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Vous avez sélectionné:
I'd have a word with you
Partitions à imprimer
101 partitions trouvées
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"Shake Hands with Uncle Sam!
"Shake Hands with Uncle Sam!
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Charles Carroll Sawyer
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Charles Carroll Sawyer
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I'd have a word with you
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"Shake Hands with Uncle S
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.14046 Composed by Charles Carroll Sawyer. Patriotism, Nationalism, Peace. Lester S. Levy Collection. 4 ...
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Piano and voice (solo and SATB chorus) - SKU: LV.14046 Composed by Charles Carroll Sawyer. Patriotism, Nationalism, Peace. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14046). Shake Hands with Uncle Sam!. Words and Music Composed By Charles Carroll Sawyer. Published 1866 by C.C. Sawyer, 59 Fulton Avenue in Brooklyn, N.Y. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Patriotism, Nationalism, Peace. First line reads My countrymen, pray, listen; I'd have a word with you.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥43.44
Here's To You
Here's To You
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Orchestre d'harmonie
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FACILE
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Film/TV
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Joan Baez
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Joan Baez, Ennio Morricone
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Lorenzo Bocci
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Here's To You
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1310533 By Joan Baez. By Ennio Morricone and Joan Baez. Arranged by Lorenzo Bocci. Film/TV. 54 pages. Lorenzo Bocci #89...
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Concert Band - Level 2 - SKU: A0.1310533 By Joan Baez. By Ennio Morricone and Joan Baez. Arranged by Lorenzo Bocci. Film/TV. 54 pages. Lorenzo Bocci #899595. Published by Lorenzo Bocci (A0.1310533). For Concert Band - Grade 2,5 -  Composed by Joan Baez, Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With optional Choir (SATB) (not present in the score). Score and parts. Duration 3'42''. Published by Lorenzo Bocci.Here's to You is a song by Ennio Morricone and Joan Baez, released in 1971 as part of the soundtrack of the film Sacco & Vanzetti, directed by Giuliano Montaldo. The song is a tribute to two anarchists of Italian origin, Nicola Sacco and Bartolomeo Vanzetti who were sentenced to death by a United States court in the 1920s. The lyrics for Here's to You make use of a statement attributed to Vanzetti by Philip D. Strong, a reporter for the North American Newspaper Alliance, who visited Vanzetti in prison in May 1927, three months before his execution.  «If it had not been for these things, I might have lived out my life talking at street corners to scorning men. I might have died, unmarked, unknown, a failure. Now we are not a failure. This is our career and our triumph. Never in our full life we could have hoped to do such work for tolerance, for justice, for man's understanding of man as we now do by accident. Our words—our lives—our pains—nothing! The taking of our lives—lives of a good shoemaker and a poor fish peddler—all! That last moment belongs to us—that agony is our triumph!.»Here's to you, Nicola and BartRest forever here in our heartsThe last and final moment is yoursThat agony is your triumph..
$89.00 ≈
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D'amore Si Muore (Milva Version)
D'amore Si Muore (Milva Version)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Milva
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Eileen Gilligan
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D'amore Si Muore
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The Flautist
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan....
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Piano,Soprano Flute - Level 3 - SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 9 pages. The Flautist #1017083. Published by The Flautist (A0.1437015). D'Amore Si Muore is an excellent way to practice words, expression and phrasing. In this case variations on “love you ” all the way through.Relates brilliantly to Melodious Studies number 11, 13, 14 and also 8.I am a big fan of playing slowly and having absolute control of everything I do down to the last detail and a melody like this is a great tool to practice this. I don’t believe one can play fast before control over slow playing and expression is mastered.Our most natural instrument is our voice . Singing and playing this melody is a terrific way to bridge the gap between the metal flute and one’s voice. The outcome is an amazing resonance ,musical quality in the tone and natural phrasing.Moyse was asked what he thought the French School of flute playing was and he answered” being able to sound like other instruments”. We have to start with the first port of call – our voice.The words you can use for phrasing are ” love you , love you , love you , love you, love you so.” “I really love you so much” ” I really love you so” etc all the way through . You can make up your own.It is worth singing and playing this through. By that I mean play 2 notes, sing 2 and play 2 all the way through without interrupting the musical flow, resonance and tone quality. Great for practising going between singing and playing quickly.Love was a favourite word of Moyse and Wibb. I see why!. It innately has so much expression, warmth, opens up the mouth and in Moyse’s words “scoops the last spoonful of mayonnaise from the jar. ” You definitely can’t say it with “an ugly nasal voice”- Moyse quote.The tone has to have life and expression. I hear so often soft playing as the player blowing softly but that gives such a dull lifeless outcome.
$6.95 ≈
¥50.40
Adagio (BWV 565) (EASY PIANO) from Oboe Concerto in D minor (BWV 974) [J. S. Bach/Marcello]
Adagio (BWV 565) (EASY PIANO) from Oboe Concerto in D minor (BWV 974) [J. S. Bach/Marcello]
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Piano Facile
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FACILE
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Classique
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Allesandro Marcello and Johann
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Darek
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Adagio
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Darek
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1261964 Composed by Allesandro Marcello and Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music. Scor...
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Easy Piano - Level 2 - SKU: A0.1261964 Composed by Allesandro Marcello and Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #855049. Published by Darek (A0.1261964). Adagio (BWV 565) (EASY PIANO) from Oboe Concerto in D minor (BWV 974) [J. S. Bach/Marcello]Simplified arrangement for pianists of Adagio (BWV 565) from Oboe Concerto in D minor (BWV 974) by Johann Sebastian Bach and Alessandro Marcello.Easy version for pianists | Easy piano arrangement. Included: Fingering, Dynamics, Articulations and video Youtube tutorial. Discover the timeless beauty of J.S. Bach and A. Marcello's Adagio (BWV 565) from the Oboe Concerto in D minor, expertly arranged for beginner pianists. Dive into the rich tapestry of Baroque music as you embark on your musical journey with this easy-level piano sheet music. I have meticulously crafted this sheet music to ensure an immersive experience for budding pianists. With detailed fingering, you'll effortlessly navigate the melodic passages, allowing your fingers to glide seamlessly across the keys. The included articulation markings provide essential guidance for capturing the expressive nuances of the piece. Let the music breathe with the precisely annotated dynamics, offering you a roadmap to shape each phrase and create a captivating interpretation. And to further enhance your learning experience, I've included a YouTube tutorial video that visually demonstrates the techniques and offers valuable insights into mastering this beautiful composition. This sheet music is carefully designed to bring the beauty of Adagio to beginner pianists, allowing you to explore the musical heritage of the Baroque era with confidence and joy. Immerse yourself in the intricate web of melodies and harmonies, as you delve into the world of classical music and embark on an enriching journey of self-expression. Join the ranks of passionate pianists who have embraced this renowned masterpiece. With this easy-level arrangement, you'll be able to tackle the intricacies of the composition at your own pace, gradually building your skills and confidence as you progress. Whether you are a beginner seeking a new challenge or an intermediate pianist looking to expand your repertoire, this sheet music is the perfect choice. Unlock your musical potential and experience the delight of playing Adagio (BWV 565) on the piano. Embrace the beauty of the Baroque era, hone your technique, and immerse yourself in the wonders of classical music with this exceptional sheet music package. Don't miss the opportunity to embark on this captivating musical journey! Keywords: Adagio, BWV 565, J.S. Bach, A. Marcello, piano sheet music, easy level, beginner pianists, fingering, articulation, dynamics, YouTube tutorial, Baroque era, music, pianists, classical music, sheet music package.
$4.00 ≈
¥29.01
A Promise to Stand By:
A Promise to Stand By:
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Orchestre d'harmonie
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Contemporain
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published...
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Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99 ≈
¥144.96
You Can Close Your Eyes
You Can Close Your Eyes
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Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Rock
#
James Taylor
#
John Murphy C
#
#
You Can Close Your Eyes
#
John Murphy
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Pu...
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Guitar - Level 3 - SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Published by John Murphy (A0.841181). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.com
$5.99 ≈
¥43.44
You Can Close Your Eyes
You Can Close Your Eyes
#
Guitare notes et tablatures
#
Rock
#
James Taylor
#
John Murphy C
#
#
You Can Close Your Eyes
#
John Murphy
#
SheetMusicPlus
Guitar - SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by...
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Guitar - SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by John Murphy (A0.841180). You Can Close Your Eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :) Contact me at info@guitarlessonsdundrum.com
$6.99 ≈
¥50.69
You Can Close Your Eyes
You Can Close Your Eyes
#
Guitare notes et tablatures
#
FACILE
#
Rock
#
James Taylor
#
John Murphy C
#
#
You Can Close Your Eyes
#
John Murphy
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Pu...
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Guitar - Level 2 - SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Published by John Murphy (A0.841182). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags : Sheet music, Tab, Pop/Rock, Folk , Country, Acoustic Guitar, Easy Intermediate
$5.99 ≈
¥43.44
Sorry Seems To Be The Hardest Word
Sorry Seems To Be The Hardest Word
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Elton John
#
Fishel Pustilnik
#
Sorry Seems To Be The Hardest
#
F & N Enterprise
#
SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.633795 By Elton John. By Bernie Taupin and Elton John. Arranged by Fishel Pustilnik. Pop,Rock. Score and part. 8 page...
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Piano,Trombone - Level 4 - SKU: A0.633795 By Elton John. By Bernie Taupin and Elton John. Arranged by Fishel Pustilnik. Pop,Rock. Score and part. 8 pages. F & N Enterprise #3458577. Published by F & N Enterprise (A0.633795). An excellent arrangement of famous (Elton John) Song Sorry Seems To Be The Hardest Word for Trombone and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99 ≈
¥36.18
Sorry Seems To Be The Hardest Word
Sorry Seems To Be The Hardest Word
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Elton John
#
Fishel Pustilnik
#
Sorry Seems To Be The Hardest
#
F & N Enterprise
#
SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.633791 By Elton John. By Bernie Taupin and Elton John. Arranged by Fishel Pustilnik. Pop,Rock. Score and part. 8 pages. ...
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Flute,Piano - Level 4 - SKU: A0.633791 By Elton John. By Bernie Taupin and Elton John. Arranged by Fishel Pustilnik. Pop,Rock. Score and part. 8 pages. F & N Enterprise #3458459. Published by F & N Enterprise (A0.633791). An excellent arrangement of famous (Elton John) Song Sorry Seems To Be The Hardest Word for Flute and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99 ≈
¥36.18
Sorry Seems To Be The Hardest Word
Sorry Seems To Be The Hardest Word
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Trompette
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Elton John
#
Fishel Pustilnik
#
Sorry Seems To Be The Hardest
#
F & N Enterprise
#
SheetMusicPlus
Trumpet, piano - Level 4 - SKU: A0.633793 By Elton John. By Bernie Taupin and Elton John. Arranged by Fishel Pustilnik. Pop,Rock. Score and part. 8 page...
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Trumpet, piano - Level 4 - SKU: A0.633793 By Elton John. By Bernie Taupin and Elton John. Arranged by Fishel Pustilnik. Pop,Rock. Score and part. 8 pages. F & N Enterprise #3458529. Published by F & N Enterprise (A0.633793). An excellent arrangement of famous (Elton John) Song Sorry Seems To Be The Hardest Word for Trumpet and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99 ≈
¥36.18
Sorry Seems To Be The Hardest Word
Sorry Seems To Be The Hardest Word
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Elton John
#
Fishel Pustilnik
#
Sorry Seems To Be The Hardest
#
F & N Enterprise
#
SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.633790 By Elton John. By Bernie Taupin and Elton John. Arranged by Fishel Pustilnik. Pop,Rock. Score and part. 8 page...
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Clarinet,Piano - Level 4 - SKU: A0.633790 By Elton John. By Bernie Taupin and Elton John. Arranged by Fishel Pustilnik. Pop,Rock. Score and part. 8 pages. F & N Enterprise #3458445. Published by F & N Enterprise (A0.633790). An excellent arrangement of famous Song Sorry Seems To Be The Hardest Word for Clarinet and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99 ≈
¥36.18
Sorry Seems To Be The Hardest Word
Sorry Seems To Be The Hardest Word
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Alto, Piano
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INTERMÉDIAIRE
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Rock
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Elton John
#
Fishel Pustilnik
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Sorry Seems To Be The Hardest
#
F & N Enterprise
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.632562 By Elton John. By Bernie Taupin and Elton John. Arranged by Fishel Pustilnik. Pop,Rock. Score and part. 8 pages. ...
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Piano,Viola - Level 3 - SKU: A0.632562 By Elton John. By Bernie Taupin and Elton John. Arranged by Fishel Pustilnik. Pop,Rock. Score and part. 8 pages. F & N Enterprise #3053907. Published by F & N Enterprise (A0.632562). An excellent arrangement of famous Song Sorry Seems To Be The Hardest Word for Viola and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99 ≈
¥36.18
Sorry Seems To Be The Hardest Word
Sorry Seems To Be The Hardest Word
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Elton John
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Fishel Pustilnik
#
Sorry Seems To Be The Hardest
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F & N Enterprise
#
SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.633792 By Elton John. By Bernie Taupin and Elton John. Arranged by Fishel Pustilnik. Pop,Rock. Score and part. 8 pages. F...
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Oboe,Piano - Level 4 - SKU: A0.633792 By Elton John. By Bernie Taupin and Elton John. Arranged by Fishel Pustilnik. Pop,Rock. Score and part. 8 pages. F & N Enterprise #3458479. Published by F & N Enterprise (A0.633792). An excellent arrangement of famous (Elton John) Song Sorry Seems To Be The Hardest Word for Oboe and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99 ≈
¥36.18
I’ve Found A New Baby For Wind Band
I’ve Found A New Baby For Wind Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
Words And Music by Jack Palmer
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Arr by Malcolm Jones
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I’ve Found A New Baby Fo
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Aeolian Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1026069 Composed by Words And Music by Jack Palmer and Spencer Williams. Arranged by Arr by Malcolm Jones. Contemporary...
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Concert Band - Level 4 - SKU: A0.1026069 Composed by Words And Music by Jack Palmer and Spencer Williams. Arranged by Arr by Malcolm Jones. Contemporary,Jazz,Ragtime,World. Score and parts. 100 pages. Aeolian Music #6301133. Published by Aeolian Music (A0.1026069). As requested I’ve Found a New Baby arranged for the windband in the style of the razzmatazz of the 1920s. I set about arranging this piece with fun and showmanship very much in mind. I’ve Found A New Baby features mainly the Tuba others are also featured as you can see from the score. I have marked the Score and parts where to stand and sit, but this if course is at the discretion of the MD. I hope you have as much fun playing it as I had arranging it. I have included parts for Treble and Bass Clef Bb Euphonium, Bb Bass Treble and Bass clef , Eb Bass Treble and Bass clefs Tuba in concert pitch bass clef. Trombones in Bb Bass and Treble clefs also in C bass clef ( not bass Trom) Also included are Horn parts in Eb,
$50.00 ≈
¥362.57
I Want A Hippopotamus For Christmas (hippo The Hero)
I Want A Hippopotamus For Christmas (hippo The Hero)
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Noël
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John Rox
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Raevynn Nicole Davis
#
I Want A Hippopotamus For Chri
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Raevynn Nicole Davis
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SheetMusicPlus
Level 2 - SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole Davis #899009. Pu...
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Level 2 - SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole Davis #899009. Published by Raevynn Nicole Davis (A0.1309862). I Want a Hippopotamus for Christmas for 1 piano/4hands up to 6 pianos/24 hands!  This is a multi-level piano ensemble.  If you don’t have 12 pianists – not to worry! The secondo part for piano 6 is the most difficult part and can be used as an accompaniment part to whatever combination of pianists you do have. If you only have 2 pianists, you can use piano 6 as a duet. If the primo part for piano 6 is too difficult, you can use a primo part from another piano, but may need to switch octaves to make it all fit on one keyboard. Many of the parts have minimal hand movements and can be combined on different pianos, but you may need to switch octaves for one or both pianists to make everything fit.A word about percussion – My studio has a variety of classroom/percussion instruments that we make use of for ensembles. If you don’t have the exact same percussion instruments that I do, feel free to substitute whatever you do have for the rhythms. It is also possible to add clapping, snapping, or tapping on the piano/keyboard to add the percussion rhythms. For the boomwhackers, you can use any ‘C,’ ‘D,’ or ‘G’ you have and the octave caps make it even more fun! My students enjoyed using the extended bass range boomwhackers with the octave caps to make the pitches even lower and more hippo-like. ☺What's included?  A score with all 12 parts, 12 individual parts (2 pages per pianist) with standard notation and my suggested fingering, and 12 individual parts (2 pages per pianist) with alphanote notation and my suggested fingering.  Parts range from beginner to intermediate!  I hope your piano ensemble and/or group class enjoys this festive arrangement.  Merry Christmas!
$44.99 ≈
¥326.24
Would You Rather Be a Colonel With an Eagle on Your Shoulder, or a Private With a Chicken on Your Knee
Would You Rather Be a Colonel With an Eagle on Your Shoulder, or a Private With a Chicken on Your Knee
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Piano, Voix
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Archie Gottler
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Would You Rather Be a Colonel
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.23875 Composed by Archie Gottler. Portraits, Fathers & sons, Soldiers, Courtship, Love, World War I. Lester S. Levy Collection...
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Piano and voice - SKU: LV.23875 Composed by Archie Gottler. Portraits, Fathers & sons, Soldiers, Courtship, Love, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23875). Would You Rather Be a Colonel With an Eagle on Your Shoulder, or a Private With a Chicken on Your Knee. Words by Sidney D. Mitchell. Music by Archie Gottler. Published 1918 by Leo Feist, Inc. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Fathers & sons, Soldiers, Courtship, Love, World War I. First line reads Once I heard a father ask his soldier son, Why can't you advance like other boys have done?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥43.44
Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration
Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration
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Piano, Voix
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AVANCÉ
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Stanley M Hoffman
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Two Scenes from the Lodz Ghett
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stanleymhoffman.com
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189. Published by stanleymhoffman.com (A0.1435089). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$12.00 ≈
¥87.02
Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
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Stanley M Hoffman
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Two Scenes from the Lodz Ghett
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stanleymhoffman.com
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SheetMusicPlus
Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,...
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Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. 240 pages. Stanleymhoffman.com #1015206. Published by stanleymhoffman.com (A0.1435098). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$60.00 ≈
¥435.08
I'd Rather Love What I Cannot Have (Than Have What I Cannot Love)
I'd Rather Love What I Cannot Have (Than Have What I Cannot Love)
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Piano, Voix
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Elsie Janis
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I'd Rather Love What I Cannot
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.9207 Composed by Elsie Janis. Celebrities, Portraits, Unrequited love, Single women, Distress. Lester S. Levy Collection. 4 pa...
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Piano and voice - SKU: LV.9207 Composed by Elsie Janis. Celebrities, Portraits, Unrequited love, Single women, Distress. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9207). I'd Rather Love What I Cannot Have (Than Have What I Cannot Love). Words and Music by Elsie Janis. Published 1911 by Jerome H. Remick & Co. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Celebrities, Portraits, Unrequited love, Single women, Distress. First line reads I'm feeling blue, discouraged, too, you don't mind if I should tell my woes to you?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥43.44
Plasir d'Amour: Classic French love song arranged for string quartet
Plasir d'Amour: Classic French love song - string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jean-Paul-Égide Martini
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Yoel Epstein
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Plasir d'Amour: Classic French
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Yoel Epstein
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.773288 Composed by Jean-Paul-Égide Martini. Arranged by Yoel Epstein. Classical,Holiday,Love,Sacre...
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String Quartet String Quartet - Level 3 - SKU: A0.773288 Composed by Jean-Paul-Égide Martini. Arranged by Yoel Epstein. Classical,Holiday,Love,Sacred,Wedding. Score and parts. 17 pages. Yoel Epstein #2930403. Published by Yoel Epstein (A0.773288). https://youtu.be/HW0EvzsKtEUThe classic French love song composed by Jean-Paul-Égide Martini in 1784, to the words of French poet Jean-Pierre Claris de Florian. The song's timeless message (The pleasure of love lasts only a moment, the grief of love lasts a lifetime) and it's lovely, lilting melody have made it a favorite of great singers, including great opera stars and popular songsters. Elvis Presley used the melody as the basis for his song Can't Help Falling in Love with You. This arrangement is part of my collection of love songs, Love!, which you can see at http://www.sheetmusicplus.com/title/love-a-string-quartet-collection-of-songs-for-valentines-day-digital-sheet-music/20370256 . You can see all my arrangements at http://www.sheetmusicplus.com/publishers/yoel-epstein-sheet-music/3001988?ac=1. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.
$9.99 ≈
¥72.44
Silent Night (arr. D. Howell - Bass/Alto - F)
Silent Night (arr. D. Howell - Bass/Alto - F)
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Noël
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Music by Franz Gruber, Words b
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Doug Howell
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Silent Night
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Creative Measures
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.896319 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howe...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.896319 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell. Christian,Christmas,Pop,Sacred,Spiritual. Score. 8 pages. Creative Measures #4982757. Published by Creative Measures (A0.896319). For me-like many of you, I’m sure-this is my very favorite Christmas carol. And under normal circumstances it is probably the one that I’d least want to meddle with, as it is so simply sacred, just as it is. But for me this project began to mean a lot more than just meddling. I lay awake several nights in a row, imagining the holy scene, and myself standing there. What would I have felt, and done? What was my response to the babe in the manger? What could I possibly have to say? What does his birth mean for me?
$1.99 ≈
¥14.43
Silent Night (arr. D. Howell - Tenor/Soprano - C)
Silent Night (arr. D. Howell - Tenor/Soprano - C)
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Noël
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Music by Franz Gruber, Words b
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Doug Howell
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Silent Night
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Creative Measures
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell....
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High Voice,Vocal Solo - Level 3 - SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell. Christmas,Pop,Sacred,Spiritual. 8 pages. Creative Measures #4992825. Published by Creative Measures (A0.896322). For me-like many of you, I’m sure-this is my very favorite Christmas carol. And under normal circumstances it is probably the one that I’d least want to meddle with, as it is so simply sacred, just as it is. But for me this project began to mean a lot more than just meddling. I lay awake several nights in a row, imagining the holy scene, and myself standing there. What would I have felt, and done? What was my response to the babe in the manger? What could I possibly have to say? What does his birth mean for me?
$1.99 ≈
¥14.43
I Know Whom I Have Believed - Flex Orchestra
I Know Whom I Have Believed - Flex Orchestra
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Musique Sacrée
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having one or more instruments
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James McGranahan
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Kristin Campbell
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I Know Whom I Have Believed -
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Horsehair Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - SKU: A0.596386 Composed by James McGranahan. Arranged by Kristin Campbell....
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Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - SKU: A0.596386 Composed by James McGranahan. Arranged by Kristin Campbell. Sacred. Score and parts. 30 pages. Horsehair Music #4301947. Published by Horsehair Music (A0.596386). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination.Set in the key of D and modulating to G. The finger patterns change after the modulations, the melody part also includes a B-flat for the modulation, allowing the player to experience using a low first finger. The melody part has one section of motif between the stanzas and choruses of the hymn. Also included are the words to the hymn, so that players who may not know the lyrics can learn them.
$9.99 ≈
¥72.44
My Tears Have Been My Food (for concert band) - Score Only
My Tears Have Been My Food (for concert band) - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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David M
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David M
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My Tears Have Been My Food
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David Sterrett Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1039860 Composed by David M. Sterrett. Arranged by David M. Sterrett. Sacred. Score and parts. 21 pages. David Sterrett...
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Concert Band - Level 4 - SKU: A0.1039860 Composed by David M. Sterrett. Arranged by David M. Sterrett. Sacred. Score and parts. 21 pages. David Sterrett Music #644719. Published by David Sterrett Music (A0.1039860). This passage from Psalm 42 has been a comfort to me in trying times. I set out to compose a musical setting of the text in hopes that the words and music may be of comfort to others too in seasons of grief, adversity, or doubt. “My tears have been my food both day and night, and all the time, people ask, ‘Where is your God?’ But each day, the Lord pours His unfailing love upon me, and through the night, I sing His songs, praying to God who gives me life.†(Psalm 42:3, 8) I composed the piece originally for a cappella choir, but after finishing, I was inspired to create a transcription for Concert Band as well. This transcription may be performed separately, or combined with choir for more impact if desired.
$19.99 ≈
¥144.96
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