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I Want It That Way TTBB
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Vous avez sélectionné:
I Want It That Way TTBB
Partitions à imprimer
22 partitions trouvées
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1
I Want It That Way (TTBB a cappella)
I Want It That Way (TTBB a cappella)
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Chorale TTBB
#
INTERMÉDIAIRE
#
Pop musique
#
The Backstreet Boys
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Brandy Kay Riha
#
I Want It That Way
#
Brandy Kay Riha
#
SheetMusicPlus
TTBB - Intermediate - Digital Download By The Backstreet Boys. Arranged by Brandy Kay Riha. Sheet Music Single. 10 pages. Published by Brandy Kay Riha...
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TTBB - Intermediate - Digital Download By The Backstreet Boys. Arranged by Brandy Kay Riha. Sheet Music Single. 10 pages. Published by Brandy Kay Riha
$3.25 ≈
£2.52
I Want It That Way
I Want It That Way
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Chorale TTBB
#
INTERMÉDIAIRE
#
Pop musique
#
The Backstreet Boys
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Adrian Jordan
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I Want It That Way
#
Adrian Jordan
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.939639 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Adrian Jordan. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.939639 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Adrian Jordan. Pop. Octavo. 11 pages. Adrian Jordan #6661555. Published by Adrian Jordan (A0.939639). Arrangement of 'I Want It That Way' for TTBB - originally arranged for a school choir so intermediate difficulty level.
$1.99 ≈
£1.54
I Want It That Way
I Want It That Way
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Chorale TTBB
#
INTERMÉDIAIRE
#
The Backstreet Boys
#
Ryan Noakes
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I Want It That Way
#
Ryan Alexander Noakes
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.932371 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Ryan Noakes. A ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.932371 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Ryan Noakes. A Cappella,Dance,Pop. Octavo. 6 pages. Ryan Alexander Noakes #6030019. Published by Ryan Alexander Noakes (A0.932371). Arrangement of the Backstreet Boys signature song I Want It That Way for a cappella quartet, as sung by Slow No Tempo [https://slownotempo.ca]. This song is sure to inspire excited nostalgia for the late 90s/early 2000s and make many of your audience members swoon. Typically a highlight of every one of SNT's performances, this TTBB arrangement is a great choice for a quartet with a little bit of experience under their belts.
$3.99 ≈
£3.09
I Want It That Way
I Want It That Way
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Chorale TTBB
#
INTERMÉDIAIRE
#
The Backstreet Boys
#
Rowena Harper
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I Want It That Way
#
Rowena Harper
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.762504 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Rowena Harper. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.762504 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #5719549. Published by Rowena Harper (A0.762504). Who said that Back Street Boys needed five people? Here's an arrangement that says that four boys would have done!This pop song was originally written to cover quite a vocal range, and therefore aspects of the tune are also shared with solo segments that also feature baritone and tenor, plus a small solo for the bass so they wouldn't miss out. The arrangement features the expected and let's face it, much anticipated, key change. It also includes a nice gentle finish which stays in keeping with the original song. This is a must-have in your a cappella repertoire - but will likely require leads to be able to sing harmony, unless parts are switched.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass F#-B, Baritone D#-B, Lead E-F#, Tenor B-C#. MIXED options: Baritone, Lead and Tenor are suitable for female voices.This is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Tenor (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The Treble clef parts are sung an octave lower than written.)Contact: acappellatenor@gmail.com.
$3.00 ≈
£2.32
I Want It That Way
I Want It That Way
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Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
The Backstreet Boys
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Nicholas Wright
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I Want It That Way
#
Nicholas Wright
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.827525 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Nicholas Wright...
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Choral Choir (TTBB) - Level 4 - SKU: A0.827525 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Nicholas Wright. 20th Century,A Cappella,Contemporary,Pop. Octavo. 14 pages. Nicholas Wright #6329727. Published by Nicholas Wright (A0.827525). Voicing: TTBB (all-male)Parts: 5 (includes solos/divisi)Pages: 13Range: E2 - B4Key: F# minor
$3.99 ≈
£3.09
I Want It That Way
I Want It That Way
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
The Backstreet Boys
#
Loren Shevitz
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I Want It That Way
#
Cameo Lake Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.943099 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Loren Shevitz. ...
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Choral Choir (TTBB) - Level 4 - SKU: A0.943099 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Loren Shevitz. A Cappella,Dance,Pop. Octavo. 6 pages. Cameo Lake Music #5302595. Published by Cameo Lake Music (A0.943099). Arranged for a TTBB a cappella ensemble with two soloists in the barbershop style. Challenging and fun, four key changes will keep the singers on their toes!
$2.99 ≈
£2.32
I Want It That Way – TTBB and Solo Voice, a cappella
I Want It That Way – TTBB and Solo Voice, a cappella
#
Chorale TTBB
#
Rock Alternatif
#
The Backstreet Boys
#
Charles A
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I Want It That Way – TTBB an
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CG Publications
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SheetMusicPlus
By The Backstreet Boys. Arranged by Charles A. Gravenhorst. Score. 15 pages. Published by CG Publications ...
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By The Backstreet Boys. Arranged by Charles A. Gravenhorst. Score. 15 pages. Published by CG Publications
This well-known favorite from The Backstreet Boys is a challenging but truly impressive and crowd-pleasing selection arranged for Men?s a cappella voices, TTBB (divisi) and Solo voice, and may be sung with as few as five voices, though parts are written for seven voices plus Optional Beatboxer.
$2.99 ≈
£2.32
I Want It That Way
I Want It That Way
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Chorale TTBB
#
INTERMÉDIAIRE
#
The Backstreet Boys
#
Justin Goh
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I Want It That Way
#
Justin Goh
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.878813 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Justin Goh. A C...
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Choral Choir (TTBB) - Level 3 - SKU: A0.878813 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Justin Goh. A Cappella,Dance,Pop. Octavo. 7 pages. Justin Goh #4805539. Published by Justin Goh (A0.878813). TTB or TBB Choir3 part Male ChoirA cappella--If you have questions or comments, I'm most happy to hear from you at justingohcj@gmail.com.
$1.99 ≈
£1.54
I Want It That Way
I Want It That Way
#
Chorale TTBB
#
INTERMÉDIAIRE
#
The Backstreet Boys
#
James Marler
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I Want It That Way
#
Alicorn Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.596727 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by James Marler. D...
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Choral Choir (TTBB) - Level 3 - SKU: A0.596727 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by James Marler. Dance,Pop. Octavo. 19 pages. Alicorn Music (ASCAP) #4349657. Published by Alicorn Music (ASCAP) (A0.596727). This signature song from The Backstreet Boys was a massive hit in the summer of 1999, and it was considered the pop ballad of the year.
$3.97 ≈
£3.07
I Want It That Way
I Want It That Way
#
Chorale TTBB
#
INTERMÉDIAIRE
#
The Backstreet Boys
#
Anders Lindqvist
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I Want It That Way
#
Anders Lindqvist
#
SheetMusicPlus
Voice (TTBB) - Level 3 - SKU: A0.879534 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Anders Lindqvist. A Ca...
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Voice (TTBB) - Level 3 - SKU: A0.879534 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Anders Lindqvist. A Cappella,Pop. Barbershop Quartet. 5 pages. Anders Lindqvist #3523789. Published by Anders Lindqvist (A0.879534). A close harmony arrangement of the hit ballad made famous by Backstreet Boys. Suitable for a male acapella quartet or chorus of intermediate skills.
$12.99 ≈
£10.06
I Want It That Way
I Want It That Way
#
Chorale TTBB
#
FACILE
#
Pop musique
#
The Backstreet Boys
#
Stephen DeCesare
#
I Want It That Way
#
Exultet Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.624771 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Stephen DeCesar...
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Choral Choir (TTBB) - Level 2 - SKU: A0.624771 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Stephen DeCesare. Dance,Pop. Octavo. 9 pages. Exultet Music #4806227. Published by Exultet Music (A0.624771). The popular song by the American boy band the Backstreet Boys, has been freshly arranged for TTB with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$1.99 ≈
£1.54
I Want It That Way (arr. Nathan Howe)
I Want It That Way (arr. Nathan Howe)
#
Chorale TTBB
#
Pop musique
#
The Backstreet Boys
#
Nathan Howe
#
I Want It That Way
#
Hal Leonard
#
SheetMusicPlus
Choral, Voice (TTBB) - Digital Download By The Backstreet Boys. Arranged by Nathan Howe. This edition: scorch. A Cappella, Pop. Octavo. 14 pages. Dur...
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Choral, Voice (TTBB) - Digital Download By The Backstreet Boys. Arranged by Nathan Howe. This edition: scorch. A Cappella, Pop. Octavo. 14 pages. Duration 135. Published by Hal Leonard
$2.75 ≈
£2.13
I Want It That Way (Tell Me Why) TTBB - arr. Julien Neel
I Want It That Way (Tell Me Why) TTBB - arr. Julien Neel
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Chorale TTBB
#
INTERMÉDIAIRE
#
Pop musique
#
The Backstreet Boys
#
Julien Neel
#
I Want It That Way
#
Julien Neel
#
SheetMusicPlus
By The Backstreet Boys. Arranged by Julien Neel. Score. 7 pages. Published by Julien Neel (Trudbol) ...
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By The Backstreet Boys. Arranged by Julien Neel. Score. 7 pages. Published by Julien Neel (Trudbol)
"I Want It That Way" is a 1999 hit song by American boy band the Backstreet Boys on their third studio album Millennium. Their catchy pop ballad was nominated for three Grammy Awards, and reached the number-one spot in more than 25 countries.
This original 4-part a cappella arrangement for male voices will be the perfect addition to your show repertoire. With melody sung by Tenor 2 (A.K.A. "Lead" in the barbershop quartet setting), it will stay comfortable for all the singers, while keeping the energy and feeling strong for the audience.
$5.00 ≈
£3.87
I Want It That Way
I Want It That Way
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Pop musique
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The Backstreet Boys
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Brenden Charles
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I Want It That Way
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BC70
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SheetMusicPlus
Choral Bass Clarinet,Choral,Tenor Drum (TTBB) - Level 3 - Interactive Download SKU: A0.1293978 By The Backstreet Boys. By Andreas Carlsson and Max Martin...
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Choral Bass Clarinet,Choral,Tenor Drum (TTBB) - Level 3 - Interactive Download SKU: A0.1293978 By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Brenden Charles. This edition: Interactive Download. Pop. 44 pages. Duration 206. BC70 #2H95W5TqNYsXQFny9sQvbA. Published by BC70 (A0.1293978). Key: A major.Men's Acappella Arrangement.
$3.00 ≈
£2.32
I Want It That Way TTBB
I Want It That Way TTBB
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Chorale TTBB
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Pop musique
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The Backstreet Boys
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Rob Bradley
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I Want It That Way TTBB
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Rob Bradley
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SheetMusicPlus
By The Backstreet Boys. Arranged by Rob Bradley. Octavo. 11 pages. Published by Rob Bradley (H0.355587-SC000013233). - Octavo - - Rob Bradley...
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By The Backstreet Boys. Arranged by Rob Bradley. Octavo. 11 pages. Published by Rob Bradley (H0.355587-SC000013233). - Octavo - - Rob Bradley
$2.25 ≈
£1.74
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
£3.09
Backstreet Boys Medley - 5 Prints by Anthem Lights - TTBB Choir + Piano
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Chorale TTBB
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Anthem Lights
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Backstreet Boys Medley - 5 Pri
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Musicnotes
Performed by: Anthem Lights: Backstreet Boys Medley - (Show Me the Meaning of Being Lonely - I Want It That Way - Shape of My Heart - Larger Than Life - Everybo...
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Performed by: Anthem Lights: Backstreet Boys Medley - (Show Me the Meaning of Being Lonely - I Want It That Way - Shape of My Heart - Larger Than Life - Everybody (Backstreet's Back)) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: TTBB Choir + Piano, instruments: TTBB Choir;Piano Accompaniment; 7 pages -- Dance-Pop~~Adult Contemporary~~Teen Pop~~Electronica~~Club/Dance~~Euro-Dance~~Pop~~Europop
$2.50 ≈
£1.94
Backstreet Boys: I Want It That Way (arr. Nathan Howe) - choir (TTBB: tenor, bass)
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Chorale
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INTERMÉDIAIRE
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Pop musique
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Backstreet Boys
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Virtualsheetmusic
Instantly printable sheet music by Backstreet Boys for choir (TTBB: tenor, bass) of MEDIUM skill level. / pop,a cappella
Instantly printable sheet music by Backstreet Boys for choir (TTBB: tenor, bass) of MEDIUM skill level. / pop,a cappella
$6.73 ≈
£5.21
This Is Me
This Is Me
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Chorale TTBB
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INTERMÉDIAIRE
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Benj Pasek and Justin Paul
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Shelton Ridge Love
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I am bruised
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This Is Me
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Shelton Ridge Love
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. S...
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Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. Shelton Ridge Love #4593251. Published by Shelton Ridge Love (A0.779366). I am not a stranger to the dark.Hide away, they say, ’cause we don’t want your broken parts. I grew up in a very conservative, religious environment. My family, churches, and the Christian schools I attended always taught me that being gay was a sin. I hid that part of myself from everyone and fought so hard to make it go away. I didn’t want God to hate me. I didn’t want my sin to isolate me from my family or send me to hell. When the sharpest words wanna cut me down,I’m gonna send a flood, gonna drown them out.I am brave; I am bruised; I am who I’m meant to be.This is me. It took a long time for me to make the words of this song my own. Coming out was a long and often difficult process. But the day that same-sex marriage was legalized in South Carolina, I finally decided to come out publically on social media. I thought about that moment when I first heard this song-the moment that I was able to unashamedly tell the world: THIS IS ME! - Shelton
$1.99 ≈
£1.54
In My Room
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99 ≈
£1.54
Baba O'riley
Baba O'riley
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Chorale TTBB
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INTERMÉDIAIRE
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The Who
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David R
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Baba O'riley
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Bluesilhouettes Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1117341 By The Who. By Pete Townshend. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. Octavo. 12...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1117341 By The Who. By Pete Townshend. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. Octavo. 12 pages. Bluesilhouettes Music #718904. Published by Bluesilhouettes Music (A0.1117341). I’ve always been interested in Baba O’Riley; it always felt like a combination of Disney’s Electric Light Parade, minimalism, and rock. Take what you want (as to the story) behind this piece - you cannot deny that the title refers to Maher Baba and Terry O’Riley - a combination of Indian spiritualism and musical minimalism. The main melody is there. The voices bounce around with short vocalises/ostinatos to simulate a synth. The piano also becomes integral to the iconic chord progression. This version helps to use what the choir is excellent for - dynamic and textural contrasts while delivering a familiar tune. Enjoy this interactive rendition of Baba O'Riley!
$2.50 ≈
£1.94
Sea Songs
Sea Songs
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Steve Martland
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Sea Songs
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSSAAATTTBBB) - difficult - SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of ...
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Mixed choir (SSSAAATTTBBB) - difficult - SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 23 minutes. Schott Music - Digital #Q19671. Published by Schott Music - Digital (S9.Q19671). English.Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with the earlier piece, Martland made use of to the library of the English Folk Song and Dance Society at Cecil Sharp House in north London. I wanted specifically to find texts that were not just the usual nautical heave-ho sort of thing, but instead explored the dangers and hardships still being experienced by sailors as recently as the early 19th century. I was also very happy to see in these texts the sense of camaraderie and mutual support that existed between the sailors. (Steve Martland) Dance to your Daddy sets the scene of a sailor's wife at home, dandling her baby son and singing to him about his daddy away fishing, and about the future. Both the tune and the words come from the Northumberland area around Newcastle. This song is very well known in the UK and gave the title to a famous television series When the boat comes in. Fire Down Below is about the effects of fire - a constant danger on board wooden ships. At the end of this song the words take on an extended meaning: Fire in our hearts for the friends that we love. The Dead Horse is about the initial month of work without pay in which all seamen had to take part. They referred to it as the dead horse - hence the expression to flog a dead horse when something is a waste of time. The seamen resented this unpaid time, and the text expresses their frustrations metaphorically by listing what they would do to the horse! The music's frantic gallop alludes to the horse's desperation. Although The Sea Martyrs presents itself as a ballad, this text has a more literary feel, and unlike the other songs it doesn't include a chorus refrain. It concerns the sailors' lack of pay, the consequences of asking for pay (being hanged!), and the poverty of their families at home. The poem portrays the sailors' deaths as an almost religious sacrifice to help future seamen. At the end of the work, the opening of Dance to your Daddy returns as a kind of descant, sung by an angel calling to the hanged men. © Paul Hillier, 2012.
$12.99 ≈
£10.06
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