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Hold the Line String Quartet
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Vous avez sélectionné:
Hold the Line String Quartet
Partitions à imprimer
29 partitions trouvées
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1
26
Hold The Line
Hold The Line
#
Quintette à cordes: 2 violons, alto, violoncelle, basse
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Toto
#
Ellen Harle
#
Hold The Line
#
Fireworks Music
#
SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1113118 By Toto. By David Paich. Arranged by Ellen Harle. Pop,Rock. Sc...
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1113118 By Toto. By David Paich. Arranged by Ellen Harle. Pop,Rock. Score and parts. 29 pages. Fireworks Music #715076. Published by Fireworks Music (A0.1113118). Toto's 1978 hit Hold The Line is arranged here for string quartet, string quintet with the addition of double bass, or string orchestra. The middle section features duelling violin 1 and violin 2 solos, which could be improvised but a suggested melody is written out for both. There is some position work in Violin 1. Parts are bowed. Purchase includes score and all parts with Violin 3 (viola in treble clef) also included.
$12.99 ≈
11.93€
Hold The Line
Hold The Line
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Toto
#
Ellen Harle
#
Hold The Line
#
Fireworks Music
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.767825 By Toto. By David Paich. Arranged by Ellen Harle. Pop,Rock. Score and parts. 29 pages. Fireworks Music #6037...
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String Orchestra - Level 4 - SKU: A0.767825 By Toto. By David Paich. Arranged by Ellen Harle. Pop,Rock. Score and parts. 29 pages. Fireworks Music #6037927. Published by Fireworks Music (A0.767825). Toto's 1978 hit Hold The Line is arranged here for string quartet, string quintet with the addition of double bass, or string orchestra. The middle section features dueling violin 1 and violin 2 solos, which could be improvised but a suggested melody is written out for both. There is some position work in Violin 1. Parts are bowed. Purchase includes score and all parts with Violin 3 (viola in treble clef) also included.
$12.99 ≈
11.93€
Hold The Line
Hold The Line
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Toto
#
Elize Sera
#
Hold The Line
#
Elize Sera
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1103156 By Toto. By David Paich. Arranged by Elize Sera. 20th Century,Chamber,Funk,...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1103156 By Toto. By David Paich. Arranged by Elize Sera. 20th Century,Chamber,Funk,Pop,Rock. 17 pages. Elize Sera #706462. Published by Elize Sera (A0.1103156). Hold the Line by David Paich for string quartet - 2 violins, viola and cello. For intermediate level and higher. This arrangement highlights the character of the piece and is easy to read and convey musically.
$13.99 ≈
12.85€
Holding Out For A Hero
Holding Out For A Hero
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Jazz
#
Contemporain
#
Bonnie Tyler
#
Alistair Vennart
#
Holding Out For A Hero
#
Ali Vennart
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1339517 By Bonnie Tyler. By Dean Pitchford and Jim Steinman. Arranged by Alistair Vennart. 20th Centur...
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String Quartet String Quartet - Level 5 - SKU: A0.1339517 By Bonnie Tyler. By Dean Pitchford and Jim Steinman. Arranged by Alistair Vennart. 20th Century,Pop,Rock. 24 pages. Ali Vennart #925209. Published by Ali Vennart (A0.1339517). There are LOADS of SQ arrangements of pop-rock Classic, but NONEof them are even nearly as INSANE as this one. Pumping vibes for 4.5 mins (check YT video). GO!  ALL MY QUARTET ARRANGEMENTS ARE BALANCED, INTERESTING AND CHALLENGING (ie not just Violin 1 solo, shoddy inner parts and a Bass line) - suitable for events/weddings etc. OR Concert Performance.Please check out my other arrangements while you're here..p.s there are some Jacob Collier RAD harmonies towards the end of this arrangement. If you are too scared to play these in public, please get in touch for the sanitised version!For commissions/contact, visit www.alistairvennart.com.
$29.99 ≈
27.54€
A Midsummer Night's Dream Wedding March for String Quartet, Op. 61 - Score Only
A Midsummer Night's Dream Wedding March for String Quartet, Op. 61 - Score Only
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
Yoon Jae Lee
#
A Midsummer Night's Dream Wedd
#
Ondine Press
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1048737 Composed by Felix Bartholdy Mendelssohn. Arranged by Yoon Jae Lee. Classical,Romantic Period,S...
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String Quartet String Quartet - Level 3 - SKU: A0.1048737 Composed by Felix Bartholdy Mendelssohn. Arranged by Yoon Jae Lee. Classical,Romantic Period,Standards,Traditional,Wedding. 10 pages. Ondine Press #652362. Published by Ondine Press (A0.1048737). This is a full score Yoon Jae Lee's arrangement of the wedding march for string quartet. The set of parts is available separately. Mendelssohn’s wedding march is a ubiquitous piece for any seasoned wedding musician. A quick search online reveals that there are more than a few dozen arrangements of this work for string quartet alone! So why create another one? Many of the arrangements currently in circulation are of extremely poor quality, both from a musical and publishing standpoint. Too often they give little regard to what Mendelssohn actually wrote and are rendered as if the arranger was recalling the music by ear. My new arrangement was created with a fresh examination of the original orchestral score. Here are some key highlights: 1. It preserves the structural integrity of the music (i.e. same exact number of bars as the original) 2. Maintains a balance between the original context and rewriting the music idiomatically for string quartet. 3. Aims to be of high artistically yet playable by most string players above an intermediate level (There are double stops and a few triple stops but nothing unmanageable). 4. No unnecessary articulations, bowings or fingerings have been added. The basic spirit of the music is left untouched and skilled musicians can make their own interpretive decisions with fresh insight into the music. 5. A clean, high quality engraving with bar numbers added. An abridged arrangement of the first 29 bars of march is also available so don’t use a cheap, free arrangement online of this important work. If you are a “serious†musician, be sure to have this arrangement of the wedding march always handy in your library! Perusal Score: https://issuu.com/ondinepress/docs/mendelssohn_wedding_march_full.
$8.00 ≈
7.35€
A Midsummer Night's Dream Wedding March for String Quartet, Op. 61 - Set of Parts
A Midsummer Night's Dream Wedding March for String Quartet, Op. 61 - Set of Parts
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
Yoon Jae Lee
#
A Midsummer Night's Dream Wedd
#
Ondine Press
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1077288 Composed by Felix Bartholdy Mendelssohn. Arranged by Yoon Jae Lee. Classica...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1077288 Composed by Felix Bartholdy Mendelssohn. Arranged by Yoon Jae Lee. Classical,Romantic Period,Standards,Traditional,Wedding. Score and parts. 15 pages. Ondine Press #681458. Published by Ondine Press (A0.1077288). This is a set of parts to Yoon Jae Lee's arrangement of the wedding march for string quartet. The full score is available separately. Mendelssohn’s wedding march is a ubiquitous piece for any seasoned wedding musician. A quick search online reveals that there are more than a few dozen arrangements of this work for string quartet alone! So why create another one? Many of the arrangements currently in circulation are of extremely poor quality, both from a musical and publishing standpoint. Too often they give little regard to what Mendelssohn actually wrote and are rendered as if the arranger was recalling the music by ear. My new arrangement was created with a fresh examination of the original orchestral score. Here are some key highlights: 1. It preserves the structural integrity of the music (i.e. same exact number of bars as the original) 2. Maintains a balance between the original context and rewriting the music idiomatically for string quartet. 3. Aims to be of high artistically yet playable by most string players above an intermediate level (There are double stops and a few triple stops but nothing unmanageable). 4. No unnecessary articulations, bowings or fingerings have been added. The basic spirit of the music is left untouched and skilled musicians can make their own interpretive decisions with fresh insight into the music. 5. A clean, high quality engraving with bar numbers added. An abridged arrangement of the first 29 bars of march is also available so don’t use a cheap, free arrangement online of this important work. If you are a “serious†musician, be sure to have this arrangement of the wedding march always handy in your library! Perusal Score: https://issuu.com/ondinepress/docs/mendelssohn_wedding_march_full.
$10.00 ≈
9.18€
Gavotte en Rondeau (from "3 Partitas and 3 Sonatas for Solo Violin") (BWV 1006) - String Quartet
Gavotte en Rondeau (from "3 Partitas and 3 Sonatas for Solo Violin") (BWV 1006) - String Quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
Johann Sebastian Bach
#
Pietro Prugna
#
Gavotte en Rondeau
#
Pietro Prugna
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.497964 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classi...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.497964 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Contest,Festival,Wedding. Score and parts. 17 pages. Published by Pietro Prugna (A0.497964). JS Bach wrote this piece for solo violin. As with all his solo violin works, they can be interpreted in many amazing ways. A musical line may hold melody, counterpoints, harmony, bass... and every musician may hear them in different ways. In this arrangement, the parts have been split and re-arranged for String Quartet. This is my interpretation of this piece. I hope you enjoy playing it as much as I did arranging it. Feel free to make your own interpretations too. The pdf contains Full Score for String Quartet and Set of Parts (Violin I, Violin II, Viola and Cello).
$1.99 ≈
1.83€
We Have All The Time In The World
We Have All The Time In The World
#
John Barry
#
Derek Hasted
#
We Have All The Time In The Wo
#
Derek Hasted
#
SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.797780 Composed by John Barry. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 15 pages. Der...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.797780 Composed by John Barry. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 15 pages. Derek Hasted #5776545. Published by Derek Hasted (A0.797780). WE HAVE ALL THE TIME IN THE WORLD - 3 GUITARS (see also quartet version)For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is one of two arrangements I made of this piece during the 2020 Coronavirus Lockdown when we all had rather a lot of time on our hands. The other version is a more complex arrangement for 4 guitars - find it on my website belowBoth are set in the key that Louis Armstrong sang it in as part of the James Bond Film On Her Majesty’s Secret Service.The other arrangement (for 4 guitars) is less straightforward - it has a more complex rhythm and an additional guitar part based on the string motifs and acoustic guitar parts in the original soundtrack. But this version holds its head up high - it is still faithful to the original and will appeal to a less-experienced adult or school ensemble.There are two Guitar One parts in this edition - one that sits above the other instruments in pitch, and in a quartet will carry well. The other is at the pitch Louis Armstrong sang. Because of the depth and timbre of the line, the low version will struggle to cut through the accompaniment unless the other parts are played in a subdued voice. In a large ensemble, one can put a few more players on this line, or indeed play both versions - they are completely compatible. Both lines feature the Flugelhorn solo in the original.I hope you enjoy playing this piece!
$4.99 ≈
4.58€
Hark! The Herald Angels Sing! for Cello Quartet
Hark! The Herald Angels Sing! for Cello Quartet
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4 Violoncelles
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FACILE
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Classique
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Felix Bartholdy Mendelssohn, S
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Michele Galvagno
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Hark! The Herald Angels Sing!
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galv...
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Choral Choir (SATB) - Level 2 - SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098157. Published by Artistic Score Engraving di Galvagno Michele (A0.841364). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.
$4.95 ≈
4.55€
March Of The Wooden Soldiers
March Of The Wooden Soldiers
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Guitare
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DÉBUTANT
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Classique
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(Various artists)
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Derek Hasted
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March Of The Wooden Soldiers
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Derek Hasted
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1149151 By (Various artists). By Peter Ilyich Tchaikovsky. Arranged by Derek Hasted. 19th Century,Classical. 25 pages. Derek ...
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Guitar - Level 1 - SKU: A0.1149151 By (Various artists). By Peter Ilyich Tchaikovsky. Arranged by Derek Hasted. 19th Century,Classical. 25 pages. Derek Hasted #749280. Published by Derek Hasted (A0.1149151). MARCH OF THE WOODEN SOLDIERS - EASY GUITAR QUARTETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar. Derek Hasted writes This charming little piece makes a great concert item for a quartet or large ensemble with modest experience - it’s perfect for a school ensemble’s first concert! It’s playable entirely in the first position, and with the exception of an occasional 3rd string G#, works well in the second position. A more experienced quartet might like to take the higher notes further up the neck for a more rounded sound. There are two arrangements here...One is in traditional SATB style - the four lines playing at four different pitches.The second rotates the parts at every phrase boundary so that everyone plays the tune at some point - the line currently holding the tune has a slightly louder dynamic marking. I hope you enjoy these arrangements!
$1.99 ≈
1.83€
You Guys Are Great - Creative Strings
You Guys Are Great - Creative Strings
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Bradley Sowash
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You Guys Are Great - Creative
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Bradley Sowash
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.750118 Composed by Bradley Sowash. Rock,Standards. Score and parts. 71 pages. Bradley Sowash #23173. Published by B...
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String Orchestra - Level 4 - SKU: A0.750118 Composed by Bradley Sowash. Rock,Standards. Score and parts. 71 pages. Bradley Sowash #23173. Published by Bradley Sowash (A0.750118). Open strings and power chords give this one a raw, rock feel in the style of Smoke on the Water. Remember that us string players were playing gritty sounds sul ponticello long before distorted electric guitars were even invented! Watch/Listen:http://youtu.be/ksMCZkk9UHcAbout Creative Strings Eye players read music. Ear players improvise. Today’s well-rounded students need instruction in both. Creative Strings is a collection of works designed to lead beginning to advanced students through their first experiences as improvisers. Each piece is composed of four parts that can roughly be described as melody, harmony, accompaniment and bass line. All four parts are available for the violin, viola and cello. The bass has one part. An optional piano part is also provided. The the ideal distribution is Vln. 1, Vln. 2, Vla. 3, and Cello 4. However the intentionally redundant parts allow for flexible combinations of instruments. If for example, no violas or cellos are available, a violin choir could still cover the parts. The same would hold true for a non-traditional quartet such as 3 violins and 1 cello or any other grouping. Overlapping parts can also be used to equalize an unbalanced orchestra such as 20 violins and 1 viola player by having some of the violins double the viola part.
$19.99 ≈
18.36€
Through the Centuries - Creative Strings
Through the Centuries - Creative Strings
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Orchestre à Cordes
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Bradley Sowash
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Through the Centuries - Creati
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Bradley Sowash
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SheetMusicPlus
String Orchestra - SKU: A0.750116 Composed by Bradley Sowash. Renaissance,Rock,Standards. Score and parts. 51 pages. Bradley Sowash #23165. Published by...
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String Orchestra - SKU: A0.750116 Composed by Bradley Sowash. Renaissance,Rock,Standards. Score and parts. 51 pages. Bradley Sowash #23165. Published by Bradley Sowash (A0.750116). If rock music had been invented in the Renaissance, it would have sounded like this modal marvel. Cool lyrics layout the history of string instruments. Watch/Listen:https://youtu.be/jlAZuVvFt2MAbout Creative Strings Eye players read music. Ear players improvise. Today’s well-rounded students need instruction in both. Creative Strings is a collection of works designed to lead beginning to advanced students through their first experiences as improvisers. Each piece is composed of four parts that can roughly be described as melody, harmony, accompaniment and bass line. All four parts are available for the violin, viola and cello. The bass has one part. An optional piano part is also provided. The the ideal distribution is Vln. 1, Vln. 2, Vla. 3, and Cello 4. However the intentionally redundant parts allow for flexible combinations of instruments. If for example, no violas or cellos are available, a violin choir could still cover the parts. The same would hold true for a non-traditional quartet such as 3 violins and 1 cello or any other grouping. Overlapping parts can also be used to equalize an unbalanced orchestra such as 20 violins and 1 viola player by having some of the violins double the viola part.
$19.99 ≈
18.36€
Wade in the Water - Creative Strings
Wade in the Water - Creative Strings
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Orchestre à Cordes
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Bradley Sowash Music
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Bradley Sowash
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Wade in the Water - Creative S
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Bradley Sowash
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SheetMusicPlus
String Orchestra - SKU: A0.750117 Composed by Bradley Sowash Music. Arranged by Bradley Sowash. African,Jazz,Standards. Score and parts. 34 pages. Bradl...
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String Orchestra - SKU: A0.750117 Composed by Bradley Sowash Music. Arranged by Bradley Sowash. African,Jazz,Standards. Score and parts. 34 pages. Bradley Sowash #23167. Published by Bradley Sowash (A0.750117). Wade in the Water Explore call and response and basic improvisation through this arrangement of an immortal American spiritual. About Creative Strings - Eye players read music. Ear players improvise. Today’s well-rounded students need instruction in both. Creative Strings is a collection of works designed to lead beginning to advanced students through their first experiences as improvisers. Each piece is composed of four parts that can roughly be described as melody, harmony, accompaniment and bass line. All four parts are available for the violin, viola and cello. The bass has one part. An optional piano part is also provided. The the ideal distribution is Vln. 1, Vln. 2, Vla. 3, and Cello 4. However the intentionally redundant parts allow for flexible combinations of instruments. If for example, no violas or cellos are available, a violin choir could still cover the parts. The same would hold true for a non-traditional quartet such as 3 violins and 1 cello or any other grouping. Overlapping parts can also be used to equalize an unbalanced orchestra such as 20 violins and 1 viola player by having some of the violins double the viola part.
$12.99 ≈
11.93€
Ears Wide Open - Creative Strings
Ears Wide Open - Creative Strings
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Orchestre à Cordes
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FACILE
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Bradley Sowash
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Ears Wide Open - Creative Stri
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Bradley Sowash
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.750106 Composed by Bradley Sowash. Blues,Jazz,Standards. Score and parts. 53 pages. Bradley Sowash #23137. Publishe...
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String Orchestra - Level 2 - SKU: A0.750106 Composed by Bradley Sowash. Blues,Jazz,Standards. Score and parts. 53 pages. Bradley Sowash #23137. Published by Bradley Sowash (A0.750106). Introduce your students to the great American tradition of the 12 bar blues with this easy three-chord shuffle. Rehearsal: https://youtu.be/zG8nzpeK60APerformance: https://youtu.be/fPsHnJSqDGMAbout Creative Strings Today’s well-rounded students need instruction in both. Creative Strings is a collection of works designed to lead beginning to advanced students through their first experiences as improvisers. Each piece is composed of four parts that can roughly be described as melody, harmony, accompaniment and bass line. All four parts are available for the violin, viola and cello. The bass has one part. An optional piano part is also provided. The the ideal distribution is Vln. 1, Vln. 2, Vla. 3, and Cello 4. However the intentionally redundant parts allow for flexible combinations of instruments. If for example, no violas or cellos are available, a violin choir could still cover the parts. The same would hold true for a non-traditional quartet such as 3 violins and 1 cello or any other grouping. Overlapping parts can also be used to equalize an unbalanced orchestra such as 20 violins and 1 viola player by having some of the violins double the viola part.
$19.99 ≈
18.36€
Thingamajig - Creative Strings
Thingamajig - Creative Strings
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Orchestre à Cordes
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INTERMÉDIAIRE
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Bradley Sowash
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Thingamajig - Creative Strings
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Bradley Sowash
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.750115 Composed by Bradley Sowash. Jazz,Latin,Pop,Standards. Score and parts. 46 pages. Bradley Sowash #23163. Publ...
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String Orchestra - Level 3 - SKU: A0.750115 Composed by Bradley Sowash. Jazz,Latin,Pop,Standards. Score and parts. 46 pages. Bradley Sowash #23163. Published by Bradley Sowash (A0.750115). Calypso meets classic waltz in this entertaining style blender. Watch/Listenhttps://youtu.be/xAEJz_LhgH4About Creative StringsEye players read music. Ear players improvise. Today’s well-rounded students need instruction in both. Creative Strings is a collection of works designed to lead beginning to advanced students through their first experiences as improvisers. Each piece is composed of four parts that can roughly be described as melody, harmony, accompaniment and bass line. All four parts are available for the violin, viola and cello. The bass has one part. An optional piano part is also provided. The the ideal distribution is Vln. 1, Vln. 2, Vla. 3, and Cello 4. However the intentionally redundant parts allow for flexible combinations of instruments. If for example, no violas or cellos are available, a violin choir could still cover the parts. The same would hold true for a non-traditional quartet such as 3 violins and 1 cello or any other grouping. Overlapping parts can also be used to equalize an unbalanced orchestra such as 20 violins and 1 viola player by having some of the violins double the viola part.Learn more about Bradley Sowashhttp://bradleysowash.com
$19.99 ≈
18.36€
A Midsummer Night's Dream Wedding March (abridged) for String Quartet, Op. 61 - Score Only
A Midsummer Night's Dream Wedding March (abridged) for String Quartet, Op. 61 - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Yoon Jae Lee
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A Midsummer Night's Dream Wedd
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Ondine Press
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.866112 Composed by Felix Bartholdy Mendelssohn. Arranged by Yoon Jae Lee. Instructional,Romantic Perio...
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String Quartet String Quartet - Level 3 - SKU: A0.866112 Composed by Felix Bartholdy Mendelssohn. Arranged by Yoon Jae Lee. Instructional,Romantic Period,Traditional,Wedding. 6 pages. Ondine Press #3130539. Published by Ondine Press (A0.866112). This is a full score to Yoon Jae Lee's abridged arrangement of the wedding march for string quartet. The set of parts is available separately. This is a 2 minute, abridged version of Mendelssohn's celebrated wedding march intended for use as a recessional during matrimonial ceremonies. Professionally engraved and stylistically accurate to Mendelssohn's original score, this high-quality arrangement will make a great addition to the library of gigging musicians for years to come. A complete, unabridged arrangement of the entire march is also available so don’t use a cheap, free arrangement online of this important work. If you are a “serious†musician, be sure to have this arrangement of the wedding march always handy in your library! Perusal Score: https://issuu.com/ondinepress/docs/mendelssohn_wedding_march.
$5.00 ≈
4.59€
String Symphony #6 set for Clarinet Quartet
String Symphony #6 set for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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John Gibson
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String Symphony #6 set for Cla
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.581798 Composed by Felix Bartholdy Mendelssohn. Arranged by John Gi...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.581798 Composed by Felix Bartholdy Mendelssohn. Arranged by John Gibson. Romantic Period. 52 pages. JB Linear #1769041. Published by JB Linear (A0.581798). Felix Mendelssohn wrote 12 String Symphonies when he was a 12 year old prodigy in music. You can detect what he was studying as a child, but you can also find the musical stylistic qualities that came from Mendelssohn as a mature composer. This 6th String Symphony is in three movements, taking about 9 minutes to play. The 2nd Trio of the middle movement makes use of a Lutheran hymn tune, something Mendelssohn did in his larger symphonic works. The score and separate parts are provided (2 Bb clarinets, alto clarinet with an alternate Bb part provided, bass clarinet).
$14.25 ≈
13.09€
Mendelssohn String Symphony #3 set for Clarinet Quartet
Mendelssohn String Symphony #3 set for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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John Gibson
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Mendelssohn String Symphony #3
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - SKU: A0.582145 Composed by Felix Bartholdy Mendelssohn. Arranged by John Gibson. Classical,Conce...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - SKU: A0.582145 Composed by Felix Bartholdy Mendelssohn. Arranged by John Gibson. Classical,Concert. 41 pages. JB Linear #5884999. Published by JB Linear (A0.582145). Felix Mendelssohn was a young teenager when he wrote his string symphonies. Granted, they do not have the maturity and flare of his later works, they prove him to be extremely gifted even at his young age. This setting for clarinet quartet by John Gibson is his String Symphony #3 in e minor. It includes three movements and runs 10 minutes with repeats. The quartet is set for 3 Bb clarinets and 1 bass clarinet. If taken at a brisk tempo it is a challenge for any group!
$18.25 ≈
16.76€
Hark! The Herald Angels Sing! for String Quartet
Hark! The Herald Angels Sing! for String Quartet
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Chorale SATB
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DÉBUTANT
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Classique
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Felix Bartholdy Mendelssohn, S
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Michele Galvagno
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Hark! The Herald Angels Sing!
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.841363 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galv...
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Choral Choir (SATB) - Level 1 - SKU: A0.841363 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098159. Published by Artistic Score Engraving di Galvagno Michele (A0.841363). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.
$4.95 ≈
4.55€
Hold The Line
Hold The Line
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Toto
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Ellen Harle
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Hold The Line
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Fireworks Music
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SheetMusicPlus
By Toto. By David Paich (1954-). Arranged by Ellen Harle. Pop, Rock. Score and parts. 29 pages. Fireworks Music #715078. Published by Fireworks Music ...
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By Toto. By David Paich (1954-). Arranged by Ellen Harle. Pop, Rock. Score and parts. 29 pages. Fireworks Music #715078. Published by Fireworks Music
$12.99 ≈
11.93€
Let Your Music Out - Creative Strings
Let Your Music Out - Creative Strings
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Bradley Sowash
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Let Your Music Out - Creative
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Bradley Sowash
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.750110 Composed by Bradley Sowash. Rock,Standards. Score and part...
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Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.750110 Composed by Bradley Sowash. Rock,Standards. Score and parts. 95 pages. Bradley Sowash #23145. Published by Bradley Sowash (A0.750110). The sound of the 60’s rock a la I’m a Believer on strings – too cool! Watch/Listen:http://youtu.be/4ymcMUO2kUI About Creative Strings Eye players read music. Ear players improvise. Today’s well-rounded students need instruction in both. Creative Strings is a collection of works designed to lead beginning to advanced students through their first experiences as improvisers. Each piece is composed of four parts that can roughly be described as melody, harmony, accompaniment and bass line. All four parts are available for the violin, viola and cello. The bass has one part. An optional piano part is also provided. The the ideal distribution is Vln. 1, Vln. 2, Vla. 3, and Cello 4. However the intentionally redundant parts allow for flexible combinations of instruments. If for example, no violas or cellos are available, a violin choir could still cover the parts. The same would hold true for a non-traditional quartet such as 3 violins and 1 cello or any other grouping. Overlapping parts can also be used to equalize an unbalanced orchestra such as 20 violins and 1 viola player by having some of the violins double the viola part.
$19.99 ≈
18.36€
Hold the Line - String Quartet
Hold the Line - String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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David Paich
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Javier Martinez Maya
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Hold the Line - String Quartet
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Arte Nova Music Lab
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SheetMusicPlus
Composed by David Paich (1954-). Arranged by Javier Martinez Maya. Repertoire, Recital. Score, Set of Parts. 21 pages. Published by Arte Nova Music Lab (S0.4361...
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Composed by David Paich (1954-). Arranged by Javier Martinez Maya. Repertoire, Recital. Score, Set of Parts. 21 pages. Published by Arte Nova Music Lab (S0.436137). - Score,Set of Parts - Repertoire,Recital - Arte Nova Music Lab
$15.00 ≈
13.77€
Mendelssohn String Symphony #3 set for Woodwind Quartet
Mendelssohn String Symphony #3 set for Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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John Gibson
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Mendelssohn String Symphony #3
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.582134 Composed by Felix Bartholdy Mendelssohn. Arranged by John Gibs...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.582134 Composed by Felix Bartholdy Mendelssohn. Arranged by John Gibson. Classical,Concert. 41 pages. JB Linear #5789555. Published by JB Linear (A0.582134). Felix Mendelssohn was a young teenager when he wrote his string symphonies. Granted, they do not have the maturity and flare of his later works, they prove him to be extremely gifted even at his young age. This setting for woodwind quartet by John Gibson is his String Symphony #3 in e minor. It includes three movements and runs 10 minutes with repeats. The quartet is set for flute, oboe, Bb clarinet, and bassoon. If taken at a brisk tempo it is a challenge for any group!
$18.25 ≈
16.76€
Almost May Score and Parts
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
#
Heidi Savoie
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Heidi Savoie
#
Almost May Score and Parts
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Heidi Savoie
#
SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
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Hold the Line String Quartet
