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Homeward, March!
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Vous avez sélectionné:
Homeward, March!
Partitions à imprimer
9 partitions trouvées
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1
Homeward, March!
Homeward, March!
#
Chorale 2 parties
#
DÉBUTANT
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Carol Troutman Wiggins
#
tune to Louis Lambert, 1863
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Homeward, March!
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.727198 Composed by Carol Troutman Wiggins. Children,Holiday,Instructional,March,Patriotic. Octavo. 11 pages. Carol...
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Choral Choir (SA) - Level 1 - SKU: A0.727198 Composed by Carol Troutman Wiggins. Children,Holiday,Instructional,March,Patriotic. Octavo. 11 pages. Carol Troutman Wiggins #3060667. Published by Carol Troutman Wiggins (A0.727198). Homeward, March!Unison/2-Part Mixed Chorus (w/Optional Flute, Recorder, or Kazoo)A song of recognition to the soldiers who fight for our freedom and who are fortunate enough to return home from the battle.This original composition also includes the first verse from When Johnny Comes Marching Home, which is a well-known song American Civil War song that told of people's desire for the return of their friends and family members who were fighting in the war. Lyrics accredited to Patrick Gilmore & tune to Louis Lambert, 1863.Excellent for upper elementary/middle school singersGreat opportunity to work on lower vocal register of younger studentsMostly unison with easy harmonyStaccatos & accentsFull, rich chordal accompanimentAdd flute, recorder, or kazoos to represent the fifesAdd a military-style drum cadence throughout the piece for authenticityAction cues included in scoreA few spoken word measuresChord included for additional instruments, if desiredPiano Accompaniment Rehearsal Track available on this site.
$2.50 ≈
2.31€
Homeward, March! Piano Accompaniment Rehearsal Track
Homeward, March! Piano Accompaniment Rehearsal Track
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Accompagnement Piano
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Patriotique
#
Carol Troutman Wiggins
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tune to Louis Lambert, 1863
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Homeward, March! Piano Accompa
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Flute,Piano,Recorder - SKU: A0.1065409 Composed by Carol Troutman Wiggins. Children,Contemporary,Holiday,Instructional,Patriotic. Accompaniment. D...
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Choir,Flute,Piano,Recorder - SKU: A0.1065409 Composed by Carol Troutman Wiggins. Children,Contemporary,Holiday,Instructional,Patriotic. Accompaniment. Duration 101. Carol Troutman Wiggins #3060677. Published by Carol Troutman Wiggins (A0.1065409). Homeward, March! Piano Accompaniment Rehearsal TrackUnison/2-Part Mixed Chorus (w/Optional Flute, Recorder, or Kazoo)A song of recognition to the soldiers who fight for our freedom and who are fortunate enough to return home from the battle.This original composition also includes the first verse from When Johnny Comes Marching Home, which is a well-known song American Civil War song that told of people's desire for the return of their friends and family members who were fighting in the war. Lyrics accredited to Patrick Gilmore & tune to Louis Lambert, 1863.Excellent for upper elementary/middle school singersGreat opportunity to work on lower vocal register of younger studentsMostly unison with easy harmonyStaccatos & accentsFull, rich chordal accompanimentAdd flute, recorder, or kazoos to represent the fifesAdd a military-style drum cadence throughout the piece for authenticityAction cues included in scoreA few spoken word measuresChord included for additional instruments, if desiredUnison/SA choral arrangement available on this site.
$5.99 ≈
5.53€
Homeward Bound
Homeward Bound
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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John Philip Sousa
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Matthew Nunes
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Homeward Bound
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1225418 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classic...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1225418 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 15 pages. Matthew Nunes Music #821484. Published by Matthew Nunes Music (A0.1225418). Lost until 1965, this march was most likely written during the return journey of one of the many Marine Band tours. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Homeward Bound was composed in 1891 or 1892, and the referenced edition was made Public Domain in 2016. The piece is catalogued as Volume 3, No. 42.
$1.99 ≈
1.84€
Homeward Bound. March
Homeward Bound. March
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Piano seul
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Louis Wallis
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Homeward Bound. March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.11875 Composed by Louis Wallis. Clipper ships. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Librar...
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Piano - SKU: LV.11875 Composed by Louis Wallis. Clipper ships. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11875). Homeward Bound. March. Composed by Louis Wallis. Published 1887 by Balmer & Weber, 56 Fourth St. in [St. Louis]. Composition of sectional with piano instrumentation. Subject headings for this piece include Clipper ships. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.53€
Homeward Bound
Homeward Bound
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Fanfare
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Comédie Musicale
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Jack Trombey
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The Fluffy Hat Music Co
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Homeward Bound
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The Fluffy Hat Music Co.
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SheetMusicPlus
Composed by Jack Trombey. Arranged by The Fluffy Hat Music Co. Broadway, Film/TV, Musical/Show. Score and parts. 25 pages. Published by The Fluffy Hat...
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Composed by Jack Trombey. Arranged by The Fluffy Hat Music Co. Broadway, Film/TV, Musical/Show. Score and parts. 25 pages. Published by The Fluffy Hat Music Co.
$49.99 ≈
46.14€
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Banjo
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Intermediate
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Cape Breton & Prince Edwar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Banjo - Beginning; Intermediate; Advanced - SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Mus...
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Banjo - Beginning; Intermediate; Advanced - SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton & its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland & Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples & exercisesInstruction on basic and advanced techniquesFingering diagrams & detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails & Frolics, Island Boy, and Northern Banjo.
Song List
:
Andy Renwick's Ferret
Angus Campbell
Archie Menzies
The Banks Hornpipe
Bear River Jig
Bee's Wing Hornpipe, The
Belfast hornpipe, The
Belfast Jig
Big John McNeil
Bonaparte Crossing The Alps
Bonniest Lass in a' the World, The
Bonny Lass of Fisherrow, The
Bonny Lea Rig, The
Brae Reel, The
Braes of Auchtertyre, The
Brenda Stubbert's Reel
Caber Feidh
Cape Breton Wedding Reel, The
Captain Campbell
Carleton County Breakdown
Carnie's Canter
Chaisson Reel, The
Cheticamp Reel, The
Chorus Jig
Come Under My Plaidie
Compliments To Buddy Macmaster
Cutting Ferns
Darlin' Don't You Meddle Me
Delphine's Reel
Democratic Rage, The
Devil In The Kitchen
Dillon Brown
Dinkie's Reel
Don't Be Teasing
Dr Keith, Aberdeen
Dragger's Reel, The
Drunken piper, The
Dublin Porter
Duke of Gordon's Birthday, The
Durang's Hornpipe
East Neuk of Bear River, The
Emil Gaudet's Reel
Farmer's Daughter, The
Farmer's Reel, The
Fay's Hornpipe
Fermoy Lasses
Fig For A Kiss
Fisher's Hornpipe (F Setting)
Fred Wilson's Hornpipe
Glencoe March
Green Meadow Reel
Haggis, The
Hector's Fancy
Hector's New Dance Hall
High Level Hornpipe, The
Homeward Bound
Honeymoon, The
Inverness Jig
Irishman's Heart To The Ladies
Iron Man, The
Island Boy
Jack Webster's Reel
Jackson's Jig
Jenny Dang The Weaver
JEROME'S FAREWELL TO GIBRALTAR
Jerry Holland's Jig
Joe Kearney's Reel
Joe MacInnis' March
Kenmure's On & Awa', Willie
Killiecrankie
Koehler's Hornpipe
Lad O'beirne's Reel
Lasses of Glenaladale, The
Levantine's Barrel
Light & Airy
Little Donald In The Pigpen
Little Jack's Reel
Londonderry Hornpipe
Lord Gordon
Lord MacDonald's Reel
Macdonald's March Reel
Mackinnon's Rant
Marchioness of Tullibardine, The
Marie ? Pierre
Marquis of Huntly, The
Meeting of Waters, The
Miller o' Drone, The
Miller's Reel
Miramichi Fire, The
Miss Barker's Hornpipe
Miss Georgina Campbell
Miss Gordon
Miss Lyall Strathspey
Miss Maxwell
Mr. Murray
Munlochy Bridge
Munster Lass, The
North Side of the Grampians, The
Northside Tune
Orange & Blue, The
Ottawa Valley Reel
Paddy On The Turnpike
Pigeon On The Gatepost
Plains of Boyle, The
Poppy Leaf, ThePride of the Ball
Prince Edward Island Wedding Reel
Princess Reel
River Bend Jig
Robert Cormack, Aberdeen
Robert Stubbert
Rock Valley Jig
Rose in the Garden, The
Rose of Tennessee, The
Rothiemurchus Rant, The
Royal Circus Jig
Shandon Bells
Shores of Lough Gowna, The
Silver & Gold
Sleepy Maggie
Souris Breakwater
Southern Melody
St Anne's Reel -Original Version
St Anne's Reel -Prince County Version
St Kilda Wedding
Stack Of Barley
Stella's Trip To Kamloops
Stool of Repentance, The
Teviot Bridge
Trip To Windsor
West Point Jig
When I Go Out the Door
Where the North River Flows
Whiskey Jig
Wilfred's Fiddle
You Married My Daughter, & Yet
$24.99 ≈
23.06€
Requiem
Requiem
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.68€
Beginning Method For Violin - Volume 1 (Modern Hohmann-Wohlfahrt In Two Volumes)
Beginning Method For Violin - Volume 1 (Modern Hohmann-Wohlfahrt In Two Volumes)
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Beginning Method For Violin -
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Rubank Publications
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SheetMusicPlus
Orchestra; Violin SKU: HL.4472510 Volume 1. Edited by Harvey S. Whistler. String Method. Instruction. 48 pages. Rubank Publications #RUBL116. Publ...
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Orchestra; Violin SKU: HL.4472510 Volume 1. Edited by Harvey S. Whistler. String Method. Instruction. 48 pages. Rubank Publications #RUBL116. Published by Rubank Publications (HL.4472510). ISBN 9781540001696. UPC: 073999725100. 9.0x12.0x0.168 inches.Hohmann-Wohlfahrt Method for Violin, Volume I (Introducing the First Position) (Whistler).
Song List
: The First Noel Just A Song At Twilight (Love's Old Sweet Song) Largo Long, Long Ago Old Black Joe Processional (Williams L) Silent Night Spring Song, Op.68 #15 Autumn Song Polish Dance Aria (Weber) Aria (Handel) Duet (Hohmann) Aria (Hohmann) Morning Song (Hohmann) Serenade (Hohmann) Scotch Air Soldier's March (Hohmann) Homeward Bound (H0hmann) Night Winds (Hohmann) Aria (Donizetti) Festival Day (Balfe) Duet (Wohlfahrt) Pomp And Chivalry (Wohlfahrt) Andantino (Pleyel) Allegro De Concert (Dancla) Allegretto Con Variazioni(Pleyel Valse Evening Song My Bonnie Lies Over The Ocean Little Brown Jug Barcarolle Country Dance Waltz Auld Lang Syne Ode To Joy Home On The Range Caprice Jingle Bells Nocturne, Op. 33 O Come, All Ye Faithful Folk Dance, Op. 39, No. 13 Waltz, Op. 39, No. 8
$7.99 ≈
7.37€
50 Traditional - collection for solo Soprano Recorder
50 Traditional - collection for solo Soprano Recorder
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Flûte à bec Soprano
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DÉBUTANT
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Folklorique/Traditionel
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Christmas Traditional
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Glissato Music Publishing
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50 Traditional - collection fo
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SheetMusicPlus
Composed by Christmas Traditional. Arranged by Glissato Music Publishing. Classical,Multicultural,Spirit ual,World. Individual part. 52 pages. Glissato...
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Composed by Christmas Traditional. Arranged by Glissato Music Publishing. Classical,Multicultural,Spirit ual,World. Individual part. 52 pages. Glissato Edizioni Musicali #6539929. Published by Glissato Edizioni Musicali
Collection of 50 traditional melodies for solo Soprano Recorder, comfortable range and key, easy for beginners.
Contents: Amazing Grace - Arirang - Bamboo Flute, the - Banks of the Don, the - Bella Ciao - Big Rock Candy Mountain - Cockles and Mussels - Day-O - Down By The Sally Gardens- Drink to Me Only with Thine Eyes - El Cndor Pasa - El Noi de la Mare - El Testament d'Amlia - El vito - Foggy Dew - Frre Jacques - Furusato - Galway Piper, the - Happy Birthday! - Home on the range - Homeward from the Mountains - House of rising sun,The - I?se the B?y That Builds the Boat - Indiana - Kalinka - Londonderry Air -Manang Biday - Mary Don't You Weep - Mexican Hat Dance - Oh! Susanna - Old MacDonald - Raggle Taggle Gypsy,the - Rising of the Moon,the - Sakura Sakura - Santa Lucia - Scarborough Fair - Simple Gifts - Siil a Rn - Skye Boat Song,the - Spanish Romance - Star of the County Down - Suo Gn - The Oak and the Ash -Turkey in the Straw - Waltzing Matilda -Water is wide,the - Wayfaring Stranger,the - When Johnny Comes Marching Home -Yankee Doodle - Yellow Rose of Texas,the.
$12.99 ≈
11.99€
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Homeward, March!
