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Hope that Lasts
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Vous avez sélectionné:
Hope that Lasts
Partitions à imprimer
17 partitions trouvées
<
1
Hope that Lasts
Hope that Lasts
#
Chorale 3 parties
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
June Foster, Ben Tibbetts
#
Hope that Lasts
#
June Foster
#
SheetMusicPlus
Choral Choir (SAB) - Level 4 - SKU: A0.1029966 Composed by June Foster, Ben Tibbetts. Christian,Sacred. Octavo. 13 pages. June Foster #5996641. Publishe...
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Choral Choir (SAB) - Level 4 - SKU: A0.1029966 Composed by June Foster, Ben Tibbetts. Christian,Sacred. Octavo. 13 pages. June Foster #5996641. Published by June Foster (A0.1029966). Hope that Lasts is written for SAB choir with a trio and is appropriate for church services throughout the year, especially services with a theme of hope and encouragement. The message of this song is hope. The verses are intended to represent God's words to us, in which He encourages and guides us along our paths. The voicing-three individuals singing in unison-is meant to represent the three parts of the Trinity: Father, Son, and Holy Spirit.vs. 1 I have a plan just for you,I have prepared you something new.I will protect, I will provide, I’ll always be there by your side.vs 3. Watch me and see what I do, I will take care of you. Now I want you to understand, The hopeful future I have planned.The chorus intentionally switches between singular and plural, demonstrating the importance of both an individual and a corporate relationship with God. After the last verse, the chorus changes to demonstrate that we are strengthened and assured by what He tells us. Suggested Scripture passages: Isaiah 43:18-19, Philippians 3:13-14, I Thessalonians 1:2, Jeremiah 29:11, and Colossians 3:2.Chorus: Will you make a way for me, Lead me along this path? Will you show me where to go, And give me hope that lasts? Will you make a way for us, Lead us along this path? Will you show us where to go, And give us hope that lasts?Also available congregational version item number SO.895371
$2.25 ≈
2.03€
On the Night That Christ Was Born
On the Night That Christ Was Born
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Classique
#
Richard Joseph Barber
#
#
On the Night That Christ Was B
#
Barber Music Company
#
SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.915682 Composed by Richard Joseph Barber. 20th Century,Christian,Christmas,Classical,Romantic Period. Octavo. 5 p...
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Choral Choir (SAB) - Level 3 - SKU: A0.915682 Composed by Richard Joseph Barber. 20th Century,Christian,Christmas,Classical,Romantic Period. Octavo. 5 pages. Barber Music Company #3691481. Published by Barber Music Company (A0.915682). On the Night that Christ Was Born, words and music by Richard Joseph Barber, is a three-part (SAB) composition for Advent. The soprano range is from middle c to the second d above middle c . The alto sings from the first a below middle c to the second d above middle c. The bass runs from the first c below middle c to the the first e above middle c. The piece lasts about one minute and 15 seconds if you perform it at the tempo marked. It is not a difficult piece for the singers or for the accompanist; neither is it boring. There is enough repetition of musical ideas to make the piece attainable to most choirs, but also enough variety to make it interesting for more advanced choirs as well as audiences. The mood is joyful, happy, and fun without being irreverent. I hope you will get some copies and try it with you choir. Please let me know how you and your choir and your audience(s) liked it. And if you have questions or comments about the piece, please do not hesitate contact me. Sincerely, Dick Barber, aspiringtunerrjb@sbcglobal.net .
$2.10 ≈
1.90€
Fugue No.3
Fugue No.3
#
Piano seul
#
AVANCÉ
#
Contemporain
#
David Tsvariani
#
Fugue No.3
#
David Tsvariani
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David ...
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Piano Solo - Level 5 - SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David Tsvariani (A0.1324803). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.80€
Fugue No.4
Fugue No.4
#
Piano seul
#
AVANCÉ
#
Contemporain
#
David Tsvariani
#
Fugue No.4
#
David Tsvariani
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David ...
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Piano Solo - Level 5 - SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David Tsvariani (A0.1324805). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.80€
Fugue No.2
Fugue No.2
#
Piano seul
#
AVANCÉ
#
Contemporain
#
David Tsvariani
#
Fugue No.2
#
David Tsvariani
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David ...
(+)
Piano Solo - Level 5 - SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David Tsvariani (A0.1324802). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.80€
Fugue No.1
Fugue No.1
#
Piano seul
#
AVANCÉ
#
Contemporain
#
David Tsvariani
#
Fugue No.1
#
David Tsvariani
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Publishe...
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Piano Solo - Level 5 - SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Published by David Tsvariani (A0.1324800). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.80€
Trio (Score)
Trio (Score)
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Contemporain
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Christian Martin
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Trio
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Lux Novus
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SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - SKU: A0.1022791 Composed by Christian Martin. 20th Century,Contemporary. Score and part...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - SKU: A0.1022791 Composed by Christian Martin. 20th Century,Contemporary. Score and parts. 19 pages. Lux Novus #3211727. Published by Lux Novus (A0.1022791). Trio plays with a simple idea that is first stated in the opening measures and repeated in various ways throughout. After a moderate introduction that lasts for about one and a half minutes, the cello enters with the first theme. What is unique, and somewhat unconventional, about this largely disjunct theme is that it is performed almost entirely pizzicato, creating a pleasant and relaxing groove between the cello and piano. The pizzicato cello theme is in two parts, interrupted by a short, syncopated statement by all.There is a slow section in the middle of the piece, one that is to be played freely by the cello and clarinet, not constricted by meter, and written in a minor mode. This is in stark contrast to a piece that is otherwise very lively and high-spirited. Following this slow section, the performers softly come back with the simple idea at its original tempo and soon fall into a steady groove that features virtuosic figures in the clarinet. There is a steady rise in dynamics and harmonic rhythm from this point to the end of the piece. It ends on a high note; no pun intended.The piece has a jazzy quality overall. I grew up listening to composers like Leonard Bernstein and Samuel Barber and performers like Wynton Marsalis and Jaco Pastorius. Although the notes now inhabit their permanent place on the page, It is my hope that they reflect the improvisatory nature in which the piece was composed. ~ Christian Martin.
$10.00 ≈
9.02€
Someone To Say (fr. 'cyrano')
Someone To Say (fr. 'cyrano')
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Piano, Voix
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INTERMÉDIAIRE
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Haley Bennett London Contempor
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David Richard Corkill
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Someone To Say
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David Richard Corkill
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1301453 By Haley Bennett London Contemporary Orchestra. By Aaron Brooking Dessner, Bryce David Dessner, Carin Bess...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1301453 By Haley Bennett London Contemporary Orchestra. By Aaron Brooking Dessner, Bryce David Dessner, Carin Besser, and Matthew D. Berninger. Arranged by David Richard Corkill. Broadway,Film/TV,Musical/Show. Score. 9 pages. David Richard Corkill #891081. Published by David Richard Corkill (A0.1301453). Someone to Say from Cyrano (2021) Arranged for Piano, Snare Drum, Female Solo, Men/Women Ensemble, and 3 Small Solos at the EndArranged by: David Richard CorkillIn Association With: Teradil PublishingFor this and other exciting creations, or to contact the arranger, visit: www.Teradil.comThis hopeful and uplifting piano and vocal arrangement of a love song sung by a female soloist is perfect for any singer or pianist looking to perform a moving and inspiring piece of music. This arrangement is perfect for a variety of settings, including concerts, recitals, and weddings. It is also a great choice for singers and pianists who are looking for a challenging and rewarding piece to learn and perform.The arrangement is very free-sung by the female vocalist in the beginning before adding some structure as the song goes on. The piano is also very free and out of the time signature before lining up as the song goes on. A large ensemble repeats the chorus that the female soloist sang and snare drum introduces them. There is also a small female solo part, female duet, and male solo that lasts just a few measures. Features:Hopeful and uplifting arrangementTechnically challenging and rewarding to playShowcases the singer's vocal range and expression in a truly unforgettable wayPerfect for a variety of settingsBenefits:Add a powerful and moving ballad to your repertoireChallenge yourself as a singer or pianistImpress your audience with a unique and unforgettable performanceInspire others with your musicPurchase this arrangement today and start practicing! You'll be glad you did.
$4.99 ≈
4.50€
Waltz-Fantasy
Waltz-Fantasy
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Andrew Kierszenbaum
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Waltz-Fantasy
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Andrew Kierszenbaum
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1031550 Composed by Andrew Kierszenbaum. 20th Century,Contemporary,Romantic Period. Score. 12 pages. Andrew Kierszenbaum ...
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Piano Solo - Level 4 - SKU: A0.1031550 Composed by Andrew Kierszenbaum. 20th Century,Contemporary,Romantic Period. Score. 12 pages. Andrew Kierszenbaum #3447521. Published by Andrew Kierszenbaum (A0.1031550). My first score of 2018! It lasts about 6 minutes and is of about intermediate/advanced difficulty. It is the result of many hours, drafts, ideas, scribbles, and edits, BUT- above all, it is a labor of love and I hope THAT shines through the music the most... For this piece, I was inspired by dances and fantasies of the romantic period, especially those by Chopin and Schumann. However, I believe the piece doesn't feel trapped in an imitation of the music of a specific era. It uses the romantic and classical traditions as baselines and, in my opinion, transcends them. A major work I was inspired by is the Polonaise-Fantasy by Chopin. I wanted to create a dreamy, ballade-like, somewhat freeform/improvised landscape of texture and feeling that explores the waltz form but also infuses some elements of sonata form and theme and variations.I would put the piece at an intermediate/advanced level, but would definitely recommend this to teachers and students alike (I have already given it to a few in my own circle).The fee for this piece goes directly to me, so I can continue following my passion by composing and teaching students the wonderful gift that is piano playing!Please enjoy, and I would love to hear what you think of this one!Sincerely,Andrew
$4.99 ≈
4.50€
Always With You
Always With You
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Piano, Voix et Guitare
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FACILE
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Michael Drake
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Michael Drake
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Always With You
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Michael Gene Drake
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1349808 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Blues,Broadway,Film/TV,Musical/Show,...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1349808 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Blues,Broadway,Film/TV,Musical/Show,Singer/Songwriter. Score. 38 pages. Michael Gene Drake #934581. Published by Michael Gene Drake (A0.1349808). “Always With Youâ€Come a-long and sing our song,   I wish that you were always with me.Spend my time the way I like,Lovin’ life and writing music.Come along and sing my song,I wish that you were always with me.Play hide and seek with my son,Pillow fights, oh what fun. ChorusHope it lasts forever, But I know it won’t.So I’ll take it in, let it fill my skin.From the day of birth, Get my money’s worth,Get my money’s worth. VerseGoin’ out to play some pool,With my son don’t you know?Ridin’ down the avenue,I wish that you were always with me.Michaeldrakemusic@outlook.com  www.drakemusic.com.
$25.00 ≈
22.56€
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Germaine Tailleferre
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Germaine Tailleferre: Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6...
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Chamber Orchestra - Level 5 - SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95 ≈
42.37€
Zdes' khorosho - Serghei Rachmaninov
Zdes' khorosho - Serghei Rachmaninov
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Serghei Rachmaninov
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Adrian F
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Zdes' khorosho - Serghei Rachm
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Adrian F. Pipas
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. P...
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Piano,Violin - Level 4 - SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. Published by Adrian F. Pipas (A0.948808). ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.In 1963, the Russian composer Vladimir Michailovich Jurowski (father and grandfather of conductors) orchestrated ten songs by Rachmaninov, including Zdes' khorosho, and there is a later orchestration of this song by Michael Rot. You know that I usually find it difficult to renounce the original piano versions, especially when the composer didn't orchestrated them, but I recommend you to listen to Anna Netrebko singing this song with the Mariinsky Theatre Orchestra conducted by Valery Gergiev.You might wonder why I don't share this version here, there are two reasons: first, I can’t do without that beautiful piano; two, I chose my version months ago (something that lately happens quite often). I said before that Zdes' khorosho is between contemplation and passion; Most of singers enhance the most contemplative perspective, that's the case of the lovely performance by Anna Netrebko. Others sing the most passionate version, like the one we’re listening today. Its tempo is faster than usual, it lasts about a minute and a half; maybe it would surprise you if you're used to slower versions. I hope you enjoy this song as much as me; I think this performance by Nicolai Gedda and Gerald Moore, recorded live in 1966, is wonderful.Source: Liederabend.cathttps://www.liederabend.cat/en/bloc/entrades/400-how-nice-it-is-here
$9.99 ≈
9.02€
Taskmaster Theme
Taskmaster Theme
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3 Guitares (trio)
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INTERMÉDIAIRE/AVANCÉ
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Ben Lewis Reynolds, Edward She
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Derek Hasted
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Taskmaster Theme
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Derek Hasted
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1403993 Composed by Ben Lewis Reynolds, Edward Sheldrake, Joseph Martin Auckland, Mark Christopher Brown, and William George ...
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Guitar - Level 4 - SKU: A0.1403993 Composed by Ben Lewis Reynolds, Edward Sheldrake, Joseph Martin Auckland, Mark Christopher Brown, and William George Collier. Arranged by Derek Hasted. Comedy,Film/TV. 8 pages. Derek Hasted #987170. Published by Derek Hasted (A0.1403993). The TASKMASTER THEME - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar primarily - also suits Acoustic Guitar or Electric GuitarDerek Hasted writes Alex Horne and The Horne Section is an ensemble thatâ??s particularly hard to describe - consummate musicians and wicked comedy. So far they havenâ??t quite achieved the fame that their talent, skill and originality deserve.Alex Horne is also known as the creator of â??Taskmasterâ?, a TV program that laughs at comedians, rather than with them, as they tackle tasks that require lateral thinking and a razor sharp mind.The Taskmaster Theme is tricky only because of its speed. Itâ??s also annoyingly short, but for UK audiences, at least, itâ??s an instant crowd-pleaser. Then again, taken a little more slowly it's accessible to intermediate players and lasts a little longer too! The tone of the guitar is actually, well-suited to a more modest speed.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
4.50€
The John Dunbar Theme
The John Dunbar Theme
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Film/TV
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John Barry
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Derek Hasted
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The John Dunbar Theme
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Derek Hasted
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1311836 Composed by John Barry. Arranged by Derek Hasted. Film/TV. 21 pages. Derek Hasted #900771. Published by Derek Hasted ...
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Guitar - Level 3 - SKU: A0.1311836 Composed by John Barry. Arranged by Derek Hasted. Film/TV. 21 pages. Derek Hasted #900771. Published by Derek Hasted (A0.1311836). JOHN DUNBAR'S THEME (Dances With Wolves) - 4 GUITARS/LARGE ENSEMBLEPrimarily for Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This theme, from the film 'Dances With Wolves' is widely admired as a charming and powerful melody.It will make a wonderful item for a concert.My arrangement is based on track 4 of the official Soundtrack CD. It’s very slow, and lasts just over three and a half minutes - be sure not to rush this lovely piece and its haunting descant in the final Verse.The key is just a semitone lower than the original, and two guitars are tuned to 6=D to give a rich deep bass that maximises the sustain that guitars can achieve.Guitar 1 plays the part of the high descant in the original.Guitar 2 is the tune, and if you have more than 4 players, there is an optional divisi part (Guitar 2a) that helps reinforce the beautiful melody.Guitar 3 is arpeggio based, to help the sustain and to ease the counting of the beats.Guitar 4 has thick chords which should be rolled (but not strummed) to add to the majesty of the music.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
4.50€
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95 ≈
35.15€
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
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Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95 ≈
27.03€
Race Riot
Race Riot
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Jazz combo
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AVANCÉ
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Jazz
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Geoffrey Peterson
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Race Riot
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Geoffrey Peterson
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SheetMusicPlus
Jazz Combo - Level 5 - SKU: A0.942959 Composed by Geoffrey Peterson. Jazz. Score and parts. 37 pages. Geoffrey Peterson #5792333. Published by Geoffrey ...
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Jazz Combo - Level 5 - SKU: A0.942959 Composed by Geoffrey Peterson. Jazz. Score and parts. 37 pages. Geoffrey Peterson #5792333. Published by Geoffrey Peterson (A0.942959). The May 17, 1963, issue of Life Magazine featured a photo essay of appalling images taken by the American photographer Charles Moore. The opening paragraph bluntly stated that The pictures on these 11 pages are frightening. They are frightening because of the brutal methods being used by white policemen in Birmingham, Alabama, against Negro demonstrators . . . And they are especially frightening because the gulf between black and white is here visibly deepened. Known as the Birmingham campaign, Moore’s photographs of this senseless brutality sent shockwaves throughout the country and the world of the deeply embedded social and institutional racism and segregation of the South. On May 2, 1963, under direct orders from Birmingham’s then Commissioner of Public Safety, Eugene Bull Connor, all African Americans participating in a nonviolent demonstration organized by the Southern Christian Leadership Conference were to be subdued with high-pressure water blasts from fire hoses and violently attacked and taunted by police dogs. After seeing Moore’s photos in Life, Andy Warhol created a series of Race Riot paintings using a terrifying image of Moore’s of a man being attacked by a German shepherd in his trademark acrylic and silkscreen process. Interestingly, the title Race Riot is a contradiction because it was in fact a peaceful protest interrupted by the violence of the police. There is a menacing quality to the music that I hope conveys both Moore’s original photo and Warhol’s appropriation.
$19.99 ≈
18.04€
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Hope that Lasts
