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Vous avez sélectionné:
I Am Confident
Partitions à imprimer
13 partitions trouvées
<
1
I See You
I See You
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Chorale SATB
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INTERMÉDIAIRE
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Michelle Willis
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I See You
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Teton Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published b...
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Choral Choir (SATB) - Level 3 - SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.
$2.49 ≈
2.30€
I am no slouch
I am no slouch
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Gary D
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#
I am no slouch
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DR GARY D BELSHAW
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.796589 Composed by Gary D. Belshaw (ASCAP). Concert,Contemporary,Musical/Show,Opera. 10 pages. DR ...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.796589 Composed by Gary D. Belshaw (ASCAP). Concert,Contemporary,Musical/Show,Opera. 10 pages. DR GARY D BELSHAW #2927265. Published by DR GARY D BELSHAW (A0.796589). Jack is one of the two first-year graduate students at our fictitious urban university's School of Music. He's quite confident and he shows that in this aria. I once made a dandy Marcello...My Leporello was 'da bomb.' He is one of the stress factors in the soprano Cecilia's life, always trying to strike up a conversation. Perfect for solo recitals, opera workshops and opera scenes programs. Duration: a little over 4 minutes. Follow Gary D. Belshaw Music on Facebook and Twitter; we'll follow you back.
$3.99 ≈
3.68€
I am no slouch (x2)
I am no slouch (x2)
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Gary D
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#
I am no slouch
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DR GARY D BELSHAW
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.796590 Composed by Gary D. Belshaw (ASCAP). Concert,Contemporary,Musical/Show,Opera. 20 pages. DR ...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.796590 Composed by Gary D. Belshaw (ASCAP). Concert,Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2927271. Published by DR GARY D BELSHAW (A0.796590). Your download includes an accompanist's score at half-price. Jack is one of the two first-year graduate students at our fictitious urban university's School of Music. He's quite confident and he shows that in this aria. I once made a dandy Marcello...My Leporello was 'da bomb.' He is one of the stress factors in the soprano Cecilia's life, always trying to strike up a conversation. Perfect for solo recitals, opera workshops and opera scenes programs. Duration: a little over 4 minutes. Follow Gary D. Belshaw Music on Facebook and Twitter; we'll follow you back.
$5.99 ≈
5.53€
I Am the Vine (John 15:5)
I Am the Vine (John 15:5)
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Piano, Voix
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FACILE
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Pamela Paul
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Andrea J Tressler
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I Am the Vine
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Pamela Paul
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1076351 Composed by Pamela Paul. Arranged by Andrea J Tressler. Children,Instructional,Sacred. Score. 1 pages. Pam...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1076351 Composed by Pamela Paul. Arranged by Andrea J Tressler. Children,Instructional,Sacred. Score. 1 pages. Pamela Paul #680500. Published by Pamela Paul (A0.1076351). This song is one of several Scripture songs for children, especially to help with memorization. Each one features one KJV Bible verse, word-for-word, set to a singable melody in children's vocal range. Each song has simple piano accompaniment that includes the melody line for confident singing.
$1.99 ≈
1.84€
I Am Confident
I Am Confident
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Anonymous
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James Gilbert
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I Am Confident
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James Gilbert Music
#
SheetMusicPlus
Organ - Level 3 - SKU: A0.728554 Composed by Anonymous. Arranged by James Gilbert. Latin,Praise & Worship,Sacred. Score. 4 pages. James Gilbert Music #4...
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Organ - Level 3 - SKU: A0.728554 Composed by Anonymous. Arranged by James Gilbert. Latin,Praise & Worship,Sacred. Score. 4 pages. James Gilbert Music #40769. Published by James Gilbert Music (A0.728554). For Solo Organ
$4.99 ≈
4.61€
Anasazi Overture - Orchestra
Anasazi Overture - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Christopher Wolfe
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Anasazi Overture - Orchestra
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Christopher Wolfe
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.991609 Composed by Christopher Wolfe. Contemporary. Score and parts. 82 pages. Christopher Wolfe #3019975. Published ...
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Full Orchestra - Level 5 - SKU: A0.991609 Composed by Christopher Wolfe. Contemporary. Score and parts. 82 pages. Christopher Wolfe #3019975. Published by Christopher Wolfe (A0.991609). Written in 2007 for the Luton Symphony Orchestra in Bedfordshire, England, the Anasazi Overture is a fun and crowd-pleasing concert overture that combines beautiful Coplandesque string playing with exciting Hans Zimmer style brass. The piece is based on two Native American folk tunes; A Hopi lullaby and a Pueblo corn grinding song. The instrumentation of the piece is without percussion as the original intent of the work was to Make it cheap to play. It features double winds and brass with the exception of a 3rd horn part. The level of playing for the strings is quite advanced and the piece is suitable for all-county, all-state, youth orchestras, semiprofessional and professional groups.Some of the advanced techniques required involve heavy double-stopping and high shifting positions for the strings and Hans Zimmer style cuivre for the horns (NOTE: NOT STOPPED HORN) as well as upward rips.The included MP3 recording is the first live performance of the work by the amateur group it was composed for, but I am confident that this piece will prove to be fun and exciting to play for even professional orchestras. This set contains 1 of each part. Permission is given to create copies of the parts for each player in the orchestra as needed. The work has been quite popular with those who have played it. I can be contacted at wolfiemeister@yahoo.com with any questions regarding the work.
$35.00 ≈
32.30€
Spinning Wheel
Spinning Wheel
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Piano, Voix
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AVANCÉ
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Blood Sweat and Tears
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Spinning Wheel
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Michael Boyd Evans
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1096349 By Blood Sweat and Tears. By David Clayton-Thomas. Arranged by Classic Hits: Authentic Arrangements. Blues...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1096349 By Blood Sweat and Tears. By David Clayton-Thomas. Arranged by Classic Hits: Authentic Arrangements. Blues,Contemporary,Jazz,Rock. Score. 3 pages. Michael Boyd Evans #700320. Published by Michael Boyd Evans (A0.1096349). It is no exaggeration to say that there is no sheet music of this quality of Blood Sweat & Tears' Spinning Wheel anywhere online. This is the quintessential piano/vocal arrangement with piano as complete accompaniment of all horn, bass and keyboard parts. Nothing is missing including an accurate transcription of the extended trumpet solo in the album version and the ending with piccolo and horns. Now in his eighties, David Clayton-Thomas I am confident would consider this arrangement as piano and voice masterful.
$21.99 ≈
20.30€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.68€
Chapter Two
Chapter Two
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Siobhan Dyson
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Chapter Two
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Siobhan Dyson
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SheetMusicPlus
1 Piano,4 Hands,Cello,Clarinet,Flute,Vibraphone,Violin - Level 3 - SKU: A0.1103677 Composed by Siobhan Dyson. 20th Century,Chamber,Classical,Film/TV. 50...
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1 Piano,4 Hands,Cello,Clarinet,Flute,Vibraphone,Violin - Level 3 - SKU: A0.1103677 Composed by Siobhan Dyson. 20th Century,Chamber,Classical,Film/TV. 50 pages. Siobhan Dyson #706947. Published by Siobhan Dyson (A0.1103677). Chapter Two This small ensemble piece was written to showcase Siobhan’s second chapter in her life. After six years of higher education study, Siobhan is now ready to move onto the next chapter of her life by writing music for a variety of studios and companies. Siobhan is confident in her pursuit of becoming a well-known composer who is known for writing music for a variety of media. She is already undertaking this task by writing for a documentary and a potential game. Siobhan feels ready to leave and cannot wait to see what this next chapter brings her. She wrote this piece as a farewell to her lecturer of her entire RCS career, Dr Oliver Searle who she has admired and adored throughout her studies. Note from the composer: Dear Oliver, Surprise, I wrote this to say thanks to you, embarrassing I know :/ So as my last final effort to embarrass both of us I wrote this into my programme note. (Kind of cringey and, as I am writing this, I’m getting totes emosh) Thank you for being the best lecturer I could have ever asked for, thank you for being a great person who is caring, kind and someone who truly listens and teaches well. I hope to make you proud in my pursuits! I will always look back on the times of terrible dad jokes (not me), trying to break my stubbornness and all the funny times we had (mostly me :P). I will cherish all you have taught me (except the key signature thing, still not changing my mind on that). You have watched me grow into this weird, funny, and slightly embarrassing person. I don’t think I would be where I am today without you and, from my dark, dark evil heart, thank you for pushing me to being the person I am today. (So, if it all goes wrong, I blame you :P) K, Thanks. Signed: Your favourite.
$48.00 ≈
44.30€
Psalm 27
Psalm 27
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Chorale SATB
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FACILE
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Musique Sacrée
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Bella Wu
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Psalm 27
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Bella Chia-Yu Wu
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.974493 Composed by Bella Wu. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 9 pages. Bella Chia-Yu Wu #632...
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Choral Choir (SATB) - Level 2 - SKU: A0.974493 Composed by Bella Wu. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 9 pages. Bella Chia-Yu Wu #6320165. Published by Bella Chia-Yu Wu (A0.974493). This uplifting song is ideal for encouragement and general worship. The Lord is my light and my salvation. Whom shall I fear? I will sing and make music to the Lord. At His tabernacle will I sacrifice with shouts of joy. I am still confident that I will see the goodness of the Lord in the land of the living.This song was written by Bella Wu, a Toronto-based Christian composer. It is part of her Word of God collection where Bible verses and lyrics from old hymns are adapted for the texts. Listen to her other songs written for the church choir on SoundCloud: https://soundcloud.com/bella-wu-641794580The composer can be reached at bellawumusic@gmail.com.
$2.10 ≈
1.94€
Satisfied
Satisfied
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Chorale SATB
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Musique Sacrée
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Robert E
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Satisfied
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Purifoy Publishing Company
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SheetMusicPlus
SATB choir divisi with optional Organ (With Optional Organ) - Moderately Advanced - SKU: LX.10-1151 Composed by Robert E. Mulloy. Sacred Anthem. Octavo....
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SATB choir divisi with optional Organ (With Optional Organ) - Moderately Advanced - SKU: LX.10-1151 Composed by Robert E. Mulloy. Sacred Anthem. Octavo. 8 pages. Purifoy Publishing Company #e10/1151. Published by Purifoy Publishing Company (LX.10-1151). UPC: 000308037876. Text: Clara T Williams.Beginning with the simple melody, this well-crafted hymn arrangement steadily builds through the chorus and a 3/4 to 4/4 meter change, then intensifies to the confident concluding statement, I am saved! Perfect choice for Revival services.
$2.40 ≈
2.22€
The God of Abraham Praise
The God of Abraham Praise
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Chorale SATB
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Musique Sacrée
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Brian Buda
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The God of Abraham Praise
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir, Piano (With Optional Violin) - SKU: LX.10-5157L Arranged by Brian Buda. Sacred Anthem, General. Octavo. 12 pages. Lorenz Publishing - Digita...
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SATB choir, Piano (With Optional Violin) - SKU: LX.10-5157L Arranged by Brian Buda. Sacred Anthem, General. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5157L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5157L). ISBN 9780787761837.Full of majesty and power, this striking setting of an ancient Hebrew tune and text focuses on worshipping Jehovah, the great “I AM.†Brian Büda’s confident choral writing is enhanced by the classical-style accompaniment for piano and violin.
$2.50 ≈
2.31€
The God of Abraham Praise - Accompaniment Download
The God of Abraham Praise - Accompaniment Download
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Musique Sacrée
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The God of Abraham Praise - Ac
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SKU: LX.E99-3900L General. Sacred Anthem. Accompaniment MP3. Lorenz Publishing - Digital Sheet Music #E99/3900L. Published by Lorenz Publishing - Digita...
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SKU: LX.E99-3900L General. Sacred Anthem. Accompaniment MP3. Lorenz Publishing - Digital Sheet Music #E99/3900L. Published by Lorenz Publishing - Digital Sheet Music (LX.E99-3900L). Downloadable accompaniment track for The God of Abraham Praise (10/5157L) Full of majesty and power, this striking setting of an ancient Hebrew tune and text focuses on worshipping Jehovah, the great I AM. Brian Buda's confident choral writing is enhanced by the classical-style accompaniment for piano and violin.
$14.95 ≈
13.80€
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I Am Confident
