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HOW GREAT THOU ART Euphonium
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Vous avez sélectionné:
HOW GREAT THOU ART Euphonium
Partitions à imprimer
35 partitions trouvées
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Bach: Bist du bei mir BWV 508 for Euphonium & Piano
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
¥239.38
HOW GREAT THOU ART - Euphonium (Trombone) Duet with Piano Accompaniment
HOW GREAT THOU ART - Euphonium (Trombone) Duet with Piano Accompaniment
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Accompagnement Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Glen Poehlmann
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Performance Time approx 5:30
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HOW GREAT THOU ART - Euphonium
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arrangements by GPoehlmann
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.807131 Arranged by Glen Poehlmann. Christian,Sacred. Score and pa...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.807131 Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 24 pages. Arrangements by GPoehlmann #6383697. Published by arrangements by GPoehlmann (A0.807131). HOW GREAT THOU ART - Euphonium Duet with Piano AccompanimentThe popular hymn arranged as a duet for Trombone/Euphonium/Baritone Treble Clef. The Piano Accompaniment is medium difficult (Grade 4-).80 measures. Performance Time approx 5:30. Medium Difficult (Grade 3+)Key: Ab - Bb - C. Meter: 4/4 - 2/4 - 5/4 - 6/4. Instrument Ranges (C4=middle C):Euphonium/Trombone 1 Ab2 - A4. Baritone TC 1 Bb3 - B5 (written)Euphonium/Trombone 2 F2 - F4. Baritone TC 2 G3 - G5 (written).
$5.00 ≈
¥36.33
How Great Thou Art
How Great Thou Art
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Contemporain
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Martina McBride
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Chris North
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E-Flat
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How Great Thou Art
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Danetre Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.831691 By Martina McBride. By Adam Palmer, Matthew Hein, Stephanie Kulla, Stuart Hine, and Tradi...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.831691 By Martina McBride. By Adam Palmer, Matthew Hein, Stephanie Kulla, Stuart Hine, and Traditional Swedish Folk Tune. Arranged by Chris North. Contemporary. Score and parts. 10 pages. Danetre Music #5776885. Published by Danetre Music (A0.831691). Arranged as a duet with piano accompaniment. In concert key of C. Suitable for trumpet / cornet, euphonium, trombone etc. Treble and bass clef parts, as well as parts (second only) for horn in F & E-Flat. Duration 1:55.
$4.99 ≈
¥36.25
How Great Thou Art - "O store Gud." - Easy Euphonium and Piano
How Great Thou Art - "O store Gud." - Easy Euphonium and Piano
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Musique Sacrée
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Carl Gustav Boberg /Stuart K H
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Daniel H Rosa
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How Great Thou Art - "O s
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Daniel H Rosa
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SheetMusicPlus
Baritone Horn BC,Baritone Horn TC,Euphonium,Piano - SKU: A0.1155924 Composed by Carl Gustav Boberg /Stuart K Hine. Arranged by Daniel H Rosa. Christian,...
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Baritone Horn BC,Baritone Horn TC,Euphonium,Piano - SKU: A0.1155924 Composed by Carl Gustav Boberg /Stuart K Hine. Arranged by Daniel H Rosa. Christian,Easter,Praise & Worship,Religious,Sacred. Score and part. 2 pages. Daniel H Rosa #756233. Published by Daniel H Rosa (A0.1155924). Easy Begginer solo.
$2.99 ≈
¥21.72
How Great Thou Art - "O store Gud." - Easy Baritone Euphonium
How Great Thou Art - "O store Gud." - Easy Baritone Euphonium
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Musique Sacrée
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Carl Gustav Boberg /Stuart K H
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Daniel H Rosa
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How Great Thou Art - "O s
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Daniel H Rosa
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SheetMusicPlus
Baritone Horn BC Solo,Baritone Horn TC Solo - Level 1 - SKU: A0.1155850 Composed by Carl Gustav Boberg /Stuart K Hine. Arranged by Daniel H Rosa. Christ...
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Baritone Horn BC Solo,Baritone Horn TC Solo - Level 1 - SKU: A0.1155850 Composed by Carl Gustav Boberg /Stuart K Hine. Arranged by Daniel H Rosa. Christian,Easter,Praise & Worship,Religious,Sacred. Individual part. 1 pages. Daniel H Rosa #756157. Published by Daniel H Rosa (A0.1155850). Easy Begginer solo.
$1.99 ≈
¥14.46
How Great Thou Art - "O store Gud." - Easy Baritone and Piano
How Great Thou Art - "O store Gud." - Easy Baritone and Piano
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Musique Sacrée
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Carl Gustav Boberg /Stuart K H
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Daniel H Rosa
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How Great Thou Art - "O s
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Daniel H Rosa
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SheetMusicPlus
Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 1 - SKU: A0.1155905 Composed by Carl Gustav Boberg /Stuart K Hine. Arranged ...
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Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 1 - SKU: A0.1155905 Composed by Carl Gustav Boberg /Stuart K Hine. Arranged by Daniel H Rosa. Christian,Easter,Praise & Worship,Religious,Sacred. Score and individual part. 2 pages. Daniel H Rosa #756215. Published by Daniel H Rosa (A0.1155905). Easy Begginer solo.
$2.99 ≈
¥21.72
How Great Thou Art (bass C instrument solo)
How Great Thou Art (bass C instrument solo)
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Tuba et Piano
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INTERMÉDIAIRE/AVANCÉ
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Swedish Folk Melody
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Sandra Zylstra
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How Great Thou Art
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sandra dee zylstra
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SheetMusicPlus
Bass Clef Instrument,C Instrument,Cello,Euphonium,Instrumental Solo,Piano,Tuba - Level 4 - SKU: A0.712253 Composed by Swedish Folk Melody. Arranged by S...
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Bass Clef Instrument,C Instrument,Cello,Euphonium,Instrumental Solo,Piano,Tuba - Level 4 - SKU: A0.712253 Composed by Swedish Folk Melody. Arranged by Sandra Zylstra. Christian,Multicultural,Sacred,Traditional,World. Score and individual part. 8 pages. Sandra dee zylstra #4268391. Published by sandra dee zylstra (A0.712253). How Great Thou Art is one of the most well-known popular hymns in Christian churches everywhere! The tune comes from a Swedish melody (O Stor Gud) and is arranged in the keys of Bb, C, and D. This bass C instrument solo with piano accompaniment and separate instrument part would be great for worship! (Approximately 4 min., 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$4.00 ≈
¥29.06
Ten Selected Hymns for the Performing Duet, Vol. 4 - trombone (euphonium) and bass trombone (tuba)
Ten Selected Hymns for the Performing Duet, Vol. 4 - trombone (euphonium) and bass trombone (tuba)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Various
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Kenneth D
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and  
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Ten Selected Hymns for the Per
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KFS Publishing
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.700458 Composed by Various. Arranged by Kenneth D. Friedrich. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Sco...
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Brass Ensemble - Level 3 - SKU: A0.700458 Composed by Various. Arranged by Kenneth D. Friedrich. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 20 pages. KFS Publishing #4758297. Published by KFS Publishing (A0.700458). Volume four of ten in a large collection of arranged hymns, spirituals, and spiritual songs for trombone or euphonium and bass trombone or tuba duet. Difficulty level: 2+ to 4List: Holy, Holy, Holy, How Great Thou Art, I Have Decided, I Know That My Redeemer Liveth, I Love to Tell the Story, I Love You, Lord, I Need Thee Every Hour, I Sing the Mighty Power of God, I Surrender All, and If You Will Only Let God Guide You
$17.95 ≈
¥130.41
Fall of a Titan - Euphonium Solo - EUPHONIUM
Fall of a Titan - Euphonium Solo - EUPHONIUM
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Euphonium, Piano (duo)
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FACILE
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Adam Lawrence
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Fall of a Titan - Euphonium So
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Adam Lawrence
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1017037 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 2 pages. Adam Lawrence #6...
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Euphonium,Piano - Level 2 - SKU: A0.1017037 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 2 pages. Adam Lawrence #6016571. Published by Adam Lawrence (A0.1017037). Please note that this is the EUPHONIUM part only. Other individual parts are available, as well as a bundle of the score with all individual parts included.One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored.Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance.Any feedback is more than welcome.Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below.Patreon: https://www.patreon.com/FireyshadowsYouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lgSoundcloud: https://soundcloud.com/fireyshadows-music/Twitter: https://twitter.com/FireyMusic
$1.99 ≈
¥14.46
Fall of a Titan - Euphonium Solo - PIANO
Fall of a Titan - Euphonium Solo - PIANO
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Euphonium, Piano (duo)
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FACILE
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Adam Lawrence
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Fall of a Titan - Euphonium So
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Adam Lawrence
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1017039 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 5 pages. Adam Lawrence #6...
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Euphonium,Piano - Level 2 - SKU: A0.1017039 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 5 pages. Adam Lawrence #6016579. Published by Adam Lawrence (A0.1017039). Please note that this is the PIANO part only. Other individual parts are available, as well as a bundle of the score with all individual parts included.One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored.Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance.Any feedback is more than welcome.Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below.Patreon: https://www.patreon.com/FireyshadowsYouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lgSoundcloud: https://soundcloud.com/fireyshadows-music/Twitter: https://twitter.com/FireyMusic
$1.99 ≈
¥14.46
Fall of a Titan - Euphonium Solo
Fall of a Titan - Euphonium Solo
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Euphonium, Piano (duo)
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FACILE
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Adam Lawrence
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Fall of a Titan - Euphonium So
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Adam Lawrence
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1017036 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 16 pages. Adam Lawrence #...
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Euphonium,Piano - Level 2 - SKU: A0.1017036 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 16 pages. Adam Lawrence #6016541. Published by Adam Lawrence (A0.1017036). This is the whole bundle of score and parts, with individual parts to follow. One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored. Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance. Any feedback is more than welcome. Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below. Patreon: https://www.patreon.com/Fireyshadows YouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lg Soundcloud: https://soundcloud.com/fireyshadows-music/ Twitter: https://twitter.com/FireyMusic
$9.99 ≈
¥72.58
Summer Shower for Euphonium Duet
Summer Shower for Euphonium Duet
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2 Euphoniums (duo)
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FACILE
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David McKeown
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Summer Shower for Euphonium Du
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David McKeown
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - Level 2 - SKU: A0.591747 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standard...
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Instrumental Duet Euphonium,Instrumental Duet - Level 2 - SKU: A0.591747 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score and parts. 2 pages. David McKeown #6305461. Published by David McKeown (A0.591747). Summer Shower is a beautiful new and original composition by David McKeown arranged for two Euphoniums.Summer Shower is one of a set of 10 Summer-themed duets. All 10 can be found together in 10 Easy Summer Duets for Euphonium. Just copy and paste the title in the search box above to find it.Summer Shower can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duet is mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Playing time is around one minute; click on the link above to hear a full performance of the clarinet version on YouTube.Summer Shower isPerfect for concert performances large and small; Fully articulated to help develop that sense of style; Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the player’s musical imagination; There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.49 ≈
¥18.09
Song Without Words, Op. 109 for Euphonium & Piano
Song Without Words, Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Sauer, Ralph
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Song Without Words, Op. 109 fo
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792389 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Sc...
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Euphonium,Piano - Level 5 - SKU: A0.792389 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 12 pages. Gordon Cherry #4820291. Published by Gordon Cherry (A0.792389). Mendelssohn wrote 8 books of Songs Without Words for Piano alone. However this one song is the only one not for solo Piano, but for Cello & Piano and was published posthumously. The work is in A-B-A form, the B section being moody in contrast to the heavenly outer sections. The sublime lyricism of the work gives it its great strength. Mr. Sauer has once again found the perfect key for his Euphonium and Piano transcription. For advanced performers.
$15.00 ≈
¥108.98
Ten Selected Hymns for the Performing Duet, Vol. 4 - trumpet and trombone (euphonium)
Ten Selected Hymns for the Performing Duet, Vol. 4 - trumpet and trombone (euphonium)
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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Ten Selected Hymns for the Per
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KFS Publishing
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SheetMusicPlus
Composed by Various. Arranged by Kenneth D. Friedrich. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score. 20 pages. Published by KFS P...
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Composed by Various. Arranged by Kenneth D. Friedrich. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score. 20 pages. Published by KFS Publishing
Volume four of ten in a large collection of arranged hymns, spirituals, and spiritual songs for trumpet and trombone or euphonium duet.
Difficulty level: 2+ to 4
List: Holy, Holy, Holy, How Great Thou Art, I Have Decided, I Know That My Redeemer Liveth, I Love to Tell the Story, I Love You, Lord, I Need Thee Every Hour, I Sing the Mighty Power of God, I Surrender All, and If You Will Only Let God Guide You
$17.95 ≈
¥130.41
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Stan...
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Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468186. Published by jmsgu3 (A0.552847). J. S. Bach BWV 508  Score: 5 pages, Solo part: 1 page. Piano part: 2 pages. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
¥239.38
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
¥239.38
Song Without Words - from 2nd Suite in F (Score & Parts)
Song Without Words - from 2nd Suite in F (Score & Parts)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Contemporain
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Gustav Holst
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Steven Klaus
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Song Without Words - from 2nd
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NiceChart
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.931992 Composed by Gustav Holst. Arranged by Steven Klaus. 20th Century. Score and parts. 41 pages. NiceChart #4764589....
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Concert Band - Level 3 - SKU: A0.931992 Composed by Gustav Holst. Arranged by Steven Klaus. 20th Century. Score and parts. 41 pages. NiceChart #4764589. Published by NiceChart (A0.931992). From the Second Movement of Second Suite in F, Song Without Words is a somber, yet uplifting piece that showcases Holst’s folk influences in his writing. The oboe is featured as a soloist, and cues are available in the clarinet and the soprano saxophone parts in the event you do not have an oboe. This arrangement delicately layers beautiful flowing lines and is great piece to work on expressive playing.Supplemental parts included for Piano, Guitar, Euphonium (T.C.), Clarinet in Bb (Alt. Clarinet in Eb), Glockenspiel and Cymbals.
$60.00 ≈
¥435.90
10 Easy Summer Duets for Euphonium
10 Easy Summer Duets for Euphonium
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David McKeown
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10 Easy Summer Duets for Eupho
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David McKeown
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - Level 2 - SKU: A0.591010 Composed by David McKeown. 20th Century,Contemporary,Instructional,Standards. S...
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Instrumental Duet Euphonium,Instrumental Duet - Level 2 - SKU: A0.591010 Composed by David McKeown. 20th Century,Contemporary,Instructional,Standards. Score and parts. 12 pages. David McKeown #6269765. Published by David McKeown (A0.591010). 10 Easy Summer Duets are beautiful new and original compositions by David McKeown arranged for Euphoniums (in B Flat, Treble Clef).They can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duets are mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet.10 Easy Summer Duets arePerfect for concert performances large and small; Fully articulated to help develop that sense of style; Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the student’s musical imagination; The ten titles are, Up with the Birds, The View from the Top, Summer Shower, Cotton-Wool Clouds, Pooh Sticks, Riding My Bike, Wave-Walking, Sandcastles, Dozing in the Deck-Chair and Sunset 9pm.There are thousands more duets available for all standards and styles, in many different instrumental combinations athttps://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99 ≈
¥58.05
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Ensemble de Tubas
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INTERMÉDIAIRE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set ...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller?s signature tune. In 1991, Miller?s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master?s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra?s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrs Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song?s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ?Moonlight Serenade? for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99 ≈
¥94.37
Blue Bells of Scotland - Trombone Solo with Brass Quintet Accompaniment
Blue Bells of Scotland - Trombone Solo with Brass Quintet Accompaniment
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Joseph Alessi, Christian Lindb
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Aaron Hettinga
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Blue Bells of Scotland - Tromb
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1094241 By Joseph Alessi, Christian Lindberg. By Arthur Willard Pryor. Arranged by Aaron H...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1094241 By Joseph Alessi, Christian Lindberg. By Arthur Willard Pryor. Arranged by Aaron Hettinga. 20th Century,Classical,Contest,Festival,Patriotic,Traditional. Score and parts. 24 pages. Aaron Hettinga #698344. Published by Aaron Hettinga (A0.1094241). Arthur Pryor’s famous theme and variations on “The Blue Bells of Scotland†has been a showcase for trombonists with strong technique and agility for well over a century. While this work is most commonly performed as accompanied by a wind band or with piano, in this arrangement the soloist is supported by a standard brass quintet. The solo part is unchanged from Pryor’s original, though there are some minor tweaks to suggested slide positions and other notations throughout. While each of the accompanying quintet parts do feature some small technical requirements, they remain at an intermediate level where even less-experienced players should be able to pull them off. Performance suggestion: as an option, it’s recommended to utilize Cornets and Euphonium in place of the Trumpet and Trombone parts in the accompanying quintet to more faithfully emulate the sounds of the conical-bore instruments of the period and to better separate the tonality of the accompaniment from the soloist. This arrangement is a great vehicle to showcase a talented trombonist on this classic piece of standard trombone literature!
$29.99 ≈
¥217.88
Schubert: Moment Musicaux for Baritone Horn & Piano
Schubert: Moment Musicaux for Baritone Horn & Piano
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sac...
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Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95 ≈
¥239.38
Playing in the High Register- For Trumpet
Playing in the High Register- For Trumpet
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Josh Rogan
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Playing in the High Register-
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Josh Rogan
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trumpet - Level 3 - SKU: A0.933722 Composed by Josh Rogan. Contemporary,Instructional. Score and parts. 66 pages. Josh Rog...
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Brass Ensemble Euphonium,Horn,Trumpet - Level 3 - SKU: A0.933722 Composed by Josh Rogan. Contemporary,Instructional. Score and parts. 66 pages. Josh Rogan #6519923. Published by Josh Rogan (A0.933722). Playing in the High Register is a book for anyone who is struggling to play into and above the stave on trumpet. It is intended for classical style players who want to build consistency in the upper register and sound great without struggling.Each exercise has a detailed description of the purpose of the exercise, how you should approach playing it, and detailed notes to inform any reader how to make these exercises successful.If you are looking to play into the extreme high register (far above high C), then this book probably won’t be what you’re looking for. If you want to be able to sound great playing in the full range of the classical trumpet, and not be worried by a high entrance or getting fatigued, then this is exactly why I wrote this book.Work on your high register by working on your fundamentals. Learn how to listen for signs of poor technique, and understand how to engage your body in the best way to play in the high register with a healthy, confident approach.
$24.99 ≈
¥181.55
Monteverdi - The Seventh Book of Madrigals (1619) - 33. Tirsi e Clori
Monteverdi - The Seventh Book of Madrigals (1619) - 33. Tirsi e Clori
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - SKU: A0.767368 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque...
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Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - SKU: A0.767368 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 77 pages. Lyons Music Services #3557567. Published by Lyons Music Services (A0.767368). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.This section of the 7th book is really a miniature scena (although Monteverdi describes it as a ballet), telling the story of Tirsi and Clori (Thyrsis and Chloris) two lovers from ancient greek myths. This piece is the final section of Tirsi e Clori, which Monteverdi describes as the Ballo (Dance) where all the characters in the story provide a spectacle of celebration at the end of the performance. There is a short (12 measure) section forming an introduction at a slow tempo, followed by a 1-in-a-bar dance, a change occurs at measure 113 to simple duple time before returning to a rousing reprise of the lively 3/2 music. The whole is brought to a rousing conclusion with a long cadence in what is rapidly approaching the Baroque style.The instruments are divided between two 'choirs' a 5-part one, representing the singers (Cantus,Quintus, Alto, Tenor and Bass) and a four part accompanying group representing the continuo. There is also an optional percussion part, as the original would have been so accompanied, even though it was not notated in the score.At just over 8 minutes in length, this is a great finisher for a concert - or, in the right circumstances, a starter - especially as Monteverdi has made the ending very loud and full.The seventh book has been a challenge. The much more intricate music, showing Monteverdi's development towards a true operatic technique requires a really careful study of his orchestrations. It has been a great pleasure to set this music and I hope lots of ensembles will 'give it a go'!
$12.99 ≈
¥94.37
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