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Vous avez sélectionné:
Horn Schule
Partitions à imprimer
19 partitions trouvées
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1
Horn-Schule
Horn-Schule
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Horn-Schule
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Schott Music - Digital
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SheetMusicPlus
Horn - SKU: S9.Q45633 This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q45633. Published by Schott Music - Digital (S9.Q45633).
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Horn - SKU: S9.Q45633 This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q45633. Published by Schott Music - Digital (S9.Q45633). German.In diesem Lehrwerk wird der erklärende Text bewusst in den Vordergrund gerückt. Schüler und Lehrer werden umfassend über didaktisch-methodische, musikalische und technische Fragen informiert. Die Übungsstücke und Lieder - jeweils für Horn in B und F beginnend im kleinsten Tonumfang mit systematischer Einführung der Ventile - sollen den Spaß am Hornblasen fördern. Theoretische Abhandlungen über Ansatz, Atmung etc. sind an den Schluss gestellt, damit die praktischen Anleitungen für den Anfänger nicht unterbrochen werden. Musikalische Grundkenntnisse werden aus zweierlei Gründen vorausgesetzt: Zum einen erweist es sich häufig, dass Hornschüler bereits in der musikalischen Früherziehung das Notenlesen gelernt haben und zum anderen, dass bei vielen Horn das zweite Instrument ist, das sie spielen wollen. Im 2. Band findet sich geeignetes Unterrichtsmaterial sowie entsprechende Literatur, womit der gerade den Anfangsschwierigkeiten entwachsene Hornschüler seine Technik auf lockere und spielerische Weise stetig vervollkommnen kann. In allen 12 Tonarten gibt es leichtere und schwierigere Übungen, die Lehrer und Schüler dem jeweiligen Ausbildungsstand entsprechend auswählen können.
$23.99 ≈
21.65€
Horn-School
Horn-School
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2 Cors (duo)
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Methodes Etudes
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Methodes
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Michael Hoeltzel
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Horn-School
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Schott Music - Digital
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SheetMusicPlus
1-2 horns - SKU: S9.Q45634 76 Play pieces, Canons and Duets. Composed by Michael Hoeltzel. This edition: performance book. Downloadable, Tune boo...
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1-2 horns - SKU: S9.Q45634 76 Play pieces, Canons and Duets. Composed by Michael Hoeltzel. This edition: performance book. Downloadable, Tune book. Op. 1. Schott Music - Digital #Q45634. Published by Schott Music - Digital (S9.Q45634). Die in diesem Band enthaltenen Spielstücke, Lieder, Duette und Kanons sind als Begleitheft zum ersten Band der Hornschule von M. Hoeltzel (ED 6912) gedacht, können jedoch auch unabhängig davon als Spielbuch für Anfänger genutzt werden. Der Tonumfang wird zunächst eng begrenzt und auch bis zum Schluss nur langsam gesteigert, so dass der Schüler musikalisch vergnügliches und technisch relativ einfaches Material in die Hände bekommt, das aber mit all seinen versteckten und offenen, kleineren und grö�eren Tücken stets seine ganze Aufmerksamkeit fordert und ihn auf unterhaltsame Weise ein Stückchen weiterbringen möchte.
$15.99 ≈
14.43€
Meine erste Trompetenschule
Meine erste Trompetenschule
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Meine erste Trompetenschule
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Edition Hieber - Digital
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SheetMusicPlus
Trumpet (flugelhorn/cornet) - SKU: S9.Q54856 Ein Grundkurs in 30 Lektionen für Trompete in B (auch für Flügelhorn/Kornett). This edition...
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Trumpet (flugelhorn/cornet) - SKU: S9.Q54856 Ein Grundkurs in 30 Lektionen für Trompete in B (auch für Flügelhorn/Kornett). This edition: method. Downloadable, Textbook. Op. 1. Edition Hieber - Digital #Q54856. Published by Edition Hieber - Digital (S9.Q54856). German.Viele Lieder und Duette, außerdem Tipps zur Pflege des Instruments und Hinweise zu Atmung und Ansatz - das sind die Schwerpunkte dieser Schule. Besonderen Wert legt die Autorin auf Kinder- und Volkslieder, um durch das Spielen bekannter Melodien die Schüler zu motivieren. Am Ende jeder Lektion wird das Zusammenspiel in Duetten geübt.
$18.99 ≈
17.14€
Hohe Schule des Horns
Hohe Schule des Horns
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Hohe Schule des Horns
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Schott Music - Digital
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SheetMusicPlus
Horn - intermediate to advanced - SKU: S9.Q25922 Technik und musikalischer Ausdruck. This edition: Sheet music. Advanced - french horn - instrume...
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Horn - intermediate to advanced - SKU: S9.Q25922 Technik und musikalischer Ausdruck. This edition: Sheet music. Advanced - french horn - instrumental lessons. Downloadable. Schott Music - Digital #Q25922. Published by Schott Music - Digital (S9.Q25922). German.This edition is aimed at advanced amateurs and students. Apart from issues of daily practising and music-making, it mainly covers fields of horn blowing which have played a minor role in the horn literature up to now: playing on the high F horn and the Wagner tuba, the performance of the cadenza in the solo concerto (with cadenzas of all common concertos), one's own management, and many more aspects.A textbook from practice for practice.Awarded with the Deutscher Musikeditionspreis 2000.Second revised new edition 2007.
$23.99 ≈
21.65€
Schule für Fürst-Pless-Horn
Schule für Fürst-Pless-Horn
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Karl Benzinger
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Schule für Fürst-Ple
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Edition Hieber - Digital
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SheetMusicPlus
Horn - SKU: S9.Q54893 Auch zum Selbstunterricht geeignet. Composed by Karl Benzinger. This edition: Sheet music. Downloadable. Op. Heft 1. Editio...
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Horn - SKU: S9.Q54893 Auch zum Selbstunterricht geeignet. Composed by Karl Benzinger. This edition: Sheet music. Downloadable. Op. Heft 1. Edition Hieber - Digital #Q54893. Published by Edition Hieber - Digital (S9.Q54893). German.Eine spezielle Schule für dieses Blechblasinstrument für 1 bis 4 Hörner mit deutschen Jagdsignalen.
$10.99 ≈
9.92€
Horn-School
Horn-School
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Horn-School
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Schott Music - Digital
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SheetMusicPlus
1-3 horns - intermediate - SKU: S9.Q45636 30 Play pieces. This edition: performance book. Downloadable, Tune book. Op. 2. Schott Music - Digital ...
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1-3 horns - intermediate - SKU: S9.Q45636 30 Play pieces. This edition: performance book. Downloadable, Tune book. Op. 2. Schott Music - Digital #Q45636. Published by Schott Music - Digital (S9.Q45636). Dieses Heft ist als Ergänzung zum 2. Band der Hornschule (ED 7320) gedacht, wobei die bisher erarbeitete Technik in mannigfacher Weise musikalisch zum Ausdruck gebracht werden kann. Darüber hinaus soll diese hoffentlich vergnügliche Sammlung stilistisch verschiedenartiger Stücke nicht nur zum eigenen Arbeiten, sondern auch zum anspruchsvollen Zusammenspielen anregen.
$17.99 ≈
16.23€
Oelflecke auf dem Wasser [woodwind quintet]
Oelflecke auf dem Wasser [woodwind quintet]
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Oelflecke auf dem Wasser [wood
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Juan Maria Solare
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.596552 Composed by Juan MarÃa Solare. Concert,Contemporary,Instructional,World. 20 pages. Juan...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.596552 Composed by Juan MarÃa Solare. Concert,Contemporary,Instructional,World. 20 pages. Juan Maria Solare #4598385. Published by Juan Maria Solare (A0.596552). Ölflecke auf dem Wasser ( Oil spots on the water )This is my second Wind Quintet. The first one (Strange preludes and double canon) was written in 1992, this one in 2003 and there are numerous sketches (even complete movements) for a third one.The title Oil spots on the water doesn't have much with ecological issues, but rather with those abstract, colourful, poly-semantic shapes of small oil spots on asphalt, especially when it rains.The Wind Quintet Ölflecke auf dem Wasser was selected in 2003 in a shortlist of 31 among 270 compositions for the project Neue Kammermusik für Musikschulen (New chamber music for music schools) by the Verband deutscher Musikschulen (Association of German Schools of Music) in Bonn, Germany.In October 2004 this piece, together with two other pieces by the same composer, received first prize at the Bremer Komponistenwettweberb organised by the Council of the Music (Landsmusikrat) in Bremen, Germany.Ölflecke auf dem Wasser was first performed on 10th July 2004 at the Castle Sonderhausen in Germany by the Wind Quintet of the Music School Carl Schroeder of Sonderhausen: Eva-Maria Albrecht (flute), Malte Schneegaß (oboe), Antje Eckstein (clarinet) Julia Wallis (bassoon), Manuela Hirsch (horn), Stephan Uhl (conductor); in the cycle Neue Musik in alten Residenzen (New Music in old residencies) of the Council of the Music Thüringen.After the premiere, Stephan Uhl published an article about the piece: Juan MarÃa Solares 'Ölflecke auf dem Wasser' (2003) für Bläserquintett. Anregungen zur Praxisarbeit zwischen Interpretation und Improvisation (Oil spots on the water (2003) by Juan MarÃa Solare: Ideas about rehearsal practice between performance and improvisation). This article was published in November 2004 in the book Ensembleleitung Neue Kammermusik (Dokumentation und Arbeitshilfe des Modellprojekts), edited by the VdM (Verband deutscher Musikschulen - Association of German Music Schools), Bonn, ISBN 3-925574-59-X, pages 82-86.In March 2005 Oil spots on the water was chosen in the shortlist at the Piece of the Year Competition organised by Alan Taylor and the London Chamber Group. In this context it was performed on 10th July 2005 at a venue unknown to the composer.
$4.00 ≈
3.61€
Swing Along! for Brass Quintet
Swing Along! for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Will Marion Cook
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Charles Decker
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Swing Along! for Brass Quintet
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20...
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Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20th Century,Broadway,Jazz,Multicultural,Musical/Show,Pop,World. 20 pages. Charles Decker Music Press #745558. Published by Charles Decker Music Press (A0.1145313). Swing Along! by Will Marion Cook, prominent African-American in Music Theater, composer, conductor, and violinist, combines Cakewalk style with classical music techniques to create an entertaining and memorable work from the early 20th century now arranged for a brass quintet of two trumpets or cornets in B-flat, horn in F (alternate flugelhorn part provided), trombone and tuba. The recording is of the complete edition. Cook was a key figure in American music from the 1890s to the 1920s. His Swing Along! was written for a theater production in 1903 combining Black folk music with classical music techniques and became a popular standard with choruses and glee clubs. A violin virtuoso, he studied at Oberlin College, Berlin's Hochschule für Musik with Joseph Joachim, and New York's National Conservatory of Music with Antonin Dvorak. He devoted his career to Black musical comedies and was instrumental in showcasing his Southern Syncopated Orchestrat throughout the Unites States and Europe, featuring New Orleans clarinetist Sidney Bechet. Mentored by Frederick Douglas, Will Marion Cook went on to mentor Duke Ellington, paving the path for orchestral concert jazz. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$12.99 ≈
11.72€
Christnacht
Christnacht
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Cor (partie séparée)
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FACILE
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Joseph Haas
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Christnacht
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Schott Music - Digital
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SheetMusicPlus
Horn - easy - SKU: S9.Q49838 Ein deutsches Weihnachtsliederspiel nach oberbayerischen und tiroler Weisen. Composed by Joseph Haas. This edition: ...
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Horn - easy - SKU: S9.Q49838 Ein deutsches Weihnachtsliederspiel nach oberbayerischen und tiroler Weisen. Composed by Joseph Haas. This edition: separate part. Downloadable, Individual part. Op. 85. Duration 90 minutes. Schott Music - Digital #Q49838. Published by Schott Music - Digital (S9.Q49838). German.Ãœber 100 Aufführungen unmittelbar nach der Uraufführung, eine bis heute ungebrochene Präsenz in den Konzertsälen und im Repertoire von Jugendmusikschulen: das Weihnachtsliederspiel Christnacht des großen Komponisten und Pädagogen, bei dem eine ganze Generation junger Komponisten wie Unger, Jochum, Bresgen und Hartmann „in die Lehre†ging, gehört zu den Klassikern des geistlichen Spiels. Haas hatte den Mangel an auch für Laien spiel- und singbarer Oratorienliteratur zur Weihnachtszeit beklagt. „Nichts lag näher, als die altbekannten lieben weihnachtlichen Volksweisen zu einem einheitlichen Liederspiel zu vereinigen. Als ich den Plan durchdachte, wurde es mir klar, dass sich nur solche Melodien, die der gleichen deutschen Landschaft angehören, zu einem stilistisch einwandfreien Organismus verbinden können. Der mir befreundete Münchener Gesangspädagoge, Professor Anton Schiegg, ein gründlicher Kenner süddeutscher Volkskunst, machte mich auf den kostbaren Schatz der bezaubernden oberbayerischen und tiroler Krippenlieder aufmerksamâ€, so beschreibt Joseph Haas die Anregung zu seinem Spiel.
$7.99 ≈
7.21€
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical....
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Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99 ≈
7.21€
Progress in Clarinet Playing
Progress in Clarinet Playing
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Robert Kietzer
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Progress in Clarinet Playing
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Clarinet - SKU: S9.Q771663 Melodische und technische Übungen. Composed by Robert Kietzer. Downloadable. Volume op. 91, Op Heft 2 Mittelschwere ...
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Clarinet - SKU: S9.Q771663 Melodische und technische Übungen. Composed by Robert Kietzer. Downloadable. Volume op. 91, Op Heft 2 Mittelschwere Übungen. Musikverlag Zimmermann - Digital #Q771663. Published by Musikverlag Zimmermann - Digital (S9.Q771663). German • English • French.1886 wurde der ehemals Königlich Preussische Militärkapellmeister Robert Kietzer, der vermutlich Kornettist war, in die Kaiserlich Russische Militärkapelle in St. Petersburg berufen. Seine Schulen für Kornett, Klarinette, Trompete, Bariton und Bass, Althorn, Tuba und Helikon, Posaune und Trommel waren außerordentlich populär und gehören bis heute zu den Standardwerken der Unterrichtsliteratur. Die Komposition der vorliegenden Etüden fällt in die Zeit um 1892, die Hefte enthalten außerdem einige Etüden von Friedrich Müller und Heinrich Baermann. Bis heute haben sie sich als Standardsammlungen für Klarinettisten bewährt, wogegen Kietzers andere Kompositionen (hauptsächlich russische Militärmärsche und -romanzen) aus dem Gedächtnis verschwunden sind.
$9.99 ≈
9.02€
Progress in Clarinet Playing
Progress in Clarinet Playing
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Clarinette
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Robert Kietzer
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Progress in Clarinet Playing
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Clarinet - SKU: S9.Q583632 Melodische und technische Ãœbungen. Composed by Robert Kietzer. Downloadable. Volume op. 91, Op Heft 3 Schwere Ãœb...
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Clarinet - SKU: S9.Q583632 Melodische und technische Übungen. Composed by Robert Kietzer. Downloadable. Volume op. 91, Op Heft 3 Schwere Übungen nebst Anleitung zum Transpo. Musikverlag Zimmermann - Digital #Q583632. Published by Musikverlag Zimmermann - Digital (S9.Q583632). German • English • French.1886 wurde der ehemals Königlich Preussische Militärkapellmeister Robert Kietzer, der vermutlich Kornettist war, in die Kaiserlich Russische Militärkapelle in St. Petersburg berufen. Seine Schulen für Kornett, Klarinette, Trompete, Bariton und Bass, Althorn, Tuba und Helikon, Posaune und Trommel waren außerordentlich populär und gehören bis heute zu den Standardwerken der Unterrichtsliteratur. Die Komposition der vorliegenden Etüden fällt in die Zeit um 1892, die Hefte enthalten außerdem einige Etüden von Friedrich Müller und Heinrich Baermann. Bis heute haben sie sich als Standardsammlungen für Klarinettisten bewährt, wogegen Kietzers andere Kompositionen (hauptsächlich russische Militärmärsche und -romanzen) aus dem Gedächtnis verschwunden sind.
$9.99 ≈
9.02€
Tuxedo Junction
Tuxedo Junction
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Orchestre d'harmonie
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FACILE
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Buddy Feyne, Erskine Hawkins,
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Kurt Schulenburg
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Tuxedo Junction
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Kurt Schulenburg
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.518471 Composed by Buddy Feyne, Erskine Hawkins, Julian Dash, and William Johnson. Arranged by Kurt Schulenburg. Jazz,P...
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Concert Band - Level 2 - SKU: A0.518471 Composed by Buddy Feyne, Erskine Hawkins, Julian Dash, and William Johnson. Arranged by Kurt Schulenburg. Jazz,Pop,Standards. Score and parts. 56 pages. Kurt Schulenburg #129173. Published by Kurt Schulenburg (A0.518471). An arrangement for Concert Band, Grade 2-3. This up tempo version (about MM145) features a trumpet section Soli. Great introduction to the Swing Style for the whole band. Parts Included: Full Score, Flute, Oboe, Bb Clarinet 1&2, Bass Clarinet, Alto Sax, Tenor Sax, Bari Sax, Horn 1&2, Trumpet 1&2, Baritone TC, Euphonium BC, Trombone 1&2, Tuba, Drum Set, Glockenspiel.
$60.00 ≈
54.15€
Brass Master Class
Brass Master Class
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Brass Master Class
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Schott Music - Digital
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SheetMusicPlus
Brass instruments - easy to intermediate - SKU: S9.Q49876 Die Methode für alle Blechbläser. Der logische Weg zu grenzenloser Sicherheit, Ausdau...
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Brass instruments - easy to intermediate - SKU: S9.Q49876 Die Methode für alle Blechbläser. Der logische Weg zu grenzenloser Sicherheit, Ausdauer und Höhe. This edition: Sheet music. Baritone - bass - brass - brass instrument - flugelhorn - french horn - trombone - tenor horn - trumpet. Downloadable. Schott Music - Digital #Q49876. Published by Schott Music - Digital (S9.Q49876). German.Malte Burba is not only one of the most interesting and versatile brass players of our time, but is also considered one of the best teachers worldwide. He teaches as professor at the Musikhochschule in Mainz. One of the pillars of his pedagogical approach is the groundbreaking method he has developed for playing brass instruments, with the help of which, in an absolutely logical way, all technical and embouchure problems can be eliminated. With numerous exercises and music examples in treble and bass clef!
$19.99 ≈
18.04€
Brass Master Class
Brass Master Class
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Brass Master Class
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Schott Music - Digital
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SheetMusicPlus
Brass instruments - easy to intermediate - SKU: S9.Q771947 Die Methode für alle Blechbläser. Brass - brass instrument - french horn - music - t...
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Brass instruments - easy to intermediate - SKU: S9.Q771947 Die Methode für alle Blechbläser. Brass - brass instrument - french horn - music - trombone - trumpet. Der logische Weg zu grenzenloser Sicherheit, Ausdauer und Höhe. Malte Burbas Methode für alle Blechbläser gibt es nun in der vollständig überarbeiteten und erweiterten Neuausgabe, mit Einspielübungen im Violin- und Bass-Schlüssel. Book. Schott Music - Digital #Q771947. Published by Schott Music - Digital (S9.Q771947). German.Malte Burba zählt nicht nur zu den interessantesten und vielseitigsten Blechbläsern unserer Zeit, sondern gilt auch weltweit als einer der besten Pädagogen. Er unterrichtet als Professor an der Musikhochschule in Dresden. Eine der Stützen seiner Pädagogik ist die von ihm entwickelte bahnbrechende Methode für das Spielen von Blechblasinstrumenten, mit deren Hilfe, auf absolut logische Art und Weise, alle Technik- und Ansatzprobleme zu eliminieren sind. Mit zahlreichen Übungen und Notenbeispielen im Violin- und Bassschlüssel! Ausgabe inkl. Online-Material (Videos). Die überzeugende Aufbereitung der Lerninhalte durch ausgewiesene Experten und die dezente mediale Gestaltung der Videos vermitteln den Adressaten - ob Studierende, Fortgeschrittene oder interessierte Laien - vielfältige Anregungen auf hohem Niveau. Durch die real gefilmten und digital aufbereiteten Übungen und Interpretationsbeispiele erfahren Interpreten eine hervorragende Unterstützung.
$31.99 ≈
28.87€
50 Studien für Solo-Blasinstrumente - Ausgabe für F-Instrumente (Violinschlüssel)
50 Studien für Solo-Blasinstrumente - Ausgabe für F-Instrumente (Violinschlüssel)
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Reinhard Noeske
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50 Studien für Solo-Blasi
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Musikverlag Reinhard Noeske
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SheetMusicPlus
Small Ensemble English Horn,Trombone,Trumpet - Level 2 - SKU: A0.992329 Composed by Reinhard Noeske. Instructional,Standards. Score and parts. 32 pages....
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Small Ensemble English Horn,Trombone,Trumpet - Level 2 - SKU: A0.992329 Composed by Reinhard Noeske. Instructional,Standards. Score and parts. 32 pages. Musikverlag Reinhard Noeske #3483473. Published by Musikverlag Reinhard Noeske (A0.992329). Die vorliegenden „50 Studien für Solo-Blasinstrumente sind keine Instrumentalschule, sondern dienen der Festigung des im Unterricht Gelernten und dem täglichen Training. Sie sind sowohl an Anfänger als auch an Fortgeschrittene gerichtet, die anhand der recht kurzen Stücke die erlernte Technik, Artikulation, Phrasierung, Dynamik etc. verfeinern möchten.
$9.95 ≈
8.98€
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
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Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99 ≈
7.21€
Mozart Violin Duets
Mozart Violin Duets
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Luis Anjos Teixeira
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Mozart Violin Duets
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Luis Anjos Teixeira
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards....
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Violin Duet Violin - Level 3 - SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 35 pages. Luis Anjos Teixeira #4758249. Published by Luis Anjos Teixeira (A0.889440). Wolfgang Amadeus Mozart, is probably the most beloved artist that ever existed in this World. His work is without any doubt amongst the highest cultural achievements of the Human Being. To understand his cultural environment and musical practices I would advise you to read among others also the following books: „A Treatise on the Fundamental Principles of Violin Playing „Versuch einer gründlichen Violinschule from Leopold Mozart and from David D. Boyden A History of Violin Playing from its Origins to 1761. Also the biography righten by Jean et Brigite Massin gives us a deep view and idea of this times. Mozart wrote in Wien at 27.07.1786 this 12 duets for 2 basset horns K. 487, for his very Dear Friends „the Jacquin Family. This arrangement for 2 violin proposes an intime relation with the original work, but allows us to perform it also with modern instruments and to apply todays standards of musical literature praxis. No changes where made on the original composition, only the presentation of the score has been adjusted to contemporary violin music literature. It is also perfect adjusted for the use of baroque violins. I transposed it for the violin and introduced interpretation symbols to shorten some notes and induce loudness variations. The bowing is adjusted to violin performance but very much compromised with the ones in the original scores in wish they also meant a musical legato. I advise you to adjust much of the bowing to your taste and interpretation. Fingering is also relative to taste and school practices and is left to the artists choice. In order to leave the original notation as much untouched as possible I shortened the length of some notes with the „Staccato symbol to originate silence in between them. You are also free to further shorten even many more notes. As Mozart said - „The music is not in the notes but in the silent in between. In the arrangement, instead of repetitions, the performers interchange their parts so each of them will get to play as first and second violin player along each piece. This was common practice in chamber music when both musicians where at the same level. Very Human, this work comes from the hand of a musical Genius no other than Mozart. I tried to do an arrangement that would bring us as close as possible to the musical intention of the original work. This music demands accuracy and a very lively sensitive approach, it is a refined work of art, totally appropriate for serious „concert halls, for advanced students and great performers. Very useful of course for the music classroom on a wide range of various practices with students and also little concerts or presentations. It was righten for close friends and it should be practiced and performed with a heart full of Love and compassion. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Tei.
$17.56 ≈
15.85€
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Horn Schule
