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Vous avez sélectionné:
Hands To Myself
Partitions à imprimer
21 partitions trouvées
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1
Hands To Myself
Hands To Myself
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Selena Gomez
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Monica Re Martin
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Hands To Myself
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Monica Re Martin
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SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 4 - SKU: A0.910171 By Selena Gomez. By Julia Michaels, Justin Tranter, Mattias Larsson, Max Martin, Rob...
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String Ensemble,String Trio Cello,Violin - Level 4 - SKU: A0.910171 By Selena Gomez. By Julia Michaels, Justin Tranter, Mattias Larsson, Max Martin, Robin Fredriksson, and Selena Gomez. Arranged by Monica Re Martin. Pop. Score and parts. 17 pages. Monica Re Martin #6320789. Published by Monica Re Martin (A0.910171). Hands to Myself is the popular single by Selena Gomez from her album Revival. This arrangement is for string trio with 2 violins and cello. Perfect to play at your next gig, event or even just for fun! If you like this arrangement, check out my SMP Publisher Page: https://www.sheetmusicplus.com/publishers/monica-re-martin-sheet-music/3013880
$12.99
Blues en mi [piano 4 hands]
Blues en mi [piano 4 hands]
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Juan MarÃa Solare
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any case not later
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Blues en mi [piano 4 hands]
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Juan Maria Solare
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.596550 Composed by Juan MarÃa Solare. 20th Century,Blues,Instructional,Latin,Sacred. Sc...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.596550 Composed by Juan MarÃa Solare. 20th Century,Blues,Instructional,Latin,Sacred. Score and parts. 12 pages. Juan Maria Solare #4408887. Published by Juan Maria Solare (A0.596550). Blues en mà [Blues in E / Blues in me] for piano. Composed in Worpswede (Germany) from 9th to18th October 2001. Dedicated to Hans-Dieter Ludwig (H.D.). Duration: 3'20. First performance by the composer at the Music Hall in Worpswede on 3rd May 2002. This concert was filmed by Reinhard Hölker, who also held a scholarship at the Künstlerhäuser Worpswede. The Argentine first performance was given by Cecilia Strack on 17th December 2003 at the Conservatorio de la Ciudad de Buenos Aires, during a monographic concert (Compositions for Piano by Juan MarÃa Solare) organised by the Professors Silvia Dabul and Manuel Massone. The title is a pan in Spanish: Blues in E minor / Blues in me. At some moment I had a dream related with this piece. I cannot recall exactly when or where, but it must have been during 2003; any case not later. Possibly I've written it down somewhere, I will find it. Reconstructed by memory: It was an open-air concert, maybe in Worpswede. The audience sits down in banks around tables, eating; it is a kind of party. A music sounds that comes familiar to me. I recognized the Blues en mÃ. A young lady is performing it, whom I don't absolutely know. I ask myself: How could this lady get the score? She have possibly found it on the internet. And actually it was this dream that ended up convincing me to put some of my scores in Internet, beginning with the Blues en mÃ. According to my registers, I sent the sheet music to Mariano Rocca (webmaster of compositores e intérpretes, www.ciweb.com.ar) on 2nd November 2003 (ergo, this dream must have occurred before). Juan MarÃa Solare Worpswede, 15th February 2007 (four days after the dedicatee's death)
$4.00
Santa Claus Is Comin' To Town
Santa Claus Is Comin' To Town
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Piano seul
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INTERMÉDIAIRE
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Michael Buble
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Thomas Gunther
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Santa Claus Is Comin' To Town
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1323881 By Michael Buble. By Haven Gillespie and John Frederick Coots. Arranged by Thomas Gunther. Blues,Christmas,Jazz. ...
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Piano Solo - Level 3 - SKU: A0.1323881 By Michael Buble. By Haven Gillespie and John Frederick Coots. Arranged by Thomas Gunther. Blues,Christmas,Jazz. Score. 5 pages. Thomas Gunther Music Productions #912057. Published by Thomas Gunther Music Productions (A0.1323881). Solo Piano Arrangement By Thomas GuntherSanta Claus Is Coming To Town is another one of my favorite Christmas songs. For some reason I love playing it in a bluesy style, with some jazz voicings. The bridge is more in stride piano style.About The ArrangementThe arrangement includes different stylistic elements found in more traditional popular piano music. It definitely has a bluesy vibe, but also shows elements of jazz and stride piano.When it comes to the form I extended it by adding an intro that comes back in-between sections in form of an interlude. There is also an outro. About The Sheet MusicThe sheet music is basically a transcription of my recording. It contains jazz chord symbols and plentiful of articulations as well as some dynamic markings. My Arranging WorkflowI have different approaches for creating solo piano arrangements of songs. The one I took here is as follows. First I come up with different ideas, try them out, and after a while settle on those I like best. Once I practiced and internalized those ideas I press record and hope for the best. Before the final version is done, I record myself many times over. This gives me the opportunity to improve upon each version until I have one that I feel comfortable with.Recommendations For Learning The SongI recommend that you first listen to my performance while reading along in the sheet music. This way you get a better understanding about the phrasing and the rhythmic feel.You may want to spend a little time just vamping a few bars to get into the groove. When that feels good move on to different sections.The bridge is different in feel because it is based on stride piano rather than blues. Stride piano features big jumps in the left hand and big intervals between the outer notes (up to a 10th). Should you have difficulty in playing those big intervals (smaller hands will make this hard) you may roll the notes and use the sustain pedal.Is This Arrangement For You?This solo piano arrangement is for every pianist who would like to try playing Santa Claus Is Comin' To Town in a more bluesy-jazzy style. Dependent on what your specialty is musically speaking, you made benefit from it in different ways. Here are some examples.Classical PianistsIf you are a classical pianist who rarely listens to jazz and blues music, this arrangement might be a great way to dip your feed into more contemporary genres and styles like blues and jazz. This said, it might be quite challenging. Not from a technical point of view, but from a musical point of view. For example, swung eighth notes and accents and phrasing in blues and jazz are somewhat contrary to classical music. It's gonna be a great learning experience for sure!Jazz PianistsShould you be a jazz musician or blues musician, you may not necessarily want to play the arrangement as written note for note. Instead, you might just fall in love with some of my ideas and create your own arrangement based on those.This goes especially for the solo section. You can play my solo or use it as inspiration for your own solo. Of course experiences blues and jazz musicians will prefer to make up their own solo.I truly hope you have fun playing this arrangement! Yes.
$5.99
Hands to Myself by HDpiano - Piano Solo
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Piano seul
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HDpiano
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Hands to Myself
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Musicnotes
Sheet Music for Hands to Myself by HDpiano arranged for Instrumental Solo;Piano/Chords in Eb Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Hands to Myself by HDpiano arranged for Instrumental Solo;Piano/Chords in Eb Major. Digital sheet music from Musicnotes.
$6.99
Hands to Myself by YourPianoCover - Piano Solo
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Piano seul
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YourPianoCover
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Hands to Myself
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Musicnotes
Performed by: YourPianoCover: Hands to Myself Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Ch...
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Performed by: YourPianoCover: Hands to Myself Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 3 pages -- Instrumental Pop~~Solo Instrumental~~Pop~~Dance-Pop~~Electronica
$9.99
Hands to Myself by Selena Gomez - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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Pop musique
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Selena Gomez
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Hands to Myself
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Musicnotes
Performed by: Selena Gomez: Hands to Myself Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, ...
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Performed by: Selena Gomez: Hands to Myself Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 7 pages -- Pop~~Dance-Pop~~Electronica
$5.50
What A Wonderful World
What A Wonderful World
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Louis Armstrong
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Timothy Stapay
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What A Wonderful World
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1438013 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Music...
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Piano Solo - Level 4 - SKU: A0.1438013 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #1018085. Published by Timothy Stapay (A0.1438013). When it comes to timeless classics, few songs can compare to “What a Wonderful World” by Louis Armstrong’s Orchestra and Chorus. Released in 1967, this beautiful melody has transcended decades, touching the hearts of millions across the globe. After it was heard in the film Good Morning, Vietnam, it was reissued as a single in 1988, and rose to number 32 on the Billboard Hot 100. Armstrong's recording was inducted to the Grammy Hall of Fame in 1999.In a world often plagued by strife and uncertainty, the song serves as a gentle reminder to focus on the positive aspects of life. It urges us to look beyond our differences and embrace the beauty that surrounds us. It celebrates the wonders of nature, the innocence of children, and the power of love, instilling a renewed sense of appreciation for the world we live in.I see trees of green, red roses tooI see them bloom for me and youAnd I think to myself what a wonderful worldI see skies of blue and clouds of whiteThe bright blessed day, the dark sacred nightAnd I think to myself what a wonderful worldThe colors of the rainbow so pretty in the skyAre also on the faces of people going byI see friends shaking hands saying how do you doThey're really saying I love youI hear babies crying, I watch them growThey'll learn much more than I'll never knowAnd I think to myself what a wonderful worldYes I think to myself what a wonderful world.
$7.99
The Bare Necessities
The Bare Necessities
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Piano seul
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FACILE
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Film Walt Disney
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the way, there are a few bars
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music...
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Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99
Staines Morris
Staines Morris
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Anonymous
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Gordon Jackson
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Staines Morris
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Gordon Jackson
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SheetMusicPlus
Small Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Violin - SKU: A0.1017678 Composed by Anonymous. Arranged by Gordon Jackson. Baroque,Celtic,Classical...
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Small Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Violin - SKU: A0.1017678 Composed by Anonymous. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,Irish,Multicultural,World. Score and parts. 4 pages. Gordon Jackson #6436745. Published by Gordon Jackson (A0.1017678). Staines MorrisThe song, Staines Morris, is very well known by singers of traditional songs. It’s a 17th century song. It’s a 19th century song. Actually, it’s both! The lyrics were certainly published, and probably written, by Robert Cox for his play Actaeon and Diana, published in 1656. The tune was first published in John Playford’s The English Dancing Master in 1651. There is no evidence that, in the 17th century, the lyrics were sung to this melody. That didn’t happen for two hundred years, when William Chappell put the two together for his Popular Music of the Olden Time, vol. 1 (1859). I have added chords to the melody. Whilst humming the tune to myself, I found myself moving into 6/8 time, and that inspired me to compose a galliard based on it, complete with ‘divisions’ (runs of semiquavers or 32nd notes) and counterpoint. The song melody and the galliard can be played separately or as parts of one piece, perhaps with the galliard played between two of the verses. I put the galliard in A minor, to provide a contrast with the D minor song melody, but play them in whatever key takes your fancy. I have also added below the lyrics, as most often sung today.Come ye young men, come alongWith your music, dance and songBring your lasses in your handsFor ’tis that which love commands Then to the Maypole haste away For ’tis now our holidayIt is the choice time of the yearFor the violets now appearNow the rose receives its birthAnd the pretty primrose decks the earthAnd when you well reckoned haveWhat kisses you your sweetheart gaveTake them all again, and moreIt will never make them poorWhen you thus have spent your timeAnd the day be past its primeTo your beds repair at nightAnd dream there of your day’s delight
$4.99
Gimme! Gimme! Gimme! (a Man After Midnight)
Gimme! Gimme! Gimme! (a Man After Midnight)
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1 Piano, 4 mains
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FACILE
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ABBA
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Maria João Maia
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Gimme! Gimme! Gimme!
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Maria João Maia
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1232192 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Maria João Maia. 20th Century,Pop. ...
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1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1232192 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Maria João Maia. 20th Century,Pop. Score. 4 pages. Maria João Maia #827876. Published by Maria João Maia (A0.1232192). 4 Hands version, intermediate level, perfect to motivate teenagers in the piano lesson :) Personally tested with my own students! When you don't know what piece to give for 2 friends who want to play together, whose taste is more directed for pop music....why not some good oldies?Being a classical pianist, it's difficult to find good material for students who prefer to play pop music. So I decided to go for the amazing 70's and arrange some songs myself. They came out so good, that I needed to share them with the world!
$14.99
Money, Money, Money
Money, Money, Money
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1 Piano, 4 mains
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FACILE
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ABBA
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Maria João Maia
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Money, Money, Money
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Maria João Maia
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1207953 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Maria João Maia. 20th Century,Pop. ...
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1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1207953 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Maria João Maia. 20th Century,Pop. Score. 3 pages. Maria João Maia #806078. Published by Maria João Maia (A0.1207953). 4 Hands version, intermediate level, perfect to motivate teenagers in the piano lesson :) Personally tested with my own students! When you don't know what piece to give for 2 friends who want to play together, who's taste is more directed for pop music....why not some good oldies?Being a classical pianist, it's difficult to find good material for students who prefer to play pop music. So I decided to go for the amazing 70's and arrange some songs myself. They came out so good, that I needed to share them with the world!
$9.99
King Cotton March Piano Duet
King Cotton March Piano Duet
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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John Philip Sousa
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Christina Pepper
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King Cotton March Piano Duet
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Christina Pepper
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1078051 Composed by John Philip Sousa. Arranged by Christina Pepper. 20th Century,Classical,Patriotic,Tra...
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1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1078051 Composed by John Philip Sousa. Arranged by Christina Pepper. 20th Century,Classical,Patriotic,Traditional. Score. 10 pages. Christina Pepper #682258. Published by Christina Pepper (A0.1078051). The King Cotton March was composed in 1895 by John Philip Sousa for military band, and was written for the Cotton States and International Exposition. I've always enjoyed this particular march and found a couple different piano solo versions, but neither of them really packed the punch I was looking for. I wrote this arrangement for piano duet and then recorded both parts myself (as you can see in the video) and wanted to make it available for anyone else looking to play this great piece with a friend. Approximately an intermediate/advanced difficulty level.
$10.00
Highlands [2 violins]
Highlands [2 violins]
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2 Violons (duo)
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FACILE
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John Winstead and Miguel Angel
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Highlands [2 violins]
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Juan Maria Solare
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SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Ir...
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Violin Duet Violin - Level 2 - SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan MarÃa Solare
$2.00
Five Short Variations on Shenandoah, Revised
Five Short Variations on Shenandoah, Revised
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American Folk Song
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Tuaimanu Byron Petaia
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Five Short Variations on Shena
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Tuaimanu Byron Petaia
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.493772 Composed by American Folk Song. Arranged by Tuaimanu Byron Petaia. Classical,Contemporary,Folk. Individual ...
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Instrumental Solo - Level 5 - SKU: A0.493772 Composed by American Folk Song. Arranged by Tuaimanu Byron Petaia. Classical,Contemporary,Folk. Individual part. 23 pages. Tuaimanu Byron Petaia #108580. Published by Tuaimanu Byron Petaia (A0.493772). As a disclaimer: This piece is best suited to pianists with larger hands. It is common to find the left hand playing a tenth with the perfect fifth above the bass in between (i.e. C-G-E). In general, the fast movements are very technically demanding, and while lyricism dominates the first two movements, the large chords definitely add a couple layers of difficulty! I still hope you enjoy them!I wrote my set of variations as a way to explore a variety of ways by which I could accompany the folk tune, Shenandoah. With the first two variations, I chose to stick to the decidedly lyrical disposition of the original tune, while the last three variations are recast in a more boisterous and upbeat light. In all variations, I did my best to write in a way that evoked the feeling of Americana (I tried not to limit myself to stereotypical depictions of Shenandoah, and yet I wanted to ensure I maintained a respect for the source material). Thus, one variation, I attempted to transplant the melody into the vast openness of the unexplored West (variation three). In another, I tried to utilize harmonies that were reminiscent of Jazz (variation two). The final variation's intended affect is one of general optimism that characterizes America's trajectory from infancy to today.
$6.99
Penelope's Heartache--Piano Solo
Penelope's Heartache--Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Anne M
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Penelope's Heartache--Piano So
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A. Patterson
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1029473 Composed by Anne M. H. Patterson. Contemporary. Score. 5 pages. A. Patterson #4984267. Published by A. Patterson ...
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Piano Solo - Level 4 - SKU: A0.1029473 Composed by Anne M. H. Patterson. Contemporary. Score. 5 pages. A. Patterson #4984267. Published by A. Patterson (A0.1029473). This wistfully melancholy piano solo is inspired by Penelope from Homer's Odyssey. Penelope is the portrait of desperate longing, as she waits for her husband Odysseus to return for twenty years. This piece is the perfect musical companion for those times you long for the return of a loved one.This piece is challenging with a portion in E-flat minor (six flats), many heavy chords, and arpeggios (I am still brushing it up myself!). I would say, however, that if one can handle Debussy's Claire de Lune, he can handle this piece. I suggest using the sustain pedal to your advantage so as to be able to take different portions of the arpeggios with different hands. Despite the rhythmic and technical challenges, this entire piece ought to be expressive from start to finish. A rather cathartic piece in nature, this is the piece to let your emotions guide.Hopefully, there will be a YouTube channel with recordings of this piece and all my future pieces. Stay tuned for more information! For any comments, questions, and other constructive feedback, contact me at amhpatterson.music@gmail.com.
$3.99
When I Look In The Mirror...
When I Look In The Mirror...
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Aaron Fonzi
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a loser and a failure
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When I Look In The Mirror...
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Publis...
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Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Published by Aaron Fonzi (A0.998358). A breathtaking new addition to wind band literature, Aaron Fonzi has composed a piece that will take your audience on an incredible, emotional journey. Inspired by his grandmother, Jacquie, Mr. Fonzi recalls:I remember vividly the conversations I had with Grandma Jacquie as a boy. She had a kind, gentle way of showing her steadfast resilience and passion for that which is good and just in the world. She didn't think it good and just that I always felt the need to make myself my worst enemy. One day, she asked me who I see in the mirror. I told her I saw an ugly boy who couldn't do anything right; a loser and a failure. She told me that she saw a handsome young man who can do anything and become whatever he puts his mind to, and that everyday I ought to look in the mirror and find that person.It took me almost 20 years to fully understand what she meant. But it's true: we can only bring the light out of others once we've truly brought it out within ourselves. So, this is for all of us who look in the mirror and see a monster or a failure. You are not a failure and your are not a monster. Let this piece remind you that you can do anything you put your mind to if you put faith in the person looking back at you.Give your ensemble and your audience an experience they will remember with this powerful work, When I Look In The Mirror....
$30.00
Spare These Thy Children, sacred music for TTBB Men's Choir
Spare These Thy Children, sacred music for TTBB Men's Choir
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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For each I offer to stand
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Spare These Thy Children, sacr
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1124758 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1124758 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #725522. Published by Kevin G. Pace (A0.1124758). Beautiful, sacred music for TTBB Men's Choir. Music by Kevin G. Pace. Text by Mary Ann W. Snowball. Text: Spare these thy children who have believed, These who believed on my Name. As I present each child to Thee I will, Myself, take each shame. Father, behold my suff’ring and death, I, who was most without sin. Honor my blood, the blood of thy Son. O, let thy child enter in. Spare these thy children placed before Thee; For each I offer to stand. As I approach thy holiest throne O, accept scars on my hands. Father, behold each one of thy own! Mercy was gifted by Me. All to thy glory, thy sacred Name, So these, thy children, could be. Chorus: Spare these thy children; I’ve paid the price. O, receive each to thy care. Father, accept their works and my grace. This is my sanctified prayer.
$1.99
Spare These Thy Children, a sacred hymn
Spare These Thy Children, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Kevin G
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For each I offer to stand
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Spare These Thy Children, a sa
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1045091 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1045091 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #649655. Published by Kevin G. Pace (A0.1045091). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text inspired by Doctrine and Covenants 45:3-5. Text: Spare these thy children who do believe, These who believe on my Name. As I present each child to Thee I will, Myself, take the shame. Father, behold my suff’ring and death, I, who without sin. Honor my blood, the blood of thy Son. O, let thy child enter in. Spare these thy children placed before Thee; For each I offer to stand. As I approach thy holiest throne O, accept scars on my hands. Father, behold each one of thy own! Mercy was gifted by Me. All to thy glory, thy sacred Name, So these, thy children, could be.
$1.99
C'è una favola triste
C'è una favola triste
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Piano seul
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Enfant
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Monica Bergo
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C'è una favola triste
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976864 Composed by Monica Bergo. Children. Score. 7 pages. Monica Bergo #3239683. Published by Monica Bergo (A0.976864). ...
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Piano Solo - SKU: A0.976864 Composed by Monica Bergo. Children. Score. 7 pages. Monica Bergo #3239683. Published by Monica Bergo (A0.976864). 2017 Holiday Contest Entry♫ *'¨` * • .¸¸. ♫ ♫ There is a sad fairy tale'¨` * * • .¸¸. ♫ There is a sad fairy tale closed inside me magic does not exist no principles nor King and I lose myself in the woods of my but and my if Tom Thumb is hidden no crumbs for me I decompose in the abyss of my weakness Stop the clothes that I wear now and I have a new identity sweet fairy or princess I decide I do not know ugly witch or sad ogress which form I will assume? hidden there is a mirror where Alice one day passed I stare at my reflection recognize me I do not know an instant and I’m inside it strange depths beats the heart at the slow rithm different realities in the house of the witch there is something wrong children no longer binds she is alone, sad and in poverty in the silence explodes a song It takes shape my name on hell as Dante but I would like a Virgil me too Fairytale sad that I've never read you I had made up your end already know I would know the plot and your lapels and a character without a role I would not be Who are you? masked rider Follow us if you want we are barefoot and disheveled and dance with us but you will not touch we have hands and feet tied show your face while time stands still you already know without ever met you and now I know who you are and what you offer candy from a stranger like in a movie slow motion dilated the flames around you the abyss now it is wide open and you not laugh more, and we do not scare you're in the dark forest on our realm to shame those who are mean and infamous yes ,we are marginalized you yourself have created us Black man or Bluebeard your real name ....... bondage an unconscious moment and go back to my reality I am not fairy or princess I am just this side but if I were a character storytellers I would minstrel a little 'wild at the court of the gods with colorful clothes and flowers in my hair always free between the meadows and I'd live music sad tale while I skim your steps I die, reborn and I retrace my days I could do that would change your plot but for the happy ending I would like to thank you ..... Monica Bergo
$3.99
Take My Life, and Let It Be - soprano solo, organ
Take My Life, and Let It Be - soprano solo, organ
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Todd Marchand
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it shall be thy royal throne
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Take My Life, and Let It Be -
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Con Spirito Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.726103 Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #6101779. Published by Con S...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.726103 Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #6101779. Published by Con Spirito Music (A0.726103). Frances Ridley Havergal (1836-1879) published several volumes of poems and hymns, devotions, and other prose writings. She is best known for the consecration hymn text, Take My Life and Let It Be, which here receives a new setting for soprano and organ. Take my life, and let it be consecrated, Lord, to thee;take my moments and my days, let them flow in ceaseless praise.Take my hands, and let them move at the impulse of thy love;take my heart, it is thine own; it shall be thy royal throne. Take my voice, and let me sing always, only, for my King;take my intellect, and use every power as thou shalt choose.Take my will and make it thine; it shall be no longer mine.Take myself, and I will be ever, only, all for thee. Thus my life will truly be consecrated, Lord, to Thee. Amen. ©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
Ed Sheeran - Best Part of Me - Piano Solo
Ed Sheeran - Best Part of Me - Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Pop musique
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Ed Sheeran, Yebba
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Mario Stallbaumer
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Ed Sheeran - Best Part of Me -
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Intermediate - By Ed Sheeran, Yebba. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer...
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Piano Solo - Intermediate - By Ed Sheeran, Yebba. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here's how to play "Best Part of Me" by Ed Sheeran (feat. YEBBA) on piano!
With this piano sheet music, you can learn how to play "Best Part of Me" on piano.
It's an accurate piano arragement of the whole piece which is quite easy to play, and sounds amazing!
The whole melody is included in the piano part, so it makes for a great instrumental (piano solo) version.
"Best Part of Me" is a beautiful, romantic pop ballad. It starts very softly and builds up to an emotional chorus. The whole song sounds just wonderful on piano!
The song was released in July 2019 as the fourth single from Ed Sheeran's 4th studio album "No.6 Collaborations Project".
Here are the full lyrics to "Best Part of Me" by Ed Sheeran:
My lungs are black, my heart is pure
My hands are scarred from nights before
And my hair is thinnin', falling out
Of all the wrong places
I am a little insecure
My eyes are crossed, but they're still blue
I bite my nails and tell the truth
I go from thin to overweight
Day to day it fluctuates
My skin is inked, but faded too
But she loves me, she loves me
Why the hell she love me
When she could have anyone else?
Oh you love me, you love me
Why the hell do you love me?
'Cause I don't even love myself
Baby, the best part of me is you
And lately everything's making sense too
Oh baby, I'm so in love with you
I overthink and still forget
I lose my phone and place my bets
And I never catch the train on time
Always thirty minutes behind
Your worries ain't seen nothin' yet
But you love me, you love me
Why the hell you love me so
When you could have anyone else?
Yeah yeah, he loves me, he loves me
And I bet he never lets me go
And shows me how to love myself
'Cause, baby, the best part of me is you, woah
Lately everything's making sense too
Baby, I'm so in love with you
(With you)
Baby, the best part of me is you, woah
Lately everything's making sense too
Oh baby, I'm so in love with you (Ooh)
Baby, I'm so in love with you, yeah, yeah
Oh baby, I'm so in love with you
$4.99
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1
Hands To Myself
