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Vous avez sélectionné:
Great Chromatic Fugue
Partitions à imprimer
11 partitions trouvées
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1
Bach: Prelude & Fugue in G Minor BWV 558 for String Quartet
Bach: Prelude & Fugue in G Minor BWV 558 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Prelude & Fugue in G
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1126013 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1126013 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Classical,Contest,Festival,Wedding. 14 pages. Jmsgu3 #726732. Published by jmsgu3 (A0.1126013). Score: 6 pages. Duration: ca. 3:00.Bach's Prelude and Fugue in G Minor BWV 558 is a work for organ composed by Johann Sebastian Bach in the early 18th century. It is part of his collection of preludes and fugues for organ, the Great Eighteen Chorale Preludes, and is one of the most beloved and often performed of all his works. The prelude is marked by its dramatic and intense character, with an ascending and descending chromatic scale providing a powerful climax. The fugue is marked by its intricate contrapuntal writing and shifts in tonality, as Bach builds up a complex texture of musical lines. Together, the prelude and fugue form a powerful and emotionally charged work, with the prelude providing a stark contrast to the more complex fugue. This work is a testament to Bach's mastery of the organ and the contrapuntal techniques he employed. It is a beloved and timeless masterpiece of the Baroque era.
$32.95 ≈
29.72€
Prelude and Fugue XXIV from The Well-Tempered Clavier, Book 1 (arranged for woodwind quintet)
Prelude and Fugue XXIV from The Well-Tempered Clavier, Book 1 (arranged for woodwind quintet)
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Classique
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Johann Sebastian Bach
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Daniel Kaplan
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Prelude and Fugue XXIV from Th
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Daniel Kaplan
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 4 - SKU: A0.1419166 Composed by Johann Sebastian Bach. Arranged by Daniel...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 4 - SKU: A0.1419166 Composed by Johann Sebastian Bach. Arranged by Daniel Kaplan. Baroque,Chamber,Classical. 33 pages. Daniel Kaplan #1000598. Published by Daniel Kaplan (A0.1419166). Arrangement by Daniel Kaplan for woodwind quintet of Bach's Prelude and Fugue No. 24 in B minor from Book 1 of The Well Tempered Clavier. The prelude is in an unusual (for a Bach prelude) binary form. The fugue is remarkably chromatic and complex, based on a subject employing all 12 notes of the chromatic scale (prefiguring Schoenberg's 12-tone system, to come two centuries later!). Kaplan is engaged in a project to make classics from other genres available to woodwind players and has arranged several other great works for this ensemble, including many of his favorites from The Well Tempered Clavier (also available on this website). The woodwind quintet is especially well suited for contrapuntal music since the distinctive tone colors of the wind instruments bring out the contrapuntal lines and make them clearer to the listener.
$4.95 ≈
4.46€
Chromatic Fantasy and Fugue for solo violin BWV 903
Chromatic Fantasy and Fugue for solo violin BWV 903
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Violon
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AVANCÉ
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Classique
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Johann Sebastian Bach
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N
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Chromatic Fantasy and Fugue fo
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iStrings
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.875760 Composed by Johann Sebastian Bach. Arranged by N. Szederkenyi. Baroque. 10 pages. IStrings #3676209. Published by...
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Violin Solo - Level 5 - SKU: A0.875760 Composed by Johann Sebastian Bach. Arranged by N. Szederkenyi. Baroque. 10 pages. IStrings #3676209. Published by iStrings (A0.875760). This is a transcription of the Chromatic Fantasy and Fugue BWV 903 by J. S. Bach for solo violin. Written by Hungarian violinvirtuoso Nandor Szederkenyi, former concertmaster in several major orchestras from Japan to Austria, who also had a long career as soloist. Published using the leading notation software Finale, he includes bowings and fingerings, to make studying of this great master work easier.A professional recording of this transcription with his playing is available at iTunes and other major audio distribution platforms, or just listen to his video on YouTube: https://www.youtube.com/watch?v=1bBFjQq-5NU
$23.00 ≈
20.74€
Toccata & Fugue for Organ
Toccata & Fugue for Organ
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Orgue
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Christian contemporain
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Musique Sacrée
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Aris Antoniades
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Toccata & Fugue for Organ
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Aris Antoniades
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SheetMusicPlus
Organ - SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris Antoniades (A0.942...
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Organ - SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris Antoniades (A0.942949). Toccata & Fugue for Organ (2018)Composed by Aris AntoniadesRunning time: approx. 7' 50'' Writing for Organ always seemed like a very distant dream for me. Born and raised in Cyprus, an isolated Mediterranean island-state in Europe where the religious musical tradition (Greek Orthodox Christianity) relies solely on voices (no instruments used during services), I never had access to an Organ. In fact, to the best of my knowledge, there’s not a single Organ in my entire country. The first time I ever saw one was during my college years in New York – and it was love at first sight! I was fascinated by its sound capabilities, its mechanism, and the sheer skill required to play it. You can, therefore, understand how thrilled I am to have had the opportunity to write for this great instrument. I would like to sincerely thank Shannon Murphy and Austin Philemon for believing in my work, and for commissioning this piece. Both the Toccata and the Fugue are based on the same (but altered) motivic materials. The Toccata is a piece that was inspired by the idea that life is a continuous marathon, represented by the ‘mechanical’ sixteenth-note ostinato figure which never stops – despite the contrapuntal obstacles that are thrown within its path. The motive, however, does transform and adapt along the way, in order to make the best of the situation. The Fugue, on the other hand, represents the cerebral aspect of life: the concept of choices. The ostinato motive of the Toccata has now morphed into the subject of the Fugue, which will be attacked by some violent chromatic enemies. Estimated running time: ca. 8 minutesAbout the PDFs:Score size: 14 PagesContact the composer: https://www.arisantoniades.com or aris.antoniades@gmail.com
$13.00 ≈
11.72€
Great Chromatic Fugue
Great Chromatic Fugue
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2 Euphoniums et 2 Tubas
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Eugene Anderson
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Great Chromatic Fugue
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Cimarron Music Press - Digital
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SheetMusicPlus
Tuba quartet (EETT) - Grade 4 - SKU: CX.CM0398 Composed by Eugene Anderson. Quartet music. 19 pages. Published by Cimarron Music Press - Digital (CX.CM0...
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Tuba quartet (EETT) - Grade 4 - SKU: CX.CM0398 Composed by Eugene Anderson. Quartet music. 19 pages. Published by Cimarron Music Press - Digital (CX.CM0398).
$17.00 ≈
15.33€
Great Chromatic Fugue
Great Chromatic Fugue
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4 Tubas
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Eugene Anderson
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Great Chromatic Fugue
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Cimarron Music Press
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SheetMusicPlus
By Eugene Anderson. For tuba quartet (EETT). Quartet music. Score and parts. Published by Cimarron Music Press ...
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By Eugene Anderson. For tuba quartet (EETT). Quartet music. Score and parts. Published by Cimarron Music Press
$17.00 ≈
15.33€
String Quartet No. 2, op. 24
String Quartet No. 2, op. 24
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Adrian Gagiu
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String Quartet No. 2, op. 24
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Adrian Gagiu
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1004708 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 90 pages. Adrian Gagiu #...
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String Quartet String Quartet - Level 5 - SKU: A0.1004708 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 90 pages. Adrian Gagiu #4890233. Published by Adrian Gagiu (A0.1004708). String Quartet No. 2 in C minor (2004, revised 2019) is a cyclic, vigorous, chromatic composition in Neo-Classical style, partly influenced by Bartok and Beethoven's Great Fugue, and in a 'synthetic' form (sonata, double fugue and variations within a grand sonata form). The first section (Allegro risoluto) is also the exposition of the 'grand sonata' or fugue. The secondary theme is B-A-C-H. The second section (Lo stesso tempo, ma tramquillo), in variations, is also the development of the 'grand sonata' or fugue. The third section (Lo stesso tempo, energico), now revised in C 'major', is also the reprise of the quartet. All 3 sections are to be played without a pause. Performing Rights Organization: SOCAN. Duration: 18 min.
$27.99 ≈
25.24€
Buxtehude: Toccata BuxWV 155 for String Quartet
Buxtehude: Toccata BuxWV 155 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Dietrich Buxtehude 1637-1707
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James M
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Buxtehude: Toccata BuxWV 155 f
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1124099 Composed by Dietrich Buxtehude 1637-1707. Arranged by James M. Guthrie. Bar...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1124099 Composed by Dietrich Buxtehude 1637-1707. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Traditional. 24 pages. Jmsgu3 #724841. Published by jmsgu3 (A0.1124099). Toccata BuxWV 155 in D Minor for String Quartet. Score: 12 pages. Duration: 5:38Dieterich Buxtehude (c. 1637–1707) was a German organist and composer of the Baroque era. He is known for his large-scale works, including the Toccata in B flat major (BuxWV 155), which is one of his most famous pieces. The Toccata was composed in 1690 and is a virtuosic display of the organ’s power and range. The piece begins with a long and stately introduction, which is followed by a lively and energetic fugue. The fugue is then repeated, but with different variations. This creates an exciting contrast and a sense of musical momentum. The piece ends with a short, chromatic passage which leads to a triumphant conclusion. The Toccata is one of Buxtehude’s most popular and beloved works and it has been performed and recorded by many renowned musicians. It is a testament to the great skill and creativity of Buxtehude, and is a beloved example of Baroque music.
$32.95 ≈
29.72€
Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - brass quintet
Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1109895 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 8 page...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1109895 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 8 pages. RayThompsonMusic #712266. Published by RayThompsonMusic (A0.1109895). Arranged standard brass quintet. A beautiful piece of music. It suits the brass quintet. The Lacrimosa (Latin for weeping/tearful), also a name that derives from Our Lady of Sorrows, a title given to The Virgin Mary, is part of the Dies Irae sequence in the Roman Catholic Requiem Mass. Its text comes from the Latin 18th and 19th stanzas of the sequence. Lacrimosa dies illa Qua resurget ex favilla Judicandus homo reus. Huic ergo parce, Deus: Pie Jesu Domine, Dona eis requiem. Amen. Full of tears will be that day When from the ashes shall arise The guilty man to be judged; Therefore spare him, O God, Merciful Lord Jesus, Grant them eternal rest. Amen. The piece begins piano on a rocking rhythm in 12/8, intercut with quarter rests, which will be reprised after two bars, on Lacrimosa dies illa (This tearful day). Then follows a diatonic progression, in disjointed eighth-notes on the text resurget (will be reborn), then legato and chromatic on a powerful crescendo. The music is forte by bar 8, at which point Mozart's contribution to the movement is interrupted by his death. Süssmayr brings the music to a reference of the Introit and ends on an Amen cadence. Discovery of a fragmentary Amen fugue in Mozart's hand has led to speculation that it may have been intended for the Requiem. Indeed, many modern completions (such as Levin's) complete Mozart's fragment. Some sections of this movement are quoted in the Requiem mass of Franz von Suppé, who was a great admirer of Mozart. Ray Robinson, the music scholar and president (from 1969 to 1987) of the Westminster Choir College, suggests that Süssmayr used materials from Credo of one of Mozart's earlier masses, Mass in C major, K. 220 Sparrow in completing this movement.
$4.95 ≈
4.46€
Heidenröslein: Variations on a Theme by Franz Schubert
Heidenröslein: Variations on a Theme by Franz Schubert
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Classique
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations
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Kayla Roth
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroq...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00 ≈
18.04€
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Great Chromatic Fugue
