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I Do Valse
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Vous avez sélectionné:
I Do Valse
Partitions à imprimer
10 partitions trouvées
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1
Valse sentimentale Op.51, No.6 (arr. for Violin and Symphony Orchestra)
Valse sentimentale Op.51, No.6 (arr. for Violin and Symphony Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Pyotr Ilych Tchaikovsky
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VioArrange
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Clarinete in Bb I,II
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Valse sentimentale Op.51, No.6
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Vio Arrange
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1156360 Composed by Pyotr Ilych Tchaikovsky. Arranged by VioArrange. 19th Century,Classical,Romantic Period. Score an...
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Full Orchestra - Level 4 - SKU: A0.1156360 Composed by Pyotr Ilych Tchaikovsky. Arranged by VioArrange. 19th Century,Classical,Romantic Period. Score and Parts. 39 pages. Vio Arrange #756675. Published by Vio Arrange (A0.1156360). Tchaikovsky's famous Valse Sentimentale Op.51, No.6 arranged for Solo Violin and Symphony Orchestra. The PDF file contains Full score and set of parts (Flute I, II;Oboe I, II; Clarinete in Bb I,II;Basoon I,II;Horn in F I,II;Harp;Glockenspiel;Solo Violin; Violin I;Violin II;Viola;Violoncello;Double Bass). Dear all! We are happy to offer variety of compositions for violin and piano (or symphony orchestra) arranged for violin and string orchestra. For any questions please do not hesitate to contact us on vioarrange@gmail.com .
$52.95 ≈
$71.58
Valse Sentimentale Op.51, No.6 (arr. for Violin and Strings)
Valse Sentimentale Op.51, No.6 (arr. for Violin and Strings)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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VioArrange
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Valse Sentimentale Op.51, No.6
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Vio Arrange
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.946323 Composed by Peter Ilyich Tchaikovsky. Arranged by VioArrange. Romantic Period. Score and parts. 11 pages. Vi...
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String Orchestra - Level 3 - SKU: A0.946323 Composed by Peter Ilyich Tchaikovsky. Arranged by VioArrange. Romantic Period. Score and parts. 11 pages. Vio Arrange #6212549. Published by Vio Arrange (A0.946323). Tchaikovsky's Valse Sentimentale Op.51, No.6 arranged for Solo Violin and String Orchestra. The PDF file contains Full score and set of parts (Solo Violin, Violin I, Violin II, Viola, Violoncello, Double Bass).Dear all! We are happy to offer variety of compositions for violin and piano (or symphony orchestra) arranged for violin and string orchestra. For any questions please do not hesitate to contact us on vioarrange@gmail.com .
$11.95 ≈
$16.15
Valse-Scherzo Op.34 (arr. for Violin and Strings)
Valse-Scherzo Op.34 (arr. for Violin and Strings)
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Orchestre à Cordes
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AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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VioArrange
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Full score and
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Valse-Scherzo Op.34
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Vio Arrange
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.946325 Composed by Peter Ilyich Tchaikovsky. Arranged by VioArrange. Romantic Period. Score and parts. 42 pages. Vi...
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String Orchestra - Level 5 - SKU: A0.946325 Composed by Peter Ilyich Tchaikovsky. Arranged by VioArrange. Romantic Period. Score and parts. 42 pages. Vio Arrange #6215705. Published by Vio Arrange (A0.946325). Tchaikovsky's Valse-Scherzo Op.34 arranged for Solo Violin and String Orchestra. The PDF file contains Full score and set of parts (Solo Violin, Violin I, Violin II, Viola, Violoncello, Double Bass). Dear all! We are happy to offer variety of compositions for violin and piano (or symphony orchestra) arranged for violin and string orchestra. For any questions please do not hesitate to contact us on vioarrange@gmail.com .
$29.95 ≈
$40.49
NORRTULLSVALSEN
NORRTULLSVALSEN
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Lars Ek
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NORRTULLSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Guitar - SKU: A0.1068908 Composed by Lars Ek. Folk,World. Full Performance. Duration 135. Lars Ek Cosmos Music c/o Musik & Underhållningssk...
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Accordion,Guitar - SKU: A0.1068908 Composed by Lars Ek. Folk,World. Full Performance. Duration 135. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924301. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068908). My first acquaintance with Lars Ek Hot Trio refers to the autumn of 1982. It took place in Bergen during the annual enrollment of accordionist by the name TREKKSPILLGALLA In Grieghallen where Lars Ek until now been unknown. It has become a tradition with a Swedish touch during these autumn hits. Strong names Ebbe Jularbo, Roland Cedermark, Norwegian-Swede Olaf Wernersen to name a few. But no one has so far been stormed the audience as Lars Ek Hot Trio did. To experience the original Frosini, Nisse Lind, Ragnar Sundquist represents something new and good in the Accordion music. Genuine original accordion music that we remember so dearly good from the 1930-40's and which had been lying idle since then. The above-mentioned debut has caused several national border crossings for the trio. The last is the spring tour in western Norway this year (1985), where I had the honor to accompany the ensemble from Nor fjord Bergen. An experience for both the audience and the musicians. Yet we feel the turbulence after Lasses bellows murmur down the valley-society’s country. At Voss reached climax when history's first Trekkspill-fan-club became a fact of Lars Ek Fan Club. In alternating western country natural emanation from our flower at the fjord to the mountain huge snowstorm where we stood firm on the Vika Mountain on our way to Voss. After waiting up to a snow plow and colon driving, Lars Ek experience a new Norway. These strong impression of the natural contrasts mixed with the local population intimacy and spontaneity and contact Lasse put on the idea of a Norway-LP, which therefore now been completed in record time. Finally, I would quote one of Norway's largest newspapers to: Lars Ek is the best we have heard - and seen - on the accordion. Do not let it go three more years before he is in Bergen again. Welcome back, Lasse, Bengt and Kalle. Bergen in May 1985 Kind regards from John Mandelid.
$1.99 ≈
$2.69
Selected Duets for Violin - Volume 1
Selected Duets for Violin - Volume 1
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Harvey S
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Selected Duets for Violin - Vo
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Rubank Publications
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SheetMusicPlus
Violin; Violin Duet - Grade 3 SKU: HL.4472660 Medium First Position. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Concer...
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Violin; Violin Duet - Grade 3 SKU: HL.4472660 Medium First Position. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Concert, Contest, Instruction. 40 pages. Rubank Publications #RUBL167. Published by Rubank Publications (HL.4472660). ISBN 9781540001740. UPC: 073999726602. 9.0x12.0x0.103 inches.This classic series of duets is recognizable to nearly everyone who has ever studied an instrument. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. These volumes written specifically for violin duet are carefully edited and bowed. (Vol. I – First Position [Medium]; Vol. II – First Position [Advanced]).
Song List
: Solitude Air De Ballet (Blumenthal) Albumleaf (Hohmann) Allegro (Pleyel) Andante-Caprice (De Beriot) Au Printemps (Viotti) Ballet-Melodie (Mazas) Burleske (Tours) Carnaval (Alard) Chanson Bohemienne (Kalliwoda) Danse Ecossais (Wichtl) Divertissement (Kalliwoda) Duo De Concert (Wohlfahrt) Edelweiss (Eichberg) Elfentanz (Eichberg) Episode (Eichberg) Fest-Marsch (Weiss) Kontratanz (Kalliwoda) La Bandoline (Kalliwoda) La Farfalletta (Campagnoli) Marche Celebre (De Beriot) Marche-Processionnel (Dancla) Marsch-Praludium (Gebauer) Menuet & Trio (Pleyel) Morceau De Concert (Wichtl) Morceau De Salon (Ries) Novellette (Eichberg) Pantomime (Kalliwoda) Rigaudon (Kalliwoda) Valse-Etude (Dancla) Silhouette
$8.99 ≈
$12.15
SQ15 ... Hommage à DSCH (2021) for string quartet
SQ15 ... Hommage à DSCH (2021) for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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SQ15 ... Hommage à DSCH
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe ...
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String Quartet String Quartet - Level 4 - SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe Lee #6448257. Published by Thomas Oboe Lee (A0.869862). Dmitri Shostakovich wrote 15 string quartets. As a tribute to him and his glorious music, my 15th string quartet is dedicated to his memory. The first movement takes on a theme that Dmitri Shostakovich has used many times in his music, especially in his String Quartet No. 8 - the DSCH theme. Bach actually came up with the idea. In his Art of the Fugue, the letters in his name Bach is translated to the musical notes: Bb, A, C and B-natural. Dmitri did the same, but in his case the notes are D, Eb, C and B. My first movement begins with the 2nd violin playing an inversion of the DSCH theme: Eb, D, B and C. Then the 1st violin enters with the original DSCH, which is eventually followed by the viola playing the same DSCH theme, but submerged in a fog of harmony. The cello plays a pedal D … for Dimitri. The idea for the second movement Serenade came from his SQ15, second movement, where the 2nd violin and the viola play a fortissimo quadruple stop pizzicati. I coopted his 8-note chord but used only 6 of them for the ostinato pattern in my movement. Incidentally, the publisher forgot to add an alto clef for the viola part … The third movement in the Nocturne is a Largo in 5/4 that features the cello and the 1st violin. It has nothing to do with DSCH’s music, except for the title. The fourth movement is Intermezzo. Both this title and the previous Nocturne are from his SQ15. But the motivic idea is actually something I stole from his SQ4, third movement. In his case it is a repeated C and G in the 2nd violin and viola in 4/4 meter. I kept the repeated G in the 2nd violin, but I altered the viola part and changed the meter to 3/4. It doesn’t sound like DSCH at all. The fifth movement theme is also an idea I grabbed from his SQ4, second movement: A dyad of F and Ab in 3/4, repeated, in an andante movement. I used the same dyad, F and Ab, but slowed it down to a 6/4 and titled it Trauer-Marsch as DSCH did for the fifth movement of his SQ15. The idea for my sixth movement is stolen from DSCH’s SQ2, third movement, which is titled Valse. The 2nd violin and viola play a persistent pah-pah of the usual Oom-pah-pah of a fast waltz. That is what I used (not an uncommon device in all waltzes), but I altered the top line to something more interesting that just repeating the same notes. His waltz begins in Eb minor, but mine is in the relative major of Gb. The last movement is the Epilogue, as it is in DSCH’s SQ15. The only thing I borrowed from his epilogue is the opening chord of an Eb minor triad. The music that follows has nothing to do with DSCH. Mine is a slow, evolving set of chord progressions that sounds like a dirge: gliding through the waters on a gondola in the canals of Venice on its way to Isola di San Michele.
$9.99 ≈
$13.50
Satie: Je Te Veux - wind quintet
Satie: Je Te Veux - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Je Te Veux - wind quint
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1288613 Composed by Erik Satie. Arranged by Ray Thompson. 20th C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1288613 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Wedding. 16 pages. RayThompsonMusic #879570. Published by RayThompsonMusic (A0.1288613). Je te veux (I Want You) is a sung waltz, or valse chantée, by Erik Satie to erotic lyrics by Henry Pacory. Its two verses and repeated chorus were written for Paulette Darty, whose accompanist Satie had been and who first sang it in 1903 at La Scala, a cabaret in Paris.Satie composed various versions: for piano and voice, as published in 1903; for an orchestra of brass instruments; for full orchestra, with a trio section added between the chorus and the second verse; and at some point for solo piano including this added trio section.My Arrangment for standard wind quintet is of the solo piano version, so it includes the additional trio section.The melody is shared amongst the 4 top instruments, and the quintet do NOT play tutti all the way through.Chcek out my other Satie arrangements3 Gymnopédies and 3 Gnossiennes. ( sold separately and as collections).Also: Rag-Time du Pacquebot (Ragtime of the Steampacket), Sonatina Bureaucratique and selections from Sports et Divertissements.
$14.99 ≈
$20.26
Introduzione e balletti (2022)
Introduzione e balletti (2022)
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Introduzione e balletti
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Thomas Oboe Lee
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.1050199 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary. Score. 25 pages. Thomas Oboe Lee ...
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Cello Duet Cello - Level 4 - SKU: A0.1050199 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary. Score. 25 pages. Thomas Oboe Lee #654576. Published by Thomas Oboe Lee (A0.1050199). Claire Kim (a.k.a. Deok Yong Kim) has been my go-to cellist since I first heard her with the NICO Quartet in 2019 @ NEC in Jordan Hall. She recently found a boyfriend who is also a cellist, Bennet Huang. They have been dinner guests at our home many times. So, when I ran out of projects to do in the early summer of 2022, I decided to write a duo of two cellos for them. In my search for inspiration, I discovered that Ermmano Wolf-Ferrari (1876 - 1948) wrote a number of nice duets for violin and cello. The one that really intrigued me was his Introduzione e balletto. And since my wife, Kristin Beckwith, is a ballet teacher who has only recently retired from teaching at the Boston Ballet School, I thought this would be a nice gesture to dedicate this work to her. The Wolf-Ferrari is only a two-movement work, hence the title's balletto reference. Mine will be a multi-movement work with many balletti in it. I. Introduzione II. Valser III. Bolero IV. Sarabanda V. Tarantella VI. Barcarola VII. Bandinerie VIII. Siciliana Enjoy!
$9.99 ≈
$13.50
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ?angel of corrections? [?l?ange des Corrections?] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
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