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Greater Is He That Is In Me
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Vous avez sélectionné:
Greater Is He That Is In Me
Partitions à imprimer
17 partitions trouvées
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1
Greater Is He That Is In Me
Greater Is He That Is In Me
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Piano Facile
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DÉBUTANT
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Contemporain
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Lanny Wolfe
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Samuel Stokes
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Greater Is He That Is In Me
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SamuelStokesMusic.com
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.562299 Composed by Lanny Wolfe. Arranged by Samuel Stokes. Contemporary. Score. 1 pages. SamuelStokesMusic.com #5376383. ...
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Easy Piano - Level 1 - SKU: A0.562299 Composed by Lanny Wolfe. Arranged by Samuel Stokes. Contemporary. Score. 1 pages. SamuelStokesMusic.com #5376383. Published by SamuelStokesMusic.com (A0.562299). This is an arrangement of Greater Is He That Is In Me for easy piano in C major. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com
$4.99 ≈
4.59€
Greater Is He (Anthem) - Piano Accompaniment
Greater Is He (Anthem) - Piano Accompaniment
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Christopher R
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Greater Is He
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.747204 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Christopher...
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Choral Choir (SATB) - Level 3 - SKU: A0.747204 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Christopher Brown #4725447. Published by Christopher Brown (A0.747204). About the song: Satan has been decisively defeated. In every battle with the devil, 1 John 4:4 assures us that God is greater. When we feel trapped in sin, God is greater. When we are tempted to doubt, God is greater. When we face trials, God is greater. When we experience great loss or disappointment, God is greater still. He is able to strengthen, help, comfort, and uphold our souls by His power and might regardless of the circumstances in which we find ourselves. This is reason for hope, joy, and praise even in the darkest valley.Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Please Note:You can purchase individual copies of the vocal part separately on Sheet Music Plus. Performance of this piece requires the purchase of one vocal score per singer.*Full orchestration and parts also available on Sheet Music Plus.Included in your Purchase:Piano AccompanimentLyrics:Verse 1When it seems there’s no way out,He can make a way.In the darkness of my doubt,He’s the light of day.Ev’ry trial that I face,Comes with His mercy and His grace.Pre-Chorus 1Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 1This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Verse 2When my world begins to shake,He’s unshakable.When my circumstances change,He’s unchangeable.In ev’ry storm and crashing wave,My God is powerful to save.Pre-Chorus 2Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 2This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Bridge 1There isn’t any other,Who has the power, power.The King of Kings, and Lord of Lords,We lift Him higher, higher.Bridge 2We raise our voices louder,Our God is stronger, stronger.The King of Kings, and Lord of Lords,We lift Him higher, higher.Chorus 3This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He,Greater is He,Greater is He that is in me.
$4.99 ≈
4.59€
Greater Is He (Anthem) - Orchestration
Greater Is He (Anthem) - Orchestration
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Christopher R
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greater
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Greater Is He
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.747202 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 101 pages. Christ...
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Full Orchestra - Level 3 - SKU: A0.747202 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 101 pages. Christopher Brown #4725429. Published by Christopher Brown (A0.747202). About the song: Satan has been decisively defeated. In every battle with the devil, 1 John 4:4 assures us that God is greater. When we feel trapped in sin, God is greater. When we are tempted to doubt, God is greater. When we face trials, God is greater. When we experience great loss or disappointment, God is greater still. He is able to strengthen, help, comfort, and uphold our souls by His power and might regardless of the circumstances in which we find ourselves. This is reason for hope, joy, and praise even in the darkest valley.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1When it seems there’s no way out,He can make a way.In the darkness of my doubt,He’s the light of day.Ev’ry trial that I face,Comes with His mercy and His grace.Pre-Chorus 1Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 1This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Verse 2When my world begins to shake,He’s unshakable.When my circumstances change,He’s unchangeable.In ev’ry storm and crashing wave,My God is powerful to save.Pre-Chorus 2Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 2This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Bridge 1There isn’t any other,Who has the power, power.The King of Kings, and Lord of Lords,We lift Him higher, higher.Bridge 2We raise our voices louder,Our God is stronger, stronger.The King of Kings, and Lord of Lords,We lift Him higher, higher.Chorus 3This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He,Greater is He,Greater is He that is in me.
$49.99 ≈
46.03€
Dawn in the Room for alto and guitar (words by S N Solomons) (mp3)
Dawn in the Room for alto and guitar (words by S N Solomons) (mp3)
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Contemporain
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David Warin Solomons
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Dawn in the Room for alto and
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - SKU: A0.1059328 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 259. David Warin Solomons #2054329. Publi...
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Alto Voice,Guitar - SKU: A0.1059328 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 259. David Warin Solomons #2054329. Published by David Warin Solomons (A0.1059328). Score:https://www.sheetmusicplus.com/title/19984192?aff_id=175705Setting of the poem by S N Solomons based on Supervielle's L'Aube dans la chambre for alto and classical guitar. Performed by the composer ... The first light comes, touching the sleeping mind, stroking the head, confirming who it is. Colours prick through the window pane, with silent customary tread. Pale light from Palestine and Java leans over the bed and spreads. Grey light reluctant to leave China powders the glass deepens its image as you come close. Yellow light strokes the window pane, sombre light stains the human comedy sprawled on the bed. And then the watching soul immanent, anxious says All is still well. The substance of our days is whole. No greater pain exists than to feel pain no more, with the soul helpless before locked doors. Alas Time will arrive, and death deprive. Meanwhile take I delight flattering his form guessing his contour beneath the sheets; sensing his blood seeking complexity, feeling his hands fleeting, stirred by some dream; leaving no trace in Time or Space. Let me think no more thoughts for fear he may wake. Let me be quieter than the leaf that grows. Or the rose..
$2.00 ≈
1.84€
IN THE CROSS - Worship Service Complete PACKAGE - 10 Hymn Arrangements with Overhead PDF Texts
IN THE CROSS - Worship Service Complete PACKAGE - 10 Hymn Arrangements with Overhead PDF Texts
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Reginald Heber, George Bennard
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Wanda J
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IN THE CROSS - Worship Service
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Wanda J. COOLEY
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.931662 Composed by Reginald Heber, George Bennard, Robert Lowry, Hassler/J.S. Bach, Isaac Watts,. Arranged by Wanda J. Co...
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Piano Solo - Level 4 - SKU: A0.931662 Composed by Reginald Heber, George Bennard, Robert Lowry, Hassler/J.S. Bach, Isaac Watts,. Arranged by Wanda J. Cooley. 20th Century,Contemporary,Easter,Sacred. Score. 150 pages. Wanda J. COOLEY #6252651. Published by Wanda J. COOLEY (A0.931662). IN THE CROSS is a COMPLETE WORSHIP SERVICE PACKAGE (total Presentation Time = 55 minutes) consisting of 10 Hymn Arrangements with PDF Words sequenced to unfold as the pianist plays. Templates are included: Posters, Invitations, Programs, Thank-you notes and a Coordinator's Kit so that the pianist's only assignment is the music! These hymns present the Gospel in churches, nursing homes, and prisons using one or more pianists. Congregational participation is enhanced through the Spoken Scriptures and the Preambles (stories) which precede the hymns. There are 62 pages of arrangements with 75 overhead pdf slides (sequenced with numerals), plus extras! Hymn Arrangements: Holy, Holy, Holy - Fairest Lord Jesus - The Old Rugged Cross - Nothing But the Blood - Whiter Than Snow - Are You Washed in the Blood? - O Sacred Head Now Wounded - Grace Greater Than Our Sin - Jesus, Keep Me Near the Cross - When I Survey the Wondrous Cross - And Can It Be? - Rejoice, the Lord Is King! - Children of the Heavenly Father - When He Cometh - Crown Him with Many Crowns.
$18.00 ≈
16.57€
No Greater Love
No Greater Love
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David Kai
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David Kai
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No Greater Love
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David Kai
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SheetMusicPlus
Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Per...
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Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Performance. Duration 254. David Kai #708357. Published by David Kai (A0.1105110). A song for Good Friday. Scripture reference: John 15:13. No one has greater love than this, to lay down one’s life for one’s friends. NO GREATER LOVE words and music by David Kai ©1985 A chilly wind blows upon Calvary's hill, the sky is as dark as the night, the sweat and the blood trickle down to the ground, as the townspeople gaze at the sight, And the hands that once held the children near are nailed onto the tree, Why did you have to suffer that for me? They beat him until he could hardly stand, a crown of thorns pierced his head, and all of that time not a single word in his defense he said, And I stood within that angry crowd that jeered along the way, for I helped to put you on the cross that day. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Saviour took our sins away. For all of my life your boundless love I want to get to know, 'though sometimes I've turned my back on you and I’ve heard the rooster crow, but then you've appeared just like a friend to guide my wandering way, no longer on the cross, you're here today. The Light of the World, the Bread of Life, the Son of God, Morning Star, my earthly mind can't comprehend all of the things you are, but even through glass that's dark and dim, my eyes can plainly see, you loved us so much you died to set us free. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Savior took our sins away. No greater love, no there's no greater love, No greater love, no there's no greater love, There's no greater love than to lay down your life for a friend.
$1.99 ≈
1.83€
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 4: Mon âme es
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.76€
Everything for the Church Soloist-Digital Download
Everything for the Church Soloist-Digital Download
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Various Writers
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Everything for the Church Solo
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Hope Publishing - Digital
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SheetMusicPlus
Vocal, Solo Solo Voice - SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing ...
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Vocal, Solo Solo Voice - SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List
: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95 ≈
73.62€
Encore!
Encore!
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Orgue
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Fred Bock
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Fred Bock
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Encore!
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Fred Bock Music Company
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SheetMusicPlus
Organ SKU: HL.8738391 Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Bock Publications. Classical, General Worship, Sacred. 160 pages. Fred Bo...
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Organ SKU: HL.8738391 Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Bock Publications. Classical, General Worship, Sacred. 160 pages. Fred Bock Music Company #BG0773. Published by Fred Bock Music Company (HL.8738391). ISBN 9781934596487. UPC: 073999383911. 9.3x12.0x0.683 inches.50 of Fred Bock's best organ arrangements have been carefully selected for this collection, bringing a wide variety of styles and titles. From the popular El Shaddai, to the more traditional Savior Like a Shepherd Lead Us and Jesus Loves Me (coupled with Debussy's Clair De Lune), these pieces will be played over and over again.
Song List
: I'll Fly Away (Albert E Brumley) Because He Lives (Wm & Gloria Gaither) To Be Used of God (Audrey Mieir) El-Shaddai (J Thompson/M Card) Let's Just Praise the Lord (William Gaither) Thou Art Worthy (Pauline Mills) I'll Tell the World That I'm A Christian (Bock) Healer of Broken Hearts (Bock) He Is with Me (Bock) He Touched Me (Bock) I Believe in A Hill Called Mt. Calvary (Bock) Over the Sunset Mountains (Bock) Plenty of Room in the Family (Bock) How Great Thou Art (Stuart K Hine) In This Very Room (Ron and Carol Harris) Jesus Loves Me (Bradbury/Debussy) Happiness Nearer, My God, to Thee (S. Adams) What A Friend We Have in Jesus (C Converse) This Is My Country (Raye/Jacobs) Love Lifted Me (J. Rowe/H. Smith) Savior, Like A Shepherd Lead Us (W. Bradbury) I've Got Peace Like A River Greater Is He That Is in Me (Lanny Wolfe) Day by Day (C Berg/O Ahnfelt) I Am A Promise (Wm. & Gloria Gaither) Joy Comes in the Morning (Wm. & Gloria Gaither) I Cannot Fail the Lord (Doris Akers) He's Everything to Me (R Carmichael) When He Shall Come (A J Pearce) Sweet, Sweet Spirit (Doris Akers) Oh, I Never Shall Forget the Day (R Carmichael) Sweeter As the Years Go by (Mrs. C H Morris) Yesterday, Today and Tomorrow (Don Wyrtzen) My Heart Is Filled with Jesus' Love (D Akers) Heaven Came Down and Glory Filled My Soul (John Peterson) Love At Home (Wm Driggs, Jr.) Thank God for the Promise of Spring (Wm Gaither) God Leads His Dear Children Along (G Young) Even So, Lord Jesus, Come (Wm. Gaither) Jesus Is Coming Again (J Peterson) He'll Never Let You Fall (R Carmichael) Go Tell It On the Mountain Amen Precious Memories LOVE OF GOD, THE (FREDERICK H LEHMAN) BLOOD WILL NEVER LOSE ITS POWER, THE (A. CROUCH) CHURCH TRIUMPHANT, THE (WM GAITHER) UNVEILED CHRIST, THE (N B HERRELL) MIRACLE OF GRACE, THE (R CARMICHAEL)
$24.95 ≈
22.97€
Oh Holy Night
Oh Holy Night
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Steven Erekson
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Steven L
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Oh Holy Night
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Steven L. Erekson
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SheetMusicPlus
Alto Voice,Soprano voice - Level 3 - SKU: A0.1354327 By Steven Erekson. By Adolphe Charles Adam/Placide Cappeau. Arranged by Steven L. Erekson. Christia...
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Alto Voice,Soprano voice - Level 3 - SKU: A0.1354327 By Steven Erekson. By Adolphe Charles Adam/Placide Cappeau. Arranged by Steven L. Erekson. Christian,Christmas,Holiday,Sacred,Spiritual. 6 pages. Steven L. Erekson #939042. Published by Steven L. Erekson (A0.1354327). Written for 1 saprano and 2 altos, this arrangment of Oh Holy Night was written upon request of a family member who had difficulty finding an arrangement for 3 female vocalists. 4 days later and with a day to spare before they left for holidays, the request was happily filled and the result as you see it here. It features two of the 3 verses with a reference to the most important phrase found in the origional's third verse. The chord structures at some points differ from what is commonly associated with this carol and a number of key changes attempt to keep things in a suitable range and entertain the singers with added difficulty, but mostly enables a reverent capture of the attention of the audience. The third verse was not included in full to keep the piece to a suitable length for settings of worship.To my surprise, some church services at Christmas time leave me un-fed. I keep longing for the reverence that should be and would have been felt in the presence of the newborn of whom this song speaks. There is glory and rejoicing in the arrival of the Christ, yes; I do not wish to overlook this aspect of the season, but the greater emphasis that I intended to accompany this arrangement is that of the often-lacking submissive reverence embodied in the concluding phrase; behold your King.The best way to bring the best verision of this piece is to vary the tempo throughout to create more emotion and exagerate the dynamic markings. Begin the piece with awe and contained anticipation, increase in majesty to reflect the praise of angels and the glory of the Christ, then sing as though you enter the place where He rests as you lead your audience thereto. A voice recording is in the works.
$7.99 ≈
7.36€
Bock's Best - Volume 5
Bock's Best - Volume 5
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Piano seul
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Fred Bock
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Bock's Best - Volume 5
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Fred Bock Music Company
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SheetMusicPlus
Piano Solo Piano SKU: HL.8738374 Arranged by Fred Bock. Piano solos. Fred Bock Publications. General Worship, Sacred. 148 pages. Fred Bock Music Company ...
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Piano Solo Piano SKU: HL.8738374 Arranged by Fred Bock. Piano solos. Fred Bock Publications. General Worship, Sacred. 148 pages. Fred Bock Music Company #BG0941. Published by Fred Bock Music Company (HL.8738374). ISBN 9781934596142. UPC: 073999383744. 9.0x12.0x0.344 inches.50 outstanding piano arrangements that are challenging and rewarding for player and listener alike. Includes: Here I Am, Lord * I Walked Today Where Jesus Walked * Jesus, Name Above All Names * The Lord's Prayer * Majesty and Glory of Your Name * On Eagle's Wings * Victory in Jesus * and more. There is no duplication of titles within the Bock's Best series! Medium difficulty.
Song List
: A Balm in Gilead All Hail, King Jesus (Dave Moody) As the Deer (Marty Nystrom) Awesome God/I Exalt Thee (Richard Mullins/Pete Sanchez, Jr.) Emmanuel (Bob Mcgee) Gesu Bambino (Pietro A Yon) Glorify Thy Name (Donna Adkins) God So Loved the World (John Stainer) Grace Greater Than Our Sin (Daniel B Towner) Halle, Halle, Halle Have Thy Own Way, Lord (George C Stebbins) He Has Made Me Glad (Leona Von Brethorst) He Is Exalted (Twila Paris) His Is Lord Here I Am, Lord (Dan Schutte) Holy Ground (Geron Davis) How Excellent Is Thy Name (Dick & Melody Tunney, Paul Smith) Hymn of Promise (Natalie Sleeth) I Exalt Thee/Awesome God (Pete Sanchez, Jr./Richard Mullins) I Surrender All (Winfield S. Weeden) I Walked Today Where Jesus Walked (Geoffrey O'hara) I Will Call Upon the Lord (Michael O'shields) I Wonder As I Wander (John Jacob Niles) I'll Fly Away (Albert E Brumley) In the Garden (C. Austin Miles) Jesus, Name Above All Names (Naida Hearn) Just As I Am (William B Bradbury) Lord, Be Glorified/Sanctuary (Bob Kilpatrick/John Thompson & Randy Scruggs) Morning has Broken Old Friends (William J Gaither & J D Miller) On Eagle's Wings (Michael Joncas) Open Our Eyes, Lord (Bob Cull) Our God Reigns ( Leonard E Smith, Jr.) Pass It On (Kurt Kaiser) Praise the Name of Jesus (Roy Hicks, Jr.) Sanctuary/Lord, Be Glorified (John Thompson & Randy Scruggs/Bob Kilpatrick) Shine, Jesus, Shine (Graham Kendrick) Sing Hallelujah to the Lord (Linda Stassen) This Is the Day (Les Garrett) Turn Your Eyes Upon Jesus (Helen Lemmel) Victory in Jesus (Eugene M Bartlett, Sr) We Bring the Sacrifice of Praise (Kirk Dearman) We Gather Together What A Mighty God We Serve When the Roll Is Called Up Yonder (James M Black) Wonderful Grace of Jesus (Haldor Lillenas) Be Thou My Vision LORD'S PRAYER, THE (ALBERT HAY MALLOTTE) LOVE OF GOD, THE (FREDERICK H LEHMAN) MAJESTY AND GLORY OF YOUR NAME, THE (TOM FETTKE)
$29.99 ≈
27.62€
Only My Savior, a sacred hymn
Only My Savior, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Kevin G
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only He died for my soul
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Only My Savior, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1452351 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1452351 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1031677. Published by Kevin G. Pace (A0.1452351). A beautiful, heart-felt, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Who am I that when I fall, Thou offers only grace,That when I see my weaknesses, pure love shines from thy face?Who art Thou who cried for me in ever-wors’ning pain,That when I’m trapped in senseless sin, still suffered for my gain?Only my Savior can love me that much; only He died for my soul.Only my Savior has scars to atone; only He makes me feel whole.Who am I that Thou redeems my prideful, unkempt soul?That when I stray from righteousness, forgiveness is thy goal?Who art Thou who bled for me with drops like falling rain,That when I’m slow to show my love, still wipes away each stain?Only my Savior can love me that much; only He died for my soul.Only my Savior has scars to atone; only He makes me feel whole.Who am I that Thou should save, redeeming ev’ry flaw?That when I suffer selfishness, Thou shows me greater laws?Who art Thou who gave His life so I might live with Thee,That when I’ve given up all hope, still wants to be with me?Only my Savior can love me that much; only He died for my soul.Only my Savior has scars to atone; only He makes me feel whole.
$1.99 ≈
1.83€
The Counter of The Point
The Counter of The Point
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directly contradicting the rul
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Jonah Koppitz
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The Counter of The Point
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Jonah Koppitz
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jon...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
$1.99 ≈
1.83€
If I Were A Rich Man
If I Were A Rich Man
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Hines Hines & Dad
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John Fries
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If I Were A Rich Man
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1220894 By Hines Hines & Dad. By Jerry Bock and Sheldon Harnick. Arranged by John Fries. 20th Century,Broad...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1220894 By Hines Hines & Dad. By Jerry Bock and Sheldon Harnick. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Score. 2 pages. John Fries #817235. Published by John Fries (A0.1220894). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. If I Were a Rich Man is a show tune from the 1964 musical Fiddler on the Roof.  A Critical and Musical Survey explained that the song contains a greater number of Jewish commonplaces than any other number in the score, and added the song does twofold: it offers such a strong dose of idiom early in the show [which] is good for the overall unity, and the important dramatic function of introducing the central character of Tevye through song.  A repeated phrase throughout the song, all day long I'd bidi-bidi-bum, is often misunderstood to refer to Tevye's desire not to have to work.  However, in an interview with Terry Gross, Sheldon Harnick said he basically made up syllables that he thought would give the effect of Chassidic chanting.
$4.99 ≈
4.59€
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ?angel of corrections? [?l?ange des Corrections?] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
35.87€
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l?acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ?angel of corrections? [?l?ange des Corrections?] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
35.87€
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Greater Is He That Is In Me
