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Here I Am Contemporary New age
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Here I Am - A Graduation Song [full score]
Here I Am - A Graduation Song [full score]
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Piano, Voix
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INTERMÉDIAIRE
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by Australian composer Rebecca
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Here I Am - A Graduation Song
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Rebecca Summers
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1007855 Composed by by Australian composer Rebecca Summers. Contemporary,Singer/Songwriter. Score. 14 pages. Rebec...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1007855 Composed by by Australian composer Rebecca Summers. Contemporary,Singer/Songwriter. Score. 14 pages. Rebecca Summers #3879235. Published by Rebecca Summers (A0.1007855). A perfect song for a school or college graduation ceremony with lyrics capturing the excitement of breaking into a new chapter of life. Written with a diva in mind who's not afraid to create some drama and excitement on stage. Piano part effective without being out of the reach of most student pianists. Example of lyricsVerse 1Hello world. What you got in store for me?If I prise apart your clenched fist, what would your palm lines tell my future readsIs it you who holds the story? Or is it me who holds the dream?ChorusHere I am, it's time for leaving and I want to say goodbyeHere I am can't wait for providence nothing happens 'less I tryand I know I'm getting misty, but there's something 'bout this placeHello world, here I am I'm yours to take.
$9.99 ≈
8.95€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
50.18€
John Cage I-VI (2023) piano-vocal score
John Cage I-VI (2023) piano-vocal score
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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John Cage I-VI
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Thomas Oboe Lee
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. Published by Thomas Oboe Lee (A0.1180574). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
$9.99 ≈
8.95€
John Cage I-VI (2023)
John Cage I-VI (2023)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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John Cage I-VI
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Thomas Oboe Lee
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1180571 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 44 pages. Thomas Oboe Lee #780475. ...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.1180571 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 44 pages. Thomas Oboe Lee #780475. Published by Thomas Oboe Lee (A0.1180571). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
$9.99 ≈
8.95€
Here I Am, Lord
Here I Am, Lord
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Cloches
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FACILE
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Daniel Schutte
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Daniel Schutte
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Arnold B
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Here I Am, Lord
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Hope Publishing - Digital
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SheetMusicPlus
Handbells handbell choir (3-5 octaves) - Level 2 - SKU: H1.2140DP Composed by Daniel Schutte. Arranged by Arnold B. Sherman. Sing & Ring Series. Contemp...
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Handbells handbell choir (3-5 octaves) - Level 2 - SKU: H1.2140DP Composed by Daniel Schutte. Arranged by Arnold B. Sherman. Sing & Ring Series. Contemporary, Service Music, Ring & Sing, Dedication, Outreach, General Worship, Service Music, Commitment, Devotion, Discipleship, God's Attributes/Character, Mission, Stewardship. Handbell score. 12 pages. Hope Publishing - Digital #2140DP. Published by Hope Publishing - Digital (H1.2140DP). By Daniel Schutte. 1 Samuel 3:1 - 1 Samuel 3:2 - 1 Samuel 3:3 - 1 Samuel 3:4 - 1 Samuel 3:5 - 1 Samuel 3:6 - 1 Samuel 3:7 - 1 Samuel 3:8 - 1 Samuel 3:9 - 1 Samuel 3:10 - Isaiah 6:1 - Isaiah 6:2 - Isaiah 6:3 - Isaiah 6:4 - Isaiah 6:5 - Isaiah 6:6 - Isai.Popular contemporary praise song by Daniel Schutte Dan Schutte's Here I Am, Lord is clearly one of the most popular new songs to emerge in recent years and come into wide use. Arranger Arnold B. Sherman has crafted a tasteful, transparent 3-5 octave setting that both stands on its own and can serve as an accompaniment to his SAB and SATB choral settings. The keyboard accompaniment is equally supportive of the strong vocal lines in this accessible arrangement.
$7.00 ≈
6.27€
Here I Am, Lord
Here I Am, Lord
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Daniel Schutte
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Daniel Schutte
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Arnold B
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Here I Am, Lord
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Hope Publishing - Digital
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SheetMusicPlus
Choral, Handbell SATB choir with optional handbells - Level 2 - SKU: H1.C5087DP Composed by Daniel Schutte. Arranged by Arnold B. Sherman. Sing & Ring S...
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Choral, Handbell SATB choir with optional handbells - Level 2 - SKU: H1.C5087DP Composed by Daniel Schutte. Arranged by Arnold B. Sherman. Sing & Ring Series. Contemporary, Ring & Sing, Dedication, Outreach, General Worship, Service Music, Commitment, Devotion, Discipleship, God's Attributes/Character, Mission, Stewardship. Octavo. 12 pages. Hope Publishing - Digital #C5087DP. Published by Hope Publishing - Digital (H1.C5087DP). By Daniel Schutte. 1 Samuel 3:1 - 1 Samuel 3:2 - 1 Samuel 3:3 - 1 Samuel 3:4 - 1 Samuel 3:5 - 1 Samuel 3:6 - 1 Samuel 3:7 - 1 Samuel 3:8 - 1 Samuel 3:9 - 1 Samuel 3:10 - Isaiah 6:1 - Isaiah 6:2 - Isaiah 6:3 - Isaiah 6:4 - Isaiah 6:5 - Isaiah 6:6 - Isai.Popular contemporary praise song by Daniel Schutte Dan Schutte's Here I Am, Lord is clearly one of the most popular new songs to emerge in recent years and come into wide use. Arranger Arnold B. Sherman has crafted a tasteful, transparent 3-5 octave setting that both stands on its own and can serve as an accompaniment to his SAB and SATB choral settings. The keyboard accompaniment is equally supportive of the strong vocal lines in this accessible arrangement.
$3.25 ≈
2.91€
Here I Am, Lord
Here I Am, Lord
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Chorale 3 parties
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FACILE
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Daniel Schutte
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Daniel Schutte
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Arnold B
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Here I Am, Lord
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Hope Publishing - Digital
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SheetMusicPlus
Choral SAB choir with optional 3-5 octave handbell accompaniment - Level 2 - SKU: H1.C5311DP Composed by Daniel Schutte. Arranged by Arnold B. Sherman. ...
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Choral SAB choir with optional 3-5 octave handbell accompaniment - Level 2 - SKU: H1.C5311DP Composed by Daniel Schutte. Arranged by Arnold B. Sherman. Sing & Ring Series. Contemporary, Service Music, Dedication, Outreach, General Worship, Service Music, Commitment, Devotion, Discipleship, God's Attributes/Character, Mission, Stewardship. Octavo. 12 pages. Hope Publishing - Digital #C5311DP. Published by Hope Publishing - Digital (H1.C5311DP). By Daniel Schutte. 1 Samuel 3:1 - 1 Samuel 3:2 - 1 Samuel 3:3 - 1 Samuel 3:4 - 1 Samuel 3:5 - 1 Samuel 3:6 - 1 Samuel 3:7 - 1 Samuel 3:8 - 1 Samuel 3:9 - 1 Samuel 3:10 - Isaiah 6:1 - Isaiah 6:2 - Isaiah 6:3 - Isaiah 6:4 - Isaiah 6:5 - Isaiah 6:6 - Isai.Popular contemporary praise song by Daniel Schutte Dan Schutte's Here I Am, Lord is clearly one of the most popular new songs to emerge in recent years and come into wide use. Arranger Arnold B. Sherman has crafted a tasteful, transparent 3-5 octave setting that both stands on its own and can serve as an accompaniment to his SAB and SATB choral settings. The keyboard accompaniment is equally supportive of the strong vocal lines in this accessible arrangement.
$3.25 ≈
2.91€
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
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Voix Alto, Piano
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INTERMÉDIAIRE
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99 ≈
2.68€
New Troubadour Blues for clarinet and guitar
New Troubadour Blues for clarinet and guitar
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Clarinette, Guitare (duo)
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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New Troubadour Blues for clari
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar,Instrumental Duet - Level 4 - SKU: A0.576602 Composed by David Warin Solomons. 20th Century,Blues,Contemporary. 18 pages. David Warin So...
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Clarinet,Guitar,Instrumental Duet - Level 4 - SKU: A0.576602 Composed by David Warin Solomons. 20th Century,Blues,Contemporary. 18 pages. David Warin Solomons #38869. Published by David Warin Solomons (A0.576602). Instrumental based on a song composed just before my umpteenth appearance at the New Troubadour Club at Follies Wine Bar Manchester back in 1991. Writer's block was threatening to take over, so I wrote about writer's block, in a sort of mock blues style... The sound sample is a performance by Balázs Rumy (clarinet) and András Csáki (guitar).The pdf file contains score and parts. The original words are: Woke up Sunday mornin' and notes went spinnin' round. (rpt) What can I sing for the New Troubadours Troubadours? Woke up wake up woke up wake up. What can I sing for the New Troubadours? Oh! I just godda sing the Blues the New Troubadour Blues 'cos there's nothing they like better than the Blues. I got those New Troubadour Blues. 'cos there's not a single chord these Blues refuse; not a single note I cannot choose. Then it was Monday evenin' with no more words in mind; notes they still kept spinnin' but no cause could they find. What can I sing for the New Troubadours? So, here's a sad Blues with a walkin' bass. it'll walk all over you, leavin' muddy footprints So here's a sad Blues, Blues, Blues So here is a walkin' bass. oh! why am I walkin' with a muddy walkin' bass waitin' for words to come? Blues Blues Blues Blues Blues Blues waitin' for words to come Oh those sad Blues I got those New Troubadour Blues. New Troubadour Blues 'cos there's not a single chord these Blues refuse!
$10.00 ≈
8.96€
Here Again
Here Again
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Rush
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Dan Chernow
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Here Again
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Dan Chernow
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1117264 By Rush. By Alex Lifeson and Geddy Lee Weinrib. Arranged by Dan Chernow. 20th Century,Contemporary,Pop,Rock. Guitar T...
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Guitar - Level 4 - SKU: A0.1117264 By Rush. By Alex Lifeson and Geddy Lee Weinrib. Arranged by Dan Chernow. 20th Century,Contemporary,Pop,Rock. Guitar Tab. 26 pages. Dan Chernow #718846. Published by Dan Chernow (A0.1117264). Meticulous note-for-note guitar transcription of the classic song by Rush. This is a wholly new and original transcription, done solely by Berklee graduate and guitar instructor Dan Chernow, and has never before been available until now. The longest song on Rush's first album. Basically unknown (even amongst many Rush fans) and hugely underrated, this 7.5 minute tune is a masterclass in young Lifeson's guitar arranging skills as well as as well as being a showcase for the more lyrical side of his early, bluesy style. There's some really masterful lead phrasing here, remarkable for a 21 year old. 'Here Again' truly contains one of his first of many great guitar solos he has given us over the years. Essential early Lifeson here, and I am very proud to present the guitar parts fully transcribed here for the first time with the painstaking note-for-note accuracy it deserves. SEE and HEAR this on YouTube! (link to full video included near bottom of pdf).
$7.49 ≈
6.71€
So Good I'm Leaving
So Good I'm Leaving
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Jazz combo
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INTERMÉDIAIRE
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Holiyo
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So Good I'm Leaving
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Holyone Tombari Dodoh
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.1435112 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Jazz,Pop,Soul. 58 pages. Holyone Tombari Dodoh #1015217. ...
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Jazz Combo - Level 3 - SKU: A0.1435112 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Jazz,Pop,Soul. 58 pages. Holyone Tombari Dodoh #1015217. Published by Holyone Tombari Dodoh (A0.1435112). Lyrics:Everyone thinks that I'm nothing, Everyone thinks that I'm a burden Everyone thinks I'm unlucky None believes in my struggles No one thinks I'm unhappy None believes that I've something. It's go'n be alright It's go'n be okay It's go'n be so good; I'm leaving Then it's go'n be alright You'll have peace of mind You'd feel so good Like never before And you'd smile all day You'd see no more The trouble of mind Plaguing youIt's go'n be happy It's go'n be loving It's go'n be savour There after It's go'n be alright It's go'n be okay It's go'n be so good I'm leaving And you'd smile all day You'd see no more The trouble of mind Plaguing you. Then it's go'n be alright You'll have peace of mind You'd feel so good Like never before No one would believe me That I'm doing all I can And I say sorry I'm go'ng to a new path Never, never a burden You all be so happy Everyone thinks I'm the problem No one sees above the ocean Everyone thinks I'm the sickness No one sees me swimming the ocean No matter my impart All you see is wretched Want me unhappy Said I am unlucky, I'm a huge burden Taking vantage of you. I assure you that You'd never see me For I'll be so gone Deep in the wild Then it's go'n be alright You'll have peace of mind You'd feel so good Like never before And you'd smile all day You'd see no more The trouble of mind Plaguing you. It's go'n be happy It's go'n be loving It's go'n be savour There after It's gonna be alright.
$6.20 ≈
5.56€
How Can I Keep From Singing?
How Can I Keep From Singing?
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Christian contemporain
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Chris Tomlin and Ed Cash & Mat
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Mary McDonald
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How Can I Keep From Singing?
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Hope Publishing - Digital
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SheetMusicPlus
Choral (Brass, Guitar, Piano, Rhythm) - SKU: H1.C6193DP Composed by Chris Tomlin and Ed Cash & Matt Redman. Arranged by Mary McDonald. Rhythm parts: Pia...
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Choral (Brass, Guitar, Piano, Rhythm) - SKU: H1.C6193DP Composed by Chris Tomlin and Ed Cash & Matt Redman. Arranged by Mary McDonald. Rhythm parts: Piano, acoustic guitar, electric bass, and synth. Contemporary, Praise & Worship, Music & Singing, General Worship, Assurance, Comfort, Confidence, Hope, Jesus Christ - King & Lord, Jesus Christ - Savior, Joy, New Life in Christ, Praise to Christ. Octavo. 12 pages. Hope Publishing - Digital #C6193DP. Published by Hope Publishing - Digital (H1.C6193DP). Popular contemporary song by Chris Tomlin, Ed Cash & Matt Redman Taking its root from the old gospel hymn, this popular, contemporary version lilts in joyful 6/8 rhythm that truly makes you want to sing along! The underlying message reminds the listener that in any circumstance of life, there is always music and singing because I am loved by the King, and it makes my heart want to sing!.
$3.25 ≈
2.91€
Wedding Song (there Is Love)
Wedding Song (there Is Love)
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Ensemble Jazz
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AVANCÉ
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Contemporain
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Paul Stookey
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Don Hodell Chilcote
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Wedding Song
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Don Hodell Chilcote
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.779162 By Paul Stookey. By Paul Stookey. Arranged by Don Hodell Chilcote. Contemporary. Score and parts....
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.779162 By Paul Stookey. By Paul Stookey. Arranged by Don Hodell Chilcote. Contemporary. Score and parts. 7 pages. Don Hodell Chilcote #6509307. Published by Don Hodell Chilcote (A0.779162). A new rendition of the beautiful song 'There Is Love I performed for my sisters wedding. It has all the original words and meaning but the harmonic language has been updated. I loved performing it and this setting is for piano and voice. I am a bass, baritone but it also could be performed by a soprano.
$4.99 ≈
4.47€
I Am
I Am
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Chorale SATB
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INTERMÉDIAIRE
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Stanley M
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I Am
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.924873 Composed by Stanley M. Hoffman. 20th Century,Contemporary,Jewish. Octavo. 8 pages. Stanleymhoffman.com #4...
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Choral Choir (SATB) - Level 3 - SKU: A0.924873 Composed by Stanley M. Hoffman. 20th Century,Contemporary,Jewish. Octavo. 8 pages. Stanleymhoffman.com #4784655. Published by stanleymhoffman.com (A0.924873). The poem sometimes called I Am due to its repetition of the phrase, hence the title of the present composition. Is the poem inspired? The tetragrammaton Hebrew name for God, which transliterates roughly to YHWH, means I am that I am. There is something almost mystical about this poem as it was poet’s first one. Mary Elizabeth Frye was an orphan who had never received a formal education. In 1932, she and her spouse offered shelter from the Holocaust to a young Jewish woman named Margaret Schwarzkopf. When Margaret received news that her mother had died in Germany, the distressed houseguest told Mary in all hopelessness that she had never had the chance to stand by my mother’s grave and shed a tear. Mary then wrote the poem on a torn-off section of a brown paper bag. She said the words just came to her..
$2.00 ≈
1.79€
I Am Australian
I Am Australian
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Bruce Woodley and Dobe Newton
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Brendan Elliget MAGA 537
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I Am Australian
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BJE Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.751009 Composed by Bruce Woodley and Dobe Newton. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.751009 Composed by Bruce Woodley and Dobe Newton. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 39 pages. BJE Music #6120841. Published by BJE Music (A0.751009). I Am Australian (or We Are Australian) is a popular Australian song written in 1987 by Bruce Woodley of The Seekers and Dobe Newton of The Bushwackers. Its lyrics are filled with many historic and cultural references, such as to the digger, Albert Namatjira, and Ned Kelly, among others. Its popularity has allowed it to join the ranks of other patriotic songs considered as alternatives to the Australian national anthem, Advance Australia Fair. This arrangement is for a Brass Band or Ensemble with an optional part for String Bass. Percussion parts include Claves, Glockenspiel, Drum Set, and Timpani. There are parts for both Horns in Eb and F, Trombones 1-2 TC and BC, Euphonium TC or BC, Basses in Eb, Bb, and C… Grade = 3 Duration = 4:25 mins. The MP3 recording was recorded with NotePerformer 3.
$45.00 ≈
40.33€
Have I Told You Lately
Have I Told You Lately
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Violon
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INTERMÉDIAIRE
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Emilio
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Dan Sanchez
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Have I Told You Lately
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Dan Sanchez
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.799131 By Emilio. By Van Morrison. Arranged by Dan Sanchez. Contemporary,Rock. 5 pages. Dan Sanchez #5020105. Published ...
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Violin Solo - Level 3 - SKU: A0.799131 By Emilio. By Van Morrison. Arranged by Dan Sanchez. Contemporary,Rock. 5 pages. Dan Sanchez #5020105. Published by Dan Sanchez (A0.799131). Thank you for checking out my Solo Violin arrangement of Have I Told You Lately That I Love You by Van Morrison. Rod Stewart also had a popular rendition of this tune in the 90’s. This arrangement includes the melody, along with fills to link each phrase. This creates a very full sound, providing a cohesive interpretation of a larger-ensemble orchestration. This is just one of my many special arrangements. Check out my full listing on Sheet Music Plus! I am always adding new items for String Duo, Trio, and Quartet. One thing that sets my arrangements apart from others is that I fit all of my parts on 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages! Another great thing (for multi-instrumental arrangements) is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$4.99 ≈
4.47€
Repose
Repose
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Piano seul
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FACILE
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Damien Gauci
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Repose
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1425807 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 4 pages. Damien Gauci #1006567. Published by Damie...
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Piano Solo - Level 2 - SKU: A0.1425807 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 4 pages. Damien Gauci #1006567. Published by Damien Gauci (A0.1425807). Repose means to be in a state of restfulness or tranquillity. As with most of the pieces in this album, it is meant to be calm and peaceful - something you could listen to when you want to relax and unwind. This piece is definitely a lot more chordal than melodic, although there are some melodies that come in in the second half of the piece.It’s funny, when I write these program notes I am listening back to the piece I have written and I am able to see the full picture as I am able to stand back and look at it as a whole piece. I think the last 7 bars with the quaint melody quite high on the piano is where the piece finally found where it needed to go. Everything else before it is just noise. Then as soon as that melody comes it only lasts for a very short time and then the piece ends. Maybe that is a reflection of the time we take to rest or go on a holiday. We take a lot of time to get into ‘relaxation mode’ and then by the time we are fully relaxed and disconnected, we need to get back to reality or whatever we were doing before.
$1.99 ≈
1.78€
Portals of Catedral de Orihuela.
Portals of Catedral de Orihuela.
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Dr Anthony Costandius
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Portals of Catedral de Orihuel
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Anthony Costandius Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Sco...
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00 ≈
8.96€
Fragrance
Fragrance
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Piano seul
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INTERMÉDIAIRE
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Damien Gauci
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Fragrance
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1425802 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 5 pages. Damien Gauci #1006562. Published by Damie...
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Piano Solo - Level 3 - SKU: A0.1425802 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 5 pages. Damien Gauci #1006562. Published by Damien Gauci (A0.1425802). I had a lot of fun writing this piece. The idea came from one of my composition friends from my time at University. He enjoyed writing a lot of anime style music - especially using the anime chord progression which is what I use in the composition. I didn’t want to the piece to sound too much like an anime opening so I did alter the chord progression a little here and there just to make it’s own thing.I am quite happy with how this piece turned out though, the chord progression does provide for some really nice and smooth voice-leading which makes the whole composition more seamless. There are a few different melodies in this piece although I did try to use the one melody and create the other ones based off of that. That is a skill I’m still working on and it really pays off when it’s done well.
$1.99 ≈
1.78€
Transformation
Transformation
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Marlowe Haws
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Marlowe Haws
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Transformation
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Marlowe Music Productions
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1335343 By Marlowe Haws. By Marlowe Haws. Arranged by Marlowe Haws. 21st Century,Classical,Contemporary,New Age,Romantic ...
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Piano Solo - Level 4 - SKU: A0.1335343 By Marlowe Haws. By Marlowe Haws. Arranged by Marlowe Haws. 21st Century,Classical,Contemporary,New Age,Romantic Period. Score. 6 pages. Marlowe Music Productions #921177. Published by Marlowe Music Productions (A0.1335343). This piece took a long time to compose. I spent about one month working on it and I considered it my masterpiece at the time. It's been many years since then and I had to do a lot of polishing to make it publishable, but I am still rather proud of this one. As the title suggests, the melody goes through many transformations with changes in meter and key signatures. It's much like a theme and variation with lots of transitions. There are some bits where the music takes on my normal dark quality, but this one is actually more of a positive and upbeat song, even a little jazzy at times. I don't think it's too difficult to play except for a climactic part where the left hand has a lot of movement at the same time as the right hand melody. Also the multiple key changes and odd meter changes might be confusing. I was trying to be different and original as I usually am. I hope you enjoy.
$9.99 ≈
8.95€
Four Calm Interludes
Four Calm Interludes
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Piano seul
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FACILE
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New Age
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Contemporain
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Nick Norton
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Four Calm Interludes
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Bathysphere Music
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1160855 Composed by Nick Norton. Chamber,Classical,Contemporary,New Age. Score. 11 pages. Bathysphere Music #761167. Publ...
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Piano Solo - Level 2 - SKU: A0.1160855 Composed by Nick Norton. Chamber,Classical,Contemporary,New Age. Score. 11 pages. Bathysphere Music #761167. Published by Bathysphere Music (A0.1160855). The four calm interludes (should that be capitalized?) are Four One, On Nothing, About Sixths, and On Sol. They are intended as simple, meditative pieces, perhaps good for student pianists to attempt.In spring of 2020, as the COVID-19 pandemic took hold, I suffered a massive manic episode followed by a debilitating depression that lasted over a year. During this time I found my relationship with music fraught—I could not compose, and could barely even listen to music for enjoyment, relaxation, or whatever other reasons people listen to music. It was terrifying, thinking my life’s work was over.The shift to being unable to compose or listen, however, was a gradual, like the shift from mania to depression. I found my listening habits following what seemed like a massive ritardando, as they moved away from the upbeat music I was used to toward more and more ambient, very slow music. Hiroshi Yoshimura’s album Music For Nine Postcards was on repeat for a long while before the total break. Its calm repetitions must have influenced what I was doing, because I sometimes found myself at the piano playing the same note or chord over and over again, just listening to the details in the resonance. Out of this came the first of these four pieces, On Nothing.Eight months later I found myself doing it again, the result of which is Four One. Another eight months went by before About Sixths, and then, as my recovery became more and more apparent, only two months passed until On Sol. I am grateful to say I am now composing every day again, though my music has, without conscious intention, taken on a far more introspective feel than ever before.I have not given the pieces numbers, because I don’t mind if they are played in a different order, alone, or—as the title suggests—as interludes between other pieces. I do like the printed order though.
$20.00 ≈
17.92€
Love Lost: Finding Your Fire Again
Love Lost: Finding Your Fire Again
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Violon
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New Age
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Contemporain
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Tito Abeleda
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Love Lost: Finding Your Fire A
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Visionary Quest Records
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SheetMusicPlus
Violin - SKU: A0.1070241 Composed by Tito Abeleda. 20th Century,Concert,Contemporary,New Age. Full Performance. Duration 659. Visionary Quest Records #4...
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Violin - SKU: A0.1070241 Composed by Tito Abeleda. 20th Century,Concert,Contemporary,New Age. Full Performance. Duration 659. Visionary Quest Records #4718335. Published by Visionary Quest Records (A0.1070241). LOVE LOST: FINDING YOUR FIRE AGAIN (Upcoming Original Music Score for Orchestra)Love Lost: Finding Your Fire Again is the 3rd song on the Tears from My Eyes: Songs from My Soul album. To give Sheet Music Plus customers the highest quality in listening experience 'as if you were there' feeling, this MP3 is the highest quality of an MP3 there is recorded at 48,000 hz 24 bui High Fidelity CD Quality This piece is about the rite of passage from love lost, a broken heart and the determined search for that zest, vivacity, and fire to live life again despite the loss of a loved one, with whom you were supposed to share the rest of your life journey. Now the journey has changed. But the goal to reach your dream destination remains the same. To pull oneself out of the pit of despair and sadness and to find that will to live life again is no easy feat. But you must, you will, and you do. This piece has been a favorite and release twice with welcomed appreciation. The sound recording is a combination of orchestra and electronic ambient pads and special effects. I am adapting it to be completely acoustic But I wanted to put out a few of my original works that will soon be out on Sheet Music Plus - this being one of them. The duration is 10:59. It may seem long but unlike the first two songs on the Tears album, this one takes off after its intimate tender introduction. On that note, there is a diva solo for a diva violinist. May the best violinists find themselves in the spotlight playing this. Similarly, listen to the featured French Horns and Trumpets.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPerforming Rights Organization is BMI.com.Customer Service: 800-925-8451
$3.99 ≈
3.58€
Waltz Op 69 No 2 (Arranged for Guitar)
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99 ≈
1.78€
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Here I Am Contemporary New age
