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I Am Here to Stay
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Vous avez sélectionné:
I Am Here to Stay
Partitions à imprimer
36 partitions trouvées
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I Am Here to Stay (from Nunsense II)
I Am Here to Stay (from Nunsense II)
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Piano, Voix et Guitare
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Dan Goggin
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I Am Here to Stay
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0016099 Composed by Dan Goggin. Musical. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0016099. Published by Alf...
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Piano/Vocal/Chords - SKU: AX.00-PS-0016099 Composed by Dan Goggin. Musical. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0016099. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0016099). ISBN 9780739057155. UPC: 038081343501.
$3.99 ≈
£3.08
His Love Is Here To Stay
His Love Is Here To Stay
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Piano, Voix
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FACILE
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E
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His Love Is Here To Stay
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Terry Berry Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.966851 Composed by E. V. Martinez. Christian,Concert,Country,Standards. Score. 10 pages. Terry Berry Music #535571...
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Piano,Vocal,Voice - Level 2 - SKU: A0.966851 Composed by E. V. Martinez. Christian,Concert,Country,Standards. Score. 10 pages. Terry Berry Music #5355711. Published by Terry Berry Music (A0.966851). This is a song about the presence of God's love in all our daily ups and downs. It is enough to sustain us through them. My email address is ev_martinez@att.net. I am affiliated with BMI.
$3.99 ≈
£3.08
I Sit Here on the Barren Hill
I Sit Here on the Barren Hill
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Fiona Alice Hickie
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99 ≈
£10.80
I Sit Here On The Barren Hill
I Sit Here On The Barren Hill
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Piano, Voix
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FACILE
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by...
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Piano,Vocal,Voice - Level 2 - SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
$4.99 ≈
£3.85
Lay Down, Stay Down
Lay Down, Stay Down
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Basse electrique
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INTERMÉDIAIRE
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Rock
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Deep Purple
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Tracy Dean McCallum
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Lay Down, Stay Down
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar - Level 3 - SKU: A0.1290549 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Tracy Dean ...
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Bass Guitar - Level 3 - SKU: A0.1290549 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Tracy Dean McCallum. Rock. Score. 7 pages. Tracy Dean McCallum #881269. Published by Tracy Dean McCallum (A0.1290549). https://tracymccallum.com I don't care if my lady's goneAs long as you give me just what I wantI've been losin' my directionGotta find a new connectionYou have wasted the love I tastedNow I'm really gettin' hungry more and moreBeen a long time, had a bad signTell me what am I fighting for?Let me know you feel itYou know I really need itKeep on pushin' for moreLay down, stay downI got something to findThere's one thing I really needI'm gonna tell you right nowLay down, stay downLookin' for trouble, I guess that's rightWhen I was young, I was taught to fightIt's been long gone since I had knownNow I'm headin' for some moreLet me know you feel itYou know I really need itKeep on pushin' for moreLay down, stay downI got something to findThere's one thing I really needI'm gonna tell you right nowLay down, stay downLet me know you feel itYou know I really need itKeep on pushin' for moreLay down, stay downI got something to findThere's one thing I really needI'm gonna tell you right nowLay down, stay downSource: LyricFind
$7.99 ≈
£6.17
Cygnus X-1 Book Ii: Hemispheres
Cygnus X-1 Book Ii: Hemispheres
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Rush
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Tracy Dean McCallum
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Cygnus X-1 Book Ii: Hemisphere
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar - Level 4 - SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tra...
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Bass Guitar - Level 4 - SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tracy Dean McCallum #792663. Published by Tracy Dean McCallum (A0.1193208). When our weary world was youngThe struggle of the ancients first beganThe gods of Love and ReasonSought alone to rule the fate of ManThey battled through the agesBut still neither force would yieldThe people were dividedEvery soul a battlefieldEvery soul a battlefieldThe Universe dividedAs the Heart and Mind collidedWith the people left unguidedFor so many troubled yearsIn a cloud of doubts and fearsTheir world was torn asunder into hollow hemispheresSome fought themselves, some fought each otherMost just followed one anotherLost and aimless like their brothersFor their hearts were so unclearAnd the truth could not appearTheir spirits were divided into blinded hemispheresSome who did not fightBrought tales of old to lightMy Rocinante sailed by nightOn her final flightTo the heart of Cygnus' fearsome forceWe set our courseSpiralled through that timeless spaceTo this immortal placeI have memory and awarenessBut I have no shape or formAs a disembodied spiritI am dead and yet unbornI have passed into OlympusAs was told in tales of oldTo the City of ImmortalsMarble white and purest goldI see the Gods in battle rage on highThunderbolts across the skyI cannot move, I cannot hideI feel a silent scream begin insideThen all at once the chaos ceasedA stillness fell, a sudden peaceThe Warriors felt my silent cryAnd stayed their struggle, mystifiedApollo was astonishedDionysus thought me madBut they heard my story furtherAnd they wondered, and were sadLooking down from OlympusOn a world of doubt and fearIts surface splintered intoSorry hemispheresThey sat a while in silenceThen they turned at last to meWe will call you CygnusThe God of Balance you shall beWe can walk our road togetherIf our goals are all the sameWe can run alone and freeIf we pursue a different aimLet the truth of Love be lightedLet the love of truth shine clearSensibilityArmed with sense and libertyWith the Heart and Mind unitedIn a single perfect sphere
$5.99 ≈
£4.62
I Am Here To Stay from Nunsense II The Second Coming - Piano/Vocal, Singer Pro
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Piano, Voix
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I Am Here To Stay from Nunsens
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Musicnotes
Dan Goggin - I Am Here To Stay Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangem...
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Dan Goggin - I Am Here To Stay Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Singer Pro;Piano/Vocal, instruments: Piano;Voice; 10 pages -- Cabaret~~Show/Broadway
$5.99 ≈
£4.62
All I Want For Christmas Is You
All I Want For Christmas Is You
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Quatuor à cordes: 2 violons, alto, violoncelle
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Noël
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Lady Antebellum
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Rebecca Willson
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All I Want For Christmas Is Yo
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Rebecca Willson
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.961585 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Rebecca Willson...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.961585 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Rebecca Willson. Contemporary. Score and parts. 10 pages. Rebecca Willson #6596433. Published by Rebecca Willson (A0.961585). This easy string quartet arrangement was written for a group of pupils. A lot of existing pop arrangements are rhythmically too hard without lots of practice. I put this arrangement together with the aim that it would need very little rehearsal. There is no introduction. The melody stays in Violin 1, some rhythms have been simplified. Violin 2, Viola and Cello mostly play long notes or are in rhythmic unison. It would also sounds great with the addition of some sleigh bells!I am a string player and teacher. My arrangements are all made for my students or professional string quartet. Please get in touch if you'd like me to post any variations on instrumentation.www.obligatostringquartet.com
$12.99 ≈
£10.03
Dan Goggin: I Am Here to Stay (from Nunsense II) - piano, voice or other instruments
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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Dan Goggin
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Virtualsheetmusic
Instantly printable sheet music by Dan Goggin for piano, voice or other instruments of EASY/MEDIUM skill level. / musical
Instantly printable sheet music by Dan Goggin for piano, voice or other instruments of EASY/MEDIUM skill level. / musical
$7.97 ≈
£6.15
Dan Goggin: I Am Here To Stay - piano, voice or other instruments
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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Dan Goggin
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Virtualsheetmusic
Instantly printable sheet music by Dan Goggin for piano, voice or other instruments of EASY/MEDIUM skill level. / broadway
Instantly printable sheet music by Dan Goggin for piano, voice or other instruments of EASY/MEDIUM skill level. / broadway
$7.97 ≈
£6.15
Sonata No. 6 "Kharkiv", Op. 48
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95 ≈
£6.14
If Only In My Dreams
If Only In My Dreams
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Piano, Voix
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INTERMÉDIAIRE
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Cheryl Prazak
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Jon Burr
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If Only In My Dreams
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Cheryl Prazak
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1327476 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music by Jon Burr. Arranged by Jon Burr. Contemporary,Count...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1327476 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music by Jon Burr. Arranged by Jon Burr. Contemporary,Country. Score. 15 pages. Cheryl Prazak #915493. Published by Cheryl Prazak (A0.1327476). If Only In My Dreams is a song of longing for a far away spouse sung by soldier stationed far away.Music, arranging and production by Jon BurrThe Lyrics:The moon shines bright, drifting through the pines tonight, The meadow lies blanketed with dew,Stars take their flight, chasing ‘way the lingering night, And I lie here dreaming, dear, of you.Lonely the nights, when I long to hold you tight, In my dreams, I linger and pretend.Ev’ning draws nigh, pensive fantasies take flight,My eyes close, dreamy visions descend.  Nights are cold and lonely; I’m so in love with you.Wrapped up in your arms, I surrender to your charms, If only in my dreams, can I hold you.Mournful day long, I am trying to stay strong.I can only sit here, dear, and dream.  Please play our song, you remember our love song,And together we will dream our dream.The moon gives way, breaking forth another day,And the last star’s twinkle has fade.I see your face, with the dawn of each new day, Morn breaks through, and I’m dreaming again.  Candles in the window, yellow ribbons on the door,When I see the glow and the ribbons I will knowThere you are, I will leave your arms no more.Every day will be a dream, dear, when I am there with you.Although we’re far apart, you linger in my heart, love of my life, my wonderful, amazing wife; my wonderful military wife.
$4.99 ≈
£3.85
La Cura
La Cura
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Chorale SATB
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Contemporain
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Franco Battiato
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Bacco Baccanels
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La Cura
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Bacco Baccanels
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.978040 By Franco Battiato. By Francesco Battiato and Manlio Sgalambro. Arranged by Bacco Baccanels. Contemporary. Octavo. ...
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Choral Choir (SATB) - SKU: A0.978040 By Franco Battiato. By Francesco Battiato and Manlio Sgalambro. Arranged by Bacco Baccanels. Contemporary. Octavo. 8 pages. Bacco Baccanels #5989447. Published by Bacco Baccanels (A0.978040). Description is first in Italiano e then in English, since I think the song is quite famous in Italy but little known abroad.[ITALIANO]Arrangiare un brano di Franco Battiato è molto difficile perché la sua interpretazione staccata e narrativa, la sua voce dal timbro molto alto e l'argomento, di solito lontano nel tempo e dalla realtà ma qui estremamente vicino a raccontare l'amore in una delle fasi più intense della vita rischiano di stravolgerla. In più, ogni tentantivo di reinterpretarla con altra musica richiede di essere un artista altrettanto grande: io non sono nè grande nè artista, al limite... essere.Ho cercato perciò di stare vicino all'orginale, riconoscibile dal motivetto in sedicesimi che si ripete per tutta la canzone.Poiché si sa che la versione vocale stufa prima delle versioni suonate e l'originale dura 4 minuti, ho tagliato l'intera strofa Ti porterò.... Per chi volesse reinserirla, è facile: dalla battuta 41 si torna alla 5, si ripercorre fino alla 18 (con il testo cambiato per il solista, Ti porterò..., ma le altre voci sono identiche ) e si riprende dalla 42 fino alla fine.[ENGLISH]Arranging a piece by Franco Battiato it's not an easy game: lyrics are often very far in time and his singing very personal and narrative. Here the lyrics tells a love in a hard moment of life and every element is placed in a delicate balance where any change can be disruptive.Even trying to modify the music style would require an artist of the same weight, and I am not.So I tried to stay close to the original, using the most recognizable pattern of the song (the notes in sixteenth).Since we know that the vocal versions have to be shorter than the played ones (ears get bored before) and the original song if 4 minutes long, I cut the entire verse Ti porterò.... For those who want to play also the missing part, it’s easy: from bar 41 go back to bar 5, sing up to bar 18 (with the lyrics changed for the lead, Ti porterò..., other voices do not change) and then go ahead to bar 42 and from there to the end.
$2.99 ≈
£2.31
50 sfumature di......niente
50 sfumature di......niente
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Monica Bergo
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50 sfumature di......niente
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Monica Bergo
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.976879 Composed by Monica Bergo. Contemporary. Score. 4 pages. Monica Bergo #3246293. Published by Monica Bergo (A0.97687...
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Piano Solo - Level 3 - SKU: A0.976879 Composed by Monica Bergo. Contemporary. Score. 4 pages. Monica Bergo #3246293. Published by Monica Bergo (A0.976879). 2017 Holiday Contest Entry♫ *'¨` * • .¸¸. ♫ 50 shades of .... nothing'¨` ♫ * * • .¸¸. ♫ At the doorway you are there ,waiting for me I know your wife and I know that you do not respect her, you see me and you open up yourself in a sinister smile I sigh and wait that you start your sad show ... She asks you love you answer with sex I offer you my friendship It would be fine the same? it is true you are a stunner but not so important if the soul does not shine nothing takes me about you Come on, explain to me again how smart you are But remember that without her you are nothing Your machismo hurts and offends your shades of nothing I bore me a bit ' you read a book? I am affected but a book will not change your life you are swelled, galvanized by Mister Gray're obsessed you're just meat, no spirit and the wings do not have and my colorful world not, you not pollute while you talking to me, peek at your reflection and I understand that are 50 shades But your fears are more ... You, man rampant I, woman inelegant concrete and abstract imperfect binomial 2 worlds in their own right we remain distant your shades of nothing , I do not regret and while I realize that you want to scare me I lose a laugh you know, I feel safe I have behind me very worst nightmares Christian Gray overstrain stay away from me you read a book? You do not say! And Mickey Mouse where did it end? you read a book I am affected but a book will not change your life in love with yourself, but I ask myself if you're something to discover closed inside you if you want to please everyone for the insecurities that you with 50 shades But your fears are more and while I remain standing there watching your car that It makes a screech and disappears I stop myself to think about how I lucky to have a partner who has eyes only for me ....... Monica Bergo
$3.99 ≈
£3.08
It Is Cold!
It Is Cold!
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Piano Facile
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DÉBUTANT
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Contemporain
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Joy Gilmore, Hsin Gilmore
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It Is Cold!
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Joyful Sound Music
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.906748 Composed by Joy Gilmore, Hsin Gilmore. Contemporary. Score. 6 pages. Joyful Sound Music #3426901. Published by Joy...
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Piano Solo - Level 1 - SKU: A0.906748 Composed by Joy Gilmore, Hsin Gilmore. Contemporary. Score. 6 pages. Joyful Sound Music #3426901. Published by Joyful Sound Music (A0.906748). It is Cold for Beginner Level The story behind this song:I installed a brand new AC and heating unit at my house during the summer of 2014. The person who installed the system did not do a good job. I had a lot of problems with the brand new ac unit after they came to install it. One of the problems is that every year, when the temperature outside goes down to 30 degrees, the brand new installed heating system would not go above 65 degrees. Normally, it stays at 61 degrees. I was and still am very frustrated about this. This new heating and ac system costs a lot of money. (A person use the same amount of money to buy a nice small car.) Because the temperature has not gone above 65 degrees inside, I have had to wear two sweat shirts, one coat, one feather jacket, two pairs of cotton pants, two pairs of socks, and two warm hats almost every single day for about one month. I have been so cold every winter. A lot of times during the coldest days in the winter, I have to stay in my 1998 Toyota Sienna van. Because it is warmer in my van than in my house. One day, while I was driving, I thought about writing a song about how cold I have been.In this song, I used many seconds including Major 2nd and Minor 2nd. The Major and Minor seconds sound very sharp, like the cold that is cutting through your skin. It is very uncomfortable, and that is the idea behind this song. This PDF is designed for two-sided printing. It is going to look like a sheet music book. This is the reason why there is one blank page in some of the songs. You can also just print the sheet music pages only.
$2.99 ≈
£2.31
Nothing Compares (Anthem) - Orchestration
Nothing Compares (Anthem) - Orchestration
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Musique Sacrée
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Gospel Spirituel
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
Large Ensemble Choir - Level 3 - SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. C...
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Large Ensemble Choir - Level 3 - SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.
$49.99 ≈
£38.60
Fear no more the heat o' the Sun
Fear no more the heat o' the Sun
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Piano, Voix et Guitare
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AVANCÉ
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Roger Quilter
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Frank Reifenstahl
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Fear no more the heat o' the S
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Frank Reifenstahl
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 5 - SKU: A0.1324733 Composed by Roger Quilter. Arranged by Frank Reifenstahl. 20th Century,Chamber,Classical. Score. 10...
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Guitar,Piano,Vocal,Voice - Level 5 - SKU: A0.1324733 Composed by Roger Quilter. Arranged by Frank Reifenstahl. 20th Century,Chamber,Classical. Score. 10 pages. Frank Reifenstahl #912943. Published by Frank Reifenstahl (A0.1324733). A friend of mine, classical and jazz singer, called my attention to Roger Quilters Shakespeare songs. I was immediately enthralled and haunted by the idea of setting the piano parts for guitar. So, here's the first of Quilter's five pieces. As is my wont I tried to stay as close as possible to the original piano score taking the liberty to pitch the piece down a semitone to a more comfortable E minor for guitar. And speaking of my guitar, I am used to a classical guitar with cutaway, thus you will find several sections beyond fret XII.I guess the arrangement is challenging even for well advanced players, but worth the effort because arranging it I found it to match the guitars scope much better than I thought it would be. But I also started to prepare a version for less advanced/intermediate players, hoping to provide it within the next weeks here at ArrangeMe.Well, enjoy yourself!
$5.99 ≈
£4.62
Broken, sacred music for SATB choir
Broken, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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threads of holy words of Light
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Kevin G
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Broken, sacred music for SATB
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1382558 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1382558 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 9 pages. Kevin G. Pace #966982. Published by Kevin G. Pace (A0.1382558). Solemn, sacred music for choir with music by Kevin G. Pace and text by Kathryn W. Hales.Text:His broken body on the tree,Wounded, stripped for all to see,From chains of sin I’m now set free.Bruised and broken, Lord for me;A miracle broke the sealed tomb,Walls no barrier to the Upper RoomWhere with apostles He did commune,Overcoming death and gloomMy wounded heart now is healed,Changed to one that truly feels;Through His covenants I am sealedIf my will I meekly yield.My broken heart now mended rightBy threads of holy words of Light,Is now humbled and contriteAs I keep Him in my sight.Broken bread upon the traysBlessed by those who kneel and pray,Tied to Him I’ll always stayAnd remember Him all my days. There’s nothing broken He can’t mend;He’ll forever be my Friend,Now made whole, I humbly bend,Enduring gratefully to the end.
$1.99 ≈
£1.54
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: The D
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik M...
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Small Ensemble - Level 4 - SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3627069. Published by Musik Fabrik Music Publishing (A0.534549). Text by William Shakespeare (A Midsummer Night's Dream Act V, Scene I)The ultimate overblown death scene for an actor of limited abilitiesIn the play, Nick Bottom thinks that he is the greatest actor alive. However, he is appallingly dreadful - he shamelessly overplays every line, mugs incessantly and makes word errors. He thinks that he is fabulous when, in fact, he is ridiculous. His suicide scene is one of the great moments for comic actors and it can take as long as the actor wishes - even up to 5 minutes. This aria is set in the same manner and many buffo singers immediately come to mind as models for such satire. This selection cannot be overplayed. It can be sung by any male voiceTEXT: Sweet Moon, I thank thee for thy sunny beams.I thank thee, Moon, for shining now so bright.For by thy gracious, golden, glittering gleams,I trust to take of truest Thisbe sight.—But stay, O spite!But mark, poor knight,What dreadful dole is here!Eyes, do you see?How can it be?O dainty duck! O dear!Thy mantle good,What, stained with blood?Approach, ye Furies fell!O Fates, come, come,Cut thread and thrum.Quail, crush, conclude, and quell!O wherefore, Nature, didst thou lions frame?Since lion vile hath here deflowered my dear,Which is—no, no—which was the fairest dameThat lived, that loved, that liked, that looked with cheer.Come, tears, confound!Out, sword, and wound!The pap of Pyramus— Ay, that left papWhere heart doth hop. (stabs himself)Thus die I, thus, thus, thus.Now am I dead.Now am I fled.My soul is in the sky.Tongue, lose thy light.Moon, take thy flight.Now die, die, die, die, die.(dies)
$11.95 ≈
£9.23
《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
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Contemporain
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Ma Shui Long 馬水é¾
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《無形的ç
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SpringAutumnmusic
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SheetMusicPlus
Small Ensemble Choir,Voice - SKU: A0.961991 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #471...
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Small Ensemble Choir,Voice - SKU: A0.961991 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #47107. Published by SpringAutumnmusic (A0.961991). 《無形的神殿》，管弦樂與男è²å¤§åˆå”± 　 　　2003å¹´11月間一個美好的機緣，åƒèˆ‡æ–‡åŒ–總會ä¸éƒ¨è¾¦å…¬å®¤è·¯å¯’袖先生所推展的「玉山å¸ã€ï¼Œé€ 訪了å°ç£ç²¾ç¥žè–åœ°ï¼Œé«”é©—ç¾¤å¶½ä¹‹å† ã€ŒçŽ‰å±±ã€çš„雄å‰èˆ‡å¯¬å®¹ã€‚èª å¦‚ä½œå®¶è·¯å¯’è¢–å…ˆç”Ÿæ‰€è¨€ï¼šã€Œç„¡è«–ç™»é ‚èˆ‡å¦ï¼Œæ—¢å…¥å±±ä¸ï¼Œå³ç‚ºå±±æ‰€åŒ…容ã€ã€‚的確，登山ä¸åƒ…是觀賞美景讚嘆山的壯麗與險峻，而更é‡è¦çš„在空éˆçš„å±±ä¸éš±è—禪機，讓我們å¸ç¿’到真æ£çš„謙å‘。當作曲者親臨時刻，心ä¸å»ä¸€ç‰‡èŒ«ç„¶è€Œç„¡èªžï¼Œçž¬é–“，想起詩人æŽé賢先生一首詩作「無形的神殿ã€è¨€ï¼š 　　我高高在上 　　ä¸åœ¨ä¹Žçœ‹å¾—é 　　é 方茫茫 　　什麼也看ä¸è¦‹ ã€€ã€€æˆ‘å …æŒå†· 　　éœæˆ‘內部岩層的 　　 世界，我ç¨ç«‹ 　　在喧囂的紅塵外 　　熱氣騰騰的人 　　來我這裡無形的神殿 　　回到世間還是熱氣騰騰 　 　什麼也沒體會 　　作曲者經詩人æŽé賢先生的åŒæ„，借用詩å「無形的神殿ã€ä½œç‚ºæœ¬æ›²ä¹‹æ¨™é¡Œï¼Œèœå¯«ä½œæ›²è€…親臨拜訪「玉山ã€ï¼Œå¿ƒä¸çš„悸動與感å—ã€‚æœ¬æ›²å‰µä½œç´ æä¸ï¼Œäº¦å¼•ç”¨å¹¾é¦–é„’æ—與布農æ—原ä½æ°‘之æŒï¼Œåœ¨ç”·ç”Ÿå¤§åˆå”±èˆ‡ç®¡å¼¦æ¨‚交織ä¸ï¼Œåˆ†ç‚º(一)夜話排雲(二)日出(三)ç¥ç¥žç‰ä¸‰å¤§éƒ¨ä»½ï¼Œä»¥é€£æ¨‚ç« å½¢å¼å‘ˆç¾ã€‚ ※(1)本曲為邱å†èˆˆæ–‡æ•™åŸºé‡‘會委託創作之作å“，完æˆæ–¼2005~2006年，2007å¹´12月ä¸æ—¬åˆ†åˆ¥æ–¼å°ä¸åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團演å¥å»³ã€é«˜é›„市文化ä¸å¿ƒè‡³å¾·å ‚åŠå°åŒ—國家音樂廳，指æ®å®¶é‚±å›å¼·æŒ‡æ®åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團åŠå°åŒ—愛樂åˆå”±åœ˜è¯åˆèˆ‰è¡Œä¸–界首演。 (2)é„’æ—與布農æ—之æŒæ—‹å¾‹ï¼Œè³‡æ–™ä¾†è‡ªæ–¼é›²é–€èˆžé›†åŠæµ©æ©å‡ºç‰ˆç¤¾ï¼ˆé«˜å±±çš„禮讚）所出版之CD，並由我的作曲å¸ç”Ÿè”¡æ¬£å¾®è½å¯«æ•´ç†æ供，在æ¤ä¸€ä½µè¡¨ç¤ºæ„Ÿè¬ä¹‹æ„。 The Invisible Temple - for male chorus and orchestra 　　 In November 2003, by a chance of attending the Yushan Studies offered by Mr. Han-Hsu Lu at the General Association of Culture, the composer then visited the highest mountain and also the Holy spirit land of Taiwan, Yushan, and experienced its sublime grandeur. Just as Mr. Lu has said: No matter whether you climb to the top of the mountain or not, we are all embraced by it. It is true that we admire it not only for its great majesty and steep scenery, but, more importantly, for the spiritual meaning behind it, from which we learn humility. When visiting the mountain, the composer was moved to be lost and speechless, and soon reminded of the poem by the poet Kuei-Shien Lee, The Invisible Temple, as follows: I stand high, having no fear of seeing very far. It is blurry far away from here, and nothing can’t be seen. I insist on coldness, silencing the world in my inner rock strata. I am independent of the uproarious world of mortals. Those who are frantic come here, the invisible temple. Still frantic, they return to the world, without appreciating anything. With Lee’s consent, the title of the poem was applied to this work, to represent the composer’s feelings of visiting the Yu-shan Mountain. In this work, several songs from the aboriginal Tsou and Bunun tribes are adopted for the large male chorus and orchestra. It comprises three parts: 1. The talk in the night staying at the Inn Paiyun, 2. The Sunrise, and 3. The Worship, which are to be performed attacca (without pause or interruption). P.S. 1. The work was commissioned by Chew’s Culture Foundation, and was composed in 2005-2006. In December 2007, it was premiered by Chun-Chiang Chiu conducting the Taiwan National Symphony Orchestra and the Taipei Philharmonic Chorus at the Kaohsiung City Cultural Center and the National Concert Hall in Taipei, respectively. 2. The source of the folk melodies of Tsou and Bunun tribes is from the CD released by the Cloud Gate Dance Theatre of Taiwan and.
$44.99 ≈
£34.73
Santa Baby
Santa Baby
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Kellie Pickler
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Rebecca Willson
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Santa Baby
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Rebecca Willson
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.961586 By Kellie Pickler. By Joan Javits, Phil Springer, and Tony Springer. Arrange...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.961586 By Kellie Pickler. By Joan Javits, Phil Springer, and Tony Springer. Arranged by Rebecca Willson. Christmas. Score and parts. 15 pages. Rebecca Willson #6596443. Published by Rebecca Willson (A0.961586). This arrangement was written for a busking event with my regular string quartet. There was no time for rehearsal so I kept the parts fairly contained in their roles. The melody stays in Violin 1 and faithfully follows Eartha Kitt's vocals. I also play jazz violin so I have added slurs that help to encourage the swing feel. The cello sticks to the famous bass line and switches to pizzicato in the middle 8. Violin 2 and Viola fill in the off beat harmony and the viola adds in the clarinet line from the Eartha Kitt recording in the second half of the arrangement. There are a couple of trickier transition bars, from a speed perspective, where all parts play semiquavers. I am a string player and teacher. My arrangements are all made for my students or professional string quartet. Please get in touch if you'd like me to post any variations on instrumentation.www.obligatostringquartet.com.
$12.99 ≈
£10.03
The Rebirth of Light
The Rebirth of Light
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Piano seul
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AVANCÉ
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Kathleen Ryan
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The Rebirth of Light
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1120779 By Kathleen Ryan. By Kathleen Ryan. Christmas,Classical,Religious,Sacred. Score. 5 pages. Indigo Mesa Music LLC #...
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Piano Solo - Level 5 - SKU: A0.1120779 By Kathleen Ryan. By Kathleen Ryan. Christmas,Classical,Religious,Sacred. Score. 5 pages. Indigo Mesa Music LLC #721996. Published by Indigo Mesa Music LLC (A0.1120779). “how silently, how silently the wondrous gift is given†A piano solo evocative of quiet snow falling, the inward times of winter, and the miracle of a holy birth. Kathleen's notes: The light is born in the dark. The particular hush of winter, of midnight, of a miraculous birth, and of transcendence. (Several times I have tried to create a section for this piece where the music “gets big†and every time I have decided that, while I liked all my new music very much, it just didn’t belong in this piece. Alas, it doesn’t belong in any other piece, either, since it’s clearly created out of motives from The Rebirth of Light. This solo just wants to stay intimate. I am merely the composer and piano player and do not have the authority to override that sweet intimate mood.) Advanced: requires delicacy of touch and, to be comfortable, ease in playing octaves with extra notes inside. Suitable for use in church.
$5.25 ≈
£4.05
Heavy Metal for Balinese gamelan and chamber ensemble
Heavy Metal for Balinese gamelan and chamber ensemble
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Christine Southworth
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Heavy Metal for Balinese gamel
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane ...
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Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00 ≈
£19.30
Please Lord More
Please Lord More
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Piano seul
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Roy Swanson
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Please Lord More
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Runway Region Publications, LLC
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SheetMusicPlus
Piano Solo - SKU: A0.955550 Composed by Roy Swanson. Christian. Score. 5 pages. Runway Region Publications, LLC #6270173. Published by Runway Region Pub...
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Piano Solo - SKU: A0.955550 Composed by Roy Swanson. Christian. Score. 5 pages. Runway Region Publications, LLC #6270173. Published by Runway Region Publications, LLC (A0.955550). During a staff meeting the pastor asked each of us to talk about how things are with our souls. Our Youth Director, filled with the Holy Spirit, began talking about how much she loves God and how could she possibly love Him even more. Lord, You reached for me, I felt your call. I answered with a simple 'Here I am' and I became your messenger... As she was talking, her words were written down and then set to music. The resulting song captured the emotion she was feeling as God was not only talking to her, He was talking to everyone in the room through her. Please Lord More is a song of heartfelt worship and love for God, our Creator. This version is for solo piano, and contains plenty of expressive technique while staying true to the intent of the original song. .
$2.99 ≈
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I Am Here to Stay
