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Vous avez sélectionné:
Homages, for solo piano
Partitions à imprimer
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Homages, for solo piano
Homages, for solo piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Edoardo Pepe
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Homages, for solo piano
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RoughPiano
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.962812 Composed by Edoardo Pepe. 20th Century,Instructional,Jazz. Score. 16 pages. RoughPiano #4823045. Published by Roug...
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Piano Solo - Level 4 - SKU: A0.962812 Composed by Edoardo Pepe. 20th Century,Instructional,Jazz. Score. 16 pages. RoughPiano #4823045. Published by RoughPiano (A0.962812). Eleven short pieces for piano in various styles.
$12.00 ≈
£9.15
Three Homages [piano solo]
Three Homages [piano solo]
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Piano seul
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Three Homages [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.596596 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 12 pages. Juan Maria Solare #5888527...
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Piano Solo - Level 3 - SKU: A0.596596 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 12 pages. Juan Maria Solare #5888527. Published by Juan Maria Solare (A0.596596). Three Homages for piano solo1 - Seduce us badly (to Claude Debussy)2 - Ave Verdi (to Giuseppe Verdi) 3 - Schubertango (to Franz Schubert)Three Homagesfor piano solo1) Seduce us badly is an anagram of Claude Debussy. Stephen Porter's project Re-Imagining Debussy required the work to interact in some way with the music or compositional spirit of Debussy. I answered by using some of his technical devices: chords parallelisms, whole-tone scales, brief melodic shapes, central notes and a broad multi-layered texture. 2) Ave VerdiA miniature composed on the death-day of Verdi (27th January 2013). The piece is based on the 7-tone scala enigmatica used by Giuseppe Verdi in his Ave Maria (1889, first from Quattro Pezzi Sacri) and its complement (the missing 5 notes), treated as twelve-tone field. The piece is dedicated to that other Giuseppe: Lupis. The scala enigmatica: [Do - Reb - Mi - Fa# - Sol# - La# - Si] Complement: [Re - Mib - Fa - Sol - La]Original Tone Row: 0 1 4 6 8 10 11 2 3 5 7 9 3) SchubertangoTango music has more to do with Franz Schubert than with any other classical composer. Harmonies and types of melody are extremely similar. Such similarities cease, at the latest, when we come to rhythm. This miniature shows how Schubert's melodies can be flawlessly integrated into the musical language of tango. If one doesn't know the original pieces, you will not even recognize at all that there is a quotation. In the score, the composer kindly tags the sources of the quotations; nevertheless, there is also a hidden quotation (or rather an allusion) that doesn't stem from Schubert: it is the chord progression (not the melody) of a very well known tango of the modern era. Do you find it? The Schubertango was composed in Bremen (Germany) on 28 November 2014 and has a duration of 1 minute. The piece is dedicated to pianist Stephen Porter, in the frame of his project Re-Imagining Schubert, hosted by Vox Novus (New York City) and their cycle Fifteen Minutes of Fame. Juan Maria Solare, born 1966 in Argentina, works currently in Germany as composer, pianist (contemporary & tango) and teaching at the University of Bremen and at the Hochschule fuer Kuenste Bremen. His music has been performed in five continents. Find his music on Spotify, Apple Music, Napster, etc. https://sptfy.com/jmsolare 
$3.00 ≈
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Cinq Hommages
Cinq Hommages
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Piano seul
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AVANCÉ
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Contemporain
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David Garner
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Cinq Hommages
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David Garner Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.947350 Composed by David Garner. 20th Century,Concert,Contemporary. Score. 26 pages. David Garner Music #1932541. Publish...
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Piano Solo - Level 5 - SKU: A0.947350 Composed by David Garner. 20th Century,Concert,Contemporary. Score. 26 pages. David Garner Music #1932541. Published by David Garner Music (A0.947350). Five homages for solo piano: Debussy, Gershwin, Satie, Albeniz and Ravel . SMP Press 2014 Labor of Love Contest Winner. .
$15.00 ≈
£11.44
Hommages and Prelude No. 1
Hommages and Prelude No. 1
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Piano seul
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AVANCÉ
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Classique
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #96...
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Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99 ≈
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Tagebuch
Tagebuch
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Piano seul
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Georg Kroell
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Tagebuch
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate to advanced - SKU: S9.Q3107 145 Stücke. Erweiterte Neuausgabe 2015. Composed by Georg Kroell. This edition: Sheet music. ...
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Piano - intermediate to advanced - SKU: S9.Q3107 145 Stücke. Erweiterte Neuausgabe 2015. Composed by Georg Kroell. This edition: Sheet music. Ausgezeichnet mit dem Deutschen Musikeditionspreis 1999. Downloadable. Schott Music - Digital #Q3107. Published by Schott Music - Digital (S9.Q3107). Georg Kröll (born 1934), studied composition with Frank Martin and Bernd Alois Zimmermann, piano with Else Schmitz-Gohr - herself a student of Max Reger -, he also attended courses and lectures by Pousseur, Boulez and Maderna. His ‘Tagebuch’ consists of a series of short piano pieces, their key notes are based on a twelve-note series from Schönberg’s Suite for Piano Op. 25 and are reached via a series of permutations. ‘Just as one can, with a little imagination, see pictures in cloud formations, or discern human or animal shapes in rocks weathered by the wind and the rain, so the sounds inherent in any given material trigger associations. These then crystallise into an inspiration, a structure, a form, or a chord reminiscent of Beet-hoven, a motif by Stravinsky, a clausula by Dufay, a theme by Frescobaldi - the gradual shaping of an idea. The great store of existing material inspires the imagination and a certain joy of discovery, while the external limitations of pre-existing material provide the freedom for internal creative exploration. This is how parodies, homages, paraphrases and quotes are created, shaped from blocks of sound, fragments and aphorisms.’ (Georg Kröll).
$42.99 ≈
£32.78
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Homages, for solo piano
