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Presto (Mozart K522 - theme from The Horse Of The Year Show) - 3 guitars/large ensemble
Presto (Mozart K522 - theme from The Horse Of The Year Show) - 3 guitars/large ensemble
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Classique
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Wolfgang Amadeus Mozart
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Derek Hasted
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Presto
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.1074681 Composed by Wolfgang Amadeus Mozart. Arranged by Derek Hasted. Classical,Film/TV. Score and parts. 18...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.1074681 Composed by Wolfgang Amadeus Mozart. Arranged by Derek Hasted. Classical,Film/TV. Score and parts. 18 pages. Derek Hasted #678951. Published by Derek Hasted (A0.1074681). PRESTO (Mozart K522) The Horse Of The Year Show TV Theme - 3 GUITARS OR LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is part of the fourth movement - Presto - of Mozart’s K522 for string quartet and two horns. It’s commonly known as “A Musical Jokeâ€, though the correct translation is “Some Musical Funâ€. In the UK, a sanitised version with added drumbeat and electric bass was used as the TV theme music to “The Horse Of The Year Showâ€. My arrangement has just some of the thematic material of the original, yet still fills a music stand. An optional repeat extends the piece to a little over 3 minutes. Mozart intended the piece as a showcase of how NOT to write, and the Presto contains some extraordinary and modern-sounding key changes as well as some rather odd counterpoint. The original Presto finishes with an unexpected burst into 4 different keys, all sounding together after one of the longest build-ups to an ending you’ll ever hear. My setting for 3 guitars ends in 3 of the 4 keys that Mozart burst into. Most audiences would probably associate this with a catastrophic disaster, so I’ve included a second ending that stays in key for a nice happy ending! Rather than the isolated quavers (eighth notes) and rests, I’ve used staccato marks to make a version that is much easier to read yet has exactly the same articulation. I hope you enjoy this piece!
$2.99 ≈
2.73€
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
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Piano Facile
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DÉBUTANT
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Classique
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Various
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20 Classical Piano Pieces for
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Scott Camp
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SheetMusicPlus
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by S...
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music.
In my experience, every elementary piano student should be given the opportunity to successfully play:
Spinning Song (even if you leave out the middle section at first)
Minuet in G (page one)
Fur Elise (page one)
Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection.
All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions.
"Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.
Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening.
So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior.
If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly.
"Practice Makes... "
If you said "Perfect" then you've fallen into a sinister trap.
"Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career.
Here's the process in general:
Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?
That's something for us professionals to consider.
Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!
Contents
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G minor from the Notebook for Anna Magdalena Bach
Musette in D from the Notebook for Anna Magdalena Bach
Minuet in F Wolfgang Amadeus Mozart
Ecossaise in G Ludwig van Beethoven
Sonatina in G Ludwig van Beethoven
I Allegretto
II Romanze
Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler
I Allegro
The Wild Horseman, Op. 68, No. 8 Robert Schumann
Fur Elise (Famous Page 1) Ludwig van Beethoven
Spinning Song, Op. 14, No. 4 Albert Elmenreich
Arabesque, Op. 100, No. 2 Friedrich Burgmller
Ballade, Op. 100, No. 15 Friedrich Burgmller
Solfeggietto Carl Philipp Emanuel Bach
Toccatina, Op. 27, No. 12 Dmitri Kabalevsky
Fur Elise (Complete) Ludwig van Beethoven
Sonatina, Op. 55, No. 1 Friedrich Kuhlau
I Allegro
Sonatina, Op. 36, No. 3 Muzio Clementi
I Spiritoso
La Vlocit, Op. 109, No. 10 Friedrich Burgmller
These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering.
The hand position notation is used to better communicate what exactly is being demanded of the student. Students? repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores ?playing music on the piano? to primacy and supports ?helping a student play music on the piano? as the central activity of the piano lesson.
Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.
Good luck!
Scott Camp
scottcampislandpiano@gmail.com
$3.99 ≈
3.65€
A people belonging to God
A people belonging to God
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Chorale SATB
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INTERMÉDIAIRE
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1 Peter 2 and Peter Burton
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A people belonging to God
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Peter Burton Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1322696 Composed by 1 Peter 2 and Peter Burton. Christian,Classical,Sacred. 11 pages. Peter Burton Music ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1322696 Composed by 1 Peter 2 and Peter Burton. Christian,Classical,Sacred. 11 pages. Peter Burton Music #910979. Published by Peter Burton Music (A0.1322696). This piece is based on the famous text from 1 Peter 2:4-10 with the well-known verse - But you are a chosen people, a royal priesthood, a holy nation, a people belonging to God. It reminds us that, however ordinary we feel, we are special in God's eyes. It was written for the commissioning of the new building for Dundonald Church, Rayne's Park and was first performed at a Come and Sing in October 2022. It is scored for SATB choir and keyboard.
$1.99 ≈
1.82€
Vals Venezolano No.2 'Andreina' for Spanish Classical Guitar
Vals Venezolano No.2 'Andreina' for Spanish Classical Guitar
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Guitare
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Vals Venezolano No.2 'Andreina
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1442768 By Keith Terrett. By Antonio Lauro Edited Keith Terrett. Arranged by Keith Terrett. Classical,Contemporary,Instr...
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Solo Guitar - Level 3 - SKU: A0.1442768 By Keith Terrett. By Antonio Lauro Edited Keith Terrett. Arranged by Keith Terrett. Classical,Contemporary,Instructional,Latin,Multicultural,World. Individual part. 4 pages. Keith Terrett #1022744. Published by Keith Terrett (A0.1442768). Vals Venezolano No. 2 or 'Andreina' as it is also known belongs to a set of waltzes composed by the Venezuelan classical guitarist & composer extraordinaire Antonio Lauro. This particular piece belongs to a collection of his waltzes known rather unimaginatively as 'Quattro Vals Venezolanos' or 'Four Venezuelan Waltzes' probably named by the original publisher.Antonio Lauro (August 3, 1917 – April 18, 1986) was a Venezuelan musician, considered to be one of the foremost South American composers for the guitar in the 20th century.The works of Antonio Lauro have long been very popular with guitarists worldwide, yet there have been few recordings devoted exclusively to him. However, several recordings by Adam Holzman, John Williams (guitarist) and David Russell have been issued. John Williams is quoted as having referred to Antonio Lauro as being the Strauss of the guitar. Another recording worth mentioning, A Tribute to Antonio Lauro by Thomas Cronin (guitarist), recorded initially for Irish National Radio on the RTE label, gained great appeal with Venezuelans worldwide.Additionally, Lauro's masterpieces have been the core of studies, workshops and Masters in universities all around the World.
$1.99 ≈
1.82€
'Introduction and Elegy' from Five Longer Piano Pieces
'Introduction and Elegy' from Five Longer Piano Pieces
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Piano seul
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FACILE
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Contemporain
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Charles McCreery
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'Introduction and Elegy' from
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St Maur Music
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1007136 Composed by Charles McCreery. 20th Century,Contemporary. Score. 9 pages. St Maur Music #3538153. Published by St ...
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Piano Solo - Level 2 - SKU: A0.1007136 Composed by Charles McCreery. 20th Century,Contemporary. Score. 9 pages. St Maur Music #3538153. Published by St Maur Music (A0.1007136). This piece is the penultimate number in the collection: Five Longer Piano Pieces. Duration: 5 minutes. Difficulty: Intermediate (Grade 3)Appropriate for schools and students. ‘Charles McCreerys beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ - Samantha Gillogly, violinist Charles McCreery was educated at Eton and New College, Oxford. While at Eton he won the Rowe Cup for junior pianists, and in his final year performed Weber's Konzertstück with a chamber orchestra. As an undergraduate he studied piano with Hilda Bor, and won a piano class, adjudicated by Herbert Howells, at the Willesden Music Festival. From 1988 to 1991 he held a Perrott Warrick Studentship from Trinity College, Cambridge, and he has a doctorate from Oxford University. From 1996 to 2000 he was a College Lecturer at Magdalen College, Oxford. In 1996 Charles McCreery's 'Elegy for Violin and Piano' was shortlisted for the Match Composition Prize. A comment on Charles McCreery’s collection of Tolkien songs: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved.’ - Dr Julia Gasper, LGSM A bound and illustrated vocal score (voice parts with piano accompaniment) of the complete set of his ‘Fourteen Tolkien Songs for Childrens Voices’ is available from Amazon:http://www.amazon.com/Fourteen-Tolkien-Songs-Childrens-Voices/dp/1492187534 A CD of twelve of Charles McCreery’s orchestral pieces can also be purchased from Amazon:http://www.amazon.com/Music-King-Eldred-opera-children/dp/B00LWEEMHA/ref=sr_1_1?s=music&ie=UTF8&...... Individual tracks from the CD can be purchased here: https://stmaurmusic.bandcamp.com/Charles McCreery’s Social Media Channels:Facebook: https://www.facebook.com/charles.mccreeryhttps://www.facebook.com/St-Maur-Music-164619846916182/https://www.facebook.com/Tolkien-Songs-for-Childrens-Voices-259698587390960/Twitter:
$3.99 ≈
3.65€
The Longest Time
The Longest Time
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Comédie Musicale
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Billy Joel
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Keith Murray
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The Longest Time
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Keith Murray
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1040041 By Billy Joel. By Billy Joel. Arranged by Keith Murray. Broadway,Musical/Show,Pop. Guitar Tab. 4 pages. Keith Murray ...
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Guitar - Level 3 - SKU: A0.1040041 By Billy Joel. By Billy Joel. Arranged by Keith Murray. Broadway,Musical/Show,Pop. Guitar Tab. 4 pages. Keith Murray #644871. Published by Keith Murray (A0.1040041). Arranged for solo fingerstyle or classical guitar in standard tuning.
$4.99 ≈
4.56€
Throwing The Dice
Throwing The Dice
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Piano seul
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AVANCÉ
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Contemporain
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Isadar
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Throwing The Dice
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Neo- Classical, Activities and Games, Recital, New Age. Sheet Music Single. 9 pag...
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Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Neo- Classical, Activities and Games, Recital, New Age. Sheet Music Single. 9 pages. Published by Mainya Music Publishing (BMI)
Contains:
"Throwing The Dice"
- taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP)
Sounds like: Liz Story's ("Things With Wings"), Philip Aaberg, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)
Album & Songbook Review by: Kathy Parsons
I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar?s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.
The first three tracks are lively and upbeat (?Active Imagination?, ?Throwing the Dice?, and ?Where the Wild Things Are?) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on ?Wild Things? is infectious.
From there, the mood seems to gradually darken and become more introspective. ?Waiting? is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar?s cover of Liz Story?s ?Wedding Rain? is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar?s interpretation of the piece seems right without being a carbon-copy of Liz?s recording.
?Feu Follet (the ?spook? light?)? has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. ?Uncertainty? is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. ?Love Chaconne? is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a ?chaconne?). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.
Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!
Active Imagination Sheet Music Collection is the companion songbook to Isadar?s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of ?Wind and Wire? magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.
One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, ?Throwing the Dice,? ?Where the Wild Things Are,? and ?Feu Follet (the ?spook? light).? ?Waiting,? ?Love Chaconne,? and ?Uncertainty? are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story?s ?Wedding Rain,? but the sheet music for that song is available in some of Ms. Story?s own collections.
Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.
If you haven?t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99 ≈
5.48€
Waiting
Waiting
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Isadar
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Waiting
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Early Intermediate - Digital Download Composed by Isadar. Contemporary Classical, Neo- Classical, Spiritual, Recital, New Age. Sheet Musi...
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Piano Solo - Early Intermediate - Digital Download Composed by Isadar. Contemporary Classical, Neo- Classical, Spiritual, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing (BMI)
Contains:
"Waiting"
- taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)
Album & Songbook Review by: Kathy Parsons
I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar?s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.
The first three tracks are lively and upbeat (?Active Imagination?, ?Throwing the Dice?, and ?Where the Wild Things Are?) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on ?Wild Things? is infectious.
From there, the mood seems to gradually darken and become more introspective. ?Waiting? is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar?s cover of Liz Story?s ?Wedding Rain? is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar?s interpretation of the piece seems right without being a carbon-copy of Liz?s recording.
?Feu Follet (the ?spook? light?)? has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. ?Uncertainty? is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. ?Love Chaconne? is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a ?chaconne?). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.
Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!
Active Imagination Sheet Music Collection is the companion songbook to Isadar?s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of ?Wind and Wire? magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.
One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, ?Throwing the Dice,? ?Where the Wild Things Are,? and ?Feu Follet (the ?spook? light).? ?Waiting,? ?Love Chaconne,? and ?Uncertainty? are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story?s ?Wedding Rain,? but the sheet music for that song is available in some of Ms. Story?s own collections.
Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.
If you haven?t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$6.99 ≈
6.39€
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
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Orchestre
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INTERMÉDIAIRE
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Patriotique
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Manuel de Espinosa de los Mo
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Keith Terrett
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Spanish National Anthem for Sy
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Music for all Occasions
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SheetMusicPlus
Full Orchestra - Intermediate - Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, P...
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Full Orchestra - Intermediate - Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!
The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.
One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pfanos y Tambores que se tocan nuevamente en la Ynfant Espaola (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.
There is a false belief that Marcha Real?s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La Espaa militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espritu Pblico (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martn lvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II?s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.
According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II?s reign.
After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII?s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolom Prez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet Jos Mara Pemn in 1928.
The actual symphonic version of the Marcha Real that replaces the Prez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Prez Casas? Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.
Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873?74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931?1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country?s national anthem, under its old title of La Marcha Granadera.
Interpretation and etiquette:
Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.
The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.
Being the National Anthem, and in honor of the King and Queen of Spain, it?s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.
The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.
The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.
There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.
As the harmonization of the Marcha Real was written by Bartolom Prez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Prez Casas? estate in 1997 for 130,000,000 pesetas (~ ? 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.
As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00 ≈
35.67€
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99 ≈
1.82€
First Love - 1st Movement
First Love - 1st Movement
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Blaze Scheuerman
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First Love - 1st Movement
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Blaze Scheuerman
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 29 pages. Blaze Scheuerman #651902. Published by Blaze Scheuerman (A0.1047344). First love is inspired by my experience with the first partner I ever loved. It is also slightly inspired by Johann Sebastian Bach’s fugues from the Well Tempered Clavier and Muse’s song “Butterflies and Hurricanes†from the album “Absolutionâ€. It is meant to show the ups and downs of the relationship, especially how the more developed it got the more problems arose. It starts with a cloud-like scene meant to depict mild attraction. It then develops into infatuation in measure 21 as the main character gets to enjoy his experiences with his partner. It lasts for a little while as he finds newer and newer aspects of his partner that he enjoys. He then returns to a moment of stability with the restatement of the opening theme, and then tries again to get back into those moments of bliss. But this time something goes wrong. The character doesn’t quite realize it until it is too late, but a rift appears in the relationship. This is shown in the D Minor section, as the main character is sad and longing for things to go back to how they were, but is just stuck. After a while of trying different things, a settlement is reached and the two get closer again in the relationship, seen in measure 174. Except this time things are different, they are close to the bond shown earlier, except not quite there. This can be seen with the rearrangement of voices in regards to the melody, such as the cello having the melody except the violin in measure 190. Although the two try their best, the relationship once again reaches a rift between the two, seen with the reemergence of the D Minor section. They try once again to patch things up, but end up becoming unsuccessful and breaking apart. The final sections starting at measure 246 depict the sadness and anger that follow, before eventually reaching a resolution back into the home key of F Major.
$5.99 ≈
5.48€
Ausente [piano solo]
Ausente [piano solo]
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Juan MarÃa Solare
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Ausente [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.596539 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary. Score. 7 pages. Juan Maria Solare #3880115. P...
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Piano Solo - Level 4 - SKU: A0.596539 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary. Score. 7 pages. Juan Maria Solare #3880115. Published by Juan Maria Solare (A0.596539). Listen: https://soundcloud.com/juan-maria-solare/ausenteAusente (Abstent) is an atonal milonga. If Franz Liszt composed a Bagatelle without tonality, why not a milonga without tonality. This piece is placed somewhere between classical music and new tango. Moderator Louis Barabbas wrote about Ausente for the BBC blog Fresh On The Net nr. 305 (19 November 2018), http://freshonthenet.co.uk/2018/11/faves305 Described as 'somewhere between classical music and new tango' the artist’s phrasing here is telling: somewhere rather than something. For in Juan Maria Solare’s Ausente (absent) we are certainly transported. Each angular phrase jutting up like stone columns or distended stalactites in a limey cave. The trickling thrust of its furtive intent feels somehow elemental yet focused through an urban noir prism, drops of heavy water in varying temperatures, some icicles and some steam, shards of smoky light poking around slow moving fan blades and between the rusty teeth of ancient window grills, monstrous warped shadows cast up from humble orphaned minutiae. Music as beautiful and unsettling as it is hard to dance to. The idea of dancing this piece was a surprise for me, since tango music doesn't need to be danced to (you can also just listen to it). But if you wonder how this tango would appear danced, imagine it is not called tango but contemporary ballet rooted in tango - and suddenly you find ways of dancing it... provided an open-minded choreographer is on board! If someone wants to dance this music in the style of the tango of 1920, they will have a hard time. It would be like trying to dance Strawinsky's Le Sacre du printemps as if it were the Blue Danube Waltz. Juan MarÃa Solare http://www.JuanMariaSolare.com
$2.50 ≈
2.29€
Beethoven - Choral Fantasia Op80 (arr. Piano Quartet) (Full Score)
Beethoven - Choral Fantasia Op80 (arr. Piano Quartet) (Full Score)
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Classique
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L
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Tony Matthews
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Beethoven - Choral Fantasia Op
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Archway Publications
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - SKU: A0.945582 Composed by L. v. Beethoven. Arranged by Tony Matthews. Cl...
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Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - SKU: A0.945582 Composed by L. v. Beethoven. Arranged by Tony Matthews. Classical. Score and parts. 62 pages. Archway Publications #6331857. Published by Archway Publications (A0.945582). This Fantasia (or Fantasy) for piano, vocal soloists, chorus, and orchestra, Op. 80, was composed in 1808 by a 38 year old Beethoven.The Fantasia was hastily written to serve as the grand finale for a (personal) benefit concert on the 22nd December 1808 which included premiers of his 5th and 6th symphonies, the 4th Piano concerto and the Mass in C. Beethoven took the opportunity to use the forces available to make this comparatively short piece for piano, orchestra, and a choral finale where he, the soloist, could showoff just how good he was.Sadly, this work is seldom performed because who wants to hire a choir for just 2 minutes of music and an orchestra for not that much longer. This quintet version addresses this by allowing a much smaller ensemble to enjoy performing this utterly delightful work. The piano part is basically what Beethoven wrote, however it has been suitably modified in places to allow the piano to fit into the overall ensemble.
$4.99 ≈
4.56€
Beethoven Choral Fantasia Op80 arr. Piano Quartet (Set of Parts)
Beethoven Choral Fantasia Op80 arr. Piano Quartet (Set of Parts)
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Piano Quintette: piano, 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Tony Matthews
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Beethoven Choral Fantasia Op80
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Archway Publications
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.945599 Composed by Ludwig van Beethoven. Arranged by Tony Matthews. Classical,Contemporary,Ro...
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Piano Quintet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.945599 Composed by Ludwig van Beethoven. Arranged by Tony Matthews. Classical,Contemporary,Romantic Period. 84 pages. Archway Publications #6354529. Published by Archway Publications (A0.945599). This Fantasia (or Fantasy) for piano, vocal soloists, chorus, and orchestra, Op. 80, was composed in 1808 by a 38 year old Beethoven.The Fantasia was hastily written to serve as the grand finale for a (personal) benefit concert on the 22nd December 1808 which included premiers of his 5th and 6th symphonies, the 4th Piano concerto and the Mass in C. Beethoven took the opportunity to use the forces available to make this comparatively short piece for piano, orchestra, and a choral finale where he, the soloist, could showoff just how good he was.Sadly, this work is seldom performed because who wants to hire a choir for just 2 minutes of music and an orchestra for not that much longer. This quintet version addresses this by allowing a much smaller ensemble to enjoy performing this utterly delightful work. The piano part is basically what Beethoven wrote, however it has been suitably modified in places to allow the piano to fit into the overall ensemble.
$15.00 ≈
13.72€
Ernesto García de León - 20 Estudios (20 Studies), Op. 50 - Collected Works, Volume 2
Ernesto García de León - 20 Estudios (20 Studies), Op. 50 - Collected Works, Volume 2
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Guitare
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Methodes Etudes
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Ernesto Garcia de Leon
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Ernesto García de León - 20
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Michael Lorimer Editions
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SheetMusicPlus
Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Impressionistic. Score. 36 pages. Published by Michael Lorimer Editi...
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Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Impressionistic. Score. 36 pages. Published by Michael Lorimer Editions
Ernesto Garca de Len's 20 Studies, Op. 50 is an ingenious collection thataddresses fundamental questions about how to develop and maintain guitar technique. It is designed toserve guitar teachers and students as well as performers and concert audiences. Since it explores notjust the technique of our instrument, but its musicaland expressive aspects as well, it makes daily technical work enjoyable, not tedious?even for someone only beginning to study the guitar.
For guitar teachers and students, 20 Studies canserve as a basic curriculum or it can complementother methods or other sets of studies. For performers, it provides a complete overview and tune-up ofthe guitar technique in one graded set of daily studies that can be played in less than half an hour. Thiswarm-up then provides the player delicious concertrepertoire?as the complete set, or in smaller groups,or in combinations with other music by ErnestoGarca de Len.
These musical exercises are also useful to rectify,reform or rehabilitate the guitar technique.
The materials out of which the twenty studies aredeveloped are first idiomatic patterns of the guitarand then the variety of musical styles so appealing toand characteristic of Ernesto Garca de Len. For example, classic examples of the music of theCaribbean coastal basin in general and thecomposer's native state Veracruz in particular appearunvarnished in #12 (a rumba veracruzana) and #20(a son). The other studies blend elements of Mexicanmusic in general?songs of the revolution, nativedances, boleros, children's songs, and so forth?withelements of European classical music, Beatles, NewAge music, jazz and other musical styles, in a wayintended to appeal to the player and to the listener.
As the summary on pages 34 and 35 illustrates,the first sixteen studies explore basic formulas for theright hand. At the same time, they also address thefull range of left hand techniques?including balanceand positioning, independence of the fingers, longitudinal and transversal movements, shifts by substitution, by displacement, by jump, and by positions,barring, stretches and contractions, damping, pivoting, crossed movements, and movements with fixedfingers. The last four studies concern the slur.
Though each of the basic right- and left-hand formulas explored in the twenty studies is relativelysimple in itself, each is a building block of a solidtechnique. Mastery of the complete set of twentystudies?less than half an hour of music?integratesall the formulas and develops the technique to a levelat which an enormous range of the guitar repertoirebecomes available.
$16.95 ≈
15.50€
Solitude is Oneself [piano]
Solitude is Oneself [piano]
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Juan María Solare
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Solitude is Oneself [piano]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Juan María Solare. Contemporary Classical, Post-Romantic, Neo-Classical, Repertoire, Funeral. Score. ...
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Piano Solo - Intermediate - Composed by Juan María Solare. Contemporary Classical, Post-Romantic, Neo-Classical, Repertoire, Funeral. Score. 8 pages. Published by Juan Maria Solare
Solitudeis Oneself: Three piano pieces:
1 NeverUnderestimate the Difficulties of Simple Things
2 Too MuchBut Still Not Enough
3 Waitingfor Perfection is Waiting Forever
Tranquil, relaxing, "chill",minimalist, expressive music for solo piano.
You can "use" this music formeditation, study, learning, sleeping, relax or praying.
The phrase wherethe title (Solitude is Oneself)comes from belongs to Javier Adriz (1948-2011), Argentine poet, one ofmy best teachers and friends (the original Spanish reads "La soledad es uno mismo").
Don'tsee any negative aspects in Solitude. In Spanish there is only one word forSolitude and Loneliness (namely "Soledad"). Loneliness is a state ofisolation, without dialog, feeling abandoned and without external points ofreference. But I conceive Solitude as a highely creative state, in which one isfaced to what one actually wants to achieve, with one's thoughts, with one'sself.
NeverUnderestimate the Difficulties of Simple Things. Lots of times I have seenthis in several persons - and in myself: when something is simple, easy anduncomplicated, we tend to underestimate it too much and its hidden difficultiesend up tackling us. We leave to the last moment a text that seems easy tolearn, and we do not assimilate it as we could. Or a chess game that is(really) won, but we feel over-confident, we play with superficiality, we makeslight mistakes one after the other and loose control of the situation.
Thistitle can be understood as self-referent: this particular piano piece seems tobe simple... until you try to perform it really well and record it.
About the ArtWork / Cover Art of Solitudeis Oneself:
It shows a human face (concretely the composer's)faced simmetrically to its silhouette, in black. This illustration alludes tothe title: Solitude is Oneself. Is oneself (the person) facing his ownsolitude, his internal misterious being. A real human facing his own shadow. Itis not a negative shadow: is the shadow of which Shamanism speaks, the ownshadow from where one draws strength.
The music is dedicated to Mr. Cadmiel Prez from Repblica Dominicana.
Solitude isOneself was recorded by the composer and released as single on Friday 17August 2018 on Spotify, Deezer, Apple Music, Qobuz, Tidal, Amazon mp3 and nearly all streaming platforms you canimagine.
In Spotify is here:
https://open.spotify.com/album/6KffxzDSVYJqZuNEK3Bj0h
In Bandcamp is here:
https://juanmariasolare.bandcamp.com/album/solitude-is-oneself
If you readSpanish you can find more about this music here:
https://es.quora.com/blog/musica-neoclasica/La-soledad-es-uno-mismo-m%C3%BAsica-para-piano
$3.00 ≈
2.74€
La Folia in D Minor
La Folia in D Minor
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Jose Bravo
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La Folia in D Minor
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Jose Bravo
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SheetMusicPlus
Cello,Cembalo,Violin - Level 4 - SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published...
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Cello,Cembalo,Violin - Level 4 - SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published by Jose Bravo (A0.1224544). From the Composer:I committed last year (2022) to review my musical works that have been in digital storage, complete them as necessary, and release them for the world to hear. I finally finished my first work on this list, one that's been on my hard drive in one version or another since 1999 (that's 24 whole years!).Las Follias de España (which despite its name, originally came from Portugal) is a chord progression usually in either D minor or G minor in the form of i-V-i-VII-III-VII-i-V. Composers for the last 500 years have used this chord progression to come up with some fantastic theme and variations, ranging from unaccompanied works, trio sonatas, to even full orchestral implementations. You can spend a looooong time listening to all the beautiful compositions that composers have made over the centuries highlighting this very captivating set of chords.I humbly submit my own version of La Folia in D minor for String Trio and Cembalo (harpsichord). I wrote my first version of this in my senior year of High School as a challenge to myself to write music in a genre I loved. I made updates here and there over the years, but its sat on a hard drive the entire time. It's taken me months to essentially rework it to my satisfaction and has been submitted for copyright. I have uploaded it to YouTube to share with others.BIG SHOUT OUTS to the three composers that inspired me in this work:Corelli: - His version of La Folia is probably the most popular for violinists, especially those that play out of the Suzuki books. I included a modified version of his Folia (Variation 9) in my work (with all other parts being vastly different from his interpretation) as an homage to his work.J.S. Bach - He showed me that music can be as intelligent as it is beautiful. I have two variations inspired by his work. Variation 8 is one that I wrote this year (2023) which I wanted to write for a long time is a variation that showcases the Harpsichord. Bach's keyboard works and unaccompanied violin works inspired me here. Second, Variation 14 I feel has Bach's inspiration all over it. The violin parts are each playing separate distinct melodies in double counterpoint which trade parts on the repeat. The bass line follows a pattern that Bach has employed for the bass on a number of Violin concertos and lastly, the Harpsichord treble part is a mensuration canon based on one of the violin parts, with the keyboard part playing the melody 4x as fast with variations. Lastly on a play of numbers, number 14 was a very special number for Bach, and as a tribute, I've made this the 14th variation in my work. This was also a new variation I added this year (2023) as well.Vivaldi - My first musical love. I feel that I captured a little bit of his musical DNA in all my works and this piece showcases this. Vivaldi's works is what made me fall in love with Baroque music and I am indebted to him for the profound impact his works have had on my life.So here you go. 413 measures. My longest individual work to date. And because I love playing with numbers, I decided to release this to the world on my 41st Year, 3rd month. Enjoy!- Jose Bravo.
$5.00 ≈
4.57€
The Steadfast Heart Psalm 5-8
The Steadfast Heart Psalm 5-8
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Piano, Voix
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FACILE
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Musique Sacrée
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Nicole Doran
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this is true of all music
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The Steadfast Heart Psalm 5-8
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Nicole E Doran
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.968672 Composed by Nicole Doran. 20th Century,Christian,Concert,Jewish,Sacred. Score. 8 pages. Nicole E Doran #636...
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Piano,Vocal,Voice - Level 2 - SKU: A0.968672 Composed by Nicole Doran. 20th Century,Christian,Concert,Jewish,Sacred. Score. 8 pages. Nicole E Doran #6360913. Published by Nicole E Doran (A0.968672). The Steadfast Heart, a psalm cycle for advancing musicians is a pedagogical work of art and a journey of faith. It sets into sound the faith of a Messianic Jewish classical musician who wants to pass along all that she has learned of faith and music to her children and the next generation of God-fearing musicians.Mastering the keyboard step by step helps you understand the miracle of harmony. Melodies refresh the soul and many tones blending together show the wonder of unity in diversity; this is true of all music. However, meditating on the psalms as you play helps you understand the way Christ and all the faithful have looked to the Father in Heaven as their guide and protector as you delight in the musical sounds you can produce.Dr. Doran includes accessible verses from the NIV and some lines of the poetry that challenge modern ears and sensibilities. Sweet melodies, imitative counterpoint, modal and tonal harmonization and register shifts prove that an intermediate pianist can savor the artistry for the level they have achieved and still thirst for more musical and spiritual goodness to come just like David longed for the Lord’s presence and fullness.As the deer pants for streams of water, so my soul longs after You, O God. Thousands of people are trying to hear or memorize ALL the Psalms in these confusing and uncertain times. What safer way to explore than in the shelter of your practice time until you are ready to share your favorites with others. Here is a method to use the instrument we have in our homes and be a participant in this wonderful musical journey from Psalm 1-150. Each new set should be released in January, April, August, and December.
$8.28 ≈
7.57€
The Steadfast Heart: Psalms 1-4
The Steadfast Heart: Psalms 1-4
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Piano Facile
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INTERMÉDIAIRE
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Musique Sacrée
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Nicole Doran
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this is true of all music
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The Steadfast Heart: Psalms 1-
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Nicole E Doran
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SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.968673 Composed by Nicole Doran. 20th Century,Christian,Jewish,Sacred. Score. 6 pages. Nicole E Doran #6304191. Published...
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Easy Piano - Level 3 - SKU: A0.968673 Composed by Nicole Doran. 20th Century,Christian,Jewish,Sacred. Score. 6 pages. Nicole E Doran #6304191. Published by Nicole E Doran (A0.968673). The Steadfast Heart, a psalm cycle for advancing musicians is a pedagogical work of art and a journey of faith. It sets into sound the faith of a Messianic Jewish classical musician who wants to pass along all that she has learned of faith and music to her children and the next generation of God-fearing musicians. Mastering the keyboard step by step helps you understand the miracle of harmony. Melodies refresh the soul and many tones blending together show the wonder of unity in diversity; this is true of all music. However, meditating on the psalms as you play helps you understand the way Christ and all the faithful have looked to the Father in Heaven as their guide and protector as you delight in the musical sounds you can produce.Dr. Doran includes accessible verses from the NIV and some lines of the poetry that challenge modern ears and sensibilities. Sweet melodies, imitative counterpoint, modal and tonal harmonization and register shifts prove that an intermediate pianist can savor the artistry for the level they have achieved and still thirst for more musical and spiritual goodness to come just like David longed for the Lord’s presence and fullness.As the deer pants for streams of water, so my soul longs after You, O God. Thousands of people are trying to hear or memorize ALL the Psalms in these confusing and uncertain times. What safer way to explore than in the shelter of your practice time until you are ready to share your favorites with others. Here is a method to use the instrument we have in our homes and be a participant in this wonderful musical journey from Psalm 1-150. Each new set should be released in January, April, August, and December.
$8.28 ≈
7.57€
The New England Suite, Three Poems for Solo Piano
The New England Suite, Three Poems for Solo Piano
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Piano seul
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AVANCÉ
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Klaus H
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The New England Suite, Three P
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SheetMusicPlus
Piano Solo - Advanced - Composed by Klaus H. Schader. Contemporary Classical, Impressionistic, Post- Romantic. 8 pages. Published by Maple Mystery Music...
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Piano Solo - Advanced - Composed by Klaus H. Schader. Contemporary Classical, Impressionistic, Post- Romantic. 8 pages. Published by Maple Mystery Music
Three piano compositions inspired by New England landscapes.
Dedicated to Helen Lin
Performance time 5:53 m
"Finally got a chance to play through ?The New England Suite??Three Poems for Solo Piano by the amazing Klaus Schader, a modern German composer. Klaus dedicated this piece to me. In Klaus Schader?s piano suite, he explored the deepest longings of human soul, then he painted it out using especially various and unusual harmonies into a master piece with colors of curiosity and warmth. Each harmony was made to wanting more. Wanting more in mystery, wanting more in the dream. In ?Delaware moon?, I hear the warmth of the moonlight dimming Delaware and it feels romantic and welcoming, yet mysterious. The unexpected disharmony of the four chords strikes you into intensive emotions, and reminds you that it was these struggles of reality make beauty even more beautiful. In the ?Old King?s Highway?, the changing of irregular meters and the use of 5/4 gives you the unsettling worries, yet Klaus uses the calming bass lines and chords to balance the scene, and it feels all is in control on the bumpy road. In ?Dusk on the Mohawk Trail?, the story line was based on the unusual chordal progressions, however the dominant sevenths chords throughout brings back the core spirit of the entire piano series-romance, mystery, and dream. It reminds one where the core of the soul is, and that is, where peace is at. Thank you Klaus!!"
Helen Lin
$3.99 ≈
3.65€
Classics meet Jazz
Classics meet Jazz
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Piano Facile
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FACILE
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Jazz
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Uwe Korn
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Uwe Korn
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Classics meet Jazz
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Schott Music - Digital
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SheetMusicPlus
Piano - easy to intermediate - 20 famous classical pieces, original version + jazzy arrangement. Composed by Uwe Korn. Arranged by Uwe Korn. This ed...
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Piano - easy to intermediate - 20 famous classical pieces, original version + jazzy arrangement. Composed by Uwe Korn. Arranged by Uwe Korn. This edition: Sheet music. Jazzrock, Klassik, Musikgeschichte. Downloadable. Op. Vol. 1. Schott Music - Digital #Q52329. Published by Schott Music - Digital
This volume contains a wide selection of famous musical themes from Bach to Carl Orff. Some of them were originally written for the piano. most have had their scores carefully arranged to make them easy to play on the piano. Each piece is followed with a jazz interpretation, which can either be played alone or alongside the 'original' version. Perhaps this will show that the 'classics' are not all that far removed from jazz, and that music of earlier periods contains many of the essential characteristics of jazz. Doesn't Lully's 'Gavotte', for instance, contain one of the most famous jazz themes ever? The 'Blue Gavotte' may make this clearer. The theme from Mozart's Sonata in A major (K 331) doesn't require many rhythmic changes to give it a blues flavour ('Mozart Goes Blues'). The driving rhythm of the ostinato bass in Carl Orff's 'O Fortuna' would suit modern jazz-rock performers well, with a few small changes ('A Fortune for a Tune'). What do Bizet's 'Habanera', Brahms' 'Hungarian Dance No. 5' and Paganini's 'Caprice No. 24' have in common? Why have they been turned into salsa music ('Habanera con Cigarro', 'Hungarian Salsa No. 5', 'Capriccio Latino')? Much of this is up to the individual: if you want to discover similarities, they are easy to find.
$19.99 ≈
18.28€
Great Symphonic Themes - Series 5FC - (Key Map Tablature)
Great Symphonic Themes - Series 5FC - (Key Map Tablature)
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Piano Facile
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INTERMÉDIAIRE
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Classique
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Various
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John M
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Great Symphonic Themes - Serie
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Music Innovators Workshop
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SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.984698 Composed by Various. Arranged by John M. Honeycutt. Baroque,Classical,Romantic Period. Score. 10 pages. Music Inno...
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Easy Piano - Level 3 - SKU: A0.984698 Composed by Various. Arranged by John M. Honeycutt. Baroque,Classical,Romantic Period. Score. 10 pages. Music Innovators Workshop #4356973. Published by Music Innovators Workshop (A0.984698). These are easy to play themes from 7 great symphonic works. The themes are placed on key map tablatures that notate the melodies and chords, and provide standard chord symbols as well. Series 5FC - To make fingering of melodies easy to follow, each 5-finger group begins with a finger number and colored notes. Then successive fingered groups are identified with contrasting colored notes. Notes not belonging in a 5-fingered group are white.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00 ≈
1.83€
End Of The Line
End Of The Line
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Piano seul
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FACILE
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Isadar
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End Of The Line
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1041003 By Isadar. By Isadar. Classical,Contemporary,Jazz,New Age. Score. 9 pages. Mainya Music Publishing (BMI) #645734....
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Piano Solo - Level 2 - SKU: A0.1041003 By Isadar. By Isadar. Classical,Contemporary,Jazz,New Age. Score. 9 pages. Mainya Music Publishing (BMI) #645734. Published by Mainya Music Publishing (BMI) (A0.1041003). Contains:End Of The Line - taken from the Isadar solo piano collection, The Journey (available soon on SheetMusicDirect and SheetMusicPlus) Sounds like: Liz Story, George Winston, early Windham Hill solo piano artists Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording Album & Songbook review by:Kathy Parsons (MainlyPiano.com): Isadar’s fourth solo piano album is a blend of smooth jazz and new age, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album. The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording. A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players. Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier. None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands. My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line. Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as as software for Yamaha Disklavier player-pianos. For more information, visit his website at: https://www.isadar.com.
$6.99 ≈
6.39€
Conflusion - Suite - Woodwind Ensemble - Score Only
Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Gra...
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Woodwind Ensemble - Level 4 - SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00 ≈
9.15€
In The Hall Of The Mountain King (HARD PIANO) from Peer Gynt [Edvard Grieg]
In The Hall Of The Mountain King (HARD PIANO) from Peer Gynt [Edvard Grieg]
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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offering advanced-level sheet
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Edvard Grieg
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Darek
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In The Hall Of The Mountain Ki
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Darek
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1257927 Composed by Edvard Grieg. Arranged by Darek. Classical,Romantic Period. Score. 4 pages. Darek #851163. Published ...
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Piano Solo - Level 4 - SKU: A0.1257927 Composed by Edvard Grieg. Arranged by Darek. Classical,Romantic Period. Score. 4 pages. Darek #851163. Published by Darek (A0.1257927). In The Hall Of The Mountain King (HARD PIANO) from Peer Gynt [Edvard Grieg]Advanced arrangement for pianists of In The Hall Of The Mountain King from Peer Gynt by Edvard Grieg. Difficult arrangement of music song / advanced verison for pianists. Included: Fingering, Dynamics, video youtube tutorial. Embark on a thrilling musical journey with our advanced-level piano sheet music for Edvard Grieg's In The Hall Of The Mountain King from Peer Gynt. Designed for seasoned pianists seeking a formidable challenge, this sheet music will push the boundaries of your technique and musicality.This masterpiece from the Romantic era showcases Grieg's genius in crafting intense and dramatic compositions. As you delve into this advanced-level arrangement, you'll experience the full power and intricacy of In The Hall Of The Mountain King.Our meticulously crafted sheet music includes detailed fingering suggestions and dynamic markings, providing invaluable guidance to navigate the complex passages and expressively interpret the music. These elements are crucial in capturing the essence of Grieg's composition and conveying the hauntingly suspenseful atmosphere.To support your musical growth and ensure a comprehensive learning experience, we provide a high-quality video YouTube tutorial alongside the sheet music. This tutorial, led by an expert pianist, dissects the piece into manageable sections and offers invaluable insights into interpretation and technique.By offering advanced-level sheet music, we cater to the needs of accomplished pianists who crave a challenging and rewarding musical experience. In The Hall Of The Mountain King is an ideal choice for those seeking to expand their repertoire with a demanding yet captivating composition.As an advanced pianist, you understand the importance of investing in high-quality resources. Our advanced-level sheet music is meticulously crafted to meet the demands of virtuoso performers, ensuring a seamless and authentic rendition of Grieg's masterpiece.Elevate your playing and captivate your audience with the complexity and grandeur of In The Hall Of The Mountain King. This advanced-level sheet music opens the door to a world of musical expression, allowing you to showcase your technical prowess and artistic interpretation.The era of Romantic music holds a special place in the hearts of music enthusiasts worldwide, and Grieg's In The Hall Of The Mountain King is a timeless gem from this period. As you delve into this composition, you'll become immersed in the rich harmonies and emotional depth that define the Romantic era.To position yourself for success as an advanced pianist, it's crucial to challenge yourself with repertoire that showcases your skills and musical maturity. Our advanced-level sheet music for In The Hall Of The Mountain King provides the perfect platform for you to demonstrate your virtuosity and command over the instrument.Choose our advanced-level sheet music for In The Hall Of The Mountain King to embark on an extraordinary musical journey. With its meticulous attention to detail, including fingering suggestions, dynamic markings, and a video YouTube tutorial, this sheet music equips you with the tools to conquer the challenges of Grieg's iconic composition.Invest in your musical growth and artistic expression today. Purchase our advanced-level sheet music for In The Hall Of The Mountain King and discover the satisfaction of mastering a truly remarkable piece. Unleash your full potential as an advanced pianist and immerse yourself in the majesty of Grieg's timeless composition.
$5.00 ≈
4.57€
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How Long? Classical
