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Vous avez sélectionné:
I Did It My Way Score Only
Partitions à imprimer
41 partitions trouvées
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I Did It My Way - Score Only
I Did It My Way - Score Only
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Orchestre à Cordes
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AVANCÉ
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Claude Francois, Francois Reva
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Marcelo Rago
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I Did It My Way - Score Only
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Marcelo Rago
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1150801 Composed by Claude Francois, Francois Revaud, Gilles Thibaut, Jacques Revaux, Jimmy Kendrix, Paul Anka, Sea...
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String Orchestra - Level 5 - SKU: A0.1150801 Composed by Claude Francois, Francois Revaud, Gilles Thibaut, Jacques Revaux, Jimmy Kendrix, Paul Anka, Sean Carter, and Shawn C. Carter. Arranged by Marcelo Rago. 20th Century,Chamber,Contemporary,Pop,Standards. 19 pages. Marcelo Rago #750983. Published by Marcelo Rago (A0.1150801). Full Score and Parts.
$50.00 ≈
46.09€
Yesterday, When I Was Young (hier Encore)
Yesterday, When I Was Young (hier Encore)
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Piano seul
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AVANCÉ
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Roy Clark
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Timothy Stapay
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Si...
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Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99 ≈
5.52€
On That Cross (Piano part ONLY)
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99 ≈
1.83€
Contagion (Full Album Score)
Contagion (Full Album Score)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Franco Esteve
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Franco Esteve
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Contagion
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Franco Esteve
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and parts. 68 pages. Franco Esteve #722619. Published by Franco Esteve (A0.1121448). About Contagion, the music From quarantine life, something painful this way comes, a new, pandemic inspired, life soundtrack… Contagion is a moment, an interruption, signifying an expression of feelings and music that the Covid-19 coronavirus pandemic and quarantine brought to light. It’s a contemporary classical life-track, serving as a soundtrack to the contagion, to its spread, to its mystery, its attack on the body, to our losses during the Covid-19 pandemic and to our future beyond them. As the virus flooded every news outlet, Contagion became an interruption, a mysterious invader, taking over everything, needing to be expressed. It’s a “lifetrack†or “life soundtrack†with its contemporary classical orchestral sounds expressing the feelings and experiences of those first few months of dread and quarantine, through which many of us felt the fear of it all and the actual loss of loved ones. Original Album Release date: May 14th, 2020 Genre: Contemporary Classical / Life Soundtrack • The album length is 9 minutes and 33 seconds About the Score This version of the score includes ALL 5 songs in the album and the instrument selection varies in accordance with the specific composition of each of the songs. The instruments used are: Horn Section, Soprano Trumpet, Bass Drum, Piano, Harp, Tuba, Wine Glasses, Cabasa, Triangle, Violins I, Violins II, Horn, Trumpet, Trombone, Timpani, Crash Cymbals, Cello Section, Trumpet Section, Gong, Cello Solo. I can imagine the songs can work adapted in a number of ways by different groups or a very advanced group of students. It'll be fun to hear how others interpret them. Music included In the package, I've included the full album's music score with each of the individual songs and their instrument parts and the original published songs as a single HQ MP3 (320 kbps), so players can get a feel for my intentions when composing each one. (You can listen to them free at https://francoesteve.com or on your favorite streaming service - links on my website’s album page linked below). The MP3 also includes a cello solo version of Death Is Not the End. Track list 1. Contagion (2:15) 2. The Spread (2:24) 3. Patient Zero (1:26) 4. Infected (1:26) 5. Death Is Not the End (2:02) Composer: Franco Esteve Genres: Contemporary Classical, Modern Classical, 21st Century Level: Advanced The Package includes 1. PDF with the Score The full score for each of the 5 songs in the album. All the individual parts for each song as written. 2. All 5 songs in a single MP3 HQ (320 kbps) format file including the Bonus Cello Only Version of Death is Not the End. Find out more about this album on Contagion's page on the Franco Esteve website here: https://www.francoesteve.com/music/contagion-music-album/ Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it. Don’t forget to keep up to date with everything Franco Esteve: Website: http://www.francoesteve.com/ Patreon: https://patreon.com/FrancoEsteve Facebook: https://www.facebook.com/seefrancoesteve Twitter: https://www.twitter.com/FrancoEsteve Instagram: https://www.instagram.com/seefrancoesteve My music is also available on all major, online music stores and streaming services. I'm a BMI affiliated artist and you can contact me using the contact form at: http://www.francoesteve.com or through Facebook and Twitter. Thank you again and enjoy! :).
$25.00 ≈
23.05€
All My Life
All My Life
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Soul/R&B
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K-Ci and JoJo
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Sarah Cellobat Chaffee
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B, Wedding
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All My Life
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Sarah Cellobat Chaffee
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SheetMusicPlus
By K-Ci and JoJo. By Joel Hailey and Rory Bennett. Arranged by Sarah Cellobat Chaffee. Contemporary, Hip- Hop, Pop, R & B, Wedding. Score and parts...
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By K-Ci and JoJo. By Joel Hailey and Rory Bennett. Arranged by Sarah Cellobat Chaffee. Contemporary, Hip- Hop, Pop, R & B, Wedding. Score and parts. 15 pages. Sarah Cellobat Chaffee #641330. Published by Sarah Cellobat Chaffee
Instrumentation: 2 Violins & CelloReleased as a single from their 1997 album Love Always, \"All My Life\" is a soulful ballad by the popular R&B duo K-Ci and Jojo. This beautiful song ended up being a commercial success -- not only did it top the Billboard charts for three consecutive weeks, but it also received two Grammy nominations, and it has since been dubbed the most successful song of the group\'s career. With its heartfelt lyrics describing how \"all my life, I prayed for someone like you,\" it\'s no wonder this song is a popular request for wedding ceremonies and receptions! This Cellobat arrangement for your two-violin and cello string trio is sure to be a hit at your events -- with its soaring melodies, beautiful countermelodies, and relaxing vibe, you\'re sure to pull at your audience\'s heartstrings. Rated intermediate; this will be playable for students and sightreadable for professionals.
Sarah \"Cellobat\" Chaffee earned her bachelor\'s degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their \"Deuces Are Wild\" residency at The Park MGM Theater, and she regularly performs at Allegiant Stadium as a member of the house band for the Las Vegas Raiders football team. Sarah is also the principal cellist in David Perrico\'s Pop Strings Orchestra, a world-renowned 14-piece dance band, and she plays regularly for Premiere Wedding Music, Bella Electric Strings, and the Femmes Of Rock. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mtley Cre, Celine Dion, Michael Bubl, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at: http://www.cellobat.com http://www.instagram.com/cellobat http://www.youtube.com/c/SarahCellobatChaffee.
$14.99 ≈
13.82€
My Shepherd Will Supply My Need
My Shepherd Will Supply My Need
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Southern Harmony
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Paul Thurmond
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My Shepherd Will Supply My Nee
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.828225 Composed by Southern Harmony. Arranged by Paul Thurmond. Christian,Gospel,Jazz,Sacred. Score. 3 pages. Paul Thurmo...
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Piano Solo - Level 3 - SKU: A0.828225 Composed by Southern Harmony. Arranged by Paul Thurmond. Christian,Gospel,Jazz,Sacred. Score. 3 pages. Paul Thurmond #4968921. Published by Paul Thurmond (A0.828225). Tune: RESIGNATIONUse: Prelude, Offertory, PostludeA couple of years ago I read an interview with director Ridley Scott about his first commercially successful film, Alien. It’s a terrific science fiction/horror movie set on a large spaceship, with a predatory creature who is hunting down the human crew one by one. In the interview, Scott talked about the fact that there were scenes he wanted to film and effects he wanted to use, but his small budget prevented him from doing so. Instead, he was forced to make do with limited time and materials. Alien became a hit, and Scott went on to direct blockbusters like Gladiator and Hannibal.What stuck with me was what Scott said about creativity. It is his opinion that the budgetary constraints under which he operated when making Alien forced him to explore ideas and methods he wouldn’t have otherwise considered. Even though he would later make movies with ten times the budget, he’s extremely proud of what he and his team did with far more limited resources.When I started writing My Shepherd Will Supply My Need, I decided to give myself a big constraint: I would only be allowed to use the white keys of the piano. This is very different for me; I usually throw in some juicy harmonies. It was an interesting process, and I have to say that I agree with Ridley Scott: limits spark creativity. I’m going to look for other ways to apply this principle.I did go over budget slightly, and used one black key. Every flock has its black sheep, right?
$4.99 ≈
4.60€
SQ18 ... Hommage à Darius Milhaud (2023) - Score Only
SQ18 ... Hommage à Darius Milhaud (2023) - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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SQ18 ... Hommage à Dari
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1211524 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary,Romantic Period. 37 p...
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String Quartet String Quartet - Level 4 - SKU: A0.1211524 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary,Romantic Period. 37 pages. Thomas Oboe Lee #809135. Published by Thomas Oboe Lee (A0.1211524). In 2021 I dedicated SQ15 to Dmitri Shostakovich because ... he wrote fifteen string quartets.  Then I dedicated SQ17 to Heitor Villa-Lobos because he wrote seventeen.  What happened to SQ16?  We all know that Beethoven wrote sixteen string quartets.  But, I am not a fan of his work in general, and I did not find anything inspiring among his string quartets.  So, instead I dedicated SQ16 ... Música Callada (2022) to Federico Mompou.  His music I love!In my search for a string quartet inspiration I discovered that Darius Milhaud wrote eighteen string quartets.  I knew he spent a few years in Brazil as a diplomat, and I have always admired the Brazilian influences in his own music, like the twelve-movement work for solo piano, Saudades do Brasil.† So it became obvious that SQ18 is dedicated in memoriam to Darius Milhaud.SQ18 ... Hommage à Darius Milhaud (2023) is in six movements.I.  Très lent ... Vif, très rythmé  TRIOII.  LentIII.  Très animé  TRIOIV.  FunèbreV.  Très vifVI.  Très lent   TRIO.
$9.99 ≈
9.21€
When I Look In The Mirror...
When I Look In The Mirror...
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Aaron Fonzi
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a loser and a failure
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When I Look In The Mirror...
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Publis...
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Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Published by Aaron Fonzi (A0.998358). A breathtaking new addition to wind band literature, Aaron Fonzi has composed a piece that will take your audience on an incredible, emotional journey. Inspired by his grandmother, Jacquie, Mr. Fonzi recalls:I remember vividly the conversations I had with Grandma Jacquie as a boy. She had a kind, gentle way of showing her steadfast resilience and passion for that which is good and just in the world. She didn't think it good and just that I always felt the need to make myself my worst enemy. One day, she asked me who I see in the mirror. I told her I saw an ugly boy who couldn't do anything right; a loser and a failure. She told me that she saw a handsome young man who can do anything and become whatever he puts his mind to, and that everyday I ought to look in the mirror and find that person.It took me almost 20 years to fully understand what she meant. But it's true: we can only bring the light out of others once we've truly brought it out within ourselves. So, this is for all of us who look in the mirror and see a monster or a failure. You are not a failure and your are not a monster. Let this piece remind you that you can do anything you put your mind to if you put faith in the person looking back at you.Give your ensemble and your audience an experience they will remember with this powerful work, When I Look In The Mirror....
$30.00 ≈
27.65€
Trapped
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00 ≈
23.05€
Ragtime Miniatures for Two Flutes - Set 2
Ragtime Miniatures for Two Flutes - Set 2
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Ragtime
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Pat Holmberg
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Ragtime Miniatures for Two Flu
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Patricia Tanttila Holmberg
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SheetMusicPlus
Flute - Intermediate - Composed by Pat Holmberg. 21st Century, Ragtime, Repertoire. Score. 24 pages. Published by Patricia Tanttila Holmberg ...
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Flute - Intermediate - Composed by Pat Holmberg. 21st Century, Ragtime, Repertoire. Score. 24 pages. Published by Patricia Tanttila Holmberg
Here are fourteen ragtime style flute duets - very contrapuntal - equally challenging and fun in both parts - sure to help teenage flute students keep on with their lessons! Below, find some reviews by flute teachers:Here are some reviews for these duets from flute teachers: ByDr. Mom on November 19, 2013 As a flute teacher, I watch for new and interesting music for my students. These Rags are terrific! They are harmonically and musically interesting, introduce a style to the students with which they may be unfamiliar yet has a "jazzy" feel, and are simple enough in range, rhythm and length (they're relatively brief) to be approachable to the intermediate student - a level at which one often needs interesting music to keep them going! - and above. I had one student who is versed in jazz (plays jazz trumpet) who tried to swing these, so I had the opportunity to work with him on how Rags differ from "swung" jazz, which was kind of fun. I feel these duets fill a need in the modern flute studio, and recommend them highly. Something to Rag about - for students & performers a-like! By Em on November 16, 2013 This 12-piece book is a delightful introduction to ragtime for flutists, who usually don't get the chance to play much jazz or "rag" music. What I perhaps enjoy most about the book is, the 2nd flute part has many chances for nice melodic interplay or fun walking bass lines to accompany the 1st flute. (Unlike many duet books that have a rather stagnant bass line for the 2nd flute/accompaniment.) If you are playing with students who are new to the territory, it is a great book to have them develop an ear for jazz chords. You'll need to review how to swing eighths, since that isn't covered here --it's for Intermediate players after all :). The lines should not be incredibly challenging though, and it is presented in such a way that whether up or down tempo, it's still fun to play. I did like playing most of the pieces up-tempo, though! My top favorite pieces are #5- "Forget-Me-Not", #6 - "Cotton Candy Rag", #11 - "High Country Stomp" (it's nice got a nice lilting feel) and #12- "Green Mountain Saunter." There is a great variety, and each piece has a memorable melody. Grab a flutist friend and play these! If you like to have up-beat and playful tunes (especially during these cold winter months) these will warm you up real fast. Hi Patricia,The Ragtime Miniatures for Two Flutes ? Set 1 Intermediate by Patricia Holmberg lends itself to development in rhythmic and reading skills. It offers studies of syncopated rhythms in 4/4 and 12/8. The 12/8 duets support improvement in the student?s triple feel. Also, the changes in meter challenge and support the enhanced reading skills of the student. Furthermore, the chromatic tones offer stylistic colors to the student?s assortment of fingering patterns. Students using the book had a positive response to the melodic content: it was fun to play?a breath of fresh air.Thank you for bringing your book to my attention. We await set two. Phyllis G. Ragtime Miniatures- Intermediate By Jean A. E. on November 7, 2013 This is Intermediate level music, it can satisfy several levels of players, and altho rags come over stylistically the same , these are varied enough . Except for mostly using flat key signatures, and having some confusion in finding your way around repeats and da capos, these are pleasant little works, some of which would make nice concert encores. The only feature I as a performer corrected when my friend and I played them thru was to 8 va some of the too low 2nd parts. Doing this seemed to improve the voicing.So In general, nice work,Pat!!Professional Flutist/ performer Jean A. "Back to School 2015".
$9.99 ≈
9.21€
An Orange for Soprano/Tenor and Piano
An Orange for Soprano/Tenor and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Apostolos Paraskevas
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An Orange for Soprano/Tenor an
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Silver Sickle Publications
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publication...
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Piano,Vocal,Voice - Level 3 - SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publications #4729017. Published by Silver Sickle Publications (A0.942058). This witty and extremely fun work to perform by composer Apostolos Paraskevas was conceived after real events. There is a version for Soprano/tenor and Piano and one for guitar as well. Easy to perform and the text was inspired of the following narrative. I Slaughtered an Orange over the Sink... ...and it just sat there…It didn't say a word, not a sound of anguish, not even when my teeth started to tear apart it's flesh little by little... I knew it was a special orange but I couldn't fathom the magnitude of its character…Even when gentle I took it away from its friends there at the top of the kitchen counter, it looked at me almost with a sense of gratitude. Yes, gratitude.! As if it was saying: Thank you! Thank you for helping me to fulfill the purpose of my life…Since I was a little seed I knew I would serve a higher purpose. My sacrifice will help a human to become a healthier mother, doctor, composer, a better scientist. Yes, I think I felt it said…a better composer as well. ...and there I was, sinking my teeth deep inside its flesh and taking all of what it had to offer. It's life, it's substance, it's gratitude for serving a higher purpose. I slaughtered it over the sink, to avoid any evidence of what had happen there. The remaining outer sell, I placed it on the stove top and lighted up with fire, as my mother use to do, to release the heavenly smell and there it was. Evaporated everywhere! I inhale it, It became totally a part of me. Today, I slaughtered an orange over the sink and I didn’t say thank you! Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas.
$8.99 ≈
8.29€
On That Cross
On That Cross
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Chorale SSATTB
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FACILE
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00 ≈
2.77€
On That Cross (choir pack + piano part + licence)
On That Cross (choir pack + piano part + licence)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00 ≈
14.75€
Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00 ≈
23.05€
The Pianist's Windchimes
The Pianist's Windchimes
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Piano Facile
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INTERMÉDIAIRE
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Contemporain
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Alex Lewis
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The Pianist's Windchimes
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Houston-Piano Studio
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SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.1110129 Composed by Alex Lewis. Classical,Contemporary. Score. 3 pages. Houston-Piano Studio #712463. Published by Housto...
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Easy Piano - Level 3 - SKU: A0.1110129 Composed by Alex Lewis. Classical,Contemporary. Score. 3 pages. Houston-Piano Studio #712463. Published by Houston-Piano Studio (A0.1110129). This next part is copy and pasted from my blog: My inspiration for The pianist's Wind Chimes came mainly from Philip Glass. The Philip Glass Etudes are kind of short, but I've been listening to them recently. They are somewhat profound even though they are brief and not that advanced. Of course a piece does not have to be long or hard to be profound. The Minimalist style is a great way for beginner and intermediate piano students to sound excellent at piano recitals. I usually don't think about the title of a piece first. The title came to me as I was working on it. Funnily enough, the title might be the worst part of this piece. I only used the name The Pianist's Wind Chimes because I thought it was a cool name (ha ha ha!). In the middle of The Pianist's Wind Chimes, there is a reference to Beethoven's Fur Elise. The famous first two measures of Fur Elise were part of my inspiration. The notes are sort of different. I didn't want to copy Fur Elise completely. But I did want to make the reference obvious enough. I do wander how many people will recognize the reference. I hope most of them will. If you want to read the full blog, then click the following link: https://thecoolalexlewis.blogspot.com/2021/02/hey-everybody.html.
$2.99 ≈
2.76€
Piano Sonata in F Minor - II. Minuet and Trio
Piano Sonata in F Minor - II. Minuet and Trio
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Piano seul
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INTERMÉDIAIRE
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Classique
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Gabriel Lagos
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Gabriel Lagos
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Piano Sonata in F Minor - II.
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Lagos Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1244847 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Chamber,Classical,Romantic Period. Sc...
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Piano Solo - Level 3 - SKU: A0.1244847 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Chamber,Classical,Romantic Period. Score. 2 pages. Lagos Music #839768. Published by Lagos Music (A0.1244847). I wrote this one over the last week, but the amount of hours that it took was quite ridiculous. I wasn't expecting this one to take as much work as it did, but I'm happy with it. The second movement of my first sonata is complete! I'll admit the trio section is a bit more of a scherzo - I was looking at Beethoven's Sonatas and realized he commonly wrote scherzos after his minuets (or similar compositions). I probably should have titled it that way but, oh well. I'm self-titling this as The Empress Minuet because it reminds me of a gig I did where I played for a huge ball at The Fairmont at The Empress in Victoria, BC. This ball was Jane Austen themed, so everyone was dressed in costumes and danced to Minuets and more - all played by a live String Quartet. I was hired to play piano during the breaks and dinner, so I had to play music from the classical period and it was so much fun :) especially since most of my favorite music of all time was composed in that era of history! This took me longer to write than expected, but that's ok. I really wanted to get the feel right. Sounds I'm trying to get: royalty/nobility, and a balance between strength, beauty, and dignity, like our late Queen Elizabeth. I hope you like it. Thank you, Gabe.
$4.99 ≈
4.60€
50 sfumature di......niente
50 sfumature di......niente
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Monica Bergo
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50 sfumature di......niente
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Monica Bergo
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.976879 Composed by Monica Bergo. Contemporary. Score. 4 pages. Monica Bergo #3246293. Published by Monica Bergo (A0.97687...
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Piano Solo - Level 3 - SKU: A0.976879 Composed by Monica Bergo. Contemporary. Score. 4 pages. Monica Bergo #3246293. Published by Monica Bergo (A0.976879). 2017 Holiday Contest Entry♫ *'¨` * • .¸¸. ♫ 50 shades of .... nothing'¨` ♫ * * • .¸¸. ♫ At the doorway you are there ,waiting for me I know your wife and I know that you do not respect her, you see me and you open up yourself in a sinister smile I sigh and wait that you start your sad show ... She asks you love you answer with sex I offer you my friendship It would be fine the same? it is true you are a stunner but not so important if the soul does not shine nothing takes me about you Come on, explain to me again how smart you are But remember that without her you are nothing Your machismo hurts and offends your shades of nothing I bore me a bit ' you read a book? I am affected but a book will not change your life you are swelled, galvanized by Mister Gray're obsessed you're just meat, no spirit and the wings do not have and my colorful world not, you not pollute while you talking to me, peek at your reflection and I understand that are 50 shades But your fears are more ... You, man rampant I, woman inelegant concrete and abstract imperfect binomial 2 worlds in their own right we remain distant your shades of nothing , I do not regret and while I realize that you want to scare me I lose a laugh you know, I feel safe I have behind me very worst nightmares Christian Gray overstrain stay away from me you read a book? You do not say! And Mickey Mouse where did it end? you read a book I am affected but a book will not change your life in love with yourself, but I ask myself if you're something to discover closed inside you if you want to please everyone for the insecurities that you with 50 shades But your fears are more and while I remain standing there watching your car that It makes a screech and disappears I stop myself to think about how I lucky to have a partner who has eyes only for me ....... Monica Bergo
$3.99 ≈
3.68€
Celtiberian Landscape For Harp And Orquestra
Celtiberian Landscape For Harp And Orquestra
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Orchestre
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FACILE
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeir...
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Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99 ≈
23.04€
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
23.05€
Preghiera
Preghiera
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Piano seul
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Monica Bergo
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Preghiera
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976836 Composed by Monica Bergo. Christian,Sacred,Spiritual. Score. 7 pages. Monica Bergo #3235483. Published by Monica Bergo (A0.9...
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Piano Solo - SKU: A0.976836 Composed by Monica Bergo. Christian,Sacred,Spiritual. Score. 7 pages. Monica Bergo #3235483. Published by Monica Bergo (A0.976836). 2017 Holiday Contest EntryPrayer I remember, as a child That church scared me low voices, eyes down And people did not laugh Your suffering face From the cross looking at me your hands tormented And the blood dripping And I remember those nights when I will praying and invoked you Change quickly my life Only this I was wondering And I was fragile Like a leaf in the wind so useless prey to every torment and I was still but always in motion voice of the soul screaming without complaint I remember gray days in which I was looking for you, and you begged and the silence around me amplified my empty and retrace the hours when there was nothing to hold onto and the question was: God exist or not? Kneeling in your church They say this is your home I am seeking warmth and yet I feel stateless And it was cold the bench, as my heart I look at your mother and her pain To be loved, is what I want too And I will pray It will be an incredible dialogue Inside me I hear you in every fiber of my being and reborn we are born to regret because every day here we die a little ' I will rise again? and I will pray and your voice that will envelop me already it turns into freedom you, father, friend You know that peace do not ever leave me stops my time at this moment while you're in me, so present I ask for nothing more and you are shelter and belief a search of attention I always hovering well between damnation and redemption no fate is already sealed and you delete my past and my days without faith I leave them behind me a thousand prayers I will invent I do not follow a book, I have only one chant written by my Lord, I do not see but it is always beside me ... .. Monica Bergo
$3.99 ≈
3.68€
THE MISSING LINK
THE MISSING LINK
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Piano seul
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Contemporain
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Monica Bergo
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THE MISSING LINK
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012749 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743669. Published by Moni Bergo (A0.1012749).
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Piano Solo - SKU: A0.1012749 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743669. Published by Moni Bergo (A0.1012749). Music and song composed by me, dedicated to my sister dead THE MISSING LINK I often still get surprised looking for you between people in a gesture in an instant in an evasive shadow and I remain hooked between past and present a recurring sensation alone among people. Lying and pretending than inside me nothing is missing a pathetic clown always happy and smiley I write music and words to tame the fire inside me because only we know where this pain is taking us where are you? where are you? my sweet missing link you will come back to fill my mind I step back once again and I am limbing next to you hand in hand resigned, while the grey was oppressing for the two of us at every awakening a battle would start I pushed that moment back I didn't wanna be awake but you always protected me even from a cruel child my fearless sister so storng and independent you used to talk to me about guys and how to kiss them I used to blush and my heart beating fast I will look for and call my missing ring and you will answer with the same silence used to ask me if you were beautiful with that storng make up on you looked like a sad Pierrot tired of being avoided you were uncomofortable and people used to push you away many ignorant hypocrits looking like saints and again the two of us together in the open abyss me climbing up slowly but you remain behind I give you my hand but your destiny was written you fall down deep and far in that damned hell it will shine, it will shine my missing ring I will show it proudly to the people and you flew away in that boiling July the freeze inside my heart you, unconscous and paralyzed and for your last travel few hopeless people for the life she used to live it's better that she s gone but they know nothing about it about your unheard shout of my diamonds ring dropped in the mud freedom is a meaningless word oh you, bling and deaf butterfly your wings are now open you will fly, I will fly and I will delete the distance I will find my missing ring.. Monica Bergo
$5.00 ≈
4.61€
The Bare Necessities
The Bare Necessities
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Piano seul
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FACILE
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Film Walt Disney
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the way, there are a few bars
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music...
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Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99 ≈
4.60€
Redeemer Medley
Redeemer Medley
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Christian contemporain
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Musique Sacrée
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Traditional
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Alan Jermiason
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Redeemer Medley
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Alan Jermiason
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.1032980 Composed by Traditional. Arranged by Alan Jermiason. Christian,C...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.1032980 Composed by Traditional. Arranged by Alan Jermiason. Christian,Contemporary,Easter,Sacred. Score and parts. 12 pages. Alan Jermiason #5954713. Published by Alan Jermiason (A0.1032980). I got the inspiration to write this arrangement from my father. He commissioned me to write a medley of traditional hymns in which he and his wife (my mom) could play together for church services. I was sort of taken aback by this request since I am mostly known as a freelance trumpet player around the Minneapolis area and not necessarily an arranger. Nevertheless, I thought I would give it a go. I am happy to say that this project was extremely fun and satisfying to work on. Not only did it give me a chance to stretch muscles I haven't used for a couple of years, but it has given me the opportunity to praise and worship God in a new way. I hope that through this arrangement, others may also be able to worship God through the gift of music. This arrangement is a medley between three different traditional hymns: ​What a Friend We Have In Jesus, Jesus Loves Me, a​nd ​I Know That My Redeemer Lives. ​These were chosen by my dad since these are some of his favorite hymns. This piece works great for any two treble instruments Alan Jermiason July 2020
$14.99 ≈
13.82€
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I Did It My Way Score Only
