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Hold The Moment
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Vous avez sélectionné:
Hold The Moment
Partitions à imprimer
172 partitions trouvées
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151
The Sundials
The Sundials
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Contemporain
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #580083...
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Piano Trio,String Ensemble - SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00 ≈
£5.31
The Sense of a Place Will Remain
The Sense of a Place Will Remain
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Chorale SATB
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Contemporain
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Paul Burnell
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The Sense of a Place Will Rema
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Paul Burnell
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
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Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95 ≈
£6.04
1917: The Halifax Disaster
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99 ≈
£17.45
Hold The Moment (Exigence)
Hold The Moment (Exigence)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Bob Good
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Hold The Moment
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Surrey Dance Music
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.951168 Composed by Bob Good. Broadway,Contemporary,Musical/Show,Standards. Score and parts. 6 pages. S...
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String Quartet String Quartet - Level 2 - SKU: A0.951168 Composed by Bob Good. Broadway,Contemporary,Musical/Show,Standards. Score and parts. 6 pages. Surrey Dance Music #3690677. Published by Surrey Dance Music (A0.951168). Arrangement for String Quartet of a section of the song Hold The Moment (from the musical Silver's Ghost).Short (1½ minutes long) but breathtakingly beautiful.Full piece can be heard on this album Amongst Friendshttp://www.surreydancemusic.co.uk
$7.95 ≈
£6.04
The exploding Head
The exploding Head
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Voix Soprano, Piano
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AVANCÉ
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Christian Jost
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The exploding Head
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edi...
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Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99 ≈
£12.90
Hold On To The Moment - RHYTHM PACK (Piano/Vocal, Bass, Guitar 1&2, Drum Set, Synth)
Hold On To The Moment - RHYTHM PACK (Piano/Vocal, Bass, Guitar 1&2, Drum Set, Synth)
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W
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2, Bb Clarinet 1 &
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Hold On To The Moment - RHYTHM
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Diamond S Music
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SheetMusicPlus
Bass Guitar,Drum Set,Synthesizer - Level 3 - SKU: A0.789893 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. 29 pages. Diamond S Music #3079757. Publish...
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Bass Guitar,Drum Set,Synthesizer - Level 3 - SKU: A0.789893 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. 29 pages. Diamond S Music #3079757. Published by Diamond S Music (A0.789893). RHYTHM PACK ONLY - Piano/Vocal, Elec. Guitar, Acoustic Guitar, Elec. Bass, Drum Set, Synth Parts. HOLD ON TO THE MOMENT is a beautiful sentimental pop song that can be showcased at graduation ceremonies, Church services, Weddings, and Choir or Band Concerts.You will need at least the Piano/Vocal score to full play this piece. The song begins with a VOCAL SOLO that turns into a TRIO  with a full SATB chorus and Gospel Trio in counterpoint. Full Accompaniment is scored for: Piano, Synthm  Electric Guitar, Acoustic Guitar,  Bass Guitar, Drum Set, Piccolo, Flute 1 & 2, Bb Clarinet 1 & 2, Alto Sax, Tenor Sax, Horn in F, Trumpet 1 & 2, Trombone 1 & 2, Violin 1 & 2, Viola, Cello, Double Bass, Percussion. Can also be performed as a Vocal Solo with Piano (or small group- Piano, Bass, Drums, Guitar). This song begins and ends very sweet, but really grooves and opens up in the middle.  Lyrics are adapted from an anonymous poem, Hold On To The Moment that was used in many school yearbooks years ago, Single file and yet together, we have shared out greatest days. And we carry common memories...).
$15.99 ≈
£12.14
Hold On To The Moment - PIANO/VOCAL SCORE
Hold On To The Moment - PIANO/VOCAL SCORE
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Piano, Voix
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W
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Hold On To The Moment - PIANO/
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Diamond S Music
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.789892 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. Score. 12 pages. Diamond S Music #3079755. Published by Diamond S Mu...
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Piano,Vocal,Voice - SKU: A0.789892 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. Score. 12 pages. Diamond S Music #3079755. Published by Diamond S Music (A0.789892). PIANO/VOCAL SCORE Only. HOLD ON TO THE MOMENT is a beautiful sentimental pop song that can be showcased at graduation ceremonies, Church services, Weddings, and Choir or Band Concerts. The song begins with a VOCAL SOLO that turns into a TRIO  with a full SATB chorus and Gospel Trio in counterpoint. Accompaniment is scored for: Piano, Synth, Electric Guitar  1 & 2, Bass Guitar, Drum Set, Percussion, Piccolo, Flute 1 & 2, Bb Clarinet 1 & 2, Alto Sax, Tenor Sax, Horn in F, Trumpet 1 & 2, Trombone 1 & 2, Violin 1 & 2, Viola, Cello, Double Bass. Can also be performed as a Vocal Solo with Piano (or small group- Piano, Bass, Drums, Guitar). This song begins and ends very sweet, but really grooves and opens up in the middle.  Lyrics are adapted from an anonymous poem, Hold On To The Moment that was used in many school yearbooks years ago, Single file and yet together, we have shared out greatest days. And we carry common memories...).
$7.00 ≈
£5.31
Hold On To The Moment - FULL SCORE & PARTS
Hold On To The Moment - FULL SCORE & PARTS
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W
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2, Bb Clarinet 1 &
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Hold On To The Moment - FULL S
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Diamond S Music
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SheetMusicPlus
Level 3 - SKU: A0.789890 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. 105 pages. Diamond S Music #3079749. Published by Diamond S Music (A0.789890)....
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Level 3 - SKU: A0.789890 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. 105 pages. Diamond S Music #3079749. Published by Diamond S Music (A0.789890). HOLD ON TO THE MOMENT is a beautiful sentimental pop song that can be showcased at graduation ceremonies, Church services, Weddings, and Choir or Band Concerts. The song begins with a VOCAL SOLO that turns into a TRIO Â with a full SATB chorus and Gospel Trio in counterpoint. Accompaniment is scored for: Piano, Synth, Electric Guitar, Acoustic Guitar, Bass Guitar, Drum Set, Percussion, Piccolo, Flute 1 & 2, Bb Clarinet 1 & 2, Alto Sax, Tenor Sax, Horn in F, Trumpet 1 & 2, Trombone 1 & 2, Violin 1 & 2, Viola, Cello, Double Bass. Can also be performed as a Vocal Solo with Piano (or small group- Piano, Bass, Drums, Guitar). This song begins and ends very sweet, but really grooves and opens up in the middle. Â Lyrics are adapted from an anonymous poem, Hold On To The Moment that was used in many school yearbooks years ago, Single file and yet together, we have shared out greatest days. And we carry common memories...).
$24.99 ≈
£18.97
Hold On To The Moment - FULL SCORE - Score Only
Hold On To The Moment - FULL SCORE - Score Only
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W
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2, Bb Clarinet 1 &
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Hold On To The Moment - FULL S
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Diamond S Music
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SheetMusicPlus
Level 3 - SKU: A0.789891 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. 21 pages. Diamond S Music #3079751. Published by Diamond S Music (A0.789891). ...
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Level 3 - SKU: A0.789891 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. 21 pages. Diamond S Music #3079751. Published by Diamond S Music (A0.789891). Full Conductor Score. HOLD ON TO THE MOMENT is a beautiful sentimental pop song that can be showcased at graduation ceremonies, Church services, Weddings, and Choir or Band Concerts. The song begins with a VOCAL SOLO that turns into a TRIO Â with a full SATB chorus and Gospel Trio in counterpoint. Accompaniment is scored for: Piano, Synth, Electric Guitar, Acoustic Guitar, Bass Guitar, Drum Set, Percussion, Piccolo, Flute 1 & 2, Bb Clarinet 1 & 2, Alto Sax, Tenor Sax, Horn in F, Trumpet 1 & 2, Trombone 1 & 2, Violin 1 & 2, Viola, Cello, Double Bass. Can also be performed as a Vocal Solo with Piano (or small group- Piano, Bass, Drums, Guitar). This song begins and ends very sweet, but really grooves and opens up in the middle. Â Lyrics are adapted from an anonymous poem, Hold On To The Moment that was used in many school yearbooks years ago, Single file and yet together, we have shared out greatest days. And we carry common memories...).
$10.00 ≈
£7.59
Give Me Your Stars to Hold
Give Me Your Stars to Hold
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Chorale SSAA
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Kate Crellin
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Give Me Your Stars to Hold
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Heritage Music Press
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SheetMusicPlus
SSAA choir, a cappella - SKU: LX.15-3843H Composed by Kate Crellin. Educational, Concert, General. Octavo. 4 pages. Heritage Music Press #e15/3843H. Pub...
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SSAA choir, a cappella - SKU: LX.15-3843H Composed by Kate Crellin. Educational, Concert, General. Octavo. 4 pages. Heritage Music Press #e15/3843H. Published by Heritage Music Press (LX.15-3843H). The delicate harmonic beauty of this piece is truly stunning. Though short in length, there is immense opportunity for magical expressive moments. With close harmonies weaving in and out of consonances and unisons and flowing passages paired with moments of rhythmic energy, there is so much music to be made. A repeating ending of layered melodies that gradually fades al niente will have your audience holding their breath. Composed as a set of three compositions, also look for Day of Fire and Sun (15/3842L) and Home–Thoughts, from Abroad (15/3844L).
$2.30 ≈
£1.75
Body of the Moon
Body of the Moon
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Desmond Earley
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Body of the Moon
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1291816 Composed by Desmond Earley. 20th Century. 21 pages. Seolta Music Limited #882398. Publishe...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1291816 Composed by Desmond Earley. 20th Century. 21 pages. Seolta Music Limited #882398. Published by Seolta Music Limited (A0.1291816). Commissioned by All Classical Portland radio network to mark the occasion of the total solar eclipse in 2017, Body of the Moon was first recorded by Erick Vallé (vocal solo), Nancy Ives (violoncello), and Chris Whyte (percussion) with Resonance Ensemble, directed by Katherine FitzGibbon.The piece was broadcast across the Pacific Northwest of the United States as millions experienced the totality of the solar eclipse. The phenomenon of the eclipse is represented by the lyrical cello line as the choir gives voice to the words of Galileo Galilei (1564- 1642): ‘Vedere il corpo della luna/Behold the body of the moon!’ The bass drum represents the vastness of our solar system, and a lone vocal improvisation speaks to the personal experience of this magical moment. Galileo’s other phrase, ‘we had perpetual twilight and never darkness’, is a poetic description of experiencing the eerie phenomenon of a total solar eclipse. Desmond Earley’s piece captures the sense of awe fostered by witnessing such a galactic occurrence.To explore all choral titles in College Choral Series please click here.
$2.50 ≈
£1.90
Pray for the People
Pray for the People
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Pepper Choplin
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Pray for the People
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Hope Publishing - Digital
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SheetMusicPlus
Rhythm - SKU: H1.C5541RDP Composed by Pepper Choplin. Piano with Optional Rhythm parts. Hope's Recent Best Sellers Series. General Worship, Comfort, Enc...
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Rhythm - SKU: H1.C5541RDP Composed by Pepper Choplin. Piano with Optional Rhythm parts. Hope's Recent Best Sellers Series. General Worship, Comfort, Encouragement, Prayer, Worship. Rhythm parts. 9 pages. Hope Publishing - Digital #C5541RDP. Published by Hope Publishing - Digital (H1.C5541RDP). Acts 2:42 - Romans 12:1 - Romans 12:2 - Romans 12:3 - Romans 12:4 - Romans 12:5 - Romans 12:6 - Romans 12:7 - Romans 12:8 - Romans 12:12 - Ephesians 6:18 - Philippians 4:6 - Colossians 4:2 - 1 Timothy 2:8 - James 5:16.Original ballad This soulful ballad calls us to lift each other up as we pray for the person on our right and our left. The text says it all: They may seem strong, but we don't know all of the struggles and the burdens they hold. Choirs will enjoy the hushed, intense gospel-feel captured by composer Pepper Choplin, allowing for a truly authentic worship moment with the poignant closing line, pray. . . and as you do, people all around are praying for you. The rhythm packet contains parts for: Electric Bass, Keyboard & Drums.
$34.95 ≈
£26.53
Pray For the People
Pray For the People
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Pepper Choplin
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Pray For the People
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Hope Publishing - Digital
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SheetMusicPlus
Vocal ensemble Vocal Duet, 2 Med. Voices Key of E-flat - SKU: H1.9082DP Composed by Pepper Choplin. Piano with Optional Rhythm parts. Vocal Score. 12 pa...
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Vocal ensemble Vocal Duet, 2 Med. Voices Key of E-flat - SKU: H1.9082DP Composed by Pepper Choplin. Piano with Optional Rhythm parts. Vocal Score. 12 pages. Hope Publishing - Digital #9082DP. Published by Hope Publishing - Digital (H1.9082DP). Original ballad This soulful ballad calls us to lift each other up as we pray for the person on our right and our left. The text says it all: They may seem strong, but we don't know all of the struggles and the burdens they hold. Choirs will enjoy the hushed, intense gospel-feel captured by composer Pepper Choplin, allowing for a truly authentic worship moment with the poignant closing line, pray. . . and as you do, people all around are praying for you. The rhythm packet contains parts for: Electric Bass, Keyboard & Drums.
$7.95 ≈
£6.04
Penitent Thief, The (for viola and piano)
Penitent Thief, The (for viola and piano)
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Alto, Piano
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AVANCÉ
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #64...
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Piano,Viola - Level 5 - SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99 ≈
£18.97
Penitent Thief, The
Penitent Thief, The
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Alto et Harpe
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AVANCÉ
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts...
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Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99 ≈
£18.97
La dulzura del silencio (The Sweetness of Silence), Celtic song by Gustavo Fuentes
La dulzura del silencio (The Sweetness of Silence), Celtic song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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La dulzura del silencio
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Gustavo Fuentes
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SheetMusicPlus
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 4 - SKU: A0.900399 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holi...
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 4 - SKU: A0.900399 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3534751. Published by Gustavo Fuentes (A0.900399). The sweetness of Silence. Celtic music song composed by Gustavo Fuentes, arranged for three voices. Two melody instruments, such as tin whistle, flute, recorder or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify.Lovers communicate in unique and diverse ways. They use words of love, loving glances and tender caresses to share in the joy of being together.But one of the most enjoyable things a couple can share is silence. Being silent, perhaps holding hands and looking into each other’s eyes, can communicate plenty. Merely knowing the other person is right there by your side with love, affection and understanding is one of the most gratifying feelings in the world. And that is what this song is about: love, lovers and shared silence. Canción de música celta compuesta por Gustavo Fuentes, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce o violÃn, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. La comunicación entre los enamorados es única y diversa. Palabras de amor, miradas, caricias, todo aporta en el momento de compartir el sentimiento de felicidad y dicha que los envuelve.Y una de las cosas más disfrutables es compartir el silencio. Ese dulce silencio –tal vez tomados de la mano y mirándose a los ojos- donde sin decir una palabra se dice tanto, y donde la mayor motivación es saber que el otro está ahÃ, presente a su lado con su amor, su cariño y su comprensión.De eso habla esta canción: del amor, de los enamorados, y de la dulzura de su silencio compartido.
$4.99 ≈
£3.79
America the Beautiful Intermediate Piano Solo
America the Beautiful Intermediate Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Patriotique
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Samuel Ward
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Renee Hyche McKee
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America the Beautiful Intermed
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Renee H. McKee
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.835646 Composed by Samuel Ward. Arranged by Renee Hyche McKee. Concert,Folk,Holiday,Patriotic,Sacred. Score. 3 pages. Ren...
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Piano Solo - Level 3 - SKU: A0.835646 Composed by Samuel Ward. Arranged by Renee Hyche McKee. Concert,Folk,Holiday,Patriotic,Sacred. Score. 3 pages. Renee H. McKee #6330737. Published by Renee H. McKee (A0.835646). The natural beauty of the American landscape comes to mind in the flowing hand-over-hand intro to this beautiful three-minute, meditative piano solo. The melody shifts from left hand to right, and with flowing accompaniment carries it to the end, where the phrase God shed His grace on thee is repeated from this writerâ??s heart; take it slowly and with meaning here. As the music closes, you will enjoy playing a resolving chord sequence that asks God to crown our good with brotherhood. A poignant moment. Fingerings are offered as suggestions. Use your ear for pedaling. Hand-crossings are well marked. Great mood-setting piece for any patriotic gathering, recital, scout group, talent show, or church holding a patriotic service.
$5.99 ≈
£4.55
Diehnelt: Stile Antico for 5-voice cello ensemble
Diehnelt: Stile Antico for 5-voice cello ensemble
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Kim Diehnelt
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Diehnelt: Stile Antico for 5-v
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Kim Diehnelt
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SheetMusicPlus
String Ensemble,String Quintet Cello - Level 5 - SKU: A0.809059 Composed by Kim Diehnelt. Baroque,Concert,Contemporary. Score and parts. 10 pages. Kim D...
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String Ensemble,String Quintet Cello - Level 5 - SKU: A0.809059 Composed by Kim Diehnelt. Baroque,Concert,Contemporary. Score and parts. 10 pages. Kim Diehnelt #4350647. Published by Kim Diehnelt (A0.809059). Stile Antico: On a theme of Palestrina (2012) for 5-voice cello ensemble The title Stile Antico refers a style of musical composition from the 16th century which was often employed in church music, because it allowed the words (sacred text) of each singer to be clearly heard. This pre-classical polyphony was many-voiced and without instrumental accompaniment. Inspired by a theme from a mass by Giovanni Pierluigi da Palestrina (c. 1525 – 1594) ‘Praestet hoc nati genitor, I present a modern cello ensemble rendition of this ‘ancient style.’ Most conspicuous of the work’s attributes is the use of time. Rather than moving the musical ideas and themes towards a goal or through structural development and a sense of progress, the music (and time) unfolds perhaps as the natural swing of a pendulum; neither clinging to a past, nor anticipating a future. The listener beholds one moment continuously being reshaped through sound. Also, the concepts of melody and harmony as we assume them today are blurred. Of the five players, no one has the melody, no one has the harmony, yet together the ensemble combines to create a continuous flux of melodic-harmony (or harmonic-melody). This idea is of another type of ‘stile antico.’ Within the ideas of alchemy, which richly influenced the music of the 16th century and beyond, exists the concept that one plus one equals three. That is, two objects also create a ‘between-ness.’ So too with musical voices; the combination of two voices creates a new between-ness. Through out this work the individual cellists create a continuously shifting canvas of ‘between-ness.’ The music and the performers ask for a renewed perception of the many between-nesses of our present moment. www.kimdiehnelt.com(c) 2012 (ASCAP)
$18.95 ≈
£14.39
Face to Face, We Shall Behold Him!
Face to Face, We Shall Behold Him!
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Chorale SATB
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Musique Sacrée
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Lloyd Larson
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Face to Face, We Shall Behold
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir, Piano - SKU: LX.10-4902L Composed by Lloyd Larson. With Optional Full Orchestra. Sacred Anthem, All Saints' Day, General. Octavo. 12 pages. ...
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SATB choir, Piano - SKU: LX.10-4902L Composed by Lloyd Larson. With Optional Full Orchestra. Sacred Anthem, All Saints' Day, General. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/4902L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-4902L). ISBN 9780787756673.This dramatic anthem celebrates the personal encounter the believer has with Jesus as they enter into the eternal reward of heaven. From the wonder-filled beginning to the climactic conclusion, it promises an exhilarating moment of worship for choirs and congregations.
$2.50 ≈
£1.90
The Gates of the Wind Temple
The Gates of the Wind Temple
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Piano seul
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AVANCÉ
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Elizabeth Borowsky
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The Gates of the Wind Temple
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Piano Prodigies
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1212856 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 4 pages. Piano Prodigies #810069. Pub...
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Piano Solo - Level 5 - SKU: A0.1212856 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 4 pages. Piano Prodigies #810069. Published by Piano Prodigies (A0.1212856). The ancient and sacred stone temple stands proudly having weathered nearly 2000 years of history to date. We have arrived after a long journey, culminating in a final ascent of 1700 stairs! We take a moment to absorb what we behold: grandiose gates with an imposing volcano in the background. The wind whistles in harmonics as it whips through the gates and taunts us, reminding us that these gates are considered the boundary between people and Gods.
$7.00 ≈
£5.31
(Sittin' On) The Dock Of The Bay
(Sittin' On) The Dock Of The Bay
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Ensemble de saxophones
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INTERMÉDIAIRE
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Soul/R&B
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Otis Redding
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Jonathan Eno BEM
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(Sittin' On) The Dock Of The B
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Jonathan Eno
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.936692 By Otis Redding. By Otis Redding and St...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.936692 By Otis Redding. By Otis Redding and Steve Cropper. Arranged by Jonathan Eno BEM. Soul. 20 pages. Jonathan Eno #5888893. Published by Jonathan Eno (A0.936692). Feel the groove with this iconic Pop classic. This arrangement of (Sittin' on) The Dock Of The Bay benefits from an relaxed performance. Why not add some drums to really give the chart some additional momentum. As part of the Saxophonix series from www.hhmusic.co.uk this chart keeps you interested by passing the melody around the saxophones. Don't be afraid to open up the intro/outro and let your jazzers have a solo!If you enjoy this arrangement, why not check out some of the other titles from the Saxophonix Series including:Don't Stop Me Now - QueenHold My Hand - Jess GlynneSuper Mario Theme - Nintendo You can listen to the world famous Hot House Saxophonix perform on all streaming platforms including: https://open.spotify.com/artist/0yJpRZxHG1GA38gv43QM5d?si=Bz9kCSaGRam4AsA1mOk_wQhttps://music.apple.com/gb/album/get-lucky/1518278864?i=1518278866This is perfect for schools and students!Coming soon...Hot House Tutor Boox - inspirational NEW beginner tutor books for all jazz instruments!!!www.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.ukwww.facebook.com/derbysaxophonix
$14.99 ≈
£11.38
All The Things You Are
All The Things You Are
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Piano seul
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AVANCÉ
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Jazz
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Jack Leonard with Tommy Dorsey
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Timothy Stapay
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All The Things You Are
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1237260 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Br...
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Piano Solo - Level 5 - SKU: A0.1237260 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #832776. Published by Timothy Stapay (A0.1237260). This arrangement of All The Things You Are is written as performed by piano artist, Liberace. It has an extended introduction based up the theme from Rachmaninoff's 2nd Piano Concerto.All the Things You Are is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.The song was written for the musical Very Warm for May (1939)and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart. It appeared in the film Broadway Rhythm (1944) when it was sung by Ginny Simms, and again in the Kern biopic Till the Clouds Roll By (1946), sung by Tony Martin.Popular recordings of the song in 1939 were by Tommy Dorsey and His Orchestra (vocal by Jack Leonard), Artie Shaw and His Orchestra (vocal by Helen Forrest) and Frankie Masters and His Orchestra (vocal by Harlan Rogers). The song has been recorded by a plethora of artists. It is considered a jazz standard.Lyrics:Time and again I've longed for adventure Something to make my heart beat the faster What did I long for? I never really knew Finding your love I've found my adventure  Touching your hand, my heart beats the faster  All that I want in all of this world is you  [Chorus:]  You are the promised kiss of springtime  That makes the lonely winter seem long  You are the breathless hush of evening  That trembles on the brink of a lovely song You are the angel glow that lights a star The dearest things I know are what you are  Some day my happy arms will hold you  And some day I'll know that moment divine When all the things you are, are mineWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99 ≈
£6.83
Hold On
Hold On
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Chorale 2 parties
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FACILE
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Lucy Simon and Marsha Norman
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Stephen Reynolds
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Hold On
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Stephen Reynolds
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.1240175 Composed by Lucy Simon and Marsha Norman. Arranged by Stephen Reynolds. Broadway,Children,Musical/Show. Oc...
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Choral Choir (SA) - Level 2 - SKU: A0.1240175 Composed by Lucy Simon and Marsha Norman. Arranged by Stephen Reynolds. Broadway,Children,Musical/Show. Octavo. 7 pages. Stephen Reynolds #835555. Published by Stephen Reynolds (A0.1240175). With a piano accompaniment that mirrors the rhythmic energy of Lucy Simon's original, your treble choruses will enjoy this accessible arrangement of the showstopping ballad from the 1991 Broadway hit musical The Secret Garden! The melody alternates between the soprano and alto voices, so all of the singers have a moment in the spotlight!
$2.50 ≈
£1.90
PEACE, MY HEART, from "Across the Wide" for soprano and string ensemble with piano
PEACE, MY HEART, from "Across the Wide" for soprano and string ensemble with piano
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Orchestre de chambre
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INTERMÉDIAIRE
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Gabriel Ruiz-Bernal
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PEACE, MY HEART, from "Ac
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.893968 Composed by Gabriel Ruiz-Bernal. Contemporary,Musical/Show. Score and parts. 33 pages. Gabriel Ruiz-Bernal ...
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Chamber Orchestra - Level 3 - SKU: A0.893968 Composed by Gabriel Ruiz-Bernal. Contemporary,Musical/Show. Score and parts. 33 pages. Gabriel Ruiz-Bernal #6328079. Published by Gabriel Ruiz-Bernal (A0.893968). PEACE, MY HEART. For soprano and string ensemble with piano. Also available for soprano and piano.(from song cycle Across the Wide: Songs of Farewell)Text by Rabindranath TagoreLevel of difficulty for the voice: IntermediateLevel of difficulty for the pianist: Low intermediateLevel of difficulty for the string ensemble: Low intermediateApproximate length: 3 minutes, 46 secondsPeace, my heart, let the time for the parting be sweet.Let it not be a death but completeness.Let love melt into memory and pain into songs.Let the flight through the sky end in the folding of the wings over the nest.Let the last touch of your hands be gentle like the flower of the night.Stand still, O Beautiful End, for a moment, and say your last words in silence.I bow to you and hold up my lamp to light you on your way.
$40.00 ≈
£30.37
Hark! The Herald Angels Sing
Hark! The Herald Angels Sing
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Piano seul
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AVANCÉ
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Michael Swedberg
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Terrence Niska
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Hark! The Herald Angels Sing
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125814 By Michael Swedberg. By Felix Bartholdy Mendelssohn. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. ...
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Piano Solo - Level 5 - SKU: A0.1125814 By Michael Swedberg. By Felix Bartholdy Mendelssohn. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726554. Published by Niska Music Publishing (A0.1125814). Once again the influence of George Winston and Mannheim Steamroller can be heard as this prelude begins with a burst of joy and energy that does not subside, but only grows with each verse. The changing meters make this piece a challenge to play and requires a strong technique to handle some of the scale passages. This arrangement is a far cry from the original music of Mendelssohn, but the lyrics inspired me to create something full of vibrancy and passion to match the glorious news that the angels came to deliver! The first verse establishes the 5/4 meter heard throughout the prelude and is filled with the pealing of church bells in the right hand as they send forth the melody in octaves! Meanwhile, the left hand continues the broken chord pattern established in the opening. In the next verse, the left hand is now rising and falling, while the right is still playing the melody in octaves. Only now it is filling the spaces with eighth notes to match the left hand…essentially combining the two hands of the previous verse. For the final verse, the left hand takes on the orchestral role of brass and percussion with thunderous chords punctuating the rhythm of the melody in the right hand. There are moments of fireworks as the hands break free of the 5/4 meter for some wonderful, albeit brief, scales which increase the growing excitement. The piece concludes with a return of the rhythmic material from the opening as the hands work their way down the piano in arpeggiated fashion only to race back up the keyboard for a final flourish before a resounding Amen: Hail the heaven-born Prince of Peace! Glory to the new-born King!
$3.99 ≈
£3.03
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Hold The Moment
