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Vous avez sélectionné:
I Still Possess
Partitions à imprimer
5 partitions trouvées
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1
I Still Possess (Downloadable)
I Still Possess (Downloadable)
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Chorale SATB
#
AVANCÉ
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Connor Koppin
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I Still Possess
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MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
SATB choir divisi (a cappella) - Difficult - SKU: MQ.50-8403-E Composed by Connor Koppin. Reformation. 14 pages. MorningStar Music Publishers - Digital ...
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SATB choir divisi (a cappella) - Difficult - SKU: MQ.50-8403-E Composed by Connor Koppin. Reformation. 14 pages. MorningStar Music Publishers - Digital Sheet Music #50-8403-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-8403-E). English.Written for The Wartburg Choir in celebration of the 500th anniversary of the Reformation, this piece juxtaposes a vernacular quote of Martin Luther (...whatever I have placed in God's hands, that I still possess) with his text Wir glauben all einen Gott, creating a powerful expression of hope. The quote is set in rubato choral style, the hymn text is set to the actual WIR GLAUBEN tune in a sort of chant style. Unusual and memorable.
$2.85 ≈
2.57€
Who Is He
Who Is He
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Voix duo, Piano
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FACILE
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John W
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Who Is He
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John Fisher
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 2 - SKU: A0.1295808 Composed by John W. Fisher. 21st Century,Christian,Contemporary,Instructional,Religious. 5 page...
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Piano,Voice Duet Piano,Voice - Level 2 - SKU: A0.1295808 Composed by John W. Fisher. 21st Century,Christian,Contemporary,Instructional,Religious. 5 pages. John Fisher #886139. Published by John Fisher (A0.1295808). This sermon song duet is based on a sermon preached by Dr. Paul de Jong at First Presbyterian Church, Fort Myers, Florida,on September 17, 2023. The sermon was entitled, Who is This ? based on Mark 4:35-5:20. My song is told from the view point of the disciples who were in awe of what they saw as Jesus calmed the seas and cast out demons into a herd of swine from a man who was possessed. The disciples, at this point in the Gospel of Mark, were being taught by Jesus directly while the masses got parables. But they still did not know really who Jesus was. The duet stresses their confusion of exactly , Who is He ? It has a haunting melody to express how the disciples must have felt. My SERMON SONGS are a new genre in religious music in which I take sermon notes and turn them into notes in scores which I hope will be sung in places of worship everywhere.
$7.00 ≈
6.31€
Concerto No. 3
Concerto No. 3
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Clarinette
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Johann Melchior Molter
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Concerto No. 3
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Imagine Music - Digital
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SheetMusicPlus
E-flat clarinet & piano - SKU: IZ.PDP009 Composed by Johann Melchior Molter. Score and Parts. 25 pages. Imagine Music - Digital #PDP009. Published by Im...
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E-flat clarinet & piano - SKU: IZ.PDP009 Composed by Johann Melchior Molter. Score and Parts. 25 pages. Imagine Music - Digital #PDP009. Published by Imagine Music - Digital (IZ.PDP009). 9 x 12 in inches.Johann Melchior Molter achieved particular notoriety for his writing for unusual instruments, such as the chalumeau, the flauto d' amore, the flauto cornetto, and the harp. The clarinet was at the time a very new and quite unrefined instrument, but the Karlsruhe court orchestra possessed a musician (Johann Reusch) who played it. In 1747 Molter wrote four concerti for the piccolo clarinet in D, which are possibly the first clarinet concerti ever written. The motives and fanfare-like arpeggiated figures of these clarinet concerti reflect the early clarinet's reputed tonal similarity to the trumpet. It is interesting to note that the English referred to the early clarinet as the Mock Trumpet, and the name clarinet itself is derived from the Italian word for trumpet, clarino. The piccolo clarinet in D is the clarinet for which Richard Strauss wrote the main motive of his famous tone poem Till Eulenspiegel, and it also notably appears in the symphonies of Mahler and Stravinsky's Le sacre du printemps. The D clarinet is still in fairly common use today, but the majority of modem clarinetists perform parts written for the D clarinet on the much more common E-flat clarinet. For this arrangement I wished to allow the clarinetist to perform Molter's third concerto on the E-flat clarinet in the same key as it was written for the D clarinet. Therefore, I have transposed the piece from the original key of G to A-flat, which keeps the written solo part in the key of F. It is my sincere hope that this practicality will allow many more clarinetists to enjoy performing this historically significant piece of clarinet repertoire.
$20.00 ≈
18.04€
Where the Glacier Meets the Sky
Where the Glacier Meets the Sky
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Chorale SATB
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FACILE
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Jordan Castillow
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Where the Glacier Meets the Sk
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Songburd Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1347436 Composed by Jordan Castillow. 21st Century,A Cappella,Christmas,Instructional. 8 pages. Songburd ...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1347436 Composed by Jordan Castillow. 21st Century,A Cappella,Christmas,Instructional. 8 pages. Songburd Music #932244. Published by Songburd Music (A0.1347436). Where the Glacier Meets the Sky is a moving and sentimental choral piece that draws its musical inspiration from a famous poetic line found in the literary epic, HeimsljoÌs (World Light), written by the Nobel Prize laureate of Iceland, HalldoÌr Laxness. This once controversial novel tells the story of OÌlafur KaÌrason, an orphan boy who longed to read all the books in the world, and aspire to write his own poetry amidst an atmosphere of socialism and communism, while plodding through his personal struggles and forging his creativity in the ruggedly beautiful landscape and indomitable culture of Iceland. While visiting Iceland I came upon this profoundly moving poem by HalldoÌr Laxness, and I realized how symbolic it was of Iceland’s people and culture, and how the words of the poem possessed music within it, and this led me to compose this work in the hope of capturing some aspects of the wonder that is Iceland.
$3.00 ≈
2.71€
The Master Singers of Nuremberg
The Master Singers of Nuremberg
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Piano, Voix
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Opera
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Richard Wagner
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The Master Singers of Nurember
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SheetMusicPlus
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal ...
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.
An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner?s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NRNBERG ?Die Meistersinger von Nrnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera?s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche?s publication \"Jenseits von Gut und Bse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ?magnificent, ornate and ponderous art? and Wagner?s music in general as being ?rough and coarse?. This music according to Nietzsche possesses ?no trace of the fine southern clarity of the sky and nothing of grace?, but instead ?a cumbersome garb, with a touch of licentious barbarism and solemnity? and ?even a certain degree of ungainliness?. Nietzsche?s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Smtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott?s Shne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. [?] When the saying ?the music sets the tone? is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.? (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99 ≈
54.10€
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I Still Possess
