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Go West Young Man
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Vous avez sélectionné:
Go West Young Man
Partitions à imprimer
15 partitions trouvées
<
1
How the West Was Really Won
How the West Was Really Won
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John F
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How the West Was Really Won
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Hope Publishing - Digital
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SheetMusicPlus
PDF Score - SKU: H1.1006DP Composed by John F. Wilson. Musicals for Youth. General Worship. Full Score. 68 pages. Hope Publishing - Digital #1006DP. Pub...
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PDF Score - SKU: H1.1006DP Composed by John F. Wilson. Musicals for Youth. General Worship. Full Score. 68 pages. Hope Publishing - Digital #1006DP. Published by Hope Publishing - Digital (H1.1006DP). Grace Hawthorne.School Musical for Young Voices . Covers the exciting 100 year history of the taming of the West. Performance time approx. 51 minutes.
Song List
: Ballad of Joe Watson Battle Hymn Of The Republic But We Love It A Little Bit of West Go West, Young Man Silver in Washoe, Hi Ho Square Dance Ten Miles Before Quitting Time The American Dream The Iron Horse The Old Chisholm Trail Things Change Treasures
$18.95 ≈
17.56€
How the West Was Really Won
How the West Was Really Won
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John F
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How the West Was Really Won
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Hope Publishing - Digital
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SheetMusicPlus
Actor's Script - SKU: H1.1012DP Composed by John F. Wilson. Musicals for Adults. General Worship. Actors Script. 8 pages. Hope Publishing - Digital #101...
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Actor's Script - SKU: H1.1012DP Composed by John F. Wilson. Musicals for Adults. General Worship. Actors Script. 8 pages. Hope Publishing - Digital #1012DP. Published by Hope Publishing - Digital (H1.1012DP). Grace Hawthorne.School Musical for Young Voices . Covers the exciting 100 year history of the taming of the West. Performance time approx. 51 minutes.
Song List
: Ballad of Joe Watson Battle Hymn Of The Republic But We Love It A Little Bit of West Go West, Young Man Silver in Washoe, Hi Ho Square Dance Ten Miles Before Quitting Time The American Dream The Iron Horse The Old Chisholm Trail Things Change Treasures
$5.00 ≈
4.63€
How the West Was Really Won
How the West Was Really Won
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John F
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How the West Was Really Won
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Hope Publishing - Digital
#
SheetMusicPlus
Singer Edition - SKU: H1.1005DP Composed by John F. Wilson. Musicals for Youth. General Worship. Octavo. 24 pages. Hope Publishing - Digital #1005DP. Pu...
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Singer Edition - SKU: H1.1005DP Composed by John F. Wilson. Musicals for Youth. General Worship. Octavo. 24 pages. Hope Publishing - Digital #1005DP. Published by Hope Publishing - Digital (H1.1005DP). Grace Hawthorne.School Musical for Young Voices . Covers the exciting 100 year history of the taming of the West. Performance time approx. 51 minutes.
Song List
: Ballad of Joe Watson Battle Hymn Of The Republic But We Love It A Little Bit of West Go West, Young Man Silver in Washoe, Hi Ho Square Dance Ten Miles Before Quitting Time The American Dream The Iron Horse The Old Chisholm Trail Things Change Treasures
$6.50 ≈
6.02€
Will Ye Go to the Indies
Will Ye Go to the Indies
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Chorale SATB
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Andrew J
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Lyrical Publishing
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Will Ye Go to the Indies
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Lyrical Publishing
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.953939 Composed by Andrew J. Boyle. Arranged by Lyrical Publishing. Celtic,Folk,World. Octavo. 8 pages. Lyrical Publishing...
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Choral Choir (SATB) - SKU: A0.953939 Composed by Andrew J. Boyle. Arranged by Lyrical Publishing. Celtic,Folk,World. Octavo. 8 pages. Lyrical Publishing #2897793. Published by Lyrical Publishing (A0.953939). Will Ye Go to the Indies: As a young man Scotland’s great poet, Robert Burns, fell in love with a girl he called Highland Mary, and persuaded her to emigrate with him to the West Indies. In the text of this song we hear the poem he wrote about those huge decisions. Tragically, Mary died before they could start their life together. Many years later, in 1792, Burns set the poem to an old Scottish folk song. To his publisher he explained: You must know, that all my earlier love-songs were the breathings of ardent Passion; and tho’ it might have been easy in aftertimes to have given them a polish, yet that polish would have defaced the legend of my heart.
$3.60 ≈
3.34€
Will Ye Go to the Indies
Will Ye Go to the Indies
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Chorale SATB
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Andrew J
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Lyrical Publishing
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Will Ye Go to the Indies
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Lyrical Publishing
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.953941 Composed by Andrew J. Bolye. Arranged by Lyrical Publishing. Celtic,Folk,World. Octavo. 9 pages. Lyrical Publishing...
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Choral Choir (SATB) - SKU: A0.953941 Composed by Andrew J. Bolye. Arranged by Lyrical Publishing. Celtic,Folk,World. Octavo. 9 pages. Lyrical Publishing #2897719. Published by Lyrical Publishing (A0.953941). Will Ye Go to the Indies: As a young man Scotland’s great poet, Robert Burns, fell in love with a girl he called Highland Mary, and persuaded her to emigrate with him to the West Indies. In the text of this song we hear the poem he wrote about those huge decisions. Tragically, Mary died before they could start their life together. Many years later, in 1792, Burns set the poem to an old Scottish folk song. To his publisher he explained: You must know, that all my earlier love-songs were the breathings of ardent Passion; and tho’ it might have been easy in aftertimes to have given them a polish, yet that polish would have defaced the legend of my heart.
$3.99 ≈
3.70€
How Far I'll Go
How Far I'll Go
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Piano Facile
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DÉBUTANT
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Pop musique
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Takida
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Elizabeth Essex
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How Far I'll Go
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Elizabeth Essex
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.920565 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by ...
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Easy Piano - Level 1 - SKU: A0.920565 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by Elizabeth Essex. Pop. Score. 4 pages. Elizabeth Essex #6612001. Published by Elizabeth Essex (A0.920565). Pre-staff arrangement - This arrangement of How Far I'll Go from the Moana soundtrack is for the newest young beginners who know finger numbers and can find correct hand position on the black keys using the illustration.
$4.99 ≈
4.63€
3 Pieces For Solo Piano
3 Pieces For Solo Piano
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Piano seul
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AVANCÉ
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Michael Mollo
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3 Pieces For Solo Piano
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Michael John Mollo Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1361774 By Michael Mollo. By Michael Mollo. 20th Century,Chamber,Classical. Score. 26 pages. Michael John Mollo Publishin...
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Piano Solo - Level 5 - SKU: A0.1361774 By Michael Mollo. By Michael Mollo. 20th Century,Chamber,Classical. Score. 26 pages. Michael John Mollo Publishing #946227. Published by Michael John Mollo Publishing (A0.1361774). In 2005 I was privileged to study music composition at the College Conservatory of located at The University of Cincinnati. One of the pieces I presented for my master's thesis was this, '3 Pieces for Solo Piano'. The pieces are intended to stand on their own or be performed together as a suite. In 2005 I was very much interested in pursuing film music as a career, as such each piece presented here explores a decidedly different thematic concept or combination thereof, in my attempt to learn more about harnessing dramatic expression. 'I. Heroic Western' is my attempt to harness the 'Go-West-Young-Man' spirit of Americana Copland with sprinkles of Gershwin. 'II. Sunken Rag' is an homage to Debussy's 'Sunken Cathedral' if only he had some time to spend with Scott Joplin. III. New Tango' is a play on Argentinian rhythms and simple melodic constructs with chromatic rivers running through the texture.
$30.00 ≈
27.81€
Go West Young Man by Michael W. Smith - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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Christian contemporain
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Michael W. Smith
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Go West Young Man
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Musicnotes
Performed by: Michael W. Smith: Go West Young Man Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music ...
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Performed by: Michael W. Smith: Go West Young Man Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano;Backup Vocals; 6 pages -- CCM~~Adult Contemporary~~Christian
$5.50 ≈
5.10€
Go West Young Man by Michael W. Smith - Beginner Notes
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Piano grosses notes
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DÉBUTANT
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Michael W. Smith
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Go West Young Man
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Musicnotes
Performed by: Michael W. Smith: Go West Young Man Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music ...
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Performed by: Michael W. Smith: Go West Young Man Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Treble Clef Instrument;Piano; 4 pages -- Gospel~~Adult Contemporary~~CCM~~Christian~~Religious~~Christian Rock
$3.99 ≈
3.70€
Michael W. Smith: Go West Young Man for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Christian contemporain
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Michael W. Smith
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Virtualsheetmusic
Instantly printable sheet music by Michael W. Smith for voice, piano or guitar of MEDIUM skill level. / christian,inspirational,pop
Instantly printable sheet music by Michael W. Smith for voice, piano or guitar of MEDIUM skill level. / christian,inspirational,pop
$6.97 ≈
6.46€
Go West Young Man
Go West Young Man
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Piano, Voix et Guitare
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Michael W
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Inspirational
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Go West Young Man
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Michael W. Smith and Wayne Kirkpatrick. For piano, voice, and guitar (chords only). Christian; Inspirational; Pop. 6 pages. Published by Hal Leonard - Digita...
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By Michael W. Smith and Wayne Kirkpatrick. For piano, voice, and guitar (chords only). Christian; Inspirational; Pop. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.63€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.90€
11 Little Pieces for Violin (ACCOMPANIMENT ONLY)
11 Little Pieces for Violin (ACCOMPANIMENT ONLY)
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Piano seul
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Adrian Sutcliffe
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11 Little Pieces for Violin
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adrian sutcliffe
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SheetMusicPlus
Piano - SKU: A0.1071710 Composed by Adrian Sutcliffe. 20th Century,Children,Standards,World. Accompaniment. Duration 567. Adrian sutcliffe #3507341. Pub...
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Piano - SKU: A0.1071710 Composed by Adrian Sutcliffe. 20th Century,Children,Standards,World. Accompaniment. Duration 567. Adrian sutcliffe #3507341. Published by adrian sutcliffe (A0.1071710). 11 Little Pieces by Adrian Sutcliffe - a recording of the piano accompaniments only to go with this delightful new series of fun pieces for young violinists in the early stages of learning. Adrian Sutcliffe studied at the Royal Academy of Music. He has performed at most major concert halls in the UK and recorded for UK national radio and TV, whilst playing in shows in the West End and at the Royal Opera House. As a performer, teacher, composer, examiner and trainer for ABRSM, he has worked all over the world. His pieces have been broadcast on UK radio and TV and played at many theatres, such as Sadlers Wells and Her Majesty’s Theatre. He is the regular arranger for several ensembles, including his own trio, Classic Rhythm, and his many dance compositions are promoted by the ballet music company,DanceInspire. His work includes three narrated ‘musical stories’ for children as well as descriptive music for plays, jazz pieces, orchestral scores, songs, and various piano and chamber works.
$1.99 ≈
1.84€
What Will We Say?
What Will We Say?
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
Cello,Piano,Steel Pan,Violin - Level 4 - SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Publis...
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Cello,Piano,Steel Pan,Violin - Level 4 - SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99 ≈
18.53€
Congklak and YoYo
Congklak and YoYo
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Piano seul
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FACILE
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Gabrielle Felicita Chen
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Congklak and YoYo
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Gabrielle Felicita Chen
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1083572 Composed by Gabrielle Felicita Chen. 20th Century,Children,Country,Folk,Pop. Score. 4 pages. Gabrielle Felicita C...
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Piano Solo - Level 2 - SKU: A0.1083572 Composed by Gabrielle Felicita Chen. 20th Century,Children,Country,Folk,Pop. Score. 4 pages. Gabrielle Felicita Chen #687775. Published by Gabrielle Felicita Chen (A0.1083572). I composed this piece about couple months ago, about February 2022, with a title of: “Congklak and YoYo†Starting when I was inspired by two popular Indonesian traditional children's games called Congklak and Yo-Yo. Congklak is also known as Mancala in other countries. The history of Congklak game came from a long way- originated from the Middle East to Africa and finally spread to Asia. In Indonesia, the game was at first only played by the young girls from the Javanese nobility families. With the passage of time, Congklak game's popularity grew and was widely played by common people. On the other hand, 'Yo-Yo' is a game using a toy that consists of a circular object and a long piece of string tied into it in such a way that the object can be made to go up and down by manipulating the string. Girls would be playing Congklak together while the boys playing Yo-Yo. I was so drawn to both games because they were both such entertaining games to play amongst friends. So I decided to translate my fascination of the games into my piano composition. After understanding deeper on how to play the game of YoYo, I was inspired to put on ‘ascending and descending notes’ as a way to interpret and emulate the YoYo's up and down movements. To illustrate the game of Congklak, I used ‘staccatos’ and ‘ornaments’ to emulate the sound of seeds moving from one hole to another in a rotating sequence. Moreover, I was able to use different kinds of musical techniques to express different moods. I applied D Major to create an exciting nuance of playing together, and spiced it up with the touch of Javanese Scale which represents the Javanese Gamelan sounds that are usually transcribed into Western notations. Well, enjoy! 😃.
$1.99 ≈
1.84€
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Go West Young Man
