by John Rutter (1945-). Score. 46 pages. Oxford University Press Digital #9780193702585. Published by Oxford University Press Digital ...
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Composed by John Rutter (1945-). Score. 46 pages. Oxford University Press Digital #9780193702585. Published by Oxford University Press Digital
ISBN 9780193702585.
The Latin text from the Ordinary of the Mass for mixed voices, brass (4 trumpets, 2 tenor trombones, bass trombone, tuba), percussion, and organ. An accompaniment for orchestra without organ is also available. Full scores, vocal scores, and instrumental parts are available on hire. The first movement of Gloria is available separately under the title Gloria 1.
$17.99 ≈
¥130.59
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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Orgue
#
INTERMÉDIAIRE/AVANCÉ
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95 ≈
¥362.58
Machaut: La Messe de Nostre Dame for Double Reed Quartet
Machaut: La Messe de Nostre Dame for Double Reed Quartet
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Gu...
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Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #851675. Published by jmsgu3 (A0.1258422). INSTRUMENTATION: 2 ENGLISH HORNS and 2 BASSOONS1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95 ≈
¥544.04
Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
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Guillaume de Machaut, 1300-137
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James M
#
Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Brass Quartet Horn,Trombone - Level 2 - SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early...
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Brass Quartet Horn,Trombone - Level 2 - SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #852054. Published by jmsgu3 (A0.1258806). INSTRUMENTATION: 2 Horns in F, 2 Tenor Trombones.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95 ≈
¥544.04
Machaut: La Messe de Nostre Dame for Organ
Machaut: La Messe de Nostre Dame for Organ
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Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Guillaume de Machaut
#
James M
#
Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95 ≈
¥289.99
"A Jazzy Mass" for 4-part Children's or Women's Choir
"A Jazzy Mass" for 4-part Children's or Women's Choir
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Chorale SSAA
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AVANCÉ
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Panagiotis Theodossiou
#
#
"A Jazzy Mass" for 4
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Panagiotis Theodossiou
#
SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.886729 Composed by Panagiotis Theodossiou. Children,Jazz,Standards. Octavo. 138 pages. Panagiotis Theodossiou #5...
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Choral Choir (SSAA) - Level 5 - SKU: A0.886729 Composed by Panagiotis Theodossiou. Children,Jazz,Standards. Octavo. 138 pages. Panagiotis Theodossiou #5732917. Published by Panagiotis Theodossiou (A0.886729). A Jazzy Mass for 4-part children’s or women’s choir (2019 - 2020) op.79 The five-movement text of the Latin Mass Service set in jazz, jazz-rock or ballad style for a 4-part choir of high voices and piano accompaniment. Part of the composer’s doctoral studies on Music Composition in Ionian University (Corfu). Dedicated to the famous, awarded Rozarte Children’s Choir from Greece and its choir director Rozy Mastrossava along with its piano accompanist Jenny Soulkouki. The parts: I.Kyrie (Allegro, Jazz-Rock) II.Gloria (Fast Swing) III.Credo (Lento Moderato, Jazz Ballad) IV.Sanctus (Medium Fast Swing) V.Agnus Dei (Grave) https://www.youtube.com/watch?v=bYXzhAe9oZ0 https://www.youtube.com/watch?v=bYXzhAe9oZ0 https://www.youtube.com/watch?v=PdEGZbM8iFQ https://www.youtube.com/watch?v=PdEGZbM8iFQ https://www.youtube.com/watch?v=Vw97_f0ST08
$50.00 ≈
¥362.94
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: Le Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Brass Quartet - Level 2 - SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festiva...
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Brass Quartet - Level 2 - SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95 ≈
¥362.58
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
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Flûte, Hautbois, Clarinette, Basson
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851272. Published by jmsgu3 (A0.1258034). Instrumentation: English Horn Duo & Bassoon Duo.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95 ≈
¥362.58
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Cont...
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String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95 ≈
¥362.58
Machaut: La Messe de Nostre Dame for String Quartet
Machaut: La Messe de Nostre Dame for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
#
Guillaume de Machaut, 1300-137
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James M
#
Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #850426. Published by jmsgu3 (A0.1257127). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95 ≈
¥544.04
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Brass Quartet - Level 2 - SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,...
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Brass Quartet - Level 2 - SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Â Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95 ≈
¥362.58
Machaut: Le Messe de Nostre Dame for Brass Quartet
Machaut: Le Messe de Nostre Dame for Brass Quartet
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Guillaume de Machaut, 1300-137
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James M
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Machaut: Le Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Brass Quartet Cornet,Horn,Trombone - Level 2 - SKU: A0.1257210 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber...
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Brass Quartet Cornet,Horn,Trombone - Level 2 - SKU: A0.1257210 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 83 pages. Jmsgu3 #850538. Published by jmsgu3 (A0.1257210). INSTRUMENTATION: Cornet, French Horn & 2 Trombones1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$74.95 ≈
¥544.04
MISSA DE ANGELIS (Mass of the Angels) Latin Mass for SATB Choir a Capella
MISSA DE ANGELIS (Mass of the Angels) Latin Mass for SATB Choir a Capella
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christian contemporain
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Richard St
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MISSA DE ANGELIS
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.939896 Composed by Richard St. Clair. A Cappella,Christian,Contemporary,Praise & Worship,Sacred. Octavo. 22 page...
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Choral Choir (SATB) - Level 4 - SKU: A0.939896 Composed by Richard St. Clair. A Cappella,Christian,Contemporary,Praise & Worship,Sacred. Octavo. 22 pages. Richard St. Clair #6631513. Published by Richard St. Clair (A0.939896). This 14-minute Latin Mass is based upon Mass VIII in the Kyriale. It sets for unaccompanied SATB voices the Kyrie, Gloria, Sanctus, and Agnus Dei movements of the Mass. The style is tonal throughout. An observant listener will hear passages from the Gregorian chant in Mass VIII interwoven in the polyphony.
$4.00 ≈
¥29.04
Gloria from St. Luke's Mass
Gloria from St. Luke's Mass
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Chorale 2 parties
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INTERMÉDIAIRE/AVANCÉ
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Ildar Khannanov
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Gloria from St. Luke's Mass
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MThRI
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SheetMusicPlus
Choral Choir (2-Part) - Level 4 - SKU: A0.482238 Composed by Ildar Khannanov. Baroque,Christmas,Classical,Easter,Sacred. Octavo. 7 pages. MThRI #100269....
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Choral Choir (2-Part) - Level 4 - SKU: A0.482238 Composed by Ildar Khannanov. Baroque,Christmas,Classical,Easter,Sacred. Octavo. 7 pages. MThRI #100269. Published by MThRI (A0.482238). Gloria is written for two parts--S. and A. combined and T. and B., piano and baritone solo. The music is based upon the technique of canonic sequence (invertible counterpoint) in a fast tempo. The voices sing through fast passages by using glissando or portamento technique; the notes are articulated by the piano that doubles these passages.
$2.99 ≈
¥21.70
Let Us Move (score - vocal choir and violin solo)
Let Us Move (score - vocal choir and violin solo)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Let Us Move
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Mark O'Connor Musik International
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.861905 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 38 pages. Mark O'Connor Musik Internat...
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Choral Choir (SATB) - Level 4 - SKU: A0.861905 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 38 pages. Mark O'Connor Musik International #6206201. Published by Mark O'Connor Musik International (A0.861905). Let Us Move (score - vocal choir and violin solo) MO144AVocal Choir (Soprano, Alto, Tenor, Baritone, Bass with violin obligato). Violin part availableMusic by Mark O’Connor34 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2000 Composed by Mark O’ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark O’Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144ACopyright © 2000 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00 ≈
¥217.76
Let Us Move (violin part - vocal choir and violin solo)
Let Us Move (violin part - vocal choir and violin solo)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Let Us Move
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Mark O'Connor Musik International
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.861906 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 10 pages. Mark O'Connor Musik Internat...
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Choral Choir (SATB) - Level 4 - SKU: A0.861906 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 10 pages. Mark O'Connor Musik International #6206203. Published by Mark O'Connor Musik International (A0.861906). Let Us Move (violin part - vocal choir and violin solo) MO144BViolin Obligato Part (vocal choir score available)Music by Mark O’Connor6 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2000 Composed by Mark O’ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark O’Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144BCopyright © 2000 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00 ≈
¥43.55
JAZZBLEST
JAZZBLEST
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Musique Sacrée
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Ramona Borthwick
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Ramona Borthwick
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JAZZBLEST
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Leitmotif
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.933514 By Ramona Borthwick. By Ramona Borthwick, Lyrics: The Rev'd Gretchen Grimshaw. Arranged by Ramona Borth...
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Choral Choir (4-Part) - Level 4 - SKU: A0.933514 By Ramona Borthwick. By Ramona Borthwick, Lyrics: The Rev'd Gretchen Grimshaw. Arranged by Ramona Borthwick. Jazz,Praise & Worship,Sacred. Octavo. 24 pages. Leitmotif #553543. Published by Leitmotif (A0.933514). A Eucharistic Liturgy of Reverence and Delight! JazzBlest is a completely original and delightful collection of Eucharistic service music that honors the traditional structure of an Anglican/Episcopal mass, while it reimagines the contours of its expression. The music is written for SATB voices, and is intended to be performed with the accompaniment of a jazz trio or quartet. The scores include lead sheets for the accompanists/soloists.The Gloria is joyous and uplifting, and the lyrics feature Wisdom as the image of the divine. The Gospel Acclamation features an infectious Afro-Cuban rhythm, while the setting for the Nicene Creed is both fresh and accessible; and can be readily taught to the congregation for regular use. The Doxology is a lively and textured tribute to the devotions of Anglican Caroline Divine, Lancelot Andrewes. And the Eucharistic service music offers a brand new sound for the familiar words of the Sursum Corda, Sanctus, Memorial Acclamation, and Great Amen - all of which use traditional lyrics in wonderful new rhythms and progressions. The Fraction Anthem restates unity inherent in the Eucharist in fresh new musical and lyrical terms. And finally, the Benediction could not be a more uplifting jazz anthem with its accented drum beats and invitation to go in peace, go in love, and let the Holy Spirit be the guide! Credits: All of the music in JazzBlest is composed by jazz pianist/composer Ramona Borthwick, (www.ramonaborthwick.com) whose immense talent and musical imagination are ever present in and through this amazingly fresh liturgy. The lyrics, other than the traditional fare, are written by The Rev'd. Gretchen Grimshaw who serves as the rector of the Episcopal Parish of St. Paul, Newton Highlands, Massachusetts. Also Available: In addition to the service music from JazzBlest, also available for purchase are two gorgeous and compelling anthems that expand the reach and appeal of this Christian Eucharist. Eight Winds is a powerful Prelude or Offertory Anthem that integrates the Eight Winds of the Buddhist tradition with the pre-eminent Christian message that love trumps all else. And Rio Alegre (River of Joy) is a saucy Latin anthem, a great Postlude that relates the rhythm and context of life to the flow of a river, bubbling and accelerating with joyous possibility.
$12.99 ≈
¥94.29
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Gloria from Mass for 4 voices
