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I'm a Rover
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Vous avez sélectionné:
I'm a Rover
Partitions à imprimer
48 partitions trouvées
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1
26
I'm a Rover
I'm a Rover
#
Piano Facile
#
DÉBUTANT
#
Celtique/Irlandais
#
Folklorique/Traditionel
#
Traditional Scottish
#
Thomas Degan
#
Great Big Sea.
#
I'm a Rover
#
Thomas Degan
#
SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1255379 Composed by Traditional Scottish. Arranged by Thomas Degan. Celtic,Folk,Irish,Traditional. Lead Sheet / Fake Bo...
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C Instrument - Level 1 - SKU: A0.1255379 Composed by Traditional Scottish. Arranged by Thomas Degan. Celtic,Folk,Irish,Traditional. Lead Sheet / Fake Book. 1 pages. Thomas Degan #848896. Published by Thomas Degan (A0.1255379). This is a lead sheet for a traditional Scottish song. Popular recordings of this melody have been produced by The Irish Rovers, The Dubliners, Siobhan Miller, & Great Big Sea.
$1.99 ≈
1.80€
I'm a Rover and Seldom Sober - for easy piano
I'm a Rover and Seldom Sober - for easy piano
#
Piano Facile
#
DÉBUTANT
#
Traditional
#
Samuel Stokes
#
I'm a Rover and Seldom Sober -
#
SamuelStokesMusic.com
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.562851 Composed by Traditional. Arranged by Samuel Stokes. Children,Folk,Holiday,Traditional,World. Score. 1 pages. Samue...
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Easy Piano - Level 1 - SKU: A0.562851 Composed by Traditional. Arranged by Samuel Stokes. Children,Folk,Holiday,Traditional,World. Score. 1 pages. SamuelStokesMusic.com #6404157. Published by SamuelStokesMusic.com (A0.562851). This is an arrangement of the Irish folksong I'm a Rover and Seldom Sober for easy piano in C major. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com
$2.50 ≈
2.26€
I'm A Rover And Seldom Sober
I'm A Rover And Seldom Sober
#
Orgue
#
Celtique/Irlandais
#
I'm A Rover And Seldom Sober
#
Hal Leonard - Digital
#
SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.520694 This edition: scorch. E-Z Play Today. Celtic,Folk,Irish. Score. 2 pages. Hal Leonard - Dig...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.520694 This edition: scorch. E-Z Play Today. Celtic,Folk,Irish. Score. 2 pages. Hal Leonard - Digital #30143. Published by Hal Leonard - Digital (HX.520694). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.71€
I'm Looking Over A Four Leaf Clover (Easy Ukulele TAB with Chords)
I'm Looking Over A Four Leaf Clover (Easy Ukulele TAB with Chords)
#
Ukulele
#
DÉBUTANT
#
Miort Dixon and Harry Woods
#
L
#
I'm Looking Over A Four Leaf C
#
LCH Music
#
SheetMusicPlus
Ukulele - Level 1 - SKU: A0.1205216 Composed by Miort Dixon and Harry Woods. Arranged by L.C. Harnsberger. Children,Comedy,Instructional,Pop,Standards. ...
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Ukulele - Level 1 - SKU: A0.1205216 Composed by Miort Dixon and Harry Woods. Arranged by L.C. Harnsberger. Children,Comedy,Instructional,Pop,Standards. Score. 2 pages. LCH Music #803400. Published by LCH Music (A0.1205216). I’m Looking Over a Four Leaf Clover was written in 1927 by Mort Dixon and Harry M. Woods. The song was a huge hit that year with multiple recordings released.  The melody has remained popular since, having been featured in Merrie Melodies cartoons with Bugs Bunny, included in the UCLA Bruin victory song since 1954, and as the melody for the parody I’m Looking Over My Dead Dog Rover which was made famous by the Dr. Demento radio program. This arrangement is perfect for beginning ukulele players both as a solo or a duet by playing the chords. Lyrics for all the verses are included.
$1.99 ≈
1.80€
Billy Grimes The Drover
Billy Grimes The Drover
#
Piano, Voix
#
N
#
N
#
Billy Grimes The Drover
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.16866 Composed by N. C. Morse. Courtship & love, Mothers & children, Wealth. Lester S. Levy Collection. 4 pages. Published by ...
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Piano and voice - SKU: LV.16866 Composed by N. C. Morse. Courtship & love, Mothers & children, Wealth. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16866). Billy Grimes The Drover. Tenth Edition. Composed By N.C. Morse. Published 1852 by Webb, Peters & Co., 117 Fourth St. in Louisville. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Mothers & children, Wealth. First line reads Tomorrow, Ma, I'm sweet sixteen, And Billy Grimes, the drover, Has popp'd the question to me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.42€
How Could I Be Such A Fool
How Could I Be Such A Fool
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Frank Zappa
#
James M
#
How Could I Be Such A Fool
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1102125 Composed by Frank Zappa. Arranged by James M. Guthrie. 20th Century,Chamber...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1102125 Composed by Frank Zappa. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Pop,Rock. 15 pages. Jmsgu3 #705523. Published by jmsgu3 (A0.1102125). String Quartet Score: 7 pages. Duration: ca. 2:00Frank Zappa was a unique and talented musician, songwriter, and composer. He was an avant-garde artist who pushed boundaries and explored various musical styles. His innovative and often controversial music and lyrics challenged the status quo and paved the way for future generations of musicians.One of his most famous songs is How Could I Be Such a Fool, released in 1966 as a single. It was written and produced by Zappa, and it was the first time that he combined his experimental music with traditional rock and roll. The song is a lighthearted yet introspective look at life and the decisions we make. Zappa's clever lyrics and playful guitar riffs make this song an unforgettable classic. It has since been covered by numerous artists and remains a beloved favorite of Zappa fans.
$119.95 ≈
108.62€
I'm A Rover And Seldom Sober
I'm A Rover And Seldom Sober
#
Piano, Voix
#
Celtique/Irlandais
#
Folklorique/Traditionel
#
Irish Folk Song
#
Irish
#
I'm A Rover And Seldom So
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Irish Folk Song. For piano, voice, and guitar (chords only). Folk; Irish; Traditional. 2 pages. Published by Hal Leonard - Digital Sheet Music...
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By Irish Folk Song. For piano, voice, and guitar (chords only). Folk; Irish; Traditional. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.52€
Miscellaneous: I'm A Rover And Seldom Sober for voice, piano and guitar
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE
#
Celtique/Irlandais
#
Folklorique/Traditionel
#
Miscellaneous
#
Virtualsheetmusic
Instantly printable sheet music by Miscellaneous for voice, piano or guitar of MEDIUM skill level. / folk,irish,traditional
Instantly printable sheet music by Miscellaneous for voice, piano or guitar of MEDIUM skill level. / folk,irish,traditional
$5.97 ≈
5.41€
Miscellaneous: I'm A Rover And Seldom Sober for guitar
#
Paroles et Accords
#
INTERMÉDIAIRE
#
Celtique/Irlandais
#
Folklorique/Traditionel
#
Miscellaneous
#
Virtualsheetmusic
Instantly printable sheet music by Miscellaneous for guitar (chords) of MEDIUM skill level. / folk,irish,traditional
Instantly printable sheet music by Miscellaneous for guitar (chords) of MEDIUM skill level. / folk,irish,traditional
$4.97 ≈
4.50€
I'm A Rover And Seldom Sober
I'm A Rover And Seldom Sober
#
Paroles et Accords
#
Celtique/Irlandais
#
Folklorique/Traditionel
#
Irish Folk Song
#
Irish
#
I'm A Rover And Seldom Sober
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Irish Folk Song. Folk; Irish; Traditional. Guitar (chords only). 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.171544). - Guitar (chords only) ...
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By Irish Folk Song. Folk; Irish; Traditional. Guitar (chords only). 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.171544). - Guitar (chords only) - Folk; Irish; Traditional - Hal Leonard - Digital Sheet Music
$1.99 ≈
1.80€
WAYFARING STRANGER (Poor Wayfaring Stranger)
WAYFARING STRANGER (Poor Wayfaring Stranger)
#
Chorale TTBB
#
DÉBUTANT
#
Unknown - traditional
#
Paul A
#
peripatetic country preachers
#
WAYFARING STRANGER
#
Paul A. Jorg
#
SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59 ≈
4.16€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.61€
Il teatro
Il teatro
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Monica Bergo
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more lives
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Il teatro
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Monica Bergo
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.976874 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3244129. Published by Monica Bergo (A0.97687...
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Piano Solo - Level 3 - SKU: A0.976874 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3244129. Published by Monica Bergo (A0.976874). 2017 Holiday Contest EntryTHEATER If you want to transform your reality If you want another life The theater is here Choose the character What will you interpret Follow your script and you will not be wrong A blue curtain The lights are down And music begins An ox eye That will turn on The scene lights up Offstage, me Look out for my turn my legs tremble Increase the beat People in the audience Silent is And thet expects to live The story you will tell theyr And everything is possible I grab the moment I commit myself to the utmost There is rhythm, there is energy There is grief, there is joy Here everything is fake but there is truth And fate here, nothing can Because history already has its plot and its ending We will incarnate here Vices and virtues In the comedy you will lose You will breathe with us The magic that's here tonight Live in this atmosphere Trash and a bit surreal It will involve you With its cardboard trees, canvas palaces Paper skies, foam lakes Tears drawn on blood red cheeks Imperfect moons and sunshine that does not shine It's all a theater this my life I play more roles In prose or poetry We are all actors In this reality Browse your script It will surprise you Finished the show I bow for you Applause and music A moment and I already find my self The usual Monica I feel a bit Pierrot Between joy and tears But it went well and then tomorrow replies Live more lives for never die Sweet illusion that will cull me And it will accompany me Even out of this scene If I recite good ,you will know Unsuspecting sides of me I'll be nice O arrogant and bad A witch or a diva Heroes of a time gone Who will I ever be? and how Pirandello wrote I’m none and one hundred thousand I interpret myself And it's never good the first I'm not convincing in my dirty clothes And I change the script bugs Of my days a little shaken Absurd Theater It turns into a silent film And crying out loud In this desolate stage If you are looking for an identity An interruption of reality Write your script or improver Get on that stage and you'll be what you want .... Monica Bergo
$3.99 ≈
3.61€
Free Flow
Free Flow
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Piano seul
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AVANCÉ
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Alex Lewis
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Free Flow
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Alex Lewis
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.999484 Composed by Alex Lewis. 20th Century,Concert,Contemporary,Standards. Score. 8 pages. Alex Lewis #6302621. Publishe...
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Piano Solo - Level 5 - SKU: A0.999484 Composed by Alex Lewis. 20th Century,Concert,Contemporary,Standards. Score. 8 pages. Alex Lewis #6302621. Published by Alex Lewis (A0.999484). Free Flow is about the free flow of information. Freedom of speech is one of the most important pillars of a liberal society. And it seems as though that's being eroded too easily these days.I am reminded, ironically, of the quote by Henry Ford after showcasing the now-famous Model-T, You can have this vehicle in any color you want, as long as it's black. It seems as though the appropriate quote that the media has adopted is, You may have any opinion you want, as long as it's our opinion. I don't know why black was the only option for the Model-T, but perhaps there was a good excuse for it. There is no good reason to silence anybody's voice. What I want in this country is diversity. After all, doesn't everybody agree that diversity creates a better life than monotony? But I'm not just talking about Asians, Blacks, Whites, and others living in the same country. I'm not just talking about people of different ancestries working in the same economy. The pinnacle of diversity is when people of different philosophies and ideologies work together, collaborate together, and fight together. Censorship, then, is the greatest enemy of diversity. You may think censorship is needed. You may think censorship is justified. But censorship is used as a weapon against 'dangerous' people. I will clarify. Censorship is not being used against criminals, but against individuals with controversial ideas. Free Flow of information is the only safeguard against tyranny.
$5.99 ≈
5.42€
Imagine the Future, Space Travel 2.0
Imagine the Future, Space Travel 2.0
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Chorale 2 parties
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INTERMÉDIAIRE
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Debbie Allen
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Imagine the Future, Space Trav
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Nottingham Scores
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SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.690659 Composed by Debbie Allen. Children,Contest,Festival,Instructional. Octavo. 10 pages. Nottingham Scores #299...
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Choral Choir (SA) - Level 3 - SKU: A0.690659 Composed by Debbie Allen. Children,Contest,Festival,Instructional. Octavo. 10 pages. Nottingham Scores #299318. Published by Nottingham Scores (A0.690659). Imagine the Future, Space Travel 2.0, a work for 2-part Treble Choir, encourages students to imagine what impact the future of space flight and exploration will have on our lives. I remember watching the lunar landing on my little black and white TV screen in 1969. Yes, I’m that old. My imagination and awe soared as I considered changes that would happen as a result. Fast forward to 2022. We have a space station that has been orbiting the Earth since the year 2000, continuously occupied with astronauts and scientists. We have multiple telescopes, surpassing our galaxy, sending photos and information back to Earth. We have rovers on Mars. We are sending civilians into space on privately owned rockets! The future is bright. Enjoy the simplicity of initial harmonies and melodies that become increasingly complex as this music for choir develops to an exciting climax, ending in luscious chords that emphasize the wonderment of space.
$1.99 ≈
1.80€
Bach-Gounod: Ave Maria for Baritone Horn & Piano
Bach-Gounod: Ave Maria for Baritone Horn & Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Bar
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jmsgu3
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SheetMusicPlus
Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Co...
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Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3491315. Published by jmsgu3 (A0.552852). Schwencke There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano, S0.661783. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
29.84€
La Décima Musa
La Décima Musa
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Voix duo, Piano
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INTERMÉDIAIRE/AVANCÉ
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William Ortiz
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La Décima Musa
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William Ortiz
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.1009002 Composed by William Ortiz. 20th Century,Contemporary. 39 pages. William Ortiz #6369967. Publish...
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Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.1009002 Composed by William Ortiz. 20th Century,Contemporary. 39 pages. William Ortiz #6369967. Published by William Ortiz (A0.1009002). The text for “La Décima Musa†(2016) for Soprano, Mezzo and Piano, written by Amaya E. Ortiz, is inspired and influenced by the life and work of the Mexican poet Sor Juana Inés de la Cruz. Sor Juana Inés (1651-1695) was a controversial figure that defended women’s rights to education and was censured. Her defiance towards the Catholic Church at the time, led to all her books being confiscated. She has been since named “La Décima Musa†and has also been known as “El Phoenix de Méxicoâ€. The work is divided musically into ten sections of different character, each one preceded by a vocalized or brief instrumental interlude introducing each verse of the poem. The piece begins with a subtle, serene and contemplative vocalize in the tonality of F mayor and continues it’s musical discourse through modulations, rhythmic changes and imitative polyphony. The music reflects to a certain degree the neo baroque styling of the text, which in turn mirrors Sor Juana’s muse. The text transmits to me a phantasmagorical message that contains a great variety of metaphors and profound sentiment. I try to transform those words and thoughts into emotions and sensibilities through the miracle of what is music.
$9.95 ≈
9.01€
Bach-Gounod: Ave Maria for Violin & Harp
Bach-Gounod: Ave Maria for Violin & Harp
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Harpe, Violon (duo)
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INTERMÉDIAIRE
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Classique
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Bach/Gounod
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James M
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Bach-Gounod: Ave Maria for Vio
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jmsgu3
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SheetMusicPlus
Violin & Harp - Intermediate - Composed by Bach/Gounod. Arranged by James M. Guthrie. Baroque Period, Repertoire, Mother's Day, Wedding, Re...
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Violin & Harp - Intermediate - Composed by Bach/Gounod. Arranged by James M. Guthrie. Baroque Period, Repertoire, Mother's Day, Wedding, Recital. Score, Set of Parts. 11 pages. Published by jmsgu3
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach?s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert?s version, have become essential items at weddings, masses, and funerals.
$32.95 ≈
29.84€
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
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J
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James M
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Bach-Gonoud: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95 ≈
25.31€
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
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