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226
The Dove
The Dove
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Quatuor à cordes: 2 violons, alto, violoncelle
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Naji Hakim
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The Dove
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Schott Music - Digital
#
SheetMusicPlus
Tenor and string quartet - SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and ...
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Tenor and string quartet - SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6385. Published by Schott Music - Digital (S9.Q6385). German • English.This piece shows my hope to have our churches not only in peace but also in full communion. Naji Hakim Die Taube (The Dove) was commissioned by â€Kirchenmusik bei St. Anna Augsburg†to celebrate the 450th anniversary of the Augsburger Religionsfrieden (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : â€And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. †Luk. 1/79 : â€To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. †Joh.14/27 : â€Peace I leave with you, my peace I give unto you. †...to guide our feet into the way of peace. (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, Let God´s melody resound in you. The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, I am with you always, even to the end of the age. (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace. Pastor Hanne Margrethe Tougaard.
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Hot off the Press
Hot off the Press
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1 Piano, 4 mains
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FACILE
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Lorna Paterson
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Hot off the Press
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Lorna E. Paterson
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1094023 Composed by Lorna Paterson. 20th Century,Children,Contemporary,Contest,Festival,Instructional. Sc...
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1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1094023 Composed by Lorna Paterson. 20th Century,Children,Contemporary,Contest,Festival,Instructional. Score. 10 pages. Lorna E. Paterson #698124. Published by Lorna E. Paterson (A0.1094023). Hot off the Press digital download includes parts for 2 students and teacher. This quick moving duet has a surprise dynamic and tempo change. Its fun to play and exciting to hear. Hot off the Press was originally published in a duet album called Nothing Up my Sleeve by Lorna Paterson. Other duets available: Nocturne, Petite Waltz and Nothing Up My Sleeve. www.lornapaterson.com.
$3.50 ≈
¥25.22
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
¥172.87
The European Anthem
The European Anthem
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Orchestre
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Classique
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Methodes
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Ludwig van Beethoven
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Herbert von Karajan
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The European Anthem
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Schott Music - Digital
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SheetMusicPlus
Orchestra - Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven (1770-1827). Arranged by Herbert von Karajan. This ...
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Orchestra - Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven (1770-1827). Arranged by Herbert von Karajan. This edition: score. Downloadable. Duration 2 minutes 15 seconds. Schott Music - Digital #Q2742. Published by Schott Music - Digital
The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823.
In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers - a vision Beethoven shared with him.
In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions - for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for.
In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity.
The score of this offical anthem is exclusively available from the Schott publishing house.
$17.99 ≈
¥129.63
The European Anthem
The European Anthem
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Piano Facile
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FACILE
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Classique
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Ludwig van Beethoven
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Herbert von Karajan
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The European Anthem
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Schott Music - Digital
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SheetMusicPlus
Piano - Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven (1770-1827). Arranged by Herbert von Karajan. This edit...
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Piano - Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven (1770-1827). Arranged by Herbert von Karajan. This edition: Sheet music. Downloadable. Schott Music - Digital #Q2455. Published by Schott Music - Digital
The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823.
In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers - a vision Beethoven shared with him.
In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions - for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for.
In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity.
The score of this offical anthem is exclusively available from the Schott publishing house.
$6.99 ≈
¥50.37
The European Anthem
The European Anthem
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Violoncelle (partie séparée)
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Classique
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Ludwig van Beethoven
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Herbert von Karajan
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The European Anthem
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Schott Music - Digital
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SheetMusicPlus
Cello - SKU: S9.Q2747 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. This...
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Cello - SKU: S9.Q2747 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. This edition: separate part. Downloadable, Individual part. Duration 2' 15. Schott Music - Digital #Q2747. Published by Schott Music - Digital (S9.Q2747). The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house.
$4.99 ≈
¥35.96
The European Anthem
The European Anthem
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Violon (partie séparée)
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Classique
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Ludwig van Beethoven
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Herbert von Karajan
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The European Anthem
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Schott Music - Digital
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SheetMusicPlus
Violin I - SKU: S9.Q2744 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. T...
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Violin I - SKU: S9.Q2744 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. This edition: separate part. Downloadable, Individual part. Duration 2' 15. Schott Music - Digital #Q2744. Published by Schott Music - Digital (S9.Q2744). The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house.
$4.99 ≈
¥35.96
The European Anthem
The European Anthem
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Violon (partie séparée)
#
Classique
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Ludwig van Beethoven
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Herbert von Karajan
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The European Anthem
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Schott Music - Digital
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SheetMusicPlus
Violin II - SKU: S9.Q2745 Music from the last movement of the Ninth Symphony L'Hymne Européen. Composed by Ludwig van Beethoven. Arranged by H...
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Violin II - SKU: S9.Q2745 Music from the last movement of the Ninth Symphony L'Hymne Européen. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. This edition: separate part. Downloadable, Individual part. Duration 2' 15. Schott Music - Digital #Q2745. Published by Schott Music - Digital (S9.Q2745). The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house.
$4.99 ≈
¥35.96
The European Anthem
The European Anthem
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Classique
#
Ludwig van Beethoven
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Herbert von Karajan
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The European Anthem
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Schott Music - Digital
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SheetMusicPlus
Symphonic Orchestra - SKU: S9.Q2743 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von...
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Symphonic Orchestra - SKU: S9.Q2743 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. This edition: wind parts. Parts. Duration 2' 15. Schott Music - Digital #Q2743. Published by Schott Music - Digital (S9.Q2743). The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house.
$22.99 ≈
¥165.66
The European Anthem
The European Anthem
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Classique
#
Ludwig van Beethoven
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Herbert von Karajan
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The European Anthem
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Schott Music - Digital
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SheetMusicPlus
Double Bass - SKU: S9.Q2748 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan...
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Double Bass - SKU: S9.Q2748 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. This edition: separate part. Downloadable, Individual part. Duration 2' 15. Schott Music - Digital #Q2748. Published by Schott Music - Digital (S9.Q2748). The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house.
$4.99 ≈
¥35.96
The European Anthem
The European Anthem
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Alto (partie séparée)
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Classique
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Ludwig van Beethoven
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Herbert von Karajan
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The European Anthem
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Schott Music - Digital
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SheetMusicPlus
Viola - SKU: S9.Q2746 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. This...
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Viola - SKU: S9.Q2746 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. This edition: separate part. Downloadable, Individual part. Duration 2' 15. Schott Music - Digital #Q2746. Published by Schott Music - Digital (S9.Q2746). The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house.
$4.99 ≈
¥35.96
The European Anthem
The European Anthem
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Orchestre d'harmonie
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Classique
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Ludwig van Beethoven
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Herbert von Karajan
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The European Anthem
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Schott Music - Digital
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SheetMusicPlus
Wind band - SKU: S9.Q2749 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. ...
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Wind band - SKU: S9.Q2749 Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. This edition: set of parts. Downloadable, Set of parts. Duration 2' 15. Schott Music - Digital #Q2749. Published by Schott Music - Digital (S9.Q2749). The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house.(1 Piccolo-Flöte, 2 Flöten, 2 Oboen, 2 Fagotte, 1 Kontrafagott, 1 Klarinette in Es, 3 Klarinetten in B, 1 Bass-Klarinette in B, 2 Alt-Saxophone in Es, 1 Tenor-Saxophon in B, 1 Bariton-Saxophon in Es, 3 Trompeten in B, 2 Kornette in B, 2 Hörner in F, 3 Posaunen, 2 Flügelhörner in B, 3 Tenorhörner in B, 1 Bariton, 2 Tuben, Pauken, Kontrabass).
$47.99 ≈
¥345.81
Day Time Impressions
Day Time Impressions
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Piano seul
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INTERMÉDIAIRE
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href=https://youtu
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Sarah Baker
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Day Time Impressions
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Forsyth Brothers Ltd
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. P...
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Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. Published by Forsyth Brothers Ltd (A0.1241720). Suitable for players of around grade 4-5 standard, these evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!Sarah Baker is Vocal Composer in Residence for Services at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events. All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills.Contents:Air Balloon!Buzzards CirclingThere’s a Cow in the Garden Eating the FlowersWatching the World Go ByAutumn SkiesFriendsSnake in the PondMorning CommuteThe Witch's CottageComposer’s NotesAir Balloon! One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front!  It was both terrifying and exhilarating to watch the balloon float past and then land so near by.Buzzards Circling There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.There’s A Cow In The Garden Eating The Flowers Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child. The final phrase articulates my longing: ‘I wish it would come again’.Watching The World Go By A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.Autumn Skies A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone.Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.Snake In The Pond One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again.Morning Commute I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.The Witch’s Cottage My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up.Sarah Baker2023.
$9.99 ≈
¥71.99
On the Seashore of Endless Worlds (SATB Choir)
On the Seashore of Endless Worlds (SATB Choir)
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Chorale SATB
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INTERMÉDIAIRE
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Colin Kirkpatrick
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On the Seashore of Endless Wor
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #60285...
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Choral Choir (SATB) - Level 3 - SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #6028587. Published by Colin Kirkpatrick Publications (A0.522260). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple units of two and three beats.The choral score contains a piano reduction of the orchestral score. The full orchestral score and parts are available separately from SMP. The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. A high-quality audio file containing the orchestral accompaniment is also available.The words are by the distinguished and much-loved Bengali poet Rabindranath Tagore (1861-1941). He made significant contributions to literature and wrote a prodigious number of works including essays, philosophical treatises, journals, memoirs, short stories and letters. The text of this work is taken from two poems in the book entitled Gitanjali. The title is translated as Song Offerings and was largely responsible for Tagore winning the Nobel Prize for Literature. The book contains over one hundred poems, translated freely by the author into English from the original Bengali, published in 1910. The English version appeared in 1912 published by the Indian Society of London. The text has been adapted slightly for this choral setting.Colin Kirkpatrick has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester and Belwin Mills. His music has been performed and broadcast world-wide.
$3.99 ≈
¥28.75
National Anthems
National Anthems
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Piano Facile
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FACILE
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Patriotique
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National Anthems
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Schott Music - Digital
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SheetMusicPlus
Piano solo or with voice - easy to intermediate - 50 Hymns. This edition: Sheet music. Fussball, Weltmeisterschaft, Hymnen. Downloadable. Schott Mus...
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Piano solo or with voice - easy to intermediate - 50 Hymns. This edition: Sheet music. Fussball, Weltmeisterschaft, Hymnen. Downloadable. Schott Music - Digital #Q20296. Published by Schott Music - Digital
German - English - French.
National anthems are an integral part of official receptions and play an important role at major events such as the Olympic Games or World Championships. Most anthems date from the 18-20th centuries and are often an essential part of the political and cultural development of a country, e.g. on its way to independence or democracy. At the same time, the anthem conveys a sense of community and is a means to express identification with one's home country.
This edition contains 50 national anthems from all over the world, with original melody and chord symbols, complete texts in the original language as well as a transliteration .for the more .exotic languages. Now available in a revised second edition, the volume is completed by interesting information on the respective countries as well as on the composers and text writers of the hymns. This edition .encourages people to get to know the multitude of different national anthems and to sing along with the text.
$17.99 ≈
¥129.63
The Enchanted Wanderer
The Enchanted Wanderer
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Rodion Shchedrin
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II: Röhrengl
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The Enchanted Wanderer
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Schott Music - Digital
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SheetMusicPlus
Mezzo-soprano, tenor, bass, mixed choir and orchestra - SKU: S9.Q23952 Opera for the concert stage. Composed by Rodion Shchedrin. This edition: v...
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Mezzo-soprano, tenor, bass, mixed choir and orchestra - SKU: S9.Q23952 Opera for the concert stage. Composed by Rodion Shchedrin. This edition: vocal/piano score. Downloadable, vocal/piano score. Duration 85 minutes. Schott Music - Digital #Q23952. Published by Schott Music - Digital (S9.Q23952). Russian.Shchedrin's concert opera 'The Enchanted Wanderer' has quickly taken a permanent place in the musical canon. Now the piano score of the successful and impressive work is being published. Deep Slavonic emotions and gripping virtuosity characterize both this piece and many other compositions by Shchedrin. Even if he has been a cosmopolitan for a long time, the Moscow-born composer nevertheless remains an originally Russian composer whose attachment to Russian music folklore and poetry has never been broken off. The text of this 'opera for the concert stage' is based on a legend by the great Russian narrator Nikolay S. Leskov and tells the story of an enchanted pilgrim. The dramatic action is told by three vocal soloists, large choir and orchestra in colourful musical pictures.2 (auch Altfl. u. Picc.) · 2 Blfl. · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 2 · 2 - P. S. (I: 10 Cup Bells · kl. Tr. · hg. Crot. · Choclo · Guiro; II: Röhrengl. · Sonagli [Troika] · Whistle · Tamb. · Choclo · 4 Bong. · Guiro; III: Sonagli · Cup Bell · hg. Beck. · Hi-Hat · 3 Gongs · Tamb. · kl. Tr. · Clav. · Wind Chimes · Boat hooter · Marimba; IV: Tamt · Glass Chimes · gr. Tr. · Mar. · Boat hooter; V: 3 Gongs · gr. Tr. · Boat hooter · Sega · Whistle · Donnerblech) (5 Spieler) - Balalaika · Gusli · Hfe. · Klav. (auch Cel. u. Cemb.) - Str.
$55.99 ≈
¥403.45
The Enchanted Wanderer
The Enchanted Wanderer
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Rodion Shchedrin
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II: Röhrengl
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The Enchanted Wanderer
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Schott Music - Digital
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SheetMusicPlus
Mezzo-soprano, tenor, bass, mixed choir and orchestra - SKU: S9.Q48824 Opera for the concert stage - Russian Edition. Composed by Rodion Shchedri...
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Mezzo-soprano, tenor, bass, mixed choir and orchestra - SKU: S9.Q48824 Opera for the concert stage - Russian Edition. Composed by Rodion Shchedrin. This edition: vocal/piano score. Downloadable, vocal/piano score. Duration 85 minutes. Schott Music - Digital #Q48824. Published by Schott Music - Digital (S9.Q48824). Russian.Shchedrin's concert opera 'The Enchanted Wanderer' has quickly taken a permanent place in the musical canon. Now the piano score of the successful and impressive work is being published. Deep Slavonic emotions and gripping virtuosity characterize both this piece and many other compositions by Shchedrin. Even if he has been a cosmopolitan for a long time, the Moscow-born composer nevertheless remains an originally Russian composer whose attachment to Russian music folklore and poetry has never been broken off. The text of this 'opera for the concert stage' is based on a legend by the great Russian narrator Nikolay S. Leskov and tells the story of an enchanted pilgrim. The dramatic action is told by three vocal soloists, large choir and orchestra in colourful musical pictures.2 (auch Altfl. u. Picc.) · 2 Blfl. · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 2 · 2 - P. S. (I: 10 Cup Bells · kl. Tr. · hg. Crot. · Choclo · Guiro; II: Röhrengl. · Sonagli [Troika] · Whistle · Tamb. · Choclo · 4 Bong. · Guiro; III: Sonagli · Cup Bell · hg. Beck. · Hi-Hat · 3 Gongs · Tamb. · kl. Tr. · Clav. · Wind Chimes · Boat hooter · Marimba; IV: Tamt · Glass Chimes · gr. Tr. · Mar. · Boat hooter; V: 3 Gongs · gr. Tr. · Boat hooter · Sega · Whistle · Donnerblech) (5 Spieler) - Balalaika · Gusli · Hfe. · Klav. (auch Cel. u. Cemb.) - Str.
$55.99 ≈
¥403.45
We're Forgiven (God of Grace)
We're Forgiven (God of Grace)
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Piano, Voix
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DÉBUTANT
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Musique Sacrée
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Lisa Waites
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We're Forgiven
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Servant Song Music and Ministry
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.921766 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Score. 1 pages. Servant Song Music an...
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Piano,Vocal,Voice - Level 1 - SKU: A0.921766 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Score. 1 pages. Servant Song Music and Ministry #6617305. Published by Servant Song Music and Ministry (A0.921766). This short, accessible piece of worship music was written as a liturgical response for use during Christian services during the Advent/Christmas/Epiphany seasons of the church calendar. It returns the work of the people TO the people, placing these musical Words of Assurance into the mouths and hearts of the congregation and/or choir, rather than having the minister alone speaking the words of absolution/assurance after the Prayer of Confession. Set in a simple key for beginning accompanists and including chord charts for guitarists (or pianists who prefer to play by reading the melody notes in the RH and playing by chord symbol with their LH), this song has been set in a perfect vocal range for congregational voices and/or church choirs. Melody and harmony parts have been included in the score so that you can divide into soprano/alto parts if you'd like to, but the piece works equally well if you stick to the melody alone. Non-liturgical churches have also appreciated this piece as a way for congregants to respond musically to services on themes such as God's Grace, Forgiveness, Reconciliation, Prodigals, Mercy, and also throughout Advent or whenever the pastor is focusing on themes of Hope, Peace, Joy, Love, etc. Published by Servant Song Music & Ministry, this piece is hot off the press for use in Advent 2021, but watch for an SATB Choral version to follow at Sheet Music Plus in the next week or two! There is also a video available on YouTube at https://youtu.be/orgm6VuEJVo which you are free to use for digital or hybrid worship services. The lyrics are Closed Captioned, so your people can learn to sing the piece in rhythm with the piano accompaniment. .
$2.99 ≈
¥21.55
Expressions
Expressions
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Orgue
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FACILE
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Naji Hakim
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Expressions
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Schott Music - Digital
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SheetMusicPlus
Organ - easy - SKU: S9.Q48055 Composed by Naji Hakim. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q48055. Publi...
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Organ - easy - SKU: S9.Q48055 Composed by Naji Hakim. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q48055. Published by Schott Music - Digital (S9.Q48055). Written in harmonic style of the twentieth century, these Expressions are contrasted liturgical pieces: prelude, postlude, offertory & communion. The fifteen movements can be linked in a free order, allowing the organist to adapt the duration of his performance to the liturgical service.
$16.99 ≈
¥122.43
Fantaisie facile sur l’Opéra de Rossini “Le Barbier de Séville”
Fantaisie facile sur l’Opéra de Rossini “Le Barbier de Séville”
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Violoncelle, Piano
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Classique
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Jacques Offenbach
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he died in Paris on 5
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Fantaisie facile sur l’O
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - SKU: S9.Q53291 Op. 71. Composed by Jacques Offenbach. Edited by Beverley Ellis and Rainer Mohrs. Thi...
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Cello and piano - intermediate to advanced - SKU: S9.Q53291 Op. 71. Composed by Jacques Offenbach. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 71. 15 pages. Schott Music - Digital #Q53291. Published by Schott Music - Digital (S9.Q53291). English • German.Jacques Offenbach, son of a Jewish cantor, was born in Cologne on 20.6.1819; he died in Paris on 5.10.1880. In 1833 his father took his fourteen-year-old son to the Paris Conservatoire, where the director Luigi Cherubini was impressed by his cello playing and accepted him as a student, even though foreign candidates were not normally admitted there. Offenbach then changed his first name ‘Jacob’ to ‘Jacques’. From 1835 he worked as a cellist at the Paris Opéra comique, making ends meet by teaching and performing. From 1850 to 1855 he was Director of Music at the Théâtre Français. He then found his own theatre to rent in Paris and put on highly successful productions of his operetta Orpheus in the Underworld (1858) and other stage works. During his lifetime he had twenty cello compositions published by Schott, among them the tutorial method Cours Méthodique de Duos pour deux Violoncelles op. 49 and various operatic arrangements for cello and piano based on themes by Bellini, Donizetti, Mozart and others - including this Fantaisie facile sur l’Opéra de Rossini: Le Barbier de Seville op. 71 in 1856 (plate no. 11461).
$3.99 ≈
¥28.75
Joy of Music – Discoveries from the Schott Archives
Joy of Music – Discoveries from the Schott Archives
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Various
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Joy of Music – Discoveries f
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Schott Music - Digital
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SheetMusicPlus
Virtuoso and Entertaining Pieces for Piano. Composed by Various. Edited by Robert Schafer and Wilhelm Ohmen. This edition: Sheet music. Virtuoso instr...
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Virtuoso and Entertaining Pieces for Piano. Composed by Various. Edited by Robert Schafer and Wilhelm Ohmen. This edition: Sheet music. Virtuoso instrumental music - Piano - Anthology. Joy of Music. Virtuose und unterhaltsame Stücke für Klavier. Classical. Downloadable. 152 pages. Schott Music - Digital #Q53306. Published by Schott Music - Digital
English ? German.
To mark its 250th anniversary, the Schott publishing house has dug up and reedited treasures from its historical publishing archives. This anthology is aimed at professional musicians and advanced amateurs interested in interesting new discoveries off the standard repertoire. It mainly contains works from the Romantic era: virtuoso pices de rsistance and encores, expressive character pieces, gems of salon music or elaborate arrangements of well-known (opera) melodies. Many of the original compositions and arrangements were written by major piano virtuosos of the 19th century. "The book has been excellently produced?the clarity of the notation is exceptional?Schott?s Joy of Music will surely appeal to any advanced player looking for less familiar gems, delivering rarified treasures aplenty!" ? Andrew Eales, Pianodao.
$23.99 ≈
¥172.87
Two Hot to Handle (duet for Clarinet and Bass Clarinet)
Two Hot to Handle (duet for Clarinet and Bass Clarinet)
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2 Clarinettes (duo)
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INTERMÉDIAIRE
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Classique
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Anthony Giamanco
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Two Hot to Handle
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Whole Tone Press
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SheetMusicPlus
Instrumental Duet B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 3 - SKU: A0.773817 Composed by Anthony Giamanco. Blues,Jazz,Standards. ...
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Instrumental Duet B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 3 - SKU: A0.773817 Composed by Anthony Giamanco. Blues,Jazz,Standards. Score and parts. 12 pages. Whole Tone Press #5719663. Published by Whole Tone Press (A0.773817). Bold, jazzy, and just plain fun to play! This clever duet for Bb Clarinet and Bass Clarinet will be the highlight of any recital or concert. So cool it's HOT! Designed for intermediate players, both youth and adults. With its funky, bluesy bass line provided by the bass clarinet, and the blues-heavy melody supplied by the B-flat clarinet, this thing takes off from the get-go! The primary sections are played straight, but the middle section goes into full swing -- just for variety. Audiences won't be able to keep from snapping their fingers and tapping their feet...the piece is THAT catchy!! Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$3.50 ≈
¥25.22
Two Hot to Handle (duet for Trombone and Tuba)
Two Hot to Handle (duet for Trombone and Tuba)
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Trombone, Tuba (duo)
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INTERMÉDIAIRE
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Anthony Giamanco
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Two Hot to Handle
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Whole Tone Press
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Tuba - Level 3 - SKU: A0.773820 Composed by Anthony Giamanco. Blues,Concert,Jazz,Standards. Score and parts...
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Instrumental Duet Instrumental Duet,Trombone,Tuba - Level 3 - SKU: A0.773820 Composed by Anthony Giamanco. Blues,Concert,Jazz,Standards. Score and parts. 11 pages. Whole Tone Press #5720359. Published by Whole Tone Press (A0.773820). Bold, jazzy, and just plain fun to play! This clever duet for Trombone and Tuba will be the highlight of any recital or concert. So cool it's HOT! Designed for intermediate + players, both youth and adults. With its funky, bluesy bass line provided by the tuba, and the blues-heavy melody supplied by the trombone, this thing takes off from the get-go! The primary sections are played straight, but the middle section goes into full swing -- just for variety. Audiences won't be able to keep from snapping their fingers and tapping their feet...the piece is THAT catchy!! Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$3.25 ≈
¥23.42
TWO HOT TO HANDLE (clarinet & bassoon)
TWO HOT TO HANDLE (clarinet & bassoon)
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Anthony Giamanco
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TWO HOT TO HANDLE
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Whole Tone Press
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SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Bassoon,Instrumental Duet - Level 4 - SKU: A0.826374 Composed by Anthony Giamanco. Contemporary,Contest,Festival,Jazz,...
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Instrumental Duet B-Flat Clarinet,Bassoon,Instrumental Duet - Level 4 - SKU: A0.826374 Composed by Anthony Giamanco. Contemporary,Contest,Festival,Jazz,Latin,Multicultural,World. Score and parts. 17 pages. Whole Tone Press #433196. Published by Whole Tone Press (A0.826374). Bold, jazzy, and just plain fun to play! This clever duet for Bb Clarinet and Bassoon will be the highlight of any recital or concert. So cool it's HOT! Designed for intermediate + players, both youth and adults. With its funky, bluesy bass line provided by the bassoon, and the blues-heavy melody supplied by the B-flat clarinet, this thing takes off from the get-go! The primary sections are played straight, but the middle section goes into full swing -- just for variety. Audiences won't be able to keep from snapping their fingers and tapping their feet...the piece is THAT catchy!! Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces can also be purchased through ArrangeMe.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$3.25 ≈
¥23.42
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