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Vous avez sélectionné:
I'm Goin' Up
Partitions à imprimer
73 partitions trouvées
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I'm Going Up
I'm Going Up
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Dixie Melody Boys,Dixie Melody
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Paul A
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I'm Going Up
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.522319 By Dixie Melody Boys,Dixie Melody Boys. By Mccray Dove. Arranged by Paul A. Jorg. Contemporary. Octavo. 5...
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Choral Choir (TTBB) - Level 3 - SKU: A0.522319 By Dixie Melody Boys,Dixie Melody Boys. By Mccray Dove. Arranged by Paul A. Jorg. Contemporary. Octavo. 5 pages. Paul A. Jorg #5795997. Published by Paul A. Jorg (A0.522319). This is a spirited and moving arrangement for male (TTBB) voices, and is a fun song to sing! The bass part keeps the rhythm going. The lyrics are: Goin' up to my Savior when I'm down on my knees. Goin' up, liftin' praise to God, knowin' Jesus is liftin' me. Down to seek His face by leanin' on the promises of His grace. I'm goin' up to His heavenly power, for He is my rock, and my Lord. Goin' up to my Savior when I'm down on my knees. Goin' up, liftin' praise to God, knowin' Jesus is liftin' me. Down to seek His face by leanin' on the promises of His grace. I'm goin' up to His heavenly power, for He is my rock, and my Lord. Oh I'm cleansed Heal'd Leaning on His arms to carry me through O yes! For Jesus is the mighty King; by His blood I've been redeemed. I'm goin up to Him on Glory Avenue. I'm goin' up, King; goin' up to my Savior when I'm down on my knees. Goin' up, liftin' praise to God, knowin' Jesus is liftin' me. Down to seek His face by leanin' on the promises of His grace. I'm goin' up to His heavenly power, for He is my rock, and my Lord. Oh there is no problem too great or small for Jesus to answer when I call. Seeking His guidance and doing His will. You know I'm praisin' Him all the day long, Yet still I'm goin' Leaning on His arms to carry me through For Jesus is the mighty King; Goin' up to my Savior when I'm down on my knees. Goin' up, liftin' praise to God, knowin' Jesus is liftin' me. Down to seek His face by leanin' on the promises of His grace. I'm goin' up to His heavenly power, for He is my rock, and my Lord. Yes, He is my rock, and He is my Lord! Love lifted me! Lord! Lord! Love lifted me!
$4.59 ≈
$6.19
I Know Where I'm Goin'
I Know Where I'm Goin'
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Orgue
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Celtique/Irlandais
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I Know Where I'm Goin'
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.546634 This edition: scorch. E-Z Play Today. Celtic,Folk,Irish. Score. 1 pages. Hal Leonard - Dig...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.546634 This edition: scorch. E-Z Play Today. Celtic,Folk,Irish. Score. 1 pages. Hal Leonard - Digital #2450. Published by Hal Leonard - Digital (HX.546634). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
$4.03
I'm Going 'Way Up To Mars
I'm Going 'Way Up To Mars
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Contemporain
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Willy White
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Bill Wilson
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I'm Going 'Way Up To Mars
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Alexander Wilson
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SheetMusicPlus
Brass Ensemble,Brass Quintet - Level 2 - SKU: A0.774948 Composed by Willy White. Arranged by Bill Wilson. 20th Century. Score and parts. 11 pages. Alexa...
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Brass Ensemble,Brass Quintet - Level 2 - SKU: A0.774948 Composed by Willy White. Arranged by Bill Wilson. 20th Century. Score and parts. 11 pages. Alexander Wilson #2837307. Published by Alexander Wilson (A0.774948). Tin Pan Alley pianist / composer Willy White's I'm Going 'Way Up to Mars is an extraordinarily cheerful, tongue-in-cheek Tin Pan Alley song. The piece is loaded with syncopated rhythms, and we've added a Dixieland-style trombone part to it that emphasizes the whimsical nature of the piece. A Toot Suite Brass Quintet Arrangement for Bb trumpets, horn, trombone, and tuba. Performance time is approximately 1 minute 45 seconds. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00 ≈
$5.39
I'm Goin' Up - Brass and Rhythm Score and Parts
I'm Goin' Up - Brass and Rhythm Score and Parts
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Musique Sacrée
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Mary McDonald
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I'm Goin' Up - Brass and Rhyth
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
2 Trumpets and 2 Trombones, Rhythm Section - SKU: LX.30-2771L Composed by Mary McDonald. Sacred Anthem, Ascension, Christ the King, Easter, General. Bra...
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2 Trumpets and 2 Trombones, Rhythm Section - SKU: LX.30-2771L Composed by Mary McDonald. Sacred Anthem, Ascension, Christ the King, Easter, General. Brass and Rhythm Score and Parts. 51 pages. Lorenz Publishing - Digital Sheet Music #e30/2771L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2771L). Orchestrated by Stan Pethel.This dynamic original from Mary McDonald is filled with praise and a gospel swing that references the classic hymn Love Lifted Me. Following a soft, a cappella choral introduction, a lively, warm gospel chorus showcases the basses in call and response with the other voices. Add the optional instrumental ensemble for a truly authentic feel. Instrumentation: 2 Tpt, 2 Tbn, Electric Gtr, Bass, Drums, Pno.
$39.95 ≈
$53.83
And I Love Her
And I Love Her
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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The Beatles
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Mike Dana
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And I Love Her
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Mike Dana Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00 ≈
$94.33
Reflections for Piano - John M. Licari (Solo Piano)
Reflections for Piano - John M. Licari (Solo Piano)
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Piano seul
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INTERMÉDIAIRE
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John M
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John M
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Reflections for Piano - John M
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Music Preparation Services
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.908405 Composed by John M. Licari. Concert,Contemporary,Standards,Wedding. Score. 8 pages. Music Preparation Services #51...
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Piano Solo - Level 3 - SKU: A0.908405 Composed by John M. Licari. Concert,Contemporary,Standards,Wedding. Score. 8 pages. Music Preparation Services #5196813. Published by Music Preparation Services (A0.908405). Reflections for PianoBy John M. LicariMusic Preparation Serviceswww.musicprepservices.comThe movements that make up Reflections for Piano represent my musical opinions on life. From the sentimental melodies and added harmonies of the first movement, the dark, musky quartal, and quintal harmonies of the second movement, the ornamented, and atonal-inspired music of the third music, and the whimsical (best word I can come up with, which is also the title of the movement) feeling of the last movement, these pieces are really fun to play. These pieces are best for intermediate piano players.*** Please Note *** The video preview contains a missing final bar line going from the third movement into the fourth movement. The score itself doesn't contain that error.
$5.99 ≈
$8.07
I'm Leaving
I'm Leaving
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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I'm Leaving
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842261 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 6 pages. Andrew Mc Donald (Macka Records) #6...
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Piano,Vocal,Voice - Level 4 - SKU: A0.842261 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 6 pages. Andrew Mc Donald (Macka Records) #6253183. Published by Andrew Mc Donald (Macka Records) (A0.842261). I'm Leaving is a song about the discussion Jesus had with his disciples before He died on the cross. Jesus told them He was going to be taken up into the sky, that He would be leaving and will return later on. He encouraged them that they were to wait for Him until His return. So we shall not see Him around for a bit.
$4.99 ≈
$6.72
I'm On My Way Home
I'm On My Way Home
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Chorale SATB
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INTERMÉDIAIRE
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Joseph Pugh
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I'm On My Way Home
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Joseph Pugh
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.855437 Composed by Joseph Pugh. Christian,Gospel,Traditional. Octavo. 17 pages. Joseph Pugh #6753819. Published ...
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Choral Choir (SATB) - Level 3 - SKU: A0.855437 Composed by Joseph Pugh. Christian,Gospel,Traditional. Octavo. 17 pages. Joseph Pugh #6753819. Published by Joseph Pugh (A0.855437). This Southern Gospel style, original 2-part Choir arrangement is just what your choir (and congregation) needs to stir up a little old-time camp meeting flame. Great for revivals or, anytime. Get excited about going home to be with Jesus. .
$1.99 ≈
$2.68
Jesus Shall Reign Where'er the Sun
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99 ≈
$6.72
WAYFARING STRANGER (Poor Wayfaring Stranger)
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59 ≈
$6.19
I'm Gonna Sit Right Down And Write Myself A Letter
I'm Gonna Sit Right Down And Write Myself A Letter
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Billy Williams
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I'm Gonna Sit Right Down And W
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Martyn Johnson
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1427036 By Billy Williams. By Fred E. Ahlert and Joe Young. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20...
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Piano Solo - Level 4 - SKU: A0.1427036 By Billy Williams. By Fred E. Ahlert and Joe Young. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Broadway,Comedy,Jazz,Musical/Show,Ragtime. Score. 8 pages. Martyn Johnson #1007767. Published by Martyn Johnson (A0.1427036). My arrangement is a tribute to the old Fat's Waller recording. It's not copied from that rendition at all but I have arranged it as a stride piano piece and hope it exudes some of the joy that Mr Waller brought to it.I take it through three iterations in C, Db and D major, going up a semi-tone each time - so plenty of practice in trickier keys. I don't include dynamics in my notation nor fingering and pedalling as I prefer to leave these to the discretion of the individual pianist. You will never get two piano teachers to agree on these things. I like to give the reader the notes as simply as possible and leave the interpretation up to them. Similarly with voicings - some notes will be held longer instinctively by the pianist than others and do not need to be placed in separate voicings to make them difficult to read.The stride piano left hand often contains 10ths which can be too large a span for some pianists. The solution is to roll them or to just play them as a single bass note on the root of the chord or as an octave.This is a wonderfully joyous piece and I hope you get as much pleasure from learning and playing it as I did arranging it.
$4.99 ≈
$6.72
I'm Goin' Up
I'm Goin' Up
SATB choir, piano; optional 2 trumpets and 2 trombones, rhythm section
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Musique Sacrée
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Mary McDonald
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I'm Goin' Up
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Lorenz Publishing Company
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SheetMusicPlus
Composed by Mary McDonald. Sacred Anthem, Ascension, Christ the King, Easter, General. Octavo. 12 pages. Lorenz Publishing Company #10/4201L. Published by L...
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Composed by Mary McDonald. Sacred Anthem, Ascension, Christ the King, Easter, General. Octavo. 12 pages. Lorenz Publishing Company #10/4201L. Published by Lorenz Publishing Company (LX.10-4201L). - octavo - Sacred Anthem, Ascension, Christ the King, Easter, General - Lorenz Publishing Company
$2.50 ≈
$3.37
I'm Goin' Up
I'm Goin' Up
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Chorale SATB
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Musique Sacrée
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Mary Mcdonald
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I'm Goin' Up
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Purifoy Publishing Company
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SheetMusicPlus
By Mary Mcdonald. For SATB divisi choir. Sacred Anthem. Medium. Published by Purifoy Publishing Company ...
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By Mary Mcdonald. For SATB divisi choir. Sacred Anthem. Medium. Published by Purifoy Publishing Company
$2.50 ≈
$3.37
We Wish You A Merry Christmas Variations for Violin and Cello
We Wish You A Merry Christmas Variations for Violin and Cello
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
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Noël
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Traditional
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Robert Shuler
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We Wish You A Merry Christmas
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Robert Shuler
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.917647 Composed by Traditional. Arranged by Robert Shuler. Christmas. Score and par...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.917647 Composed by Traditional. Arranged by Robert Shuler. Christmas. Score and parts. 2 pages. Robert Shuler #6204443. Published by Robert Shuler (A0.917647). Cheerful and noveau variations on a traditional favorite. You will find these are the fantasy melodies that have accompanied the traditional tune in the back of your mind all your life. Starts simply and builds up. Not simple to play, but I'm going to say intermediate level. Second year students should be able to handle it.
$1.99 ≈
$2.68
Little Green Apples
Little Green Apples
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Piano seul
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INTERMÉDIAIRE
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O
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Timothy Stapay
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Little Green Apples
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1415388 By O.C. Smith. By Bobby Russell. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Sco...
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Piano Solo - Level 3 - SKU: A0.1415388 By O.C. Smith. By Bobby Russell. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 5 pages. Timothy Stapay #997124. Published by Timothy Stapay (A0.1415388). Here is a timeless country classic arranged for piano solo. A song the whole family will love to sing.Little Green Apples is a classic country song that was recorded by Glen Campbell in 1968. It was written by Bobby Russell and became a major hit, reaching the top 40 charts in both the United States and the United Kingdom. The song’s popularity has endured over the years, and it remains a beloved classic in the country music genre. Bobby Gentry sang this song in a wonderful duet with Glenn on his T.V. show.[Verse 1]Well, I wake up in the mornin' with my hair down in my eyesAnd she says, HiAnd I hurry to the breakfast table while the kids are goin' off to school, GoodbyeAnd she reaches out and takes my handAnd squeezes it and says, How you feelin', Hon?And I look across at smilin' lips that warms my heartAnd I see my mornin' sun[Pre-Chorus]And if that's not lovin' meThen all I've got to say[Chorus]God didn't make the little green applesAnd it don't rain in Indianapolis in the summertimeThere's no such thing as Dr. SuessDisneyland and Mother Goose, no nursery rhymeGod didn't make the little green applesAnd it don't rain in Indianapolis in the summertimeAnd when my self is feelin' lowI think about your face aglow and ease my mind[Verse 2]Sometimes I call him up knowin' he's busyAnd ask if he could get away and meet meMaybe grab a bite to eatAnd he drops what he's doin' and hurries down to meet meAnd I'm always lateHe sits waitin' patiently and smiles when he first sees me'Cause he's made that way [Pre-Chorus]And if that's not lovin' meThen all I've got to say[Chorus]God didn't make the little green applesAnd it don't snow in Indianapolis when the winter comeThere's no such thing as make-believePuppy dogs and autumn leaves, no BB gunGod didn't make the little green applesAnd it don't rain in Indianapolis in the summertimeAnd when my self is feelin' lowI think about your face aglow and ease my mind
$5.99 ≈
$8.07
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
$5.38
Civil Rights Songs (Medley)
Civil Rights Songs (Medley)
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Chorale SATB
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FACILE
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Traditional
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Jon Arterton
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Civil Rights Songs
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Jon Arterton
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1197385 Composed by Traditional. Arranged by Jon Arterton. Folk,Historic,Multicultural,Spiritual,World. Octavo. ...
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Choral Choir (SATB) - Level 2 - SKU: A0.1197385 Composed by Traditional. Arranged by Jon Arterton. Folk,Historic,Multicultural,Spiritual,World. Octavo. 15 pages. Jon Arterton #796553. Published by Jon Arterton (A0.1197385). This great arrangement features a number of well-known and not-so-well-known songs of the Civil Rights Era.  “Ain’t Gonna Let Nobody Turn Me Around,†“We Shall Not Be Moved,†“If You Miss Me at the Back of the Bus,†“I Feel Like Goin’ On,†“I’m Gonna Sit at the Welcome Table,†“I Love Everybody,†Woke Up This Mornin’ With My Mind Stayed on Freedom.â€.
$2.35 ≈
$3.17
Good Advice
Good Advice
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Piano, Voix
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INTERMÉDIAIRE
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Country
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Cheryl Prazak
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Jon Burr
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Good Advice
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Cheryl Prazak
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1327438 By Cheryl Prazak. By Music by Jon Burr, Lyrics by Cheryl Prazak. Arranged by Jon Burr. Country. Score. 15 ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1327438 By Cheryl Prazak. By Music by Jon Burr, Lyrics by Cheryl Prazak. Arranged by Jon Burr. Country. Score. 15 pages. Cheryl Prazak #915482. Published by Cheryl Prazak (A0.1327438). Part of Cheryl Prazak's Military Trilogy, this is a story of parental advice to a grown child who's become down on their luck.This is a piano/vocal arrangment. Music, arranging and production by Jon Burr The Lyric:Everything was fine, not so very long ago.I had a weekly paycheck, I was rolling in the dough.I had a truck, got me where I needed to go.I didn’t know how much I had, ‘til things began to blow.Everything was fine, then my tire picked up a tack.The rubber was so thin, you see, it really set me back.“What’s the problem now?†was all my boss would say,Gave me my last paycheck, and sent me on my way…So, here I am remembering, not so long ago,I had a weekly paycheck, I was rolling in the dough.I had my pick-up truck back then, had a shirt. and had a wife.I didn’t know how little I had because, well, that was life.Sleeping in my pick-up truck, the light began to dawn.I would go back home, before my last chance was blown.I would tell my loving folks, at last I saw the light, My prospects didn’t look so good, my future, none too bright.Could they start me off again, with tuition and the such, andhelp me get a-brand new tire, for my raggedy ol’ truck?If they could be so kind, as to set me on my way, I would do my very best, their kindness to repayConsider the military, said my folks, sounding wisethey told me I need extra time, didn’t mean to criticizeMaybe they were onto something, maybe that could helpWhy, oh, why didn’t I think of that myself?Military life’s not easy, as I learned from the start, but I came out much the better, and learned to have some heart.Well, I’m that better man now, after going through all this.Finally got my life in shape, it had been so amiss.I repaid my folks’ advice, as I promised that I would,Became the son they hoped for, the man they knew I could.We often go to see them, and they visit the wife and me,Now they’re contented grandfolks, with babies on each knee!Once upon a time, when I was really stuck, I went back home to see the folks, which became a day of luck.Military service, I’m glad I took it up.Life changed for me, when I stopped sleeping in that ol’ truck.
$4.99 ≈
$6.72
Take Me Down to Georgia!
Take Me Down to Georgia!
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Reese Rosbrook
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Take Me Down to Georgia!
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Reese_Rosbrook
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SheetMusicPlus
Acoustic Guitar,Double Bass,Percussion,Piano and Keyboard,Piccolo,Violin - Level 3 - Interactive Download SKU: A0.1228106 Composed by Reese Rosbrook. Thi...
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Acoustic Guitar,Double Bass,Percussion,Piano and Keyboard,Piccolo,Violin - Level 3 - Interactive Download SKU: A0.1228106 Composed by Reese Rosbrook. This edition: Interactive Download. Blues,Country,Folk. 12 pages. Duration 196. Reese_Rosbrook #75XBo3A4nqEZOSc5xwt2A9. Published by Reese_Rosbrook (A0.1228106). Key: C major.Sorry I haven't uploaded in a while, truth is, I haven't been inspired to write anything extraordinary lately because this lockdown had me feeling down. Last month I went to visit a friend of mine in Canton, GA, and it inspired me to write this song. It's kind of like one of my earlier compositions Kentucky Hills. Georgia is definitely one of my favorite states, and I absolutely *love* to travel. No matter how long the drive, I will go anywhere if I am determined enough. This was a seven-to-eight hour drive and was definitely worth it. Earlier this year I also drove up to University of Northern Florida in Jacksonville, FL, which is two and a half hours north of me. From there I took a friend up to Jekyll Island, which was beautiful. Speaking of UNF, that is where I am going for my fall term. I'm going to major in music education and also finish my AA up there. I am going to try to be more active this summer, you can count on it. :) Thanks for listening! --Reese.
$2.99 ≈
$4.03
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
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Piano, Voix et Guitare
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FACILE
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James R
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Connie Boss
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Here to See Santa Claus
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Bo...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa Claus “Jolly Old St Nicholasâ€Â I’m here to see Santa Claus But, it’s a long, long line, With lot’s of kids ahead of me, It will take some time I have with me my Christmas listTo tell dear Santa what I wish Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his ear Jolly old dear Santa Claus, lean your ear this wayDon’t you tell a single soul what I’m going to sayChristmas eve is coming soon, now you dear old manWhisper what you’ll bring to me – tell me if you can Down the chimney you will comeRight next to the tree,You can put the presents thereI hope there’s one for me You never make any noiseI wait for you each yearBut I sleep all through the nightSo I can’t catch you here Then he looked and smiled at me and whispered in my earIt will be a big surprise what I bring to you this year.
$5.50 ≈
$7.41
Lost Boy
Lost Boy
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Ruth B
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Brian Streckfus
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Lost Boy
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B...
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Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
$1.99 ≈
$2.68
No More Pain by Anton
No More Pain by Anton
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Anton R
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No More Pain by Anton
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Antonality
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published...
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Piano Solo - Level 4 - SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published by Antonality (A0.818064). No More Pain - in memory of Sr. Cecille Tajanlangit, OSC. The very last note says it all...In October 2016, my younger sister Marilou, who is also Sr. Cecille Tajanlangit, OSC, Mother Abbess of the St. Clare Monastery in Biliran, Leyte, Philippines, died of a chronic illness that had no known cure and that had caused her so much pain and suffering through so many years.A few months before, and going into the time that she died, she had been listening to all my works, 24/7, by her bedside. She told me over an overseas call that she was my number one fan and joked that she wanted to be the president of a fan club she was going to start up for me.But then not long afterward, she passed away-more than 13,000 kilometres away from me.I just composed this very sad piano piece to commemorate her life, which she had dedicated to Christ in His sufferings too. I'm sure she will hear this too from wherever she is. I did ask her, when she was still alive, to let God hear all my works when she gets to heaven. She said she would. Maybe that's where my fan club will be set up, among the angels!Those who were by her death bed recount that she twitched slightly on her last breath, and at the next instant a smile of deliverance showed up on her face!Please play the piece and try to decipher the hidden meanings behind each section. Towards the end of the piece, she falls into Jesus' lap and ... on the very last note, everything that she was hoping for came true. NO MORE PAIN!P.S. Musicians who hear this will recognize it as the Tierce de Picardie.
$10.99 ≈
$14.81
Twitter, for Flute Choir
Twitter, for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Greg Danner
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Twitter, for Flute Choir
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Avanti Music
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Ava...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Avanti Music (A0.778282). Twitter, founded in March of 2006, is a social networking and micro-blogging service that allows users to post short messages of no more that 140 characters. Because it works as an application on cell phones people can share information immediately. In its short time, Twitter has become embedded in our increasingly networked society. The composition Twitter takes five famous tweets-some serious, others funny, and some historic and presents a musical interpretation. In keeping with the idea that a tweet is a short message, each movement of Twitter is approximately 140 seconds long. 1. There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy. Janis Krums, 12:36 p.m. Jan15, 2009Janis Krums posted this text and the first photo of US Airways flight 1549 moments after the plane made an emergency landing in the Hudson River after hitting a flock of birds. His quick action helped to notify rescue workers and the media. 2. Today I interviewed a squirrel in my backyard and then threw to commercial. Somebody help me.Conan O’Brien, 3:54 p.m. Feb. 24, 2009 Shortly after being dismissed from the Tonight Show and finding himself in-between jobs, Conan O’Brien joined Twitter. As with many celebrities, a Twitter account can allow fans to stay in touch and feel connected. What was amazing in this case was that in just two hours after this first tweet he had over 125,000 followers-the largest number ever in such a short time. His number has since grown to nearly 3 million. 3. ArrestedJames Buck, 9:30 a.m. April 10 A graduate student from the University of California-Berkeley, James Buck was covering an anti-government protest in Egypt. Buck was caught up in a demonstration, and while being taken to jail had time to post a one-word tweet-arrested. Within seconds colleagues in the United States got word of his arrest and notified the university, the US Embassy, and a number of press organizations on his behalf, leading to his freedom. 4. We just made history. All of this happened because you gave your time, talent and passion. All of this happened because of you. Thanks. Barack Obama, 11:34 a.m. Nov. 5, 2008 The Obama 2008 campaign was historic on a number of counts, and the use of technology and social media was one of them. This tweet was sent to over 2.6 million followers just after the election. 5. Are you ready to celebrate? Well, get ready: We have ICE!!!!! Yes, ICE, *WATER ICE* on Mars! w00t!!! Best day ever!! MarsPhoenix, 5:14 PM Jun 19th, 2008 NASA’s Jet Propulsion Laboratory has made an innovative use of twitter by sending messages from the Mars Phoenix lander’s point of view. The message above is undoubtedly the most exciting news ever to be tweeted on behalf of an extraterrestrial robot.
$40.00 ≈
$53.90
Hymns from Childhood - Set 10 (solo)
Hymns from Childhood - Set 10 (solo)
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Piano seul
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DÉBUTANT
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curti...
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Vocal Solo,Voice - Level 1 - SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$5.99 ≈
$8.07
Hymns from Childhood - Set 10 (SATB)
Hymns from Childhood - Set 10 (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.719738 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 13 pages. Curtis Hanson #4573123. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.719738 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 13 pages. Curtis Hanson #4573123. Published by Curtis Hanson (A0.719738). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This set was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$2.25 ≈
$3.03
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I'm Goin' Up
