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Here I Am Romantic
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Vous avez sélectionné:
Here I Am Romantic
Partitions à imprimer
83 partitions trouvées
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Here I Am
Here I Am
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Piano Facile
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FACILE
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Rock
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Bryan Adams
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Eduardo Sabino
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Here I Am
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O_Talentoso
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1211922 By Bryan Adams. By Bryan Adams, Gretchen Peters, and Hans Zimmer. Arranged by Eduardo Sabino. Pop,Rock,Romantic P...
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Easy Piano - Level 2 - SKU: A0.1211922 By Bryan Adams. By Bryan Adams, Gretchen Peters, and Hans Zimmer. Arranged by Eduardo Sabino. Pop,Rock,Romantic Period. Score. 3 pages. O_Talentoso #809472. Published by O_Talentoso (A0.1211922). Bryan Adams-Here I Am (Piano Cover) + SHEET Partitura Intermediary.
$5.00
Here I Am
Here I Am
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Piano Facile
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FACILE
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Rock
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Bryan Adams
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eduardo
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Here I Am
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O_Talentoso
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1346670 By Bryan Adams. By Bryan Adams, Gretchen Peters, and Hans Zimmer. Arranged by eduardo. Pop,Rock,Romantic Period. ...
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Easy Piano - Level 2 - SKU: A0.1346670 By Bryan Adams. By Bryan Adams, Gretchen Peters, and Hans Zimmer. Arranged by eduardo. Pop,Rock,Romantic Period. Score. 3 pages. O_Talentoso #931450. Published by O_Talentoso (A0.1346670). Bryan Adams ft. Hans Zimmer-Here I Am (Piano Cover) + SHEET Partitura Intermediary.
$5.00
Here I Am (end Title)
Here I Am (end Title)
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Piano Facile
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FACILE
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Rock
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Bryan Adams
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eduardo
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Here I Am
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O_Talentoso
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1346646 By Bryan Adams. By Bryan Adams, Gretchen Peters, and Hans Zimmer. Arranged by eduardo. Pop,Rock,Romantic Period. ...
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Easy Piano - Level 2 - SKU: A0.1346646 By Bryan Adams. By Bryan Adams, Gretchen Peters, and Hans Zimmer. Arranged by eduardo. Pop,Rock,Romantic Period. Score. 3 pages. O_Talentoso #931425. Published by O_Talentoso (A0.1346646). Bryan Adams-Here I Am (Piano Cover) + SHEET Partitura Intermediary 2.
$5.00
Here I Am
Here I Am
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Piano Facile
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FACILE
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Rock
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Bryan Adams
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eduardo
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Here I Am
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O_Talentoso
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1346645 By Bryan Adams. By Bryan Adams, Gretchen Peters, and Hans Zimmer. Arranged by eduardo. Pop,Rock,Romantic Period. ...
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Easy Piano - Level 2 - SKU: A0.1346645 By Bryan Adams. By Bryan Adams, Gretchen Peters, and Hans Zimmer. Arranged by eduardo. Pop,Rock,Romantic Period. Score. 4 pages. O_Talentoso #931424. Published by O_Talentoso (A0.1346645). Bryan Adams-Here I Am (Piano Cover) + SHEET Partitura Intermediary 3.
$5.00
Prelude on Woodworth ('Just As I Am')
Prelude on Woodworth ('Just As I Am')
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Piano seul
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AVANCÉ
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Musique Sacrée
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John Burkett
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John Burkett
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Prelude on Woodworth
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John Burkett
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1374217 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Sacred. Score. 8 pages. John Burke...
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Piano Solo - Level 5 - SKU: A0.1374217 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Sacred. Score. 8 pages. John Burkett #958806. Published by John Burkett (A0.1374217). My Prelude on Woodworth (Just As I Am) is intended for church pianists looking for interesting arrangements of hymns familiar to their congregations. The first section of my arrangement is simple enough. But the remainder requires advanced pianistic skill with its wide-ranging arpeggios in the left hand and the use of so-called 3-handed technique, wherein the right and left hands alternate playing the melody notes in the middle compass of the keyboard, while also negotiating the aforementioned arpeggios in the left hand, as well as quickly moving arpeggios and scale passages in the right hand. Near the end of the piece the use of the sostenuto pedal is also required. In short, my arrangement is a virtuosic treatment in 19th century romantic style of a mid-19th century hymn tune. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$9.50
I Am Something
I Am Something
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Piano, Voix
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Hal Dickens
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I Am Something
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Hal Dickens
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.898064 Composed by Hal Dickens. Broadway,Film/TV,Musical/Show,Video Game. Score. 5 pages. Hal Dickens #5985101. Published by...
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Piano,Vocal,Voice - SKU: A0.898064 Composed by Hal Dickens. Broadway,Film/TV,Musical/Show,Video Game. Score. 5 pages. Hal Dickens #5985101. Published by Hal Dickens (A0.898064). Awesome Bunny Lo sings I Am Something.This song is associated with my upcoming romantic novel David And The Teacher.Bunny's amazing Youtube channel is here: https://www.youtube.com/channel/UCq41VQbRhcP6V-f6j4eOjVA
$3.99
Just As I Am Guitar solo
Just As I Am Guitar solo
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Guitare notes et tablatures
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FACILE
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Charlotte Elliott
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PianoSheetNow
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Just As I Am Guitar solo
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PianoSheetNow
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.556421 Composed by Charlotte Elliott. Arranged by PianoSheetNow. Romantic Period,Sacred. Guitar Tab. 2 pages. PianoSheetNow #...
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Guitar - Level 2 - SKU: A0.556421 Composed by Charlotte Elliott. Arranged by PianoSheetNow. Romantic Period,Sacred. Guitar Tab. 2 pages. PianoSheetNow #3507967. Published by PianoSheetNow (A0.556421). Just As I Am is a well-known hymn, written by Charlotte Elliott in 1835,Here is an arrangement for Classical Guitar solo (or fingerstyle with nylon strings guitar).With standard notation and Tablature, with downloadable simple mp3 for audio help. With lyrics and Melody line. Two pages, easy Guitar.
$1.99
I Only Have Eyes For You
I Only Have Eyes For You
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Al
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Timothy Stapay
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I Only Have Eyes For You
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1458082 Composed by Al (dp) Dubin, Andrea Martin, Gregory Darryl Smith, and Harry Warren. Arranged by Timothy Stapay. Bro...
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Piano Solo - Level 4 - SKU: A0.1458082 Composed by Al (dp) Dubin, Andrea Martin, Gregory Darryl Smith, and Harry Warren. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #1037052. Published by Timothy Stapay (A0.1458082). I Only Have Eyes For You is a romantic love song by composer Harry Warren and lyricist Al Dubins; here arranged for piano solo and as a tribute to my favorite actress, Bette Davis. Who can ever forget those fabulous eyes. A recording of the song by Art Garfunkel was a number-one hit on the UK Singles Chart in October 1975 for two weeks. In the US, the song reached number 18 on the U.S. Billboard Hot 100.Lyrics:My love must be a kind of blind loveI can't see anyone but youAnd dear, I wonder if you find loveAn optical illusion, too?Are the stars out tonight?I don't know if it's cloudy or bright'Cause I only have eyes for you, dearThe moon may be highBut I can't see a thing in the sky'Cause I only have eyes for youI don't know if we're in a gardenOr on a crowded avenueYou are here, so am IMaybe millions of people go byBut they all disappear from viewAnd I only have eyes for you.
$7.99
Variations on Just As I Am for Clarinet Quartet
Variations on Just As I Am for Clarinet Quartet
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Ensemble de Clarinettes
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FACILE
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Musique Sacrée
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William Batchelder Bradbury
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David Warin Solomons
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Variations on Just As I Am for
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - SKU: A0.579475 Composed by William Batchelder Bradbury. Arranged by David Warin Solomons. 20th Century,Christian,...
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Woodwind Ensemble Clarinet - Level 2 - SKU: A0.579475 Composed by William Batchelder Bradbury. Arranged by David Warin Solomons. 20th Century,Christian,Praise & Worship,Romantic Period,Sacred. 8 pages. David Warin Solomons #3070425. Published by David Warin Solomons (A0.579475). Here we take the hymn gently through variations (decorations), but keeping the harmony mainly in accordance with the first verse.
$7.00
Works for Chorus, Volume I - Kyrie Eleison
Works for Chorus, Volume I - Kyrie Eleison
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Chorale SATB
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AVANCÉ
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Logan W
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Works for Chorus, Volume I - K
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logantheford
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1028726 Composed by Logan W. Ford. Contemporary,Romantic Period,Sacred. Octavo. 1 pages. Logantheford #3875589. ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1028726 Composed by Logan W. Ford. Contemporary,Romantic Period,Sacred. Octavo. 1 pages. Logantheford #3875589. Published by logantheford (A0.1028726). Works for Chorus, Volume II am excited to publish the first movement of my first collection of choral works! Here is what you can expect:- Variety of musical styles- Variety of languages to sing in (English, German, Latin, and more!)- Many of them will be perfect for church choirs, high school choirs, etc.- Beautiful, original compositions that will captivate your audiences!If you have any questions at all, please feel free to contact me at lwfordmusic@gmail.com. Social media accounts coming soon!
$2.99
Mountains of Stowe, I Stand Strong
Mountains of Stowe, I Stand Strong
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, I Stand St
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publication...
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Guitar - SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publications #6102999. Published by Silver Sickle Publications (A0.1070387). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
I Need Thee Every Hour for clarinet quartet
I Need Thee Every Hour for clarinet quartet
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Quatuor de Clarinettes: 4 clarinettes
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DÉBUTANT
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Musique Sacrée
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Robert Lowry
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David Warin Solomons
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I Need Thee Every Hour for cla
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David Warin Solomons
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SheetMusicPlus
Composed by Robert Lowry. Arranged by David Warin Solomons. 20th Century, Romantic Period, Christian, Praise and Worship, General Worship. Score, Set of Parts. ...
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Composed by Robert Lowry. Arranged by David Warin Solomons. 20th Century, Romantic Period, Christian, Praise and Worship, General Worship. Score, Set of Parts. 6 pages. Published by David Warin Solomons (S0.221177). - Score,Set of Parts - 20th Century,Romantic Period,Christian,Praise and Worship,General Worship - David Warin Solomons
This is one from a collection of 7 gospel songs from the late 18th, 19th and early 20th Century, in their original versions, as arranged for clarinet quartet. The arrangements differ from the choral originals for instrumental purposes in that: some repeated notes in the lower instruments are merged into single long notes various notes are slurred or made into staccatos and fermatas (pauses) are recreated as extended notes and bars, where it makes musical sense to do so. These arrangements are also available as a bundle of 7 (7 Songs of Glory ) for $25 and also separately, at $4.00 each: The Glory Song (C H Gabriel) I Need Thee Every Hour (Robert Lowry) Count your Blessings (E O Excell) Just As I Am (W Bradbury) O for a thousand tongues to sing (Charles Wesley) (Hymn tune known as Lyngham) Tell me the old old story (W H Doane) Trust and obey (D B Towner) In each case the pdfs contain score and parts and the sound samples are electronic previews. I plan to create extended versions, with my own variations, in due course, but these versions are basically transcriptions of the originals.
$4.00
Song of the Childless
Song of the Childless
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Contemporain
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David Warin Solomons
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Song of the Childless
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 4 pages. David Warin Solomons #15653. Published by David Warin Solomons (A0.576279). This song was inspired by my initial reactions to the realization that I am infertile. In my case this was due to Kallmann's syndrome I am now perfectly happy with my infertility, after all, there is much else to do in the world and Dawkins' selfish gene can simply go spin its plot elsewhere: my children are my compositions, and they populate the world in their own way with joy, humour and thoughtfulness... wherever they will... ... However, I know there are many who are not happy with childlessness, so I dedicate this song to them ....and to my past self. The sound sample is my own performance. Here are the words: Learn this my child, who never hears my word Your luck is out, you are but but a poem deaf to change You are a romantic ramble on absurd round which the childless brain desires to range Hear this my daughter, blind to loveliness Your love is mine, untouchable, unknown to all Save to a song befitting her distress Whom Sappho loved but answered not her call See this my eunuch, watching others` joy Your luck was in, your luck was in You threw it far away, too far away for its return Save to another and another boy while I look on, unmoved as from a star Taste this my tears grown cold Resigned and pure Your love is his I know not whose nor do I care Yet love I would, and yet cannot be sure that another`s love could now be mine to share Warm this my heart These strings beget my child Their luck is in Their love is mine So close, my son! My daughter`s breath sings Through my fingers styled Sings to herself All other children shun © David W Solomons Video:https://www.youtube.com/watch?v=NOB34ds34Tk
$11.00
Waltz Op 69 No 2 (Arranged for Guitar)
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
Calgary Little Suite (For String Quartet)
Calgary Little Suite (For String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Calgary Little Suite
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Han-Ki Kim
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1297116 Composed by Han-Ki Kim. Chamber,Classical,Instructional,Romantic Period,Sta...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1297116 Composed by Han-Ki Kim. Chamber,Classical,Instructional,Romantic Period,Standards. 39 pages. Han-Ki Kim #887218. Published by Han-Ki Kim (A0.1297116). Living in Calgary from summer to fall of 2023, I thought I should write a music describing the scenery of this place. From the lively city of Calgary, the historic Bow River flowing leisurely, the light rail (LRT) running through the city, the birch forest in Wentworth, where I am staying, and finally, Calgary's most famous event, the Stampede Festival. These are all five scenes that I am familiar with that I have encountered around me. Attached file is recorded by String Orchestra sound, it's just for a reference.1st movement: Cheerful City Calgary. 2nd movement: Bow River. 3rd movement: Light Rail Train.  4th movement: Birch forest of Wentworth. 5th movement: Stampede Festival.
$11.99
Calgary Little Suite (For String Orchestra)
Calgary Little Suite (For String Orchestra)
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Han-Ki Kim
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Calgary Little Suite
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Han-Ki Kim
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1297120 Composed by Han-Ki Kim. Chamber,Classical,Instructional,Romantic Period,Stand...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1297120 Composed by Han-Ki Kim. Chamber,Classical,Instructional,Romantic Period,Standards. 50 pages. Han-Ki Kim #887222. Published by Han-Ki Kim (A0.1297120). Living in Calgary from summer to fall of 2023, I thought I should write a music describing the scenery of this place. From the lively city of Calgary, the historic Bow River flowing leisurely, the light rail (LRT) running through the city, the birch forest in Wentworth, where I am staying, and finally, Calgary's most famous event, the Stampede Festival. These are all five scenes that I am familiar with that I have encountered around me. 1st movement : Cheerful City Calgary. 2nd movement : Bow River. 3rd movement : Light Rail Train.  4th movement : Birch forest of Wentworth. 5th movement : Stampede Festival.
$14.99
Calgary Little Suite (For Orchestra)
Calgary Little Suite (For Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Calgary Little Suite
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Han-Ki Kim
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1303163 Composed by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards,Traditional. 129 pages. Han-Ki Kim ...
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Full Orchestra - Level 4 - SKU: A0.1303163 Composed by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards,Traditional. 129 pages. Han-Ki Kim #892756. Published by Han-Ki Kim (A0.1303163). Living in Calgary from summer to fall of 2023, I thought I should compose a music describing the scenery of this place. From the lively city of Calgary, the historic Bow River flowing leisurely, the light rail (LRT) running through the city, the birch forest in Wentworth, where I am staying, and finally, Calgary's most famous event, the Stampede Festival. These are all five scenes that I am familiar with that I have encountered around me.In particular, the year 2023, when this music was composed, is even more meaningful as it marks the 60th anniversary of diplomatic relations between Korea and Canada.  The contents of each movement are as follows.   * Calgary Little Suite* For Orchestra  Op.317A       1st movement: Cheerful City Calgary.       2nd movement: Bow River.       3rd movement: Light Rail Train.       4th movement: Birch forest of Wentworth.       5th movement: Stampede Festival     Playing time is approximately 7 minutes and 40 seconds.
$39.90
On Jordan's Stormy Banks (LARGE PRINT Piano Solo)
On Jordan's Stormy Banks (LARGE PRINT Piano Solo)
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Piano seul
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INTERMÉDIAIRE
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Sharon Wilson
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On Jordan's Stormy Banks
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.565789 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson and Sharon Wilson Music. Folk,Praise & Worship,Romanti...
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Piano Solo - Level 3 - SKU: A0.565789 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson and Sharon Wilson Music. Folk,Praise & Worship,Romantic Period,Sacred,Spiritual. Score. 2 pages. Sharon Wilson #6142483. Published by Sharon Wilson (A0.565789). Designed for those times when a short, musical interlude is needed, here is a 2-page, LARGE PRINT piano solo arrangement of the classic hymn On Jordan's Stormy Banks. In some hymnals, this song is titled I Am Bound for the Promised Land. This upbeat and cheerful arrangement will bring smiles to each listener's face as they are reminded of the joy and hope of Canaan's fair and happy land.This arrangement is one of the 7 songs in the collection Hymns of Heaven. Each song in this collection was chosen because the lyrics talk about the joys of heaven. Â Lyrics by Samuel Stennett:Verse 1:On Jordan's stormy banks I stand,And cast a wishful eyeTo Canaan's fair and happy land,Where my possessions lie.Chorus:I am bound for the promised land,I am bound for the promised land;Oh, who will come and go with me?I am bound for the promised land.Verse 2:O'er all those wide extended plainsShines one eternal day;There, Christ, the Son forever reigns,And scatters night away.Verse 3:When I shall reach that happy place,And be forever blest?When shall I see my Father's face, And in His kingdom rest?
$2.99
Study on Beethoven
Study on Beethoven
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Methodes Etudes
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Joerg Widmann
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Study on Beethoven
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes....
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String quartet - difficult - SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes. Schott Music - Digital #Q778767. Published by Schott Music - Digital (S9.Q778767). My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi revolutionary Quartet No. 1 to the Quartet No. 5 entitled Versuch über die Fuge [Attempt at a Fugue]. The Quartet No. 6 – Study on Beethoven – composed fourteen years after No. 5 should be conceived as a new approach and the commencement of a new quartet cycle with an unknown ending. All that can be said is that the subsequent quartets will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Despite a reverence for Beethoven at a very early stage, my own compositions have steered well clear of this unapproachable cosmos with the exception of my concert overture Con brio. The perhaps only link with the five quartets of the first cycle of quartets is the single-movement structure of the thirty-minute Quartet No. 6. The fundamental coordinates have otherwise been reset to zero. This is therefore also a ‘study’ in a literal sense. In the Quartet No. 6, I set out with a state of tonality displaying significant extensions whose centrifugal forces are barely containable. My focus is the detection of the inherent gravitation of tonality, including phenomenons such as tension/relaxation, suspension/resolution and fixation/deviation. From a formal aspect, the work is too experimental and unsentimental for explorations in a nostalgic-romantic sense. On the contrary, tonality or at least its fundamental assumptions are initially set down in the sense of a study or test assembly in order to permit subsequent experimentation, variation and the formulation of exceptions with the desire and firm conviction that it is possible to express something innovative and never previously heard with this seemingly exhausted fundamental material. I have been repeatedly astonished by the unfolding in the progression of this piece which has taken me to unknown locations, especially from a formal aspect. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. The Quartet No. 6 has been created in close artistic and friendly cooperation with Anne-Sophie Mutter and she is the dedicatee of this work. Jörg Widmann, July 2019My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works. The Quartet No. 6 composed fourteen years after No. 5 now opens a new cycle of quartets which will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Perhaps the only link with the five quartets of the first cycle is the single-movement structure of the almost thirty- minute Quartet No. 6. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. Jörg Widmann.
$82.99
ALES STENAR, suite for violin and chamber orchestra - Score Only
ALES STENAR, suite for violin and chamber orchestra - Score Only
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Orchestre de chambre
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AVANCÉ
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Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin
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Stefano Olcese
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,R...
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Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
Tell me the old old story for clarinet quartet
Tell me the old old story for clarinet quartet
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Quatuor de Clarinettes: 4 clarinettes
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DÉBUTANT
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Musique Sacrée
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W H Doane
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David Warin Solomons
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Tell me the old old story for
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David Warin Solomons
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SheetMusicPlus
Composed by W H Doane. Arranged by David Warin Solomons. 20th Century, Romantic Period, Christian, Praise and Worship, General Worship. Score, Set of Parts. 7 p...
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Composed by W H Doane. Arranged by David Warin Solomons. 20th Century, Romantic Period, Christian, Praise and Worship, General Worship. Score, Set of Parts. 7 pages. Published by David Warin Solomons (S0.221179). - Score,Set of Parts - 20th Century,Romantic Period,Christian,Praise and Worship,General Worship - David Warin Solomons
This is one from a collection of 7 gospel songs from the late 18th, 19th and early 20th Century, in their original versions, as arranged for clarinet quartet. The arrangements differ from the choral originals for instrumental purposes in that: some repeated notes in the lower instruments are merged into single long notes various notes are slurred or made into staccatos and fermatas (pauses) are recreated as extended notes and bars, where it makes musical sense to do so. These arrangements are also available as a bundle of 7 (7 Songs of Glory ) for $25 and also separately, at $4.00 each: The Glory Song (C H Gabriel) I Need Thee Every Hour (Robert Lowry) Count your Blessings (E O Excell) Just As I Am (W Bradbury) O for a thousand tongues to sing (Charles Wesley) (Hymn tune known as Lyngham) Tell me the old old story (W H Doane) Trust and obey (D B Towner)
$4.00
Kinderszenen Op. 15 No. 7: Traumerei
Kinderszenen Op. 15 No. 7: Traumerei
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Classique
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Robert Schumann
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Peet du Toit
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Kinderszenen Op. 15 No. 7: Tra
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Peet du Toit
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SheetMusicPlus
Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1394093 Composed by Robert Schumann. Arranged by Peet du Toit. Romantic Period. 8 pag...
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Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1394093 Composed by Robert Schumann. Arranged by Peet du Toit. Romantic Period. 8 pages. Peet du Toit #977551. Published by Peet du Toit (A0.1394093). Kinderszenen or Scenes from Childhood, Op. 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838.Movement No. 7 of the work, Träumerei, is one of Schumann's best known pieces; it is the opening and closing musical theme of the 1947 Hollywood film Song of Love, and Träumerei is the title of a 1944 German biographical film on Schumann. In Russia, a hummed choral a cappella version became known as mourning music, being played annually during the Minute of Silence on Victory Day.Here is an unusual version thereof for a Brass Quintet. I am sure you will enjoy the warm harmonies produced here!
$22.00
Transformation
Transformation
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Marlowe Haws
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Marlowe Haws
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Transformation
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Marlowe Music Productions
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1335343 By Marlowe Haws. By Marlowe Haws. Arranged by Marlowe Haws. 21st Century,Classical,Contemporary,New Age,Romantic ...
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Piano Solo - Level 4 - SKU: A0.1335343 By Marlowe Haws. By Marlowe Haws. Arranged by Marlowe Haws. 21st Century,Classical,Contemporary,New Age,Romantic Period. Score. 6 pages. Marlowe Music Productions #921177. Published by Marlowe Music Productions (A0.1335343). This piece took a long time to compose. I spent about one month working on it and I considered it my masterpiece at the time. It's been many years since then and I had to do a lot of polishing to make it publishable, but I am still rather proud of this one. As the title suggests, the melody goes through many transformations with changes in meter and key signatures. It's much like a theme and variation with lots of transitions. There are some bits where the music takes on my normal dark quality, but this one is actually more of a positive and upbeat song, even a little jazzy at times. I don't think it's too difficult to play except for a climactic part where the left hand has a lot of movement at the same time as the right hand melody. Also the multiple key changes and odd meter changes might be confusing. I was trying to be different and original as I usually am. I hope you enjoy.
$9.99
Hello My Love
Hello My Love
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Piano, Voix
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FACILE
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Millicent E Taffe
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Millicent E Taffe
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Hello My Love
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Millicent E Taffe
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1274523 By Millicent E Taffe. By Millicent E Taffe. Arranged by Millicent E Taffe. Film/TV,Hip-Hop,Pop,R & B,Singe...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1274523 By Millicent E Taffe. By Millicent E Taffe. Arranged by Millicent E Taffe. Film/TV,Hip-Hop,Pop,R & B,Singer/Songwriter,Soul. Score. 7 pages. Millicent E Taffe #866665. Published by Millicent E Taffe (A0.1274523). My music is a merging of lovers rock and neo soul. I write predominantly about music of the heart, or romantic music for those who are blissfully in love. I have not had an easy road, so I write from brokenness, disappointment and sorrow, because I am trying to heal.At a young age, I always felt sad and knew that I was interested in the deep topics of why we are here, so I started to write poems, which I found therapeutic because they allowed me to get out emotions that I could not express, or understand.I want to bring understanding to those who like me have been through heavy stuff, that keeps repeating and the one is always the one, not!. Yet, we keep hoping because all around us are happy, pda couples who just sail into relationships that we can only dream of.I am now resigned to help the World by putting into song, all the wrongs they did because I now believe that this is my destiny. For me hope has gone, but for you I will clear your road of all the dross and debris, so you can cruise into romantic happiness.This song burst forth demanding to be heard after months of emotional turmoil and heartbreak, and with every listen, I heal a little bit more.Please take a listen to my healing song Hello My Love, and if you want a visual dramatization that is as powerful as the song, then watch the video.
$9.99
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Here I Am Romantic
