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Vous avez sélectionné:
I Don\ Medieval
Partitions à imprimer
56 partitions trouvées
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51
Waltz for Martha for Violin (with optional Clarinet)
Waltz for Martha for Violin (with optional Clarinet)
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Philip R Buttall
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Waltz for Martha for Violin
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PRB Music
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1382422 Composed by Philip R Buttall. Children,Classical,Romantic Period,Traditional. 9 pages. PRB Music #742662. Publi...
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Piano,Violin - Level 4 - SKU: A0.1382422 Composed by Philip R Buttall. Children,Classical,Romantic Period,Traditional. 9 pages. PRB Music #742662. Published by PRB Music (A0.1382422). After being locked down by Covid, I had almost lost the will to live, let alone go on holiday again outside the UK. Two years before I had had a lovely time in Italy, visiting Rome, Pisa, Puccini's House, Florence, Sienna, and more. Almost at the end of the trip I stayed a couple of days with my dear musical friends in Perugia, where their then 8-year-old daughter, Martha, was making great strides forward on the violin (mum is a concert pianist and teacher, similarly dad, but on the clarinet. I had booked to stay in Cesena where they had moved two, and I had a lovely time here, two, adding Bologna, Rossini's Museum, Rimini and some of the Adriatic coast to my list of places visited. They, too, had had lockdowns, and cancellations, but quite by chance, the weekend I had planned to be in Cesena, was the rearranged date of a special outside concert in the imposing surroundings of Rocca Malatestiana, a medieval fortress than dominates the town. Martha was going to be performing a violin concerto by Rode, and her dad had adapted the orchestral accompaniment, so that the large clarinet ensemble could take its place on the night. It was a wonderful, moving evening, and Martha played so well. I don't think there was a dry eye in the house! When I knew I was visiting them this year, I wrote Martha a little fun piece, with piano accompaniment, that she might have been able to play while I was there. But because of the rescheduled concerto performance, there just wasn't enough time for her to learn and practise the piece with her violin teacher in Bologna. I even added an optional part for clarinet, so dad would not feel left out. Hopefully, one day, I might still hear Waltz for Martha played by its dedicatees! It's a kind of schmalzy Viennese Waltz, in the style of Kreisler and others! You can purchase the piano score and violin part here. The optional clarinet part is available FREE OF CHARGE - by emailing info@philiprbuttall.co.uk.
$10.95 ≈
9.88€
Carolan: 174
Carolan: 174
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Mandoline, Guitare (duo)
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INTERMÉDIAIRE/AVANCÉ
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Turlough Ó Carolan
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Gordon Jackson
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Carolan: 174
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Gordon Jackson
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Mandolin - Level 4 - SKU: A0.1017672 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,...
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Instrumental Duet Guitar,Instrumental Duet,Mandolin - Level 4 - SKU: A0.1017672 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,Irish,Multicultural,World. Score and parts. 2 pages. Gordon Jackson #6434379. Published by Gordon Jackson (A0.1017672). 174Turlough Ó Carolan (1670-1738) was an Irish harper and composer. Carolan’s music does not sit comfortably in any one particular musical tradition. He was the product of a long line of Irish harpers dating from medieval times or before. He was also aware of Irish folk music, with many of his tunes having a ‘trad’ quality, particularly in his jig-like compositions. Finally, Carolan was influenced by the music of Italian Baroque composers that he would have heard played at the great houses he visited. Carolan’s Draught is an example of the latter.The rather prosaically titled ‘174’ is simply the result of the air’s original name being lost in the mists of time, and Donal O’Sullivan, in his Carolan: The Life Times and Music of an Irish Harper [sic.] allocated numbers to the tunes that had no titles (171-180). I have arranged this primarily for solo mandolin, although I’m sure it can be adapted for other instruments. The piece is played three times through: first, the basic unadorned melody; second, with just a few simple double stops and open strings; third, a fully-realised romp with many, often quite tricky, double stops (and open strings, of course, but they’re pretty easy!). I’ve added guitar chords above the staff (letter names only), not that it necessarily needs further accompaniment. The melody is so heavily arpeggiated the chords more or less wrote themselves. A word of warning – easily discovered for yourselves, really – beware of attempting to play this too fast lest those runs of quavers (16th notes) catch you unawares!
$4.99 ≈
4.50€
Divinum Mysterium
Divinum Mysterium
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00 ≈
67.68€
Let It Be
Let It Be
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Noël
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99 ≈
3.60€
ESCLARMONDE: Introduction et Dance des Nymphes - Solo Lever Harp
ESCLARMONDE: Introduction et Dance des Nymphes - Solo Lever Harp
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Jules Massenet
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Alessandro Palazzani
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ESCLARMONDE: Introduction et D
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A work by Alessandro Palazzani
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SheetMusicPlus
Lever Harp - Level 4 - SKU: A0.1220727 Composed by Jules Massenet. Arranged by Alessandro Palazzani. Classical,Medieval,Opera,Romantic Period,Wedding. S...
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Lever Harp - Level 4 - SKU: A0.1220727 Composed by Jules Massenet. Arranged by Alessandro Palazzani. Classical,Medieval,Opera,Romantic Period,Wedding. Score. 26 pages. A work by Alessandro Palazzani #817067. Published by A work by Alessandro Palazzani (A0.1220727). CONTENTS: Introduction and Dance of the Nymphes from the opera ESCLARMONDE by MassenetArranged for lever harp by Alessandro Palazzanithis score is part of the collection MUSIC FROM JULES MASSENET’S OPERAS which includes the most famous, captivating and evocative pieces of the Belle Epoque repertoire, arranged for lever harp and published in five volumes: I. music from: Thais – La Navarraise – Griselidis – Therese – Bacchus - II. music from: Werther – Don Cesar de Bazan – Ariane – Jerusalem –Le roy de Lahore – Amadis - III. music from: Manon – Marie Magdalene – Les Erynnies – Roma –Le Mage – Cherubin - IV. music from: Cendrillon – Le Cid – Le jongleur de Notre Dame –Cleopatre – Eve – Sapho - V. music from: Herodiade – Don Quixote – Phedre – La Vierge –Panurge – Esclarmonde.
$7.00 ≈
6.32€
Fanfare for Caitlin's Castle-Horn in F
Fanfare for Caitlin's Castle-Horn in F
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Cor
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Donald H
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Fanfare for Caitlin's Castle-H
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Donald H. Sanborn III
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SheetMusicPlus
French Horn Solo - SKU: A0.987724 Composed by Donald H. Sanborn III. 20th Century,Contemporary. Individual part. 2 pages. Donald H. Sanborn III #421513....
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French Horn Solo - SKU: A0.987724 Composed by Donald H. Sanborn III. 20th Century,Contemporary. Individual part. 2 pages. Donald H. Sanborn III #421513. Published by Donald H. Sanborn III (A0.987724). The Fanfare was inspired by my Goddaughter, to whom the piece is dedicated. When she was five, Caitlin received a toy castle for Christmas. I wanted to compose a piece for Caitlin, and I thought that every castle needs a fanfare to announce the arrival of the royal inhabitants. The piece combines the majesty of a Medieval fanfare with the whimsy of child's play.
$1.99 ≈
1.80€
Fanfare for Caitlin's Castle--Trumpet in Bb #1
Fanfare for Caitlin's Castle--Trumpet in Bb #1
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Trompette
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Contemporain
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Donald H
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Fanfare for Caitlin's Castle--
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Donald H. Sanborn III
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SheetMusicPlus
Trumpet Solo - SKU: A0.987721 Composed by Donald H. Sanborn III. Contemporary. Individual part. 2 pages. Donald H. Sanborn III #421509. Published by Don...
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Trumpet Solo - SKU: A0.987721 Composed by Donald H. Sanborn III. Contemporary. Individual part. 2 pages. Donald H. Sanborn III #421509. Published by Donald H. Sanborn III (A0.987721). The Fanfare was inspired by my Goddaughter, to whom the piece is dedicated. When she was five, Caitlin received a toy castle for Christmas. I wanted to compose a piece for Caitlin, and I thought that every castle needs a fanfare to announce the arrival of the royal inhabitants. The piece combines the majesty of a Medieval fanfare with the whimsy of child's play.
$1.99 ≈
1.80€
Fanfare for Caitlin's Castle--Trombone
Fanfare for Caitlin's Castle--Trombone
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Trombone
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Contemporain
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Donald H
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Fanfare for Caitlin's Castle--
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Donald H. Sanborn III
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SheetMusicPlus
Trombone Solo - SKU: A0.987725 Composed by Donald H. Sanborn III. 20th Century,Contemporary. Individual part. 2 pages. Donald H. Sanborn III #421519. Pu...
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Trombone Solo - SKU: A0.987725 Composed by Donald H. Sanborn III. 20th Century,Contemporary. Individual part. 2 pages. Donald H. Sanborn III #421519. Published by Donald H. Sanborn III (A0.987725). The Fanfare was inspired by my Goddaughter, to whom the piece is dedicated. When she was five, Caitlin received a toy castle for Christmas. I wanted to compose a piece for Caitlin, and I thought that every castle needs a fanfare to announce the arrival of the royal inhabitants. The piece combines the majesty of a Medieval fanfare with the whimsy of child's play.
$1.99 ≈
1.80€
Fanfare for Caitlin's Castle (Brass Quintet)
Fanfare for Caitlin's Castle (Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Contemporain
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Donald H
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Fanfare for Caitlin's Castle
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Donald H. Sanborn III
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SheetMusicPlus
Brass Ensemble - SKU: A0.987723 Composed by Donald H. Sanborn III. 20th Century,Contemporary. Score and parts. 9 pages. Donald H. Sanborn III #421507. P...
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Brass Ensemble - SKU: A0.987723 Composed by Donald H. Sanborn III. 20th Century,Contemporary. Score and parts. 9 pages. Donald H. Sanborn III #421507. Published by Donald H. Sanborn III (A0.987723). The Fanfare was inspired by my Goddaughter, to whom the piece is dedicated. When she was five, Caitlin received a toy castle for Christmas. I wanted to compose a piece for Caitlin, and I thought that every castle needs a fanfare to announce the arrival of the royal inhabitants. The piece combines the majesty of a Medieval fanfare with the whimsy of child's play.
$1.99 ≈
1.80€
Planxty Irwin
Planxty Irwin
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Mandoline, Guitare (duo)
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Turlough Ó Carolan
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Gordon Jackson
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Planxty Irwin
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Gordon Jackson
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Mandolin - SKU: A0.1017673 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Cla...
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Instrumental Duet Guitar,Instrumental Duet,Mandolin - SKU: A0.1017673 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,World. Score and parts. 1 pages. Gordon Jackson #6434557. Published by Gordon Jackson (A0.1017673). Planxty IrwinTurlough Ó Carolan (1670-1738) was an Irish harper and composer. Carolan’s music does not sit comfortably in any one particular musical tradition. He was the product of a long line of Irish harpers dating from medieval times or before. He was also aware of Irish folk music, with many of his tunes having a ‘trad’ quality, particularly in his jig-like compositions. Finally, Carolan was influenced by the music of Italian Baroque composers that he would have heard played at the great houses he visited. Carolan’s Draught is an example of the latter.This pleasant little tune is actually titled ‘Colonel John Irwin’ (Carolan’s modus operandi was to compose tunes, often with lyrics, in honour of his wealthy patrons and their various family members). However, this one has become much more widely known as ‘Planxty Irwin’. A planxty is a tune, usually lively, composed in honour of a patron, although the actual etymology of the word is unknown, and may even have been coined by Carolan himself.For my arrangement of the tune I have written a counterpoint, which comes in second time around. Whilst the basic melody is mostly ‘swung’, i.e. with beats comprising dotted quaver-semiquaver-quaver (dotted 16th-32nd-16th), the counterpoint is ‘straight’, i.e. a quaver-quaver-quaver beat (16th-16th-16th). This creates a pleasant (I hope!) syncopation throughout.
$4.99 ≈
4.50€
Blackadder Theme
Blackadder Theme
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Howard Goodall
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Warren J
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Blackadder Theme
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Warren J Wernick
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.948762 By Howard Goodall. By Howard Goodall. Arranged by Warren J. Wernick. Contemporary. Score and parts. 7 pages. W...
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Brass Ensemble - Level 4 - SKU: A0.948762 By Howard Goodall. By Howard Goodall. Arranged by Warren J. Wernick. Contemporary. Score and parts. 7 pages. Warren J Wernick #5713803. Published by Warren J Wernick (A0.948762). Blackadder is a series of four BBC One pseudohistorical British sitcoms, plus several one-off installments, which originally aired from 1983–1989. All television episodes starred Rowan Atkinson as the antihero Edmund Blackadder and Tony Robinson as Blackadder's dogsbody, Baldrick. Each series was set in a different historical period, with the two protagonists accompanied by different characters, though several reappear in one series or another, e.g., Melchett (Stephen Fry) and Lord Flashheart (Rik Mayall). The theme song is composed by Howard Goodall, an English composer of musicals, choral music and music for television. He also presents music-based programs for television and radio, for which he has won many awards. In May 2008, he was named as a presenter and Composer-in-Residence with the UK radio channel Classic FM. In May 2009, he was named Composer of the Year at the Classic BRIT Awards. Goodall said of the Theme, They asked me if I would have a go at the tune. With all of these things, although I do come up with my own ideas, you don't really come up with a good one unless you talk it through with them and the vision they've got. It was quite obvious, the historical approach they were going for. What's interesting is that the first series, the medieval one with 'Richard the Fourth', was much more filmic and much more historical. That's why we ended up with that tune. Whereas had the first series been the Elizabethan one, the theme would have been slightly gentler, less heroic. .
$12.99 ≈
11.72€
The Sacred Magic of Abramelin the Mage
The Sacred Magic of Abramelin the Mage
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Brandon Nelson
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The Sacred Magic of Abramelin
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Brandon Nelson
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Vibraphone - Level 5 - SKU: A0.912928 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 11...
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Instrumental Duet Clarinet,Instrumental Duet,Vibraphone - Level 5 - SKU: A0.912928 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 11 pages. Brandon Nelson #2082127. Published by Brandon Nelson (A0.912928). This work is based on the book by the same title. In it, one Abraham of Wurzburg, an aspiring medieval mage and devout Jew, describes a tour that he made of points in Europe and the Middle East, searching for a mentor who would not turn out to be a charlatan (or worse). Abraham eventually finds such a figure in a small town on the banks of the Nile. Here he meets the great magician Abramelin, whose system of magic Abraham sets out in detail. What results is the present volume, which puts forth a complete course in ceremonial magic (both white and black). In Abramelin’s system, after a lengthy period of self-purification and prayer, one may call upon one’s Holy Guardian Angel, who will then instruct one further on how to conjure up the princes and demons of Hell to do your bidding. The crux of this involves using certain special squares of anagrammatic words that would compel the conjured demon to perform specified tasks. In this piece, I take five of these squares and depict them in colorful, virtuosic tone paintings. (Learn more about me at bnelsonmusic.wordpress.com).
$9.99 ≈
9.02€
Carolan's Draught
Carolan's Draught
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Mandoline, Guitare (duo)
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INTERMÉDIAIRE
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Turlough Ó Carolan
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Gordon Jackson
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second, with the counterpoint
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Carolan's Draught
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Gordon Jackson
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Mandolin - Level 3 - SKU: A0.1017671 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,...
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Instrumental Duet Guitar,Instrumental Duet,Mandolin - Level 3 - SKU: A0.1017671 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,World. Score and parts. 6 pages. Gordon Jackson #6434339. Published by Gordon Jackson (A0.1017671). Carolan’s DraughtTurlough Ó Carolan (1670-1738) was an Irish harper and composer. Carolan’s music does not sit comfortably in any one particular musical tradition. He was the product of a long line of Irish harpers dating from medieval times or before. He was also aware of Irish folk music, with many of his tunes having a ‘trad’ quality, particularly in his jig-like compositions. Finally, Carolan was influenced by the music of Italian Baroque composers, whose music he would have heard played at the great houses he visited. Carolan’s Draught is an example of the latter.Carolan’s Draught is a lively tune equally at home in folk concerts and sessions, early music performances, schools, weddings and I have also used it as a learning piece with my mandolin and mandola students.I have composed a counterpoint and a bass part. My arrangement has the tune played three times through: first, the basic melody is played on its own; second, with the counterpoint; third, with the bass part added. This arrangement is completely flexible. The parts can be played on almost any instrument and in different octaves. Have fun with it!
$4.99 ≈
4.50€
📄 Storia della Musica (Dalle origini al XX secolo)
📄 Storia della Musica (Dalle origini al XX secolo)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Andrea Balzani
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📄 Storia della Musica
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Andrea Balzani
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1105055 By Andrea Balzani. By Andrea Balzani. Classical,Early Music,Historic,Medieval,Opera. Lead Sheet / Fake Book. 18...
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C Instrument - Level 3 - SKU: A0.1105055 By Andrea Balzani. By Andrea Balzani. Classical,Early Music,Historic,Medieval,Opera. Lead Sheet / Fake Book. 183 pages. Andrea Balzani #708300. Published by Andrea Balzani (A0.1105055). 👉  Dispensa di Storia della Musica (dispensa didattica)Language: ITALIAN 🇮🇹 ➡ï¸â€ŠLinktree: https://linktr.ee/AndreaBalzani Contenuti:- TESI n. 1 ◾  Origini monogenetiche della musica ed Etnomusicologia- TESI n. 2 ◾  Le Musiche dei popoli antichi e la musica ebraica - TESI n. 3 ◾  L'Antica musica Greca- TESI n. 4 ◾  Il Canto Cristiano e il Gregoriano - TESI n. 5 ◾  La Polifonia medioevale e l'Ars Antiqua- TESI n. 6 ◾  La Notazione musicale  - TESI n. 7 ◾  Guido d'Arezzo e la Teoria Medioevale - TESI n. 8 ◾  Canti sacri e profani, Trovatori, Trovieri e Minnesangers - TESI n. 9 ◾  Il Trecento: L'Ars Nova- TESI n. 10 ◾  Le Scuole fiamminghe del Quattrocento  - TESI n. 11 ◾  La Musica nel Rinascimento e la Polifonia sacra - TESI n. 12 ◾  Le Forme musicali dal XIII sec. al XVI sec.  - TESI n. 13 ◾  I Trattatisti e gli strumenti nel Rinascimento - TESI n. 14 ◾  La Nascita dell'Opera e la Camerata Bardi - TESI n. 15 ◾  L'Oratorio e la Musica sacra- TESI n. 16 ◾  L'Opera Italiana nel Seicento a Roma e Venezia - TESI n. 17 ◾  L'Opera Italiana nel Settecento in Italia e in Europa . - TESI n. 18 ◾  L'Opera seria e l'Opera buffa- TESI n. 19 ◾  Le riforme dell'Opera italiana : Gluck e Calzabigi - TESI n. 20 â—¾  L'Opera in Francia, Germania, Austria ed Inghilterra - TESI n. 21 ◾  L'Opera Italiana in Europa nel Seicento e Settecento- TESI n. 22 ◾  L'Opera nell'Ottocento: Rossini, Donizetti, Bellini, Verdi - TESI n. 23 ◾  Wagner : vita, opere e pensiero  - TESI n. 24 ◾  Musica, forme e strumenti del primo barocco - TESI n. 25 ◾  Il Barocco di mezzo : la Suite, la Sonata, Corelli  - TESI n. 26 ◾  Il Concerto, Vivaldi e Scarlatti   - TESI n. 27 ◾  J.S.Bach, Haendel, le scuole organistiche tedesche- TESI n. 28 ◾  Il Rococò e lÂ’Età Classica: Haydn, Mozart, Beethoven- TESI n. 29 ◾  Il Romanticismo: le forme ed i musicisti romantici   - TESI n. 30 ◾  La musica strumentale nella seconda Ottocento    - TESI n. 31 ◾  Le Scuole Nazionali      - TESI n. 32 ◾  Il Novecento, la Dodecafonia e la Musica elettronica  ✉ï¸â€Šâ€ŠContact: andreabalzani.workinprogress@gmail.com
$4.99 ≈
4.50€
Entre le Boeuf et l'Ane Gris
Entre le Boeuf et l'Ane Gris
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Chorale 3 parties
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FACILE
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Sylvia Miles
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Sylvia Miles
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Entre le Boeuf et l'Ane Gris
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Sylvia Miles
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 2 - SKU: A0.1295545 By Sylvia Miles. By Sylvia Miles. Arranged by Sylvia Miles. Christmas,Medieval,Multicultural,World...
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Choral Choir,Choral (SSA) - Level 2 - SKU: A0.1295545 By Sylvia Miles. By Sylvia Miles. Arranged by Sylvia Miles. Christmas,Medieval,Multicultural,World. 8 pages. Sylvia Miles #885841. Published by Sylvia Miles (A0.1295545). This is one of the oldest extant carols; it has been dated to the C13. There's nothing ancient about its style though, it's full of life, and positively skips along.It may have its origins in the book of Isaiah ch 1 v 3: the ox knoweth his owner, and the ass his master's crib.This arrangement is for SSA choir with piano accompaniment and optional violin. If you have a friendly violinist, the violin line adds a real sparkle!People who aren't used to singing in French won't find it too taxing (I hope!) as there's lots of repetition in the verses, and the refrain stays the same.Translation: v1.Between the ox and the grey donkey the little boy sleeps. Ref: A thousand heavenly angels, a thousand seraphim, fly around this great God of love.v2: In Mary's arms sleeps the fruit of life.v3: Between roses and lilies sleeps the divine child.v4: Surrounded by the cheerful shepherds the little boy sleeps.
$1.99 ≈
1.80€
Canzon Prima - La Spiritata
Canzon Prima - La Spiritata
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Giovanni Gabrieli
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Marc Donatelle
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Canzon Prima - La Spiritata
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Marc Donatelle
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1422743 Composed by Giovanni Gabrieli. Arranged by Marc Donatelle. Chamber,Classical,Early Music,Easte...
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String Quartet String Quartet - Level 4 - SKU: A0.1422743 Composed by Giovanni Gabrieli. Arranged by Marc Donatelle. Chamber,Classical,Early Music,Easter,Medieval. 13 pages. Marc Donatelle #1004097. Published by Marc Donatelle (A0.1422743). This classic music from 1608 Venice is adapted for string quartet. To imitate style of the period, follow the dynamics carefully and individually.Only at major cadences will the line up!The somber beginning picks up intensity, with an exiting flourish at the end.You may want to experimant with non-vibrato, and soft attacks, sounding more like a viol.I have found that people enjoy this short work very much.
$10.00 ≈
9.02€
Lullabye (Goodnight, My Angel)
Lullabye (Goodnight, My Angel)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Billy Joel
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Gary D
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Lullabye
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DR GARY D BELSHAW
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.796624 By Billy Joel. By Billy Joel. Arranged by Gary D.Belshaw (ASCAP). Pop,Rock. Score and parts. 26 pages. DR G...
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Chamber Orchestra - Level 4 - SKU: A0.796624 By Billy Joel. By Billy Joel. Arranged by Gary D.Belshaw (ASCAP). Pop,Rock. Score and parts. 26 pages. DR GARY D BELSHAW #3109511. Published by DR GARY D BELSHAW (A0.796624). For String Quartet plus a guest artist: Alto Sax, Clarinet, Flute, Oboe, or Trumpet. From Billy Joel's final album, River of Dreams (1993).How would you answer a 7-year-old's question, Where do we go when we die? The hint of Medieval ambience came from Joel's plans to make this song part of a suite, with lyrics sung in Latin. The song has been covered more than 2 dozen times. Don't let our version become maudlin or morose. It's got plenty of meaning without getting gushy or sentimental. I chose the Alto sax for its contrast with the strings; the other instruments allow you to select from a variety of guest artists.Thank you for considering this work; your impressions are valuable. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus).
$14.99 ≈
13.53€
East Bound And Down
East Bound And Down
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jerry Reed
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Brian Rhodes
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East Bound And Down
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Brian E Rhodes
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1267962 By Jerry Reed. By Dick Feller and Jerry Reed. Arranged by Brian Rhodes. 21st Century,Country,Jaz...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1267962 By Jerry Reed. By Dick Feller and Jerry Reed. Arranged by Brian Rhodes. 21st Century,Country,Jazz,Medieval,Video Game. Score and Parts. 93 pages. Brian E Rhodes #860515. Published by Brian E Rhodes (A0.1267962). This one is just plain fun! As a 80s kid, I grew up watching Burt Reynolds movies and this one is one of the best! Jerry Reed and Dick Feller wrote a fantastic theme song and it translates great for jazz band. The gang vocals toward the end can be replaced by a drum solo if anyone's not into that kind of thing. The key signature is neutral with accidentals placed as needed. Plenty of solo space for anyone wanting to explore their inner redneck. Have fun and don't take it too seriously!
$50.00 ≈
45.12€
Christmas Processional
Christmas Processional
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Orchestre
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AVANCÉ
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Noël
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French Traditional
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Andrew Wainwright
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Christmas Processional
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Andrew Wainwright
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.890746 Composed by French Traditional. Arranged by Andrew Wainwright. Christmas. Score and parts. 69 pages. Andrew Wa...
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Full Orchestra - Level 5 - SKU: A0.890746 Composed by French Traditional. Arranged by Andrew Wainwright. Christmas. Score and parts. 69 pages. Andrew Wainwright #4888451. Published by Andrew Wainwright (A0.890746). A spectacular opener to any Christmas concert, based on the French carol, Bring a torch, Jeanette, Isabella. This work tells the story of a group of children in medieval Provence, dressed up as shepherds and milkmaids, carrying torches and candles as they proceed to the stable. As they draw closer and their excitement increases, they are constantly reminded by their parents to keep the noise down so that they don't wake up the baby Jesus. The music begins quietly and builds to a majestic conclusion. If I were still conducting regularly, this would certainly be on my list as a Christmas concert opener - it sets the energy and mood most effectively. The scoring is terrific. Paul Hindmarsh, music critic *Please note audio is of the version with choir.
$65.00 ≈
58.66€
Oure Light in Oure Night for voices and nature soundtrack — now in Spanish/English!
Oure Light in Oure Night for voices and nature soundtrack — now in Spanish/English!
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Chorale Unison
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FACILE
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Adrienne Inglis
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Oure Light in Oure Night for v
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (Unison) - Level 2 - SKU: A0.1108615 Composed by Adrienne Inglis (ASCAP). A Cappella,Christian,Classical,Instructional,Sacred. 4 pag...
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Choral Choir,Choral (Unison) - Level 2 - SKU: A0.1108615 Composed by Adrienne Inglis (ASCAP). A Cappella,Christian,Classical,Instructional,Sacred. 4 pages. Adrienne Inglis (ASCAP) #711261. Published by Adrienne Inglis (ASCAP) (A0.1108615). Perfect for a contemplative holiday occasion! Easy and satisfying for singers! Enjoy this Spanish/English bilingual to perform in one or both languages! Beautiful modal aleatoric setting of sacred text by Julian of Norwich suitable for any combination of voices accompanied by the nature soundtrack found at the YouTube link https://youtu.be/P3R2lLkAntE. A terrific introduction to aleatory, this gorgeous piece can include chimes or a pitched melodic instrument such as a flute. Text from The Shewings of Julian of Norwich, Part III LXXXIII lines 3362-3364Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day. Asà vi y comprendà que nuestra fe es nuestra luz en nuestra noche, cuya luz es Dios, nuestro dÃa sin fin. Program note — Composed by Adrienne Inglis (ASCAP) while sheltering in place during the coronavirus pandemic, Oure Light in Oure Night (2020) sets text by Julian of Norwich for voices with a nature soundtrack. The video format is designed especially for use by choirs singing remotely on an online platform such as Zoom, Cleanfeed, Jamulus, or other. Text is from The Shewings of Julian of Norwich, Part I LXXXIII lines 3362-3364:  “Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day.†The soundtrack of night sounds changing to dawn reflects the message of hope in Julian’s text. Beginning with the sounds of dusk, the whispered words blend with insect sounds. The modal aleatoric passages create an atmosphere of echoing bells as voices overlap. As night passes into day, the modality changes and the insect night sounds shift to the dawn chorus of birds. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. When Julian was near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†Her beautiful Medieval English words reassure us with the hope that our faith in God is our light in times of trouble. The composer donates all proceeds of this music to The Nature Conservancy at nature.org.https://www.youtube.com/@adrienneinglishttps://adrienneinglis.com/
$1.99 ≈
1.80€
Three Laments of Heloise for Chamber Orchestra
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00 ≈
90.24€
Carolan's Frolic
Carolan's Frolic
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Mandoline, Guitare (duo)
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Turlough Ó Carolan
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Gordon Jackson
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Carolan's Frolic
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Gordon Jackson
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Mandolin - SKU: A0.1017674 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Cla...
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Instrumental Duet Guitar,Instrumental Duet,Mandolin - SKU: A0.1017674 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,World. Score and parts. 2 pages. Gordon Jackson #6434593. Published by Gordon Jackson (A0.1017674). Carolan’s FrolicTurlough Ó Carolan (1670-1738) was an Irish harper and composer. Carolan’s music does not sit comfortably in any one particular musical tradition. He was the product of a long line of Irish harpers dating from medieval times or before. He was also aware of Irish folk music, with many of his tunes having a ‘trad’ quality, particularly in his jig-like compositions. Finally, Carolan was influenced by the music of Italian Baroque composers that he would have heard played at the great houses he visited. Carolan’s Frolic is an example of the latter.This tune is most commonly known in the literature as ‘Thomas Judge’, but best known in Irish music circles as ‘Carolan’s Frolic’. As I have arranged it, there is no real need for accompaniment, as long as it is played by a skilful mandolin player, combining as it does quite speedy runs of semiquavers (32nd notes) and some tricky double stopping.
$4.99 ≈
4.50€
Turn Thee Toward Your Lord
Turn Thee Toward Your Lord
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Chorale SATB
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FACILE
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King Richard I
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Tim Brace
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Turn Thee Toward Your Lord
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Magnolia Arts
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.963107 Composed by King Richard I. Arranged by Tim Brace. Christian,Classical,Easter. Octavo. 14 pages. Magnolia...
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Choral Choir (SATB) - Level 2 - SKU: A0.963107 Composed by King Richard I. Arranged by Tim Brace. Christian,Classical,Easter. Octavo. 14 pages. Magnolia Arts #6218265. Published by Magnolia Arts (A0.963107). This is an arrangement, with new lyrics, of the Medieval melody to Ja Nun Hons Pris, attributed to King Richard I (the Lion-hearted). Arranged for SATB but could also be done SAB or SAT. Much of the piece is unison choir or two parts. Perfect for a small choir, and especially appropriate during Lent. A song for healing: Turn Thee away from the hate; turn Thee around, turn Thee toward love, toward God. Duration: 4:00-4:30. Tim Brace is a member of ASCAP.
$1.99 ≈
1.80€
Sugar Wassail - SAA/TBB/SAB a cappella
Sugar Wassail - SAA/TBB/SAB a cappella
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Chorale 3 parties
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DÉBUTANT
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Traditional
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Jake Alexander
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Sugar Wassail - SAA/TBB/SAB a
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Jake Alexander
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SheetMusicPlus
Choral Choir (3-Part) - Level 1 - SKU: A0.1112620 Composed by Traditional. Arranged by Jake Alexander. 19th Century,Christmas,Folk,Medieval,Traditional....
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Choral Choir (3-Part) - Level 1 - SKU: A0.1112620 Composed by Traditional. Arranged by Jake Alexander. 19th Century,Christmas,Folk,Medieval,Traditional. Octavo. 1 pages. Jake Alexander #714631. Published by Jake Alexander (A0.1112620). A straightforward, three-part, unaccompanied arrangement of this boisterous wassailing song for female, male or mixed voice choir.My name is Jake Alexander - I’m a composer, arranger and choir leader based in London. I create accessible arrangements that play to the strengths of community choirs. If you would like to offer any feedback, or just want to say hi, please get in touch at jake@jakealexander.org. Also, feel free to get in touch if you would like to be sent rehearsal tracks - these are available for all of my scores. Happy singing!jakealexander.orgquaggycommunitychoir.com
$1.99 ≈
1.80€
Coventry Carol - SSA a cappella
Coventry Carol - SSA a cappella
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Chorale 3 parties
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DÉBUTANT
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Traditional
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Jake Alexander
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Coventry Carol - SSA a cappell
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Jake Alexander
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SheetMusicPlus
Choral Choir (SSA) - Level 1 - SKU: A0.1112613 Composed by Traditional. Arranged by Jake Alexander. Christian,Christmas,Medieval,Religious,Renaissance. ...
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Choral Choir (SSA) - Level 1 - SKU: A0.1112613 Composed by Traditional. Arranged by Jake Alexander. Christian,Christmas,Medieval,Religious,Renaissance. Octavo. 1 pages. Jake Alexander #714429. Published by Jake Alexander (A0.1112613). A straightforward, three-part, unaccompanied, upper voice choir arrangement of this haunting Christmas carol. Also available in SAT on this site.My name is Jake Alexander - I’m a composer, arranger and choir leader based in London. I create accessible arrangements that play to the strengths of community choirs. If you would like to offer any feedback, or just want to say hi, please get in touch at jake@jakealexander.org. Also, feel free to get in touch if you would like to be sent rehearsal tracks - these are available for all of my scores. Happy singing!jakealexander.orgquaggycommunitychoir.com
$1.99 ≈
1.80€
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